JOHANN SEBASTİAN BACH’IN İYİ TAMPERE EDİLMİŞ KLAVYE, I. KİTAP RE MAJÖR PRELÜD BWV 850’NİN ARMONİK ANALİZİ

Öz

Barok dönem bestecilerinden Johann Sebastian Bach hem kullandığı armonik dil hem de döneminin ötesindeki armoni ve bestecilik anlayışıyla Klasik Batı Müziğine yön vermiş bestecilerden birisidir. Bu çalışmada; piyano ve klavsen yorumcuları tarafından çalınması, hafızada tutulması ve ikna edici bir şekilde yorumlanması oldukça zor ve karmaşık bir eser olan İyi Tampere Edilmiş Klavye, I. Kitap, Re Majör Prelüd, BWV 850 eserinin armonik analizinin ayrıntılı ve derinlemesine incelenmesi yapılmıştır. Bu çalışma klasik müzikle uğraşan bireyler açısından oldukça faydalı, J. S. Bach’ın armonik dilinin daha iyi anlaşılabilmesi ve tonal armoninin kurallarının daha iyi kavranabilmesi açılarından da eğitici olacaktır.

Anahtar Kelimeler

• Johann Sebastian Bach
• Prelüd BWV 850
• Armonik Analiz.

A HARMONIC ANALYSIS OF THE PRELUDE IN D MAJOR FROM BOOK 1 OF THE WELL-TEMEPERED CLAVIER (BWV 850) BY JOHANN SEBASTIAN BACH

Öz

Baroque composer Johann Sebastian Bach is one of the most influential icons in Western Art Music. He profoundly impacted music through his use of the harmonic language as well as his special and systematic approach towards composition, which was ahead of his time. In this article, the Prelude in D Major from Book 1 of The Well-Tempered Clavier (BWV 850) has been studied in depth and in detail from a harmonic point of view. This prelude is arguably a challenging piece of music for pianists and harpsichordists in terms of long term memorization as well as achieving a persuasive, satisfactory interpretation. This article may prove useful for those interested in classical music and may also be of some educational value to those desirous of penetrating the harmonic language of J. S. Bach or the laws or principles governing tonal harmony in general.

Anahtar Kelimeler

• Johann Sebastian Bach
• Prulede
• BWV 850
• Harmonic Analysis

Kaynakça

1. Bach, Johann Sebastian: Das Wohltemperierte Klavier – Teil I (BWV 846-869) – Urtext, Ernst-Günter Heinemann (editör), Andras Schiff (parmak numaraları), “Printed in Germany”, G. Henle Verlag, 2007.
2. Boyd, Malcolm: Bach, üçüncü baskı, Oxford University Press, New York, 2000.
3. Butt, John: The Cambridge Companion to Bach, Cambridge University Press, Cambridge, UK, 2010.
4. Forkel, Johann Nikolaus: Johann Sebastian Bach, His Life, Art and Work, Harcourt, Brace and Howe, New York, 2011.
5. Grout, Donald Jay; Palisca, Claude V.: A History of Western Music, Beşinci Baskı, W. W. Norton & Company, New York, Londra, 1996.
6. Jones, Richard D. P.: The Creative Development of Johann Sebastian Bach, Vol. I: 1695-1717, Music to Delight the Spirit, Oxford University Press, New York, 2007.
7. Leaver, Robin A.: The Routledge Research Companion to Johann Sebastian Bach, Routledge Taylor and Francis Group, Londra ve New York, 2017.
8. Schweitzer, Albert: J. S. Bach, Vol I, Ernest Newmann (tercüme), The Macmillan Company, New York; Lowe & Brydone Printers, Londra, 1950.

9. Wolff, Christoph: Bach’s Musical Universe, The Composer and His Work, W. W. Norton & Company, London, 2020.
10. Wolff, Christoph: Johann Sebastian Bach: The Learned Musician, W. W. Norton & Company, New York, London, 2001.