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AMBALAJ TASARIMINDA YAPAY ZEKA TEKNOLOJİLERİNİN GRAFİK TASARIM PERSPEKTİFİNDE İNCELENMESİ

Yıl 2024, Cilt: 2 Sayı: 2, 6 - 24

Öz

Marka kimliğinin özgün ve etkin şekilde kitlelere aktarılmasında önemli rol oynayan ambalaj ve tasarımı, ürünün korunması, tüketiciye ergonomik bir yöntemle sunulmasının ötesinde marka iletişimi hakkında da önemli ipuçları verebilmektedir. Ürün ve marka hakkında kitlelerin zihninde görsel ve düşünsel algı yaratmak üzere oluşturulan veriler, markanın özelliklerini tanımlamak üzere ambalaj tasarımlarında konumlandırılmaktadır. Bu yönüyle ambalaj tasarımları, hem üreticiyi hem de tüketiciyi kapsayan bir etkileşim ağı yaratabilmekte, ürünün ve markanın sahip olduğu nitelikleri kitlelere iletmekte aracılık etmektedir. Ambalaj tasarımları her sektör ve markanın tüketici ile üretici arasında kurduğu köprü görevini üstlenirken, sektörde marka iletişimi yönüyle de fark yaratarak hedef tüketici grubuna metinler, görseller ve çeşitli semboller ile hitap edebilme görevini üstlenmektedir. Modern çağın her alanına etki eden bilim ve teknolojide atılan geleceğe yönelik adımlar, tasarım dünyasının tabularını her geçen gün değiştirmeye ve dönüştürmeye devam etmektedir. Gerçekleşen değişim ve dönüşümler yapay zekanın tasarımın farklı disiplinlerini yeniden ele almamızı kaçınılmaz kılmaktadır. Bu çalışmada ambalaj tasarımlarında yapay zeka uygulamaları grafik unsurlar (renk, tipografi, görsel, doku, form) çerçevesinde incelenmektedir. Marka kimliğinin yapay zeka dokunuşu, sektörün önde gelen markalarının yapay zeka aracılığı ile oluşturduğu iletişim süreci, örnekler ışığında analiz edilmektedir.

Kaynakça

  • Tian Yi & Liu Aijun. (2015). Image Inpainting Algorithm of 2D Anharmonic Analysis Coupled Diffusion Tensor. Packaging Engineering, 7.
  • Adams, P. (2024, Haziran 25). PepsiCo Experiments With Smart Cans, AI Tech To Improve Personalization. Food Dive: https://www.fooddive.com/news/pepsi-gatorade-AI-assistant-smart-can-cannes-lions/719692/ adresinden alındı
  • Agarwal, A., & Bali, R. (2008). Artificial Intelligence in Graphic Design: A Review. International Journal of Computer Applications, 29-34.
  • Albretsen, C. (1999). Akhenaton Pharaoh And Heretic. Journal Of The Norwegian Medical Association. Anderson, M. (2010). Calvin University. https://calvin.edu/news/archive/sins-virtues-and-big-fish-at-gallery-debut adresinden alındı
  • Anderson, M. (2010). Calvin University. https://calvin.edu/news/archive/sins-virtues-and-big-fish-at-gallery-debut adresinden alındı
  • Arthur, W. (2009). The Nature of Technology: What It Is And How It Evolves. Los Angeles: Free Press. Asan, H. (2024). Logolardaki Grafik Sembollerin İmgebilim Perspektifinde Çözümlemesi. İstanbul: İstanbul Arel Üniversitesi.
  • Babcock, J. (2012, Ekim 10). https://www.metmuseum.org/. Met Museum: https://www.metmuseum.org/blogs/now-at-the-met/features/2012/ancient-egyptian-ostraca adresinden alındı
  • Berhang, J. M. (2009). Unruly Wives and Dancing Girls : The Objectification of Women in Aristophanic Comedy.
  • Britannica, T. A. (2024, Haziran 27). Daedalus. Britannica Ansiklopedisi: https://www.britannica.com/topic/Daedalus-Greek-mythology adresinden alındı
  • Buchanan, R. A. (2024, Mayıs 27). History of Technology. Britannica Ansiklopedisi: https://www.britannica.com/technology/history-of-technology adresinden alındı
  • Castells, M. (2004). The Network Society: A Cross-Cultural Perspective . Cheltenham: Edward Elgar Publishing. Cheng, E. (2023, Aralık 7). Color Of The Year. Pantone: https://www.pantone.com/articles/color-of-the-year/what-is-peach-fuzz adresinden alındı
  • CIA. (2023). The World Factbook. Central Intelligence Agency: https://www.cia.gov/the-world-factbook/countries/chile/flag/ adresinden alındı
  • Davis, S. (2023, Temmuz 21). Heineken creates personalized labels with AI to celebrate its 150 years. Merca2.0: https://www.merca20.com/heineken-creates-personalized-labels-with-ia-to-celebrate-its-150-years/ adresinden alındı
  • Ezat, A. (2021). Animals In Human Situations In Ancient Egyptian Ostraca And Papyri. Writing And Scripts Center, Bibliotheca Alexanderina, Alexandria Governorate 21526, Egypt.
  • Gavin Ambrose, Paul Harris. (2011). Packaging the Brand:The Relationship Between Packaging Design and Brand Identity. UK: AVA Publishing SA.
  • H. Jenkins. (2006). Convergence Culture. New York: New York University Press.
  • Jean Paul Haton, M. C. (1991). Yapay Zeka. İstanbul: İletişim Yayınları.
  • Jo, Y., and Lee, J. (2019). The Impact of Artificial Intelligence on Graphic Design. Korean Journal of Design Studies, 105-115.
  • Jonathan Sapsed, Feichin Ted Tschang. (2014). Art is long, innovation is short: Lessons from the Renaissance and the digital age. Technological Forecasting and Social Change, 127–141.
  • Kaygısız, S. (2022). Antik Yunan ve Roma'da Onurlandırma Propaganda, Gelenek ve Kentler. İzmir: Sakin Kitap.
  • Law, H. H. (1932). The Name Galatea in the Pygmalion Myth. The Classical Journal , 337–342.
  • Linares, P. (2007). The Impact of Artificial Intelligence on Graphic Design: A Case Study. Design Principles and Practices: An International Journal, 109-116.
  • Livet, P. G. (2001). Animals In Life And Religion In The Land Of The Pharaohs. New York: Thames& Hudson; First Edition (November 1, 2001).
  • Magazine, B. H. (2019, Ekim 18). BBC History Magazine. History Extra: https://www.historyextra.com/period/georgian/gin-craze-panic-18th-century-london-when-came-england-alcohol-drinking-history/ adresinden alındı
  • Martinez, A. J. (1994). Cuban Art and National Identity 1927-1950. ABD: University Press of Florida.
  • Moench, K. (2022, Eylül 1). Book Riot Speaking Truth To Power: A History Of Political Cartoons. Book Riot: https://bookriot.com/history-of-political-cartoons/ adresinden alındı
  • Narzisi G., Passerini A. (2019). Artificial Intelligence in Graphic Design: State Of The Art and Future Perspectives. Journal of Intelligent & Fuzzy Systems, 869-879.
  • O' Regan, D. (1992). Rhetoric, Comedy and Violence of Language in Aristophanes Clouds. Oxford University Press US, 6.
  • O'Regan, D. (1992). Rhetoric, Comedy and the Violence of Language in Aristophanes' Clouds. Oxford University Press US, 6.
  • Parisot Nicolas, P. M. (2014). ROME 38. Paris: CGB Numismatique Paris.
  • Pazarlamasyon. (2023, Eylül 11). Ülker Yapay Zeka İle Ambalaj Tasarladı. Pazarlamasyon: https://www.pazarlamasyon.com/ulker-yapay-zek-yla-ambalaj-tasarladi adresinden alındı
  • Pressman, L. (2023, Aralık 7). Pantone Peach Fuzz. Pantone: https://www.pantone.com/color-of-the-year/2024 adresinden alındı
  • Rojo, G. M. (2020, Mart 1). Chile's protest street art: The writing is on the wall. BBC: https://www.bbc.com/news/51628295 adresinden alındı
  • Rundh, B. (2005). The Multi-Faceted Dimension of Packaging. British Food Journal, 670-684.
  • Ruthie, V. (2020). Seattle Artist League. https://www.seattleartistleague.com/2020/06/12/jose-guadalupe-posada/: adresinden alındı
  • Skills, H. (2014-2023). History Skills. History Skills: https://www.historyskills.com/source-criticism/interpretation/political-cartoons/ adresinden alındı
  • Smith, C. (2006). The History of Artificial Intelligence. University of Washington, 4-26.
  • Tarelko, W. (2006). Leonardo Da Vinci Precursor Of Engineering Design. International Design Conference 2006 (s. 139-146). Dubrovnik, Croatia: International Design Conference 2006 .
  • Teran, A. (2018, Ekim 12). The Fifth History. The Fifth History: https://thefifthstory.com/lacultura/posada adresinden alındı
  • Toledo, I. A. (2022, Aralık 8). Cartoon Movement. Cartoon Movement: https://cartoonmovement.com/cartoon/el-peruano-pedro-castillo adresinden alındı
  • Turing, A. (1950). Computing Machinery and Intelligence. Mind , 433 – 460.
  • W. Nie, H. Cheng & Y. Su. (2017). Modeling Temporal Information of Mitotic for Mitotic Event Detection. IEEE Transactions on Big Data, 1.
  • Wang Xiaohui, Qin Jingyan & Quanhong Chen. (2020). Design Method of Personalized Cultural Creative Products Based on AI Paintings. Packaging Engineering, 20-25.
  • Watterson, B. (1999). Amarna: Ancient Egypt's Age of Revolution. Tempus.
  • Wells, L.E., Farley, H., & Armstrong, G.A. (2007). he Importance of Packaging Design for Own-Label Food Brands. International Journal of Retail & Distribution Management, 677-690.
  • Wigan, M. (2012). Görsel İllüstrasyon Sözlüğü. İstanbul: Literatür Yayıncılık.
  • Wilkinson, K. (2009). Semboller ve İşaretler. İstanbul: Alfa Yayınları.
  • Yu, Y. (2023). Application of Image Intelligent Generation Algorithm Based on Artificial Intelligence Algorithm in Packaging Design. 2023 International Conference on Telecommunications, Electronics and Informatics (ICTEI) (s. 466-470). Lisbon, Portugal: IEEE.
  • Zeledon, N. D. (2018, Mayıs 18). La Nacion Independiente Desde. https://www.nacion.com/: https://www.nacion.com/revista-dominical/mayo-de-1968-el-revolucionario-big-bang-que-saco/7D2WS2LT2JE5JHSWT5U3C4UL7U/story/ adresinden alındı
  • Zhu, A. (2024). Design and Research of Green Concept Product Packaging Based on Artificial Intelligence Technology. Applied Mathematics and Nonlinear Sciences, 1-14.
  • GÖRSEL KAYNAKLAR RESİM 1 https://antigonejournal.com/wp-content/uploads/2022/01/PygJBR-1024x764.png
  • RESİM 2 https://victorian-era.org/falconet-etienne-maurice-biography.html?amp=1
  • RESİM 3 https://www.topofart.com/artists/Roussy-Trioson/art-reproduction/16415/Pygmalion-and-Galatea.php
  • RESİM 4 https://artuk.org/discover/artworks/pygmalion-and-galatea-205034)
  • RESİM 5 https://commons.wikimedia.org/wiki/Codex_Atlanticus
  • RESİM 6 https://design4users.com/creative-packaging-design/
  • RESİM 7 https://design4users.com/creative-packaging-design/
  • RESİM 8 https://design4users.com/creative-packaging-design/
  • RESİM 9 https://www.htpackagings.com/creative-packaging-designs-and-ideas-5-picks-from-our-team/
  • RESİM 10 https://design4users.com/creative-packaging-design/
  • RESİM 11 https://www.gida2000.com/yapay-zeka-destekli-eti-popkek-popgpt-raflarda.html
  • RESİM 12 https://www.foodturkey.com.tr/2024/05/25/etinin-yapay-zeka-destekli-popkek-popgpt-ailesi-buyuyor/
  • RESİM 13 https://www.youtube.com/watch?v=Z3Y5os-7EDQ
  • RESİM 14 https://www.youtube.com/watch?v=Z3Y5os-7EDQ
  • RESİM 15 https://www.youtube.com/watch?v=Z3Y5os-7EDQ
  • RESİM 16 https://www.youtube.com/watch?v=Z3Y5os-7EDQ
  • RESİM 17 https://www.marketingdive.com/news/pepsi-gatorade-AI-assistant-smart-can-cannes-lions/719533/
  • RESİM 18 https://www.merca20.com/heineken-creates-personalized-labels-with-ia-to-celebrate-its-150-years/
  • RESİM 19 https://www.coca-colacompany.com/media-center/coca-cola-creations-imagines-year-3000-futuristic-flavor-ai-powered-experience
  • RESİM 20 https://packagingscotland.com/2023/09/artificial-intelligence-helps-design-new-coca-cola-packaging/

The Examination Of Artificial Intelligence Technologies In Packaging Design From The Perspective Of Graphic Design

Yıl 2024, Cilt: 2 Sayı: 2, 6 - 24

Öz

Packaging design plays a critical role in the formation and effective communication of brand identity to the masses. Beyond merely protecting the product, packaging provides essential visual and conceptual cues that create a strong perception in the consumer's mind. In this context, packaging designs function as a platform for interaction between producers and consumers, facilitating the transmission of the product and brand attributes. The design of packaging is enriched with texts, visuals, and symbols to emphasize the characteristics of a brand and to engage the target audience. Advancements in modern technology and science encourage innovative approaches in packaging design, with the role of artificial intelligence (AI) becoming increasingly significant. AI possesses the potential to transform packaging designs through graphic elements such as color, typography, imagery, texture, and form. This study examines the applications of artificial intelligence in packaging design, analyzing how leading brands in the industry utilize this technology through various examples. The impact of AI-enhanced packaging designs on brand communication and the innovative solutions they provide will be elaborated. Ultimately, the integration of artificial intelligence in packaging design presents a valuable opportunity to strengthen brand identity and foster a deeper connection with consumers.

Kaynakça

  • Tian Yi & Liu Aijun. (2015). Image Inpainting Algorithm of 2D Anharmonic Analysis Coupled Diffusion Tensor. Packaging Engineering, 7.
  • Adams, P. (2024, Haziran 25). PepsiCo Experiments With Smart Cans, AI Tech To Improve Personalization. Food Dive: https://www.fooddive.com/news/pepsi-gatorade-AI-assistant-smart-can-cannes-lions/719692/ adresinden alındı
  • Agarwal, A., & Bali, R. (2008). Artificial Intelligence in Graphic Design: A Review. International Journal of Computer Applications, 29-34.
  • Albretsen, C. (1999). Akhenaton Pharaoh And Heretic. Journal Of The Norwegian Medical Association. Anderson, M. (2010). Calvin University. https://calvin.edu/news/archive/sins-virtues-and-big-fish-at-gallery-debut adresinden alındı
  • Anderson, M. (2010). Calvin University. https://calvin.edu/news/archive/sins-virtues-and-big-fish-at-gallery-debut adresinden alındı
  • Arthur, W. (2009). The Nature of Technology: What It Is And How It Evolves. Los Angeles: Free Press. Asan, H. (2024). Logolardaki Grafik Sembollerin İmgebilim Perspektifinde Çözümlemesi. İstanbul: İstanbul Arel Üniversitesi.
  • Babcock, J. (2012, Ekim 10). https://www.metmuseum.org/. Met Museum: https://www.metmuseum.org/blogs/now-at-the-met/features/2012/ancient-egyptian-ostraca adresinden alındı
  • Berhang, J. M. (2009). Unruly Wives and Dancing Girls : The Objectification of Women in Aristophanic Comedy.
  • Britannica, T. A. (2024, Haziran 27). Daedalus. Britannica Ansiklopedisi: https://www.britannica.com/topic/Daedalus-Greek-mythology adresinden alındı
  • Buchanan, R. A. (2024, Mayıs 27). History of Technology. Britannica Ansiklopedisi: https://www.britannica.com/technology/history-of-technology adresinden alındı
  • Castells, M. (2004). The Network Society: A Cross-Cultural Perspective . Cheltenham: Edward Elgar Publishing. Cheng, E. (2023, Aralık 7). Color Of The Year. Pantone: https://www.pantone.com/articles/color-of-the-year/what-is-peach-fuzz adresinden alındı
  • CIA. (2023). The World Factbook. Central Intelligence Agency: https://www.cia.gov/the-world-factbook/countries/chile/flag/ adresinden alındı
  • Davis, S. (2023, Temmuz 21). Heineken creates personalized labels with AI to celebrate its 150 years. Merca2.0: https://www.merca20.com/heineken-creates-personalized-labels-with-ia-to-celebrate-its-150-years/ adresinden alındı
  • Ezat, A. (2021). Animals In Human Situations In Ancient Egyptian Ostraca And Papyri. Writing And Scripts Center, Bibliotheca Alexanderina, Alexandria Governorate 21526, Egypt.
  • Gavin Ambrose, Paul Harris. (2011). Packaging the Brand:The Relationship Between Packaging Design and Brand Identity. UK: AVA Publishing SA.
  • H. Jenkins. (2006). Convergence Culture. New York: New York University Press.
  • Jean Paul Haton, M. C. (1991). Yapay Zeka. İstanbul: İletişim Yayınları.
  • Jo, Y., and Lee, J. (2019). The Impact of Artificial Intelligence on Graphic Design. Korean Journal of Design Studies, 105-115.
  • Jonathan Sapsed, Feichin Ted Tschang. (2014). Art is long, innovation is short: Lessons from the Renaissance and the digital age. Technological Forecasting and Social Change, 127–141.
  • Kaygısız, S. (2022). Antik Yunan ve Roma'da Onurlandırma Propaganda, Gelenek ve Kentler. İzmir: Sakin Kitap.
  • Law, H. H. (1932). The Name Galatea in the Pygmalion Myth. The Classical Journal , 337–342.
  • Linares, P. (2007). The Impact of Artificial Intelligence on Graphic Design: A Case Study. Design Principles and Practices: An International Journal, 109-116.
  • Livet, P. G. (2001). Animals In Life And Religion In The Land Of The Pharaohs. New York: Thames& Hudson; First Edition (November 1, 2001).
  • Magazine, B. H. (2019, Ekim 18). BBC History Magazine. History Extra: https://www.historyextra.com/period/georgian/gin-craze-panic-18th-century-london-when-came-england-alcohol-drinking-history/ adresinden alındı
  • Martinez, A. J. (1994). Cuban Art and National Identity 1927-1950. ABD: University Press of Florida.
  • Moench, K. (2022, Eylül 1). Book Riot Speaking Truth To Power: A History Of Political Cartoons. Book Riot: https://bookriot.com/history-of-political-cartoons/ adresinden alındı
  • Narzisi G., Passerini A. (2019). Artificial Intelligence in Graphic Design: State Of The Art and Future Perspectives. Journal of Intelligent & Fuzzy Systems, 869-879.
  • O' Regan, D. (1992). Rhetoric, Comedy and Violence of Language in Aristophanes Clouds. Oxford University Press US, 6.
  • O'Regan, D. (1992). Rhetoric, Comedy and the Violence of Language in Aristophanes' Clouds. Oxford University Press US, 6.
  • Parisot Nicolas, P. M. (2014). ROME 38. Paris: CGB Numismatique Paris.
  • Pazarlamasyon. (2023, Eylül 11). Ülker Yapay Zeka İle Ambalaj Tasarladı. Pazarlamasyon: https://www.pazarlamasyon.com/ulker-yapay-zek-yla-ambalaj-tasarladi adresinden alındı
  • Pressman, L. (2023, Aralık 7). Pantone Peach Fuzz. Pantone: https://www.pantone.com/color-of-the-year/2024 adresinden alındı
  • Rojo, G. M. (2020, Mart 1). Chile's protest street art: The writing is on the wall. BBC: https://www.bbc.com/news/51628295 adresinden alındı
  • Rundh, B. (2005). The Multi-Faceted Dimension of Packaging. British Food Journal, 670-684.
  • Ruthie, V. (2020). Seattle Artist League. https://www.seattleartistleague.com/2020/06/12/jose-guadalupe-posada/: adresinden alındı
  • Skills, H. (2014-2023). History Skills. History Skills: https://www.historyskills.com/source-criticism/interpretation/political-cartoons/ adresinden alındı
  • Smith, C. (2006). The History of Artificial Intelligence. University of Washington, 4-26.
  • Tarelko, W. (2006). Leonardo Da Vinci Precursor Of Engineering Design. International Design Conference 2006 (s. 139-146). Dubrovnik, Croatia: International Design Conference 2006 .
  • Teran, A. (2018, Ekim 12). The Fifth History. The Fifth History: https://thefifthstory.com/lacultura/posada adresinden alındı
  • Toledo, I. A. (2022, Aralık 8). Cartoon Movement. Cartoon Movement: https://cartoonmovement.com/cartoon/el-peruano-pedro-castillo adresinden alındı
  • Turing, A. (1950). Computing Machinery and Intelligence. Mind , 433 – 460.
  • W. Nie, H. Cheng & Y. Su. (2017). Modeling Temporal Information of Mitotic for Mitotic Event Detection. IEEE Transactions on Big Data, 1.
  • Wang Xiaohui, Qin Jingyan & Quanhong Chen. (2020). Design Method of Personalized Cultural Creative Products Based on AI Paintings. Packaging Engineering, 20-25.
  • Watterson, B. (1999). Amarna: Ancient Egypt's Age of Revolution. Tempus.
  • Wells, L.E., Farley, H., & Armstrong, G.A. (2007). he Importance of Packaging Design for Own-Label Food Brands. International Journal of Retail & Distribution Management, 677-690.
  • Wigan, M. (2012). Görsel İllüstrasyon Sözlüğü. İstanbul: Literatür Yayıncılık.
  • Wilkinson, K. (2009). Semboller ve İşaretler. İstanbul: Alfa Yayınları.
  • Yu, Y. (2023). Application of Image Intelligent Generation Algorithm Based on Artificial Intelligence Algorithm in Packaging Design. 2023 International Conference on Telecommunications, Electronics and Informatics (ICTEI) (s. 466-470). Lisbon, Portugal: IEEE.
  • Zeledon, N. D. (2018, Mayıs 18). La Nacion Independiente Desde. https://www.nacion.com/: https://www.nacion.com/revista-dominical/mayo-de-1968-el-revolucionario-big-bang-que-saco/7D2WS2LT2JE5JHSWT5U3C4UL7U/story/ adresinden alındı
  • Zhu, A. (2024). Design and Research of Green Concept Product Packaging Based on Artificial Intelligence Technology. Applied Mathematics and Nonlinear Sciences, 1-14.
  • GÖRSEL KAYNAKLAR RESİM 1 https://antigonejournal.com/wp-content/uploads/2022/01/PygJBR-1024x764.png
  • RESİM 2 https://victorian-era.org/falconet-etienne-maurice-biography.html?amp=1
  • RESİM 3 https://www.topofart.com/artists/Roussy-Trioson/art-reproduction/16415/Pygmalion-and-Galatea.php
  • RESİM 4 https://artuk.org/discover/artworks/pygmalion-and-galatea-205034)
  • RESİM 5 https://commons.wikimedia.org/wiki/Codex_Atlanticus
  • RESİM 6 https://design4users.com/creative-packaging-design/
  • RESİM 7 https://design4users.com/creative-packaging-design/
  • RESİM 8 https://design4users.com/creative-packaging-design/
  • RESİM 9 https://www.htpackagings.com/creative-packaging-designs-and-ideas-5-picks-from-our-team/
  • RESİM 10 https://design4users.com/creative-packaging-design/
  • RESİM 11 https://www.gida2000.com/yapay-zeka-destekli-eti-popkek-popgpt-raflarda.html
  • RESİM 12 https://www.foodturkey.com.tr/2024/05/25/etinin-yapay-zeka-destekli-popkek-popgpt-ailesi-buyuyor/
  • RESİM 13 https://www.youtube.com/watch?v=Z3Y5os-7EDQ
  • RESİM 14 https://www.youtube.com/watch?v=Z3Y5os-7EDQ
  • RESİM 15 https://www.youtube.com/watch?v=Z3Y5os-7EDQ
  • RESİM 16 https://www.youtube.com/watch?v=Z3Y5os-7EDQ
  • RESİM 17 https://www.marketingdive.com/news/pepsi-gatorade-AI-assistant-smart-can-cannes-lions/719533/
  • RESİM 18 https://www.merca20.com/heineken-creates-personalized-labels-with-ia-to-celebrate-its-150-years/
  • RESİM 19 https://www.coca-colacompany.com/media-center/coca-cola-creations-imagines-year-3000-futuristic-flavor-ai-powered-experience
  • RESİM 20 https://packagingscotland.com/2023/09/artificial-intelligence-helps-design-new-coca-cola-packaging/
Toplam 70 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Konular Plastik Sanatlar (Diğer)
Bölüm Araştırma Makalesi
Yazarlar

Selin Çetinkaya 0000-0001-7577-8659

Erken Görünüm Tarihi 20 Aralık 2024
Yayımlanma Tarihi
Gönderilme Tarihi 30 Ekim 2024
Kabul Tarihi 4 Aralık 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 2 Sayı: 2

Kaynak Göster

APA Çetinkaya, S. (2024). AMBALAJ TASARIMINDA YAPAY ZEKA TEKNOLOJİLERİNİN GRAFİK TASARIM PERSPEKTİFİNDE İNCELENMESİ. UMAY Sanat Ve Sosyal Bilimler Dergisi, 2(2), 6-24.