Sherwood Anderson'a Okur-Odaklı Yaklaşım: Death İn The Woods

Öz

With its revolutionary new styles, modernist literature assigns to the reader a new role and responsibility which obliges him to be an active participant in the understanding and production of meaning in the text; a role explained mainly by the reader-response theory. The following article entitled “A Reader-Response Approach to Sherwood Anderson: Death in the Woods” presents an interpretation of the American writer Sherwood Anderson‟s short story Death in theWoods in the light of reader-response criticism which prompts the reader for his active participation in reading a text. In general, the short story takes the reader to the insignificant life of a woman victimized by the patriarchal society. However, she does gain significance after her death, when her dead body becomes a text to be perceived and contrastingly interpreted from the different perspectives of different people.

Anahtar Kelimeler

• Reader-response criticism,metafiction

A Reader- Response Approach To Sherwood Anderson: Death In The Woods

Öz

Kaynakça

1. Anderson, S. (1969). “Death in the Woods” , The Penguin Book of American Short Stories, (Ed:James Cochrane), Penguin Books, London. Barthes, R. (1988). “The Death of the Author”, Modern Criticism and Theory – A Reader, (Ed. David Lodge), Longman, London. Berger, J. (1998). “Ways of Seeing” Women in Culture: A Woman‟s Studies Anthology. (Ed. Lucinda Joy Peach), Blackwell Publishers Ltd., Malden, Massachussets, Oxford. Brooker, P. & Selden, R. & Widdowson, P. (1997). A Reader‟s Guide to Contemporary Literary Theory, Prentice Hall, London, New York, Toronto: Prentice Hall. Colquitt, C. (1986). “The Reader as Voyeur: ComplicitousTransformations in „Death in the Woods‟.” Modern Fiction Studies. 32.2 , 175-190. Hirsch, E.D., (1988). “Faulty Perspectives”. Modern Criticism and Theory – A Reader. (Ed. David Lodge), Longman, London. Iser, W. (1988). “The Reading Process: A Phenomenological Approach” Modern Criticism and Theory – A Reader. (Ed. David Lodge), Longman, London. Lawry, J.S. (1959). “Death in the Woods and the Artist‟s Self in Sherwood Anderson”. PMLA 74.3, 306-311. Lodge, D. (1988). Modern Criticism and Theory – A Reader, Longman, London. May, C. (2002). The Short Story – The Reality of Artifice, Routledge, NewYork. Murfin, R. C. (1994). “Reader Response Criticism and „The Dead‟” ,The Dead – James Joyce. (Ed. Daniel R. Schwarz), St. Martin‟s Press, Boston, New York. Scheick, W.J. (1974). “Compulsion Toward Repetition: Sherwood Anderson‟s Death in the Woods”. Studies in Short Fiction 11.1, 141-146. Scholes, R. (1980). Fabulation and Metafiction, University of Illionis Press, London. Zanger, J. (1990). “Cold Pastoral: Sherwood Anderson‟!s Death in the Woods”. The Old Northwest 15.1, 19-28.