Araştırma Makalesi
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UNESCO YARATICI ŞEHİRLER AĞI KAPSAMINDA GAZİANTEP: MEVCUT RAPORLAR BAĞLAMINDA BİR DEĞERLENDİRME

Yıl 2017, Cilt: 8 Sayı: 19, 110 - 124, 21.11.2017
https://doi.org/10.21076/vizyoner.338323

Öz

Çalışmanın amacı, Birleşmiş
Milletler Eğitim, Bilim ve Kültür Kurumu (UNESCO) Yaratıcı Şehirler Ağı (UCCN)
kapsamında hâlihazırda yayımlanmış öz değerlendirme ve üyelik izleme
raporlarından yararlanarak, ağda bulunan 116 şehir içerisinde Türkiye’yi temsil
eden tek şehir olma özelliğine sahip Gaziantep’in 30 Kasım 2019 tarihine kadar
hazırlaması gereken üyelik izleme raporunu oluşturmasına imkân verecek politika
önerileri geliştirmektir. Araştırma kapsamında, UCCN tarafından yayımlanmış 17
şehrin üyelik izleme raporu ile 1 şehrin öz değerlendirme raporu doküman
inceleme yöntemi ile betimsel analize tabi tutulmuştur. Elde edilen bulgular,
UCCN tarafından üyelik izleme raporu için oluşturulan format ve sınıflandırma
temelinde, gastronomi kenti Gaziantep’in yaratıcı şehir konseptine uygun
şekilde değerlendirilmiştir. Çalışma, gastronomi temasıyla yaratıcı şehir
olarak Gaziantep’in küresel sahnede sergileyeceği kimliğini güçlendirmesi adına
bir kılavuz oluşturmakla birlikte, UCCN üyelik izleme raporları bağlamında yol
gösterici çalışmaların eksikliği göz önüne alındığında, bu alanda araştırma
boşluğunu doldurmayı da hedeflemektedir. Çalışmanın sonuçlarının, kilit
paydaşların, özellikle kentsel politika üreticilerinin, çağdaş kentsel
politikaları yaratıcılık temelinde sürdürülebilir kalkınmaya dönüştürmeleri
açısından da kıymetli değere sahip olduğu düşünülmektedir. Bununla birlikte,
UNESCO’nun yaratıcılığın korunmasına sürekli katılımı ve yaratıcı endüstrilerin
gelişimini garanti altına aldığı Yaratıcı Şehirler Ağı bağlamında yeni raporlar
üretildikçe çalışmanın kapsamını genişletmek ve önerilerini çoğaltmak mümkün
olabilecektir.

Kaynakça

  • Bassett, K., Griffiths, R. ve Smith, I. (2002). “Cultural Industries, Cultural Clusters And The City: The Example Of Natural History Film-Making In Bristol”, Geoforum, 33(2), 165-177.
  • Cunningham, S. D. (2002). “From Cultural to Creative Industries: Theory, Industry, and Policy Implications”, Media International Australia Incorporating Culture and Policy: Quarterly Journal of Media Research and Resources, 102(1), 54-65.
  • DCMS (2001). Creative Industries Mapping Document. Department of Culture, Media and Sport, UK, London, https://www.gov.uk/government/publications/creative-industries-mapping-documents-2001, (Erişim Tarihi: 15 Nisan 2017).
  • DCMS (1998). Creative Industries Mapping Document. Department of Culture, Media and Sport, UK, London, https://www.gov.uk/government/publications/creative-industries-mapping-documents-1998, (Erişim Tarihi: 13 Nisan 2017). Flew, T. (2002). “Beyond Ad Hocercy: Defining Creative Industries”, The Second International Conference on Cultural Policy Research 2002, Conference Proceedings Weelington, New Zealand, January 23-26, https://eprints.qut.edu.au/256/1/Flew_beyond.pdf, (Erişim Tarihi: 23 Mayıs 2017).
  • Florida, R. (2012). The Rise of the Creative Class (Revitised Ed.), New York: Basic Books.
  • Florida, R. (2007). The Flight of the Creative Class: The New Global Competition for Talent, New York: Harper Collins Business.
  • Florida, R. (2005). Cities and the Creative Class, New York: Routledge.
  • Galloway, S. ve Dunlop, S. (2007). “A Critique of Definitions of the Cultural and Creative Industries in Public Policy”, International Journal of Cultural Policy, 13(1), 17-31.
  • Garnham, N. (2005). “From Cultural to Creative Industries: An analysis of the Implications of the “Creative Industries” Approach to Arts and Media Policy Making in the United Kingdom”, International Journal of Cultural Policy, 11(1), 15-29.
  • Horkheimer, M. ve Adorno, T.W. (2002). Dialectic of Enlightment: Philosophical Fragments, Stanford: Stanford University Press.
  • Landry, C. (2008). The Creative City: A Toolkit for Urban Innovators (Second Ed.), London: Earthscan.
  • Leng, K. S. ve Badarulzaman (2014). “Branding George Town World Heritage Site as City of Gastronomy: Prospects of Creative Cities Strategy in Penang”, International Journal of Culture, Tourism and Hospitality Research, 8(3), 322-332.
  • Musterd, S., ve Kovács, Z. (2013). Place-Making and Policies for Competitive Cities, Oxford: Wiley-Blackwell.
  • Musterd, S. ve Murie, A. (2010). Making Competitive Cities, Oxford: Wiley-Blackwell.
  • Pearson, D. ve Pearson, T. (2016). “Branding Food Culture: UNESCO Creative Cities of Gastronomy”, Journal of International Food & Agribusiness Marketing, 28(2), 164-176.
  • Pratt, A. (2005). “Cultural Industries and Cultural Policy: An Oxymoron?”, International Journal of Cultural Policy, 11(1), 31–44.
  • Rosi, M. (2014). “Branding or Sharing? The Dialectics of Labeling and Cooperation in the UNESCO Creative Cities Network”, City, Culture and Society, 5, 107-110.
  • Smith, R. ve Warfield, K. (2008). “The Creative City: A Matter of Values”, P. Cooke ve L. Lazzeretti (Ed.), Creative Cities, Cultural Clusters and Local Economic Development, içinde (287-312), Cheltenham: Edward Elgar Publishing.
  • UNESCO (2012). Chengdu Öz Değerlendirme Raporu, http://en.unesco.org/creative-cities/sites/creative-cities/files/EvaluationReport_Chengdu.pdf, (Erişim Tarihi: 11 Haziran 2017).
  • UNESCO (2014). The Creative Cities Network: A Global Platform for Local Endeavour, http://www.unesco.org/fileadmin/MULTIMEDIA/HQ/CLT/pdf/Creative_cities_brochure_en.pdf, (Erişim Tarihi: 14 Haziran 2017).
  • UNESCO (2016). UCCN Booklet: Creative Cities for Sustainable Development, https://fr.unesco.org/creative-cities/sites/creative-cities/files/creative%20cities%20for%20web.pdf, (Erişim Tarihi: 12 Mayıs 2017).
  • UNESCO (2016a). Seville Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/UCCMusic%20Seville%20Monitoring%20Report%202016.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016b). Montreal Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/RAPP_1215_MTL_Unesco_Design_en_siteunesco.pdf, (Erişim Tarihi: 23 Mart 2017). UNESCO (2016c). Bologna Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative -cities/files/BOLOGNA%20Monitoring%20Report%20Feb%202016.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016d). Santa Fe Üyelik İzleme Raporu, Erişim adresi: https://en.unesco.org/creative-cities/sites/creative-cities/files/Santa%20Fe_UNESCO%20Report%2003%2001%2016.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016e). Buenos Aires Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/Buenos%20Aires%20City%20of%20Design.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016f). Berlin Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/Report_Berlin_UNESCOCREATIVECITIES%20Network_final.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016g). Aswan Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/Aswan%20the%20creative%20City.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016h). Edinburg Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/2017%20-%20UNESCO%20Monitoring%20Report%20-%20EDINBURGH.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016i). Shenzhen Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/Shenzhen%20City%20of%20Design%20Report.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016j). Nagoya Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/Nagoya_unesco_report_20161130_link.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016k). Melbourne Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/UCCN%20Monitoring%20Report%20Melbourne%20City%20of%20Literature%20301116.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016l). Kobe Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/KOBE_Membership_Monitoring_Report.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016m). Kanazawa Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/KANAZAWA%202013-2016%20REPORT_0.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016n). Iowa City Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/CCN%20report%202016-final.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016o). Glasgow Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/Glasgow%20Membership%20Monitoring%20Report.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016p). Ghent Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/Monitoring%20Report%20UCCN%20-%20Ghent%20UNESCO%20Creative%20City%20of%20Music%20since%202009.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016r). Bradford Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/UNESCO%20Bradford%20City%20of%20Film%20Report%202016%20%281%29.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2017). Membership Monitoring Guidelines 2017, https://en.unesco.org/creative-cities/sites/creative-cities/files/Membership%20Monitoring%20Guidelines%202017.pdf, (Erişim Tarihi: 21 Mart 2017).
  • UNESCO (t.y.). UNESCO Creative Cities Network: Reporting and Monitoring, http://en.unesco.org/creative-cities/content/reporting-monitoring, (Erişim Tarihi: 21 Mart 2017).
  • Xiaomin, C. (2017). “City of Gastronomy” of UNESCO Creative Cities Network: From International Criteria to Local Practice, Social Systems Studies, 55-67, http://www.ritsumei.ac.jp/acd/re/ssrc/result/memoirs/tokusyuugou201707/tokusyuugou201707-08.pdf, (Erişim Tarihi: 18 Haziran 2017).

GAZIANTEP AS PART OF THE UNESCO CREATIVE CITIES NETWORK: AN ASSESSMENT IN THE CONTEXT OF EXISTING REPORTS

Yıl 2017, Cilt: 8 Sayı: 19, 110 - 124, 21.11.2017
https://doi.org/10.21076/vizyoner.338323

Öz

The
aim of the article is to develop a policy recommendation that will allow
Gaziantep, which has the feature of being the only city to represent Turkey in
116 cities in the United Nations Educational, Scientific and Cultural
Organization (UNESCO) Creative Cities Network (UCCN), to formulate a required
membership monitoring report by 30 November 2019, by using the self-evaluation
and membership monitoring reports already published. Within the scope of the
research, membership monitoring reports of 17 cities and self-evaluation report
of 1 city published by UCCN were subjected to descriptive analysis by document
examination method. The findings were evaluated according to the Gaziantep’
creative city concept on the basis of the format and classification of the
membership monitoring report established by the UCCN. The study aims to provide
a guide for strengthening the identity of Gaziantep will display on the global
stage as the creative city with the theme of gastronomy, as well as filling the
research gap in this area, given the lack of guiding work in the context of
UCCN membership monitoring reports. The results of the study are also considered
to have a precious value by key stakeholders, especially urban policy makers,
in terms of transforming contemporary urban politics into sustainable
development on the basis of creativity. However, it will be possible to broaden
the scope of work and to multiply the proposals as new reports are produced in
the context of the Creative Cities Network, where UNESCO guarantees continuous
participation in the preservation of creativity and the development of creative
industries.

Kaynakça

  • Bassett, K., Griffiths, R. ve Smith, I. (2002). “Cultural Industries, Cultural Clusters And The City: The Example Of Natural History Film-Making In Bristol”, Geoforum, 33(2), 165-177.
  • Cunningham, S. D. (2002). “From Cultural to Creative Industries: Theory, Industry, and Policy Implications”, Media International Australia Incorporating Culture and Policy: Quarterly Journal of Media Research and Resources, 102(1), 54-65.
  • DCMS (2001). Creative Industries Mapping Document. Department of Culture, Media and Sport, UK, London, https://www.gov.uk/government/publications/creative-industries-mapping-documents-2001, (Erişim Tarihi: 15 Nisan 2017).
  • DCMS (1998). Creative Industries Mapping Document. Department of Culture, Media and Sport, UK, London, https://www.gov.uk/government/publications/creative-industries-mapping-documents-1998, (Erişim Tarihi: 13 Nisan 2017). Flew, T. (2002). “Beyond Ad Hocercy: Defining Creative Industries”, The Second International Conference on Cultural Policy Research 2002, Conference Proceedings Weelington, New Zealand, January 23-26, https://eprints.qut.edu.au/256/1/Flew_beyond.pdf, (Erişim Tarihi: 23 Mayıs 2017).
  • Florida, R. (2012). The Rise of the Creative Class (Revitised Ed.), New York: Basic Books.
  • Florida, R. (2007). The Flight of the Creative Class: The New Global Competition for Talent, New York: Harper Collins Business.
  • Florida, R. (2005). Cities and the Creative Class, New York: Routledge.
  • Galloway, S. ve Dunlop, S. (2007). “A Critique of Definitions of the Cultural and Creative Industries in Public Policy”, International Journal of Cultural Policy, 13(1), 17-31.
  • Garnham, N. (2005). “From Cultural to Creative Industries: An analysis of the Implications of the “Creative Industries” Approach to Arts and Media Policy Making in the United Kingdom”, International Journal of Cultural Policy, 11(1), 15-29.
  • Horkheimer, M. ve Adorno, T.W. (2002). Dialectic of Enlightment: Philosophical Fragments, Stanford: Stanford University Press.
  • Landry, C. (2008). The Creative City: A Toolkit for Urban Innovators (Second Ed.), London: Earthscan.
  • Leng, K. S. ve Badarulzaman (2014). “Branding George Town World Heritage Site as City of Gastronomy: Prospects of Creative Cities Strategy in Penang”, International Journal of Culture, Tourism and Hospitality Research, 8(3), 322-332.
  • Musterd, S., ve Kovács, Z. (2013). Place-Making and Policies for Competitive Cities, Oxford: Wiley-Blackwell.
  • Musterd, S. ve Murie, A. (2010). Making Competitive Cities, Oxford: Wiley-Blackwell.
  • Pearson, D. ve Pearson, T. (2016). “Branding Food Culture: UNESCO Creative Cities of Gastronomy”, Journal of International Food & Agribusiness Marketing, 28(2), 164-176.
  • Pratt, A. (2005). “Cultural Industries and Cultural Policy: An Oxymoron?”, International Journal of Cultural Policy, 11(1), 31–44.
  • Rosi, M. (2014). “Branding or Sharing? The Dialectics of Labeling and Cooperation in the UNESCO Creative Cities Network”, City, Culture and Society, 5, 107-110.
  • Smith, R. ve Warfield, K. (2008). “The Creative City: A Matter of Values”, P. Cooke ve L. Lazzeretti (Ed.), Creative Cities, Cultural Clusters and Local Economic Development, içinde (287-312), Cheltenham: Edward Elgar Publishing.
  • UNESCO (2012). Chengdu Öz Değerlendirme Raporu, http://en.unesco.org/creative-cities/sites/creative-cities/files/EvaluationReport_Chengdu.pdf, (Erişim Tarihi: 11 Haziran 2017).
  • UNESCO (2014). The Creative Cities Network: A Global Platform for Local Endeavour, http://www.unesco.org/fileadmin/MULTIMEDIA/HQ/CLT/pdf/Creative_cities_brochure_en.pdf, (Erişim Tarihi: 14 Haziran 2017).
  • UNESCO (2016). UCCN Booklet: Creative Cities for Sustainable Development, https://fr.unesco.org/creative-cities/sites/creative-cities/files/creative%20cities%20for%20web.pdf, (Erişim Tarihi: 12 Mayıs 2017).
  • UNESCO (2016a). Seville Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/UCCMusic%20Seville%20Monitoring%20Report%202016.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016b). Montreal Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/RAPP_1215_MTL_Unesco_Design_en_siteunesco.pdf, (Erişim Tarihi: 23 Mart 2017). UNESCO (2016c). Bologna Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative -cities/files/BOLOGNA%20Monitoring%20Report%20Feb%202016.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016d). Santa Fe Üyelik İzleme Raporu, Erişim adresi: https://en.unesco.org/creative-cities/sites/creative-cities/files/Santa%20Fe_UNESCO%20Report%2003%2001%2016.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016e). Buenos Aires Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/Buenos%20Aires%20City%20of%20Design.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016f). Berlin Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/Report_Berlin_UNESCOCREATIVECITIES%20Network_final.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016g). Aswan Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/Aswan%20the%20creative%20City.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016h). Edinburg Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/2017%20-%20UNESCO%20Monitoring%20Report%20-%20EDINBURGH.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016i). Shenzhen Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/Shenzhen%20City%20of%20Design%20Report.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016j). Nagoya Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/Nagoya_unesco_report_20161130_link.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016k). Melbourne Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/UCCN%20Monitoring%20Report%20Melbourne%20City%20of%20Literature%20301116.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016l). Kobe Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/KOBE_Membership_Monitoring_Report.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016m). Kanazawa Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/KANAZAWA%202013-2016%20REPORT_0.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016n). Iowa City Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/CCN%20report%202016-final.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016o). Glasgow Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/Glasgow%20Membership%20Monitoring%20Report.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016p). Ghent Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/Monitoring%20Report%20UCCN%20-%20Ghent%20UNESCO%20Creative%20City%20of%20Music%20since%202009.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2016r). Bradford Üyelik İzleme Raporu, https://en.unesco.org/creative-cities/sites/creative-cities/files/UNESCO%20Bradford%20City%20of%20Film%20Report%202016%20%281%29.pdf, (Erişim Tarihi: 23 Mart 2017).
  • UNESCO (2017). Membership Monitoring Guidelines 2017, https://en.unesco.org/creative-cities/sites/creative-cities/files/Membership%20Monitoring%20Guidelines%202017.pdf, (Erişim Tarihi: 21 Mart 2017).
  • UNESCO (t.y.). UNESCO Creative Cities Network: Reporting and Monitoring, http://en.unesco.org/creative-cities/content/reporting-monitoring, (Erişim Tarihi: 21 Mart 2017).
  • Xiaomin, C. (2017). “City of Gastronomy” of UNESCO Creative Cities Network: From International Criteria to Local Practice, Social Systems Studies, 55-67, http://www.ritsumei.ac.jp/acd/re/ssrc/result/memoirs/tokusyuugou201707/tokusyuugou201707-08.pdf, (Erişim Tarihi: 18 Haziran 2017).
Toplam 40 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Konular İşletme
Bölüm Araştırma Makaleleri
Yazarlar

Nisa Akın

Barış Bostancı Bu kişi benim

Yayımlanma Tarihi 21 Kasım 2017
Gönderilme Tarihi 15 Eylül 2017
Yayımlandığı Sayı Yıl 2017 Cilt: 8 Sayı: 19

Kaynak Göster

APA Akın, N., & Bostancı, B. (2017). UNESCO YARATICI ŞEHİRLER AĞI KAPSAMINDA GAZİANTEP: MEVCUT RAPORLAR BAĞLAMINDA BİR DEĞERLENDİRME. Süleyman Demirel Üniversitesi Vizyoner Dergisi, 8(19), 110-124. https://doi.org/10.21076/vizyoner.338323

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