A View of The European Art and Design Through the Costumes of Ballets Russes (1910s and 1920s)
Abstract
The first quarter of the 20th century is described as an era with a productive and rich content when innovation, experimentation, interdisciplinary collaboration and mutual interaction came to the forefront. This spirit of Europe was shaped as a result of the Europeans travelling the world by means of developing technologies; with an attitude of creativity, openness and curiosity to other cultures. Two of the prominent values of this era were oriantalism and modern art. In this period consisting of a dynamic and rich mixture of diverse cultures and ideas; the Russian art director Sergei Diaghilev established the Ballets Russes in Paris. The performances of this ballet company not only reflected the cultural and artistic atmosphere of the era by its stage decors, dances, music and particulary the costume; but also it formed and passed this on to the audience. For this reason, examining and analysing this ballet from multiple perspectives, most especially its costumes, would be a guiding light for understanding the Europe of 1910s and 1920s.
Keywords
Kaynakça
- (2013). Diaghilev and the Ballets Russes, 1909-1929 When Art Danced with Music Sergi Kataloğu, Washington: National Gallery of Art.
- (2013). Oryantalizmin 1001 Yüzü Sergi Kitabı, İstanbul: Sabancı Üniversitesi Sakıp Sabancı Müzesi.
- Garafola, L. (1998). “Dance, Film, and the Ballets Russes”, Dance Research: The Journal of the Society for Dance Research 16(1): 3-25.
- Hargrove, N. D. (1998). “The Great Parade: Cocteau, Picasso, Satie, Massine, Diaghilev and T. S. Eliot”, Mosaic: A Journal for the Interdisciplinary Study of Literature 31(1): 83-106.
- Jarvinen, H. (2008). “The Russian Barnum: Russian Opinions on Diaghilev’s Ballets Russes, 1909-1914”, Dance Research: The Journal of the Society for Dance Research 26(1): 18-41.
- Mackrell, Alice (2005). Art And Fashion The Impact of Art on Fashion and Fashion on Art, London: Batsford. Martin, Richard and Koda, Harold (1994). Orientalism: Visions of the East in Western Dress, New York: The Metropolitan Museum of Art.
- Robinson, Michael and Rosalind, Ormiston (2008). Art Deco: The Golden Age of Graphic Art and Illustration, London: Flame Tree.
- Rutherford, A. (2009). “The Triumph of the Veiled Dance: The Influence of Oscar Wilde and Aubrey Beardsley on Serge Diaghliev’s Creation of the Ballets Russes”, Dance Research: The Journal of the Society for Dance Research 27(1): 93-107.
- The Redlist, 2016 http://theredlist.com/wiki-2-20-881-1399-1161-235972- view-ballets-russes.html (20/10/2016).
- Nga, 2016 http://www.nga.gov.au/Exhibition/balletsrusses/Default. cfm?MnuID=3&GalID=27 (20/10/2016).