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[Safe] in a Narcissistic Closure

Sayı: 27 28 Ocak 2022
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[Safe] in a Narcissistic Closure

Öz

This article offers an in depth formal analysis of the film Safe (Todd Haynes: 1995) By attending to Julia Kristeva’s concept of abjection as the earliest attempts to demarcate a space in the common, indistinguishable territory of the mother-child dyad and as an endeavor to overcome spatial ambivalence, this analysis focuses on the topography of the pre-symbolic. The study deals primarily with the film’s protagonist, Carol’s abjection, as evidenced by her relation to corporeality and to spatiality. Carol goes through a crisis in life and suffers from an undiagnosed illness. As the film progresses, she goes to a healing facility out in the desert, where she seeks treatment for her disease, here, but gradually regresses to a narcissistic phase. The semi-religious philosophy of this facility leads her to isolate herself from society and negates her integration into the socio-symbolic network. This self-indulgence and self-love finally causes her to be trapped in a narcissistic closure. This article discusses this narcissistic closure through the visual and audio analysis of the film. 

Anahtar Kelimeler

Safe, Todd Haynes, abjection, Julia Kristeva, narcissism, maternal, corporeality.

Kaynakça

  1. Batchelor, D. (2000). Chromophobia. Reaktion Books.
  2. Beardsworth, S. (2004). Julia Kristeva: Psychoanalysis and modernity. State University of New York Press.
  3. Black, P. (2006). The beauty industry: Gender, culture, pleasure. Routledge.
  4. Christian, L. (2004). Of housewives and saints: Abjection, transgression and impossible mourning in poison and safe. Camera Obscura, 19 (3), 93–123.
  5. Creed, B. (2002). Kristeva, femininity, abjection. In K. Gelder (Ed.), The horror reader (pp. 64-70). Routledge.
  6. Freud, S. (1900). The interpretations of dreams. In J. S. Strachey (Ed. & Trans.), The Penguin Freud library 4 [Reprinted 1991]. Penguin Books.
  7. Freud, S. (1917). Mourning and melancholia. In J. S. Strachey (Ed. & Trans.), On metapsychology: The theo-ry of psychoanalysis. The Penguin Freud library 11 [Reprinted in 1991] (pp. 245–268). Pen-guin Books.
  8. Grosz, E. (1989). The body of signification. In J. Fletcherand and A. Benjamin (Eds.), Abjection, melancho-lia, and love: The work of Julia Kristeva (pp. 80-103). Routledge.
  9. Haynes, T. (Director). (1995). Safe [Motion Picture]. Sony Pictures Classics.
  10. Kristeva, J. (1980). Motherhood according to Giovanni Bellini. In L. S. Roudiez (Ed.), T. Gora, A. Jardine and Roudiez, L. S. (Trans.), Desire in language: A semiotic approach to literature and art (pp. 237-70). Blackwell.

Kaynak Göster

APA
Tüzün, D. (2022). [Safe] in a Narcissistic Closure. Yedi, 27, 87-94. https://doi.org/10.17484/yedi.963673
AMA
1.Tüzün D. [Safe] in a Narcissistic Closure. yedi. 2022;(27):87-94. doi:10.17484/yedi.963673
Chicago
Tüzün, Defne. 2022. “[Safe] in a Narcissistic Closure”. Yedi, sy 27: 87-94. https://doi.org/10.17484/yedi.963673.
EndNote
Tüzün D (01 Ocak 2022) [Safe] in a Narcissistic Closure. Yedi 27 87–94.
IEEE
[1]D. Tüzün, “[Safe] in a Narcissistic Closure”, yedi, sy 27, ss. 87–94, Oca. 2022, doi: 10.17484/yedi.963673.
ISNAD
Tüzün, Defne. “[Safe] in a Narcissistic Closure”. Yedi. 27 (01 Ocak 2022): 87-94. https://doi.org/10.17484/yedi.963673.
JAMA
1.Tüzün D. [Safe] in a Narcissistic Closure. yedi. 2022;:87–94.
MLA
Tüzün, Defne. “[Safe] in a Narcissistic Closure”. Yedi, sy 27, Ocak 2022, ss. 87-94, doi:10.17484/yedi.963673.
Vancouver
1.Defne Tüzün. [Safe] in a Narcissistic Closure. yedi. 01 Ocak 2022;(27):87-94. doi:10.17484/yedi.963673