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A View of The European Art and Design Through the Costumes of Ballets Russes (1910s and 1920s)

Yıl 2017, Sayı: 18, 75 - 86, 11.07.2017

Öz

The first quarter of the 20th century is described as an era with a productive and rich content when innovation, experimentation, interdisciplinary collaboration and mutual interaction came to the forefront. This spirit of Europe was shaped as a result of the Europeans travelling the world by means of developing technologies; with an attitude of creativity, openness and curiosity to other cultures. Two of the prominent values of this era were oriantalism and modern art. In this period consisting of a dynamic and rich mixture of diverse cultures and ideas; the Russian art director Sergei Diaghilev established the Ballets Russes in Paris. The performances of this ballet company not only reflected the cultural and artistic atmosphere of the era by its stage decors, dances, music and particulary the costume; but also it formed and passed this on to the audience. For this reason, examining and analysing this ballet from multiple perspectives, most especially its costumes, would be a guiding light for understanding the Europe of 1910s and 1920s.

Kaynakça

  • (2013). Diaghilev and the Ballets Russes, 1909-1929 When Art Danced with Music Sergi Kataloğu, Washington: National Gallery of Art.
  • (2013). Oryantalizmin 1001 Yüzü Sergi Kitabı, İstanbul: Sabancı Üniversitesi Sakıp Sabancı Müzesi.
  • Garafola, L. (1998). “Dance, Film, and the Ballets Russes”, Dance Research: The Journal of the Society for Dance Research 16(1): 3-25.
  • Hargrove, N. D. (1998). “The Great Parade: Cocteau, Picasso, Satie, Massine, Diaghilev and T. S. Eliot”, Mosaic: A Journal for the Interdisciplinary Study of Literature 31(1): 83-106.
  • Jarvinen, H. (2008). “The Russian Barnum: Russian Opinions on Diaghilev’s Ballets Russes, 1909-1914”, Dance Research: The Journal of the Society for Dance Research 26(1): 18-41.
  • Mackrell, Alice (2005). Art And Fashion The Impact of Art on Fashion and Fashion on Art, London: Batsford. Martin, Richard and Koda, Harold (1994). Orientalism: Visions of the East in Western Dress, New York: The Metropolitan Museum of Art.
  • Robinson, Michael and Rosalind, Ormiston (2008). Art Deco: The Golden Age of Graphic Art and Illustration, London: Flame Tree.
  • Rutherford, A. (2009). “The Triumph of the Veiled Dance: The Influence of Oscar Wilde and Aubrey Beardsley on Serge Diaghliev’s Creation of the Ballets Russes”, Dance Research: The Journal of the Society for Dance Research 27(1): 93-107.
  • The Redlist, 2016 http://theredlist.com/wiki-2-20-881-1399-1161-235972- view-ballets-russes.html (20/10/2016).
  • Nga, 2016 http://www.nga.gov.au/Exhibition/balletsrusses/Default. cfm?MnuID=3&GalID=27 (20/10/2016).
  • Resim 1. https://rptownsend.files.wordpress.com/2013/08/3413- 012.jpg (20/10/2016).
  • Resim 2. http://tyrannyofstyle.com/costumes-of-the-ballets- russes (20/10/2016).
  • Resim 3. http://theredlist.com/wiki-2-20-881-1399-1161- 235972-236038-view-1910-1920-1-profile-1913-ble-sacre- du-printemps-the-rite-of-spring-b.html#photo (20/10/2016).
  • Resim 4. http://theredlist.com/wiki-2-20-881-1399-1161-2359 72-236038-view-1910-1920-1-profile-1910- bscheherazade-b.html#photo (20/10/2016).
  • Resim 5. http://theredlist.com/wiki-220-881-1399-1161-235972 -236038-view-1910-1920-1-profile-1910-bscheherazade-b. html#photo (10/10/2016).
  • Resim 6. http://theredlist.com/wiki-2-20-881-1399-1161- 235972-236038-view-1910-1920-1-profile-1912-ble-dieu- bleu-the-blue-god-b.html#photo (20/10/2016).
  • Resim 7. http://theredlist.com/wiki-2-20-881-1399-1161- 235972-235973-view-1900-1910-1-profile-1909- bcleopatra-b.html (05/10/2016).
  • Resim 8. https://artgroundinternational.wordpress.com/news-5/ (20/09/2016).
  • Resim 9. http://sanatabasla.blogspot.com.tr/2013/03/ayna- karssndaki-kz-girl-before-mirror.html (20/09/2016).
  • Resim 10. http://theredlist.com/wiki-2-20-881-1399-1161- 235972-236038-view-1910-1920-1-profile-1917- bparade-b.html#photo (20/09/2016).
  • Resim 11. http://tyrannyofstyle.com/costumes-of-the-ballets- russes (19/09/2016).
  • Resim 12. http://theredlist.com/wiki-2-20-881-1399-1161- 235972-236038-view-1910-1920-1-profile-1921-bchout-b. html#photo (19/09/2016).
  • Resim 13. http://theredlist.com/wiki-2-20-881-1399-1161- 235972-236669-view-1920-1930-1-profile-1924-ble-train- bleu-b.html#photo (20/09/2016).
  • Resim 14. http://theredlist.com/wiki-2-20-881-1399-1161- 235972-236669-view-1920-1930-1-profile-1927-bla- chatte-b.html#photo (05/10/2016).
  • Resim 15. http://theredlist.com/wiki-2-20-881-1399-1161- 235972-236669-view-1920-1930-1-profile-1928-bode-b. html (20/10/2016).
  • Resim 16. http://theredlist.com/wiki-2-20-881-1399-1161- 235972-236669-view-1920-1930-1-profile-1929-ble-bal-b. html#photo (20/10/2016).

Ballets Russes Kostümleri Üzerinden Avrupa’da Sanat ve Tasarım Ortamına Bakış (1910’lar ve 1920’ler)

Yıl 2017, Sayı: 18, 75 - 86, 11.07.2017

Öz

20.yüzyılın ilk çeyreği, Avrupa sanatında yeniliğin, deneyselliğin, disiplinler arası işbirliği ve karşılıklı etkileşimin öne çıktığı, üretken ve zengin içerikli bir dönem olarak nitelenir. Avrupa’nın bu ruhu, teknolojik gelişmeler sonucu dünyayı gezen Avrupalıların yaratıcı ve diğer kültürlere meraklı ve açık tavrı ile şekillenmiştir. Bu dönemin öne çıkan değerlerin-den ikisi oryantalizm ve modern sanattır. Farklı kültür ve fikirlerin dinamik ve zengin karmasından oluşan bu dönemde Rusya’dan gelen sanat yönetmeni Sergei Diaghilev, dönemin kimliğinin bir yansıması olan Ballets Russes topluluğunu Paris’te kurmuştur. Bu bale topluluğunun sergilediği eserler, başta kostümleri olmak üzere sahne dekorları, dansları ve müziğiyle hem dönemin kültürel ve sanatsal atmosferini yansıtmış hem de onu biçimlendirerek seyirciye ulaştırmıştır. Bu sebeple, 1910 ve 1920’lerin Avrupa’sını anlamak için bu baleyi, en başta kostümleri olmak üzere çok yönlü inceleyip değerlendirmek yol gösterici olacaktır. 

Kaynakça

  • (2013). Diaghilev and the Ballets Russes, 1909-1929 When Art Danced with Music Sergi Kataloğu, Washington: National Gallery of Art.
  • (2013). Oryantalizmin 1001 Yüzü Sergi Kitabı, İstanbul: Sabancı Üniversitesi Sakıp Sabancı Müzesi.
  • Garafola, L. (1998). “Dance, Film, and the Ballets Russes”, Dance Research: The Journal of the Society for Dance Research 16(1): 3-25.
  • Hargrove, N. D. (1998). “The Great Parade: Cocteau, Picasso, Satie, Massine, Diaghilev and T. S. Eliot”, Mosaic: A Journal for the Interdisciplinary Study of Literature 31(1): 83-106.
  • Jarvinen, H. (2008). “The Russian Barnum: Russian Opinions on Diaghilev’s Ballets Russes, 1909-1914”, Dance Research: The Journal of the Society for Dance Research 26(1): 18-41.
  • Mackrell, Alice (2005). Art And Fashion The Impact of Art on Fashion and Fashion on Art, London: Batsford. Martin, Richard and Koda, Harold (1994). Orientalism: Visions of the East in Western Dress, New York: The Metropolitan Museum of Art.
  • Robinson, Michael and Rosalind, Ormiston (2008). Art Deco: The Golden Age of Graphic Art and Illustration, London: Flame Tree.
  • Rutherford, A. (2009). “The Triumph of the Veiled Dance: The Influence of Oscar Wilde and Aubrey Beardsley on Serge Diaghliev’s Creation of the Ballets Russes”, Dance Research: The Journal of the Society for Dance Research 27(1): 93-107.
  • The Redlist, 2016 http://theredlist.com/wiki-2-20-881-1399-1161-235972- view-ballets-russes.html (20/10/2016).
  • Nga, 2016 http://www.nga.gov.au/Exhibition/balletsrusses/Default. cfm?MnuID=3&GalID=27 (20/10/2016).
  • Resim 1. https://rptownsend.files.wordpress.com/2013/08/3413- 012.jpg (20/10/2016).
  • Resim 2. http://tyrannyofstyle.com/costumes-of-the-ballets- russes (20/10/2016).
  • Resim 3. http://theredlist.com/wiki-2-20-881-1399-1161- 235972-236038-view-1910-1920-1-profile-1913-ble-sacre- du-printemps-the-rite-of-spring-b.html#photo (20/10/2016).
  • Resim 4. http://theredlist.com/wiki-2-20-881-1399-1161-2359 72-236038-view-1910-1920-1-profile-1910- bscheherazade-b.html#photo (20/10/2016).
  • Resim 5. http://theredlist.com/wiki-220-881-1399-1161-235972 -236038-view-1910-1920-1-profile-1910-bscheherazade-b. html#photo (10/10/2016).
  • Resim 6. http://theredlist.com/wiki-2-20-881-1399-1161- 235972-236038-view-1910-1920-1-profile-1912-ble-dieu- bleu-the-blue-god-b.html#photo (20/10/2016).
  • Resim 7. http://theredlist.com/wiki-2-20-881-1399-1161- 235972-235973-view-1900-1910-1-profile-1909- bcleopatra-b.html (05/10/2016).
  • Resim 8. https://artgroundinternational.wordpress.com/news-5/ (20/09/2016).
  • Resim 9. http://sanatabasla.blogspot.com.tr/2013/03/ayna- karssndaki-kz-girl-before-mirror.html (20/09/2016).
  • Resim 10. http://theredlist.com/wiki-2-20-881-1399-1161- 235972-236038-view-1910-1920-1-profile-1917- bparade-b.html#photo (20/09/2016).
  • Resim 11. http://tyrannyofstyle.com/costumes-of-the-ballets- russes (19/09/2016).
  • Resim 12. http://theredlist.com/wiki-2-20-881-1399-1161- 235972-236038-view-1910-1920-1-profile-1921-bchout-b. html#photo (19/09/2016).
  • Resim 13. http://theredlist.com/wiki-2-20-881-1399-1161- 235972-236669-view-1920-1930-1-profile-1924-ble-train- bleu-b.html#photo (20/09/2016).
  • Resim 14. http://theredlist.com/wiki-2-20-881-1399-1161- 235972-236669-view-1920-1930-1-profile-1927-bla- chatte-b.html#photo (05/10/2016).
  • Resim 15. http://theredlist.com/wiki-2-20-881-1399-1161- 235972-236669-view-1920-1930-1-profile-1928-bode-b. html (20/10/2016).
  • Resim 16. http://theredlist.com/wiki-2-20-881-1399-1161- 235972-236669-view-1920-1930-1-profile-1929-ble-bal-b. html#photo (20/10/2016).
Toplam 26 adet kaynakça vardır.

Ayrıntılar

Bölüm Araştırma Makaleler
Yazarlar

Ayşe Günay Bu kişi benim

Yayımlanma Tarihi 11 Temmuz 2017
Gönderilme Tarihi 27 Temmuz 2017
Kabul Tarihi 22 Mayıs 2017
Yayımlandığı Sayı Yıl 2017 Sayı: 18

Kaynak Göster

APA Günay, A. (2017). Ballets Russes Kostümleri Üzerinden Avrupa’da Sanat ve Tasarım Ortamına Bakış (1910’lar ve 1920’ler). Yedi(18), 75-86. https://doi.org/10.17484/yedi.331089

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This work is licensed under a Creative Commons Attribution 4.0 International License.