Kitap İncelemesi
BibTex RIS Kaynak Göster

Elena N. Boeck, The Bronze 221 Horseman of Justinian in Constantinople: The Cross-Cultural Biography of a Mediterranean Monument. Cambridge: Cambridge University Press, 2021. 451 pages, 69 figures and maps, and 4 tables. ISBN: 9781107197275

Yıl 2021, , 221 - 223, 30.12.2021
https://doi.org/10.53979/yillik.2021.18

Öz

The book review of Elena N. Boeck, The Bronze 221 Horseman of Justinian in Constantinople: The Cross-Cultural Biography of a Mediterranean Monument. Cambridge: Cambridge University Press, 2021. 451 pages, 69 figures and maps, and 4 tables. ISBN: 9781107197275 written by Brigitte Pitarakis

Kaynakça

  • Byzance: L’art byzantin dans les collections publiques françaises (Paris: Musée du Louvre, 1992), no. 113.
  • See Stephanos Efthymiadis, “Diegesis on Hagia Sophia from Late Antiquity to Tenth-Century Byzantium,” Byzantinoslavica 73 (2015): 7–21, which offers an interesting perspective on this issue.
  • French wording in tribute to Gilbert Dagron, Constantinople imaginaire: études sur le recueil des “Patria” (Paris : Presses universitaires de France, 1984).
  • See Jannic Durand, “À propos du grand groupe en bronze de l’archange saint Michel et de l’empereur Michel VIII Paléologue à Constantinople,” in La sculpture en Occident: études offertes à Jean-René Gaborit, ed. Geneviève Bresc-Bautier, Françoise Baron, and Pierre-Yves Le Pogam (Paris: Éditions Faton, 2007), 47–57.
  • See, for example, Gerard Gonzáles Germain, “The Epigraphical Legacy of Cyriac of Ancona: Felice Feliciano’s Trace in a Fake Inscription from Tarragona (CIL II 383* = 112/14, 43*),” Faventia 32–33 (2010–2011): 215–224.
Yıl 2021, , 221 - 223, 30.12.2021
https://doi.org/10.53979/yillik.2021.18

Öz

Kaynakça

  • Byzance: L’art byzantin dans les collections publiques françaises (Paris: Musée du Louvre, 1992), no. 113.
  • See Stephanos Efthymiadis, “Diegesis on Hagia Sophia from Late Antiquity to Tenth-Century Byzantium,” Byzantinoslavica 73 (2015): 7–21, which offers an interesting perspective on this issue.
  • French wording in tribute to Gilbert Dagron, Constantinople imaginaire: études sur le recueil des “Patria” (Paris : Presses universitaires de France, 1984).
  • See Jannic Durand, “À propos du grand groupe en bronze de l’archange saint Michel et de l’empereur Michel VIII Paléologue à Constantinople,” in La sculpture en Occident: études offertes à Jean-René Gaborit, ed. Geneviève Bresc-Bautier, Françoise Baron, and Pierre-Yves Le Pogam (Paris: Éditions Faton, 2007), 47–57.
  • See, for example, Gerard Gonzáles Germain, “The Epigraphical Legacy of Cyriac of Ancona: Felice Feliciano’s Trace in a Fake Inscription from Tarragona (CIL II 383* = 112/14, 43*),” Faventia 32–33 (2010–2011): 215–224.
Toplam 5 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Sanat Tarihi, Teori ve Eleştiri (Diğer)
Bölüm İncelemeler ve İstanbul Kaynakçası
Yazarlar

Brigitte Pitarakis Bu kişi benim 0000-0001-6114-5535

Yayımlanma Tarihi 30 Aralık 2021
Gönderilme Tarihi 17 Ekim 2021
Yayımlandığı Sayı Yıl 2021

Kaynak Göster

Chicago Pitarakis, Brigitte. “Elena N. Boeck, The Bronze 221 Horseman of Justinian in Constantinople: The Cross-Cultural Biography of a Mediterranean Monument. Cambridge: Cambridge University Press, 2021. 451 Pages, 69 Figures and Maps, and 4 Tables. ISBN: 9781107197275”. YILLIK: Annual of Istanbul Studies 3, Aralık (Aralık 2021): 221-23. https://doi.org/10.53979/yillik.2021.18.