I visited the renovated Yıldız Palace on July 24, 2025, a little over a year after its grand opening to the public. My experience that day was diametrically opposed to my first visit in 2009 with Yavuz Sezer, one of the best architectural historians of his generation, whom we lost to Covid in 2021. The site, which had been used by multiple institutions since the early years of the Turkish Republic, has since 2018 been (more or less) unified under the ongoing preservation and conservation efforts of the Directorate of National Palaces (Milli Saraylar İdaresi Başkanlığı). When Yavuz and I sauntered in through what was once the gate reserved for the sultan’s mother (valide kapısı), we encountered many wonders in ruin inside the palace’s inner harem garden (today, labeled the has bahçe). Especially striking were the rusticated concrete landscape features—an artificial lake, nymphaeum, grottoes, bridges, cascades, and gazebos. These late-nineteenth-century Victorian inventions, where artifice and nature produced their steampunk quirks, were what propelled me to work on the sprawling, magnificent palace complex.
Yıldız Palace Palace gardens Beşiktaş Harem gardens Abdülhamid II Mabeyn Kiosk Çit Kiosk Small Mabeyn Yıldız Palace Furniture Museum Photograph albums
| Birincil Dil | İngilizce |
|---|---|
| Konular | Mimarlık Tarihi, Sanat Tarihi |
| Bölüm | Görüş Makalesi |
| Yazarlar | |
| Gönderilme Tarihi | 18 Eylül 2025 |
| Kabul Tarihi | 16 Ekim 2025 |
| Yayımlanma Tarihi | 30 Aralık 2025 |
| DOI | https://doi.org/10.53979/yillik.1844467 |
| IZ | https://izlik.org/JA94GM69MZ |
| Yayımlandığı Sayı | Yıl 2025 Cilt: 7 |