Araştırma Makalesi
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Ounar, Safevîlerden bir mezarlık

Yıl 2018, Cilt: 5 Sayı: 1, 1 - 17, 15.05.2018

Öz

İnançlar ve sanatsal alanlarda insan inanışlarıyla yakın ilişkisi nedeniyle mezar taşları büyük önem taşır. Meshkinşahr şehri, belirli bir coğrafyadaki konumu ve Safevi dini sermayesine (Ardabil) olan yakınlığı ve İslami mezar taşları açısından zenginliği ve bu alandaki yeterli araştırma eksikliği nedeniyle incelenen bölge olarak seçilmiştir. Bu şehrin mezarlıklar arasında, ana tür mezarlar ve çeşitli sembolik motifler nedeniyle Ounar mezarlığı araştırıldı. Bu çalışmanın amacı, kullanılan simgesel tasarımları ya da işaretleri, özellikle Şii dinine verilen tabloları tanımlamak, tipoloji yapmak ve analiz etmek ve mezar taşlarını kronolojik olarak incelemektir. Bu araştırma, betimsel-analitik yaklaşıma dayalı saha araştırmaları ve kütüphane çalışmaları ile yürütülmüştür, böylece yürütülen çalışmalar, çoğu mezarın kronolojisinin Safevî döneme ait olduğunu ve en çok kullanılan motiflerin dini alanda kullanıldığını göstermiştir. Büyük Salvat'ın duası ve üç yaprak palmiye sterilizasyonu rolü Safevi döneminde yaygın olan İmam Hüseyin'in tabutunun sembolüdür.


Kaynakça

  • Abdoli, A. 1999. The History of Kados, Tehran, Fekre ruz publication.- Afrouz, M. 2014. Sign and Symbolism in Iranian Carpet. Tehran, Mardashti Cultural Center.- Aryanpour, Manouchehr et al., 2006. English Culture to Farsi, Sixth volume, Tehran, Jahnrayane.- Islami Sarawi, H. 2011. History of Mazandaran (from the beginning to the present), first volume, Sari: Shelfin.- Charai, A. 2008. The design of the gravestones of the cemetery of Dar-al-salaam in Shiraz, khial mirror, No. 6.- Chevalier, J., and Gheerbranl, A. 1999. Dictionary of Symbols, Translated by Sudabeh Fathhali, First Printing, Tehran, Jeyhonon Publications.- Cooper, J.C., 2000. Illustrated Culture of Traditional Symbols, Translated by Malihe Karbassian, Tehran: Nar Farhad.- Dallasho, M. L. 1985, legendary mystic Language, Translated by Jalal Sattari, Tehran, Toos Publishing.- Dehkhoda, A. 1993. Dictionary of Dehkhoda, Institute of Publications and Printing of Tehran University.- Chitaazian, A. H. 2009. "Recognition of the Campus in the Symbolic Platform of Iranian Carpet- Eliadeh, M, 2002. Myth and Codec in the Thought of Mirza Eliadeh, translated by Jalal Sattari, Tehran: Center Publisher.Foladi, M., and Hassanpour, M. 2015. The role of symbols and symbolism in human life; Sociological analysis; Journal of Cultural and Social Knowledge, Vol. 6, No. 4.- Fotohi Roodmajani, M. 2006. Rhetoric of Image, First Printing, Tehran, Sokhan Publishing.- Fromm, E. 1970. The forgotten language, Translated by Ibrahim Amanat, Tehran, Morvarid Publication.- Hohenegger, A. 1994. Symbols and signs. Translated by Ali Solh Joo, Ministry of Culture and Islamic Guidance, Fourth Edition.- Imamifar, S. N. 2009. Applied Semiotics, Book of Moon Art, No. 135, pp. 17-4.- Jamshidi, I. 2013. Symbol, Journal of Literature and Languages. The Growth of Persian Language and Literature Education, Spring 92, No. 105.- Jung, C. G. 1999. Man and his symbols, translated by Mahmoud Soltanieh, Tehran, Jami Publications.
  • - Khazaee, M. 1386. The imprint of symbolic motifs of Peacock and Simorgh in Safavid era buildings. Visual Arts, July, 26, 27-24.- Motavali, M. 2013, Study of the form and content in the designs of tombstones in the cemeteries of Mazandaran province (case study of tombstones of the cemetery of Chahsafid in Behshahr city), Master's thesis, Ministry of Science, Research and Technology - Payame Noor University - Payame Noor University of Tehran Province - Faculty of Arts and Architecture.- Mohseniyanrad, M. 2005. Intercultural Communication, Tehran, Soroush.- Moustuffi Ghazvini, H. 1983. Purity of heart, Donyaye ketab publishing.- Nobakhti Xiyavi, S. 2001. Lost Xiyav from the history, Tehran, Ghoo Publication.- Pahlavan, F. 2006. An introduction to the Analysis of Elemental Images, Tehran: Art University.- Pouriman, Gh. 2001. Neginsabz of Azerbaijan (Meshginshahr), Tehran, Moshiri Publishing.- Tafazoli, A. 1997. Qibla of Mosque View, Mihrab, Islamic Studies Magazine, No. 35 and 36.Architecture" Goljam, No. 12: 112- 99.- Rahimzadeh, M. 2003. Mazandaran’ saghakhaneh of the Babil area, Sari: Directorate of cultural heritage of Mazandaran province.- Rene Lawrence and Rene Alendi, 1995. The Symbolism in the Book of Myth and Mystery, Translator: Jalal Sattari, Soroush.- Rismanchian, O., Heidari, M. 2005. “Water, Symbol, Desert”, Scientific Conference of Kavir Architecture Areas, Islamic Azad University of Ardestan.- Sajjadi, J. 1996. Dictionary of mystical terms, Tehran, Iranian language and culture.- Sajjadi, A. 1993. The series of evolution of the altar in the Islamic architecture of Iran from the beginning to the Mongol invasion, Master's thesis on archeology, Faculty of Humanities, Tarbiat Modarres University.- Shayestehfar, M. 2009. Decorating the inscriptions of Sheikh Safi tombstones and adapting them to Naharkhoran of Gorgan. The Art Book Monthly, No. 134, 81-74.- Shayestehfar, M. 2010. Symbol of the basis of aesthetic and thematic studies of art. The Art Booksheet, No. 139, 109-94.
  • - Sirlo, J. E. 2010. Dictionary of symbols, Dastan Publishing.- Widengren, G, 1999. Religion of ancient Persia, Translated by Manouchehr Farhangi, First Edition, Tehran,- Yahaghi, M. J., 1996. The Culture of Myths and Fictional refering in Persian Literature, Tehran, Soroush.

Ounar, a cemetery from the Safavid era

Yıl 2018, Cilt: 5 Sayı: 1, 1 - 17, 15.05.2018

Öz

Tombstones have great importance in belief and artistic areas due to its close connection with human beliefs.
Meshkinshahr’s city was selected as the studied area due to its location at a
particular geography and its proximity to the Safavid religious capital
(Ardabil), as well as its richness in terms of Islamic gravestones and lack of
adequate studies in this field. Among the cemeteries of this city, the cemetery
of Ounar was investigated due to main kind of graves and various symbolic
motifs. The purpose of this study was to identify, typology, analyze the used
symbolic designs or signs, particularly paintings assigned to the Shiite
religion, and chronologize the gravestones. This research has been conducted
through field surveys and library studies based on the descriptive-analytical
approach, so that the conducted studies have shown that the chronology of most
graves is related to the Safavid period and the most used motifs were used in
the religious domain. Prayer of the Great Salvat and the role of three-leaf
palm sterlization is the symbol of Imam Hussein's coffin which was common in
the Safavid era.

Kaynakça

  • Abdoli, A. 1999. The History of Kados, Tehran, Fekre ruz publication.- Afrouz, M. 2014. Sign and Symbolism in Iranian Carpet. Tehran, Mardashti Cultural Center.- Aryanpour, Manouchehr et al., 2006. English Culture to Farsi, Sixth volume, Tehran, Jahnrayane.- Islami Sarawi, H. 2011. History of Mazandaran (from the beginning to the present), first volume, Sari: Shelfin.- Charai, A. 2008. The design of the gravestones of the cemetery of Dar-al-salaam in Shiraz, khial mirror, No. 6.- Chevalier, J., and Gheerbranl, A. 1999. Dictionary of Symbols, Translated by Sudabeh Fathhali, First Printing, Tehran, Jeyhonon Publications.- Cooper, J.C., 2000. Illustrated Culture of Traditional Symbols, Translated by Malihe Karbassian, Tehran: Nar Farhad.- Dallasho, M. L. 1985, legendary mystic Language, Translated by Jalal Sattari, Tehran, Toos Publishing.- Dehkhoda, A. 1993. Dictionary of Dehkhoda, Institute of Publications and Printing of Tehran University.- Chitaazian, A. H. 2009. "Recognition of the Campus in the Symbolic Platform of Iranian Carpet- Eliadeh, M, 2002. Myth and Codec in the Thought of Mirza Eliadeh, translated by Jalal Sattari, Tehran: Center Publisher.Foladi, M., and Hassanpour, M. 2015. The role of symbols and symbolism in human life; Sociological analysis; Journal of Cultural and Social Knowledge, Vol. 6, No. 4.- Fotohi Roodmajani, M. 2006. Rhetoric of Image, First Printing, Tehran, Sokhan Publishing.- Fromm, E. 1970. The forgotten language, Translated by Ibrahim Amanat, Tehran, Morvarid Publication.- Hohenegger, A. 1994. Symbols and signs. Translated by Ali Solh Joo, Ministry of Culture and Islamic Guidance, Fourth Edition.- Imamifar, S. N. 2009. Applied Semiotics, Book of Moon Art, No. 135, pp. 17-4.- Jamshidi, I. 2013. Symbol, Journal of Literature and Languages. The Growth of Persian Language and Literature Education, Spring 92, No. 105.- Jung, C. G. 1999. Man and his symbols, translated by Mahmoud Soltanieh, Tehran, Jami Publications.
  • - Khazaee, M. 1386. The imprint of symbolic motifs of Peacock and Simorgh in Safavid era buildings. Visual Arts, July, 26, 27-24.- Motavali, M. 2013, Study of the form and content in the designs of tombstones in the cemeteries of Mazandaran province (case study of tombstones of the cemetery of Chahsafid in Behshahr city), Master's thesis, Ministry of Science, Research and Technology - Payame Noor University - Payame Noor University of Tehran Province - Faculty of Arts and Architecture.- Mohseniyanrad, M. 2005. Intercultural Communication, Tehran, Soroush.- Moustuffi Ghazvini, H. 1983. Purity of heart, Donyaye ketab publishing.- Nobakhti Xiyavi, S. 2001. Lost Xiyav from the history, Tehran, Ghoo Publication.- Pahlavan, F. 2006. An introduction to the Analysis of Elemental Images, Tehran: Art University.- Pouriman, Gh. 2001. Neginsabz of Azerbaijan (Meshginshahr), Tehran, Moshiri Publishing.- Tafazoli, A. 1997. Qibla of Mosque View, Mihrab, Islamic Studies Magazine, No. 35 and 36.Architecture" Goljam, No. 12: 112- 99.- Rahimzadeh, M. 2003. Mazandaran’ saghakhaneh of the Babil area, Sari: Directorate of cultural heritage of Mazandaran province.- Rene Lawrence and Rene Alendi, 1995. The Symbolism in the Book of Myth and Mystery, Translator: Jalal Sattari, Soroush.- Rismanchian, O., Heidari, M. 2005. “Water, Symbol, Desert”, Scientific Conference of Kavir Architecture Areas, Islamic Azad University of Ardestan.- Sajjadi, J. 1996. Dictionary of mystical terms, Tehran, Iranian language and culture.- Sajjadi, A. 1993. The series of evolution of the altar in the Islamic architecture of Iran from the beginning to the Mongol invasion, Master's thesis on archeology, Faculty of Humanities, Tarbiat Modarres University.- Shayestehfar, M. 2009. Decorating the inscriptions of Sheikh Safi tombstones and adapting them to Naharkhoran of Gorgan. The Art Book Monthly, No. 134, 81-74.- Shayestehfar, M. 2010. Symbol of the basis of aesthetic and thematic studies of art. The Art Booksheet, No. 139, 109-94.
  • - Sirlo, J. E. 2010. Dictionary of symbols, Dastan Publishing.- Widengren, G, 1999. Religion of ancient Persia, Translated by Manouchehr Farhangi, First Edition, Tehran,- Yahaghi, M. J., 1996. The Culture of Myths and Fictional refering in Persian Literature, Tehran, Soroush.
Toplam 3 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Bölüm Makaleler
Yazarlar

Behrooz Afkhami

Samad Parvin Bu kişi benim

Yayımlanma Tarihi 15 Mayıs 2018
Yayımlandığı Sayı Yıl 2018 Cilt: 5 Sayı: 1

Kaynak Göster

APA Afkhami, B., & Parvin, S. (2018). Ounar, a cemetery from the Safavid era. Yıldız Journal of Art and Design, 5(1), 1-17.

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