Araştırma Makalesi

THE VOCAL CYCLE “MACHINES AGRICOLES” AS A MANIFESTATION OF DARIUS MILHAUD’S CREATIVE CREDO

Cilt: 7 Sayı: 3 23 Eylül 2024
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THE VOCAL CYCLE “MACHINES AGRICOLES” AS A MANIFESTATION OF DARIUS MILHAUD’S CREATIVE CREDO

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ABSTRACT The purpose of this study was to identify the key aspects of Darius Milhaud’s creative credo through the lens of the vocal cycle “Machines agricoles”. The musical elements in the vocal cycle were investigated to analyse its composition. The study of Darius Milhaud’s work, including his vocal compositions, revealed the influence of historical events, cultural and social trends on his music, considering the context of the time. The study also covered the unique features of Milhaud’s creative style in this particular vocal cycle. Additionally, the socio-cultural aspects of the period were highlighted. The analysis of the vocal cycle “Machines agricoles” underscored its significance in the artistic context. Therewith, issues that cause differences in its interpretation were identified. Reflecting the interaction with the cultural context and personal feelings, this cycle is not only a piece of music, but the embodiment of a new understanding of human and nature. The analysis of the composition and aesthetic aspects of this cycle revealed the profound significance of Milhaud’s creative principle. This study opened new perspectives for understanding Milhaud’s creative legacy and contributed to a broader understanding of the art and cultural context of the time. The study of the vocal cycle “Machines agricoles” by D. Milhaud helped to expand the understanding of the composer’s creative heritage and his approach to composition. The study highlights Darius Milhaud’s unique musical techniques in vocal cycles, offering insights into his creative process. It underscores Milhaud’s significance in 20th-century music and his impact on musical culture.

Anahtar Kelimeler

Kaynakça

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  6. Ee, T. S. (2024). Uneven worlds, new minoritisations, intersectional privilege: Questioning different kinds of ‘global’ in musical transmission processes. Asian-European Music Research Journal, 13, 13-24. DOI: https://doi.org/10.30819/aemr.13-2
  7. Epstein, L. K. (2014). Darius Milhaud’s Machines agricoles as post-pastoral. Music & Politics, 8 (2). DOI: http://dx.doi.org/10.3998/mp.9460447.0008.204
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Ayrıntılar

Birincil Dil

İngilizce

Konular

Müzik (Diğer)

Bölüm

Araştırma Makalesi

Yayımlanma Tarihi

23 Eylül 2024

Gönderilme Tarihi

31 Temmuz 2024

Kabul Tarihi

9 Eylül 2024

Yayımlandığı Sayı

Yıl 2024 Cilt: 7 Sayı: 3

Kaynak Göster

APA
Zharkova, V., Zharkov, O., & Shang, Y. (2024). THE VOCAL CYCLE “MACHINES AGRICOLES” AS A MANIFESTATION OF DARIUS MILHAUD’S CREATIVE CREDO. Yegah Musicology Journal, 7(3), 147-177. https://doi.org/10.51576/ymd.1519103
AMA
1.Zharkova V, Zharkov O, Shang Y. THE VOCAL CYCLE “MACHINES AGRICOLES” AS A MANIFESTATION OF DARIUS MILHAUD’S CREATIVE CREDO. YMD. 2024;7(3):147-177. doi:10.51576/ymd.1519103
Chicago
Zharkova, Valeriya, Oleksandr Zharkov, ve Yunan Shang. 2024. “THE VOCAL CYCLE ‘MACHINES AGRICOLES’ AS A MANIFESTATION OF DARIUS MILHAUD’S CREATIVE CREDO”. Yegah Musicology Journal 7 (3): 147-77. https://doi.org/10.51576/ymd.1519103.
EndNote
Zharkova V, Zharkov O, Shang Y (01 Eylül 2024) THE VOCAL CYCLE “MACHINES AGRICOLES” AS A MANIFESTATION OF DARIUS MILHAUD’S CREATIVE CREDO. Yegah Musicology Journal 7 3 147–177.
IEEE
[1]V. Zharkova, O. Zharkov, ve Y. Shang, “THE VOCAL CYCLE ‘MACHINES AGRICOLES’ AS A MANIFESTATION OF DARIUS MILHAUD’S CREATIVE CREDO”, YMD, c. 7, sy 3, ss. 147–177, Eyl. 2024, doi: 10.51576/ymd.1519103.
ISNAD
Zharkova, Valeriya - Zharkov, Oleksandr - Shang, Yunan. “THE VOCAL CYCLE ‘MACHINES AGRICOLES’ AS A MANIFESTATION OF DARIUS MILHAUD’S CREATIVE CREDO”. Yegah Musicology Journal 7/3 (01 Eylül 2024): 147-177. https://doi.org/10.51576/ymd.1519103.
JAMA
1.Zharkova V, Zharkov O, Shang Y. THE VOCAL CYCLE “MACHINES AGRICOLES” AS A MANIFESTATION OF DARIUS MILHAUD’S CREATIVE CREDO. YMD. 2024;7:147–177.
MLA
Zharkova, Valeriya, vd. “THE VOCAL CYCLE ‘MACHINES AGRICOLES’ AS A MANIFESTATION OF DARIUS MILHAUD’S CREATIVE CREDO”. Yegah Musicology Journal, c. 7, sy 3, Eylül 2024, ss. 147-7, doi:10.51576/ymd.1519103.
Vancouver
1.Valeriya Zharkova, Oleksandr Zharkov, Yunan Shang. THE VOCAL CYCLE “MACHINES AGRICOLES” AS A MANIFESTATION OF DARIUS MILHAUD’S CREATIVE CREDO. YMD. 01 Eylül 2024;7(3):147-7. doi:10.51576/ymd.1519103

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