Araştırma Makalesi
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YARATICI EKONOMİ VE SÜRDÜRÜLEBİLİRLİK: MÜZİK ENDÜSTRİSİ ÖRNEĞİ

Yıl 2025, Cilt: 8 Sayı: 1, 632 - 668
https://doi.org/10.51576/ymd.1628666

Öz

ÖZ
Yapılan çalışmada, yaratıcı ekonomi bağlamında müzik endüstrisinin sürdürülebilir kalkınma amaçları üzerindeki rolü ve olası etkisi incelenmektedir. Müzik endüstrisi, kültürel çeşitliliği teşvik eden ve sosyal bütünleşmeyi sağlayan bir araç olarak öne çıkarken, aynı zamanda önemli bir ekonomik sektör olarak da değerlendirilmektedir. Yaratıcı endüstri ve yaratıcı ekonomi bireysel yaratıcılığın ekonomi kaynağına dönüşümünü tanımlamakta, toplumsal refahı artırma yönü ile çevresel sürdürülebilirliği dolaylı olarak destekleme potansiyeline sahiptir. Nitel araştırma yöntemi desenlerinden Durum çalışması (case study) ekseninde kurgulanan çalışmada, Birleşmiş Milletler Sürdürülebilir Kalkınma Amaçları (SKA) çerçevesinde müzik endüstrisinin çeşitli aktörlerinin son üç yıldaki sürdürülebilirlik uygulamaları ve politikaları dokuman analizi yöntemi ile analiz edilmiş ve yorumlanmıştır. Araştırmanın bulguları, seçilen müzik endüstrisi şirketlerinin SKA’lara yönelik yaklaşımlarında farklılıklar olduğunu ortaya koymaktadır. Özellikle “İnsana Yaraşır İş ve Ekonomik Büyüme”, “Toplumsal Cinsiyet Eşitliği”, “İklim Eylemi” ve “Barış, Adalet ve Güçlü Kurumlar” amaçlarının incelenen şirketler tarafından öncelikli konular kapsamında benimsendiği görülmüştür. Bununla birlikte, “Yoksulluğa Son”, “Temiz Su ve Sanitasyon” ve “Açlığa Son” gibi amaçların öncelikli konular arasında yer almaması, bu alanlarda şirketlerin daha fazla çaba göstermesi gerekebilir. Ayrıca, bazı şirketlerin “Nitelikli Eğitim” ve “Eşitsizliğin Azaltılması” gibi sosyal sürdürülebilirlik amaçlarına yönelik adımlar attığı tespit edilmiştir. Sonuç olarak, müzik endüstrisinin sürdürülebilir kalkınmaya katkı sağlayan önemli bir aktör olduğu vurgulanmıştır. Müzik endüstrisine ilişkin sürdürülebilirlik standartları geliştirilebilir. Çalışma, yaratıcı ekonominin önemli unsuru olan müzik endüstrisi ve sürdürülebilirlik arasındaki ilişkinin derinlemesine anlaşılmasına katkıda bulunmayı hedeflemektedir.

Kaynakça

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  • Bakhshi, H., Freeman, A., & Higgs, P. (2013). A dynamic mapping of the UK's creative industries.
  • Barker, C. (2004). The SAGE dictionary of cultural studies. SAGE Publications Ltd, https://doi.org/10.4135/9781446221280
  • Barton, G. (2018). The relationship between music, culture, and society: meaning in music. ın: music learning and teaching in culturally and socially diverse contexts. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-95408-0_2
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CREATIVE ECONOMY AND SUSTAINABILITY: THE CASE OF THE MUSIC INDUSTRY

Yıl 2025, Cilt: 8 Sayı: 1, 632 - 668
https://doi.org/10.51576/ymd.1628666

Öz

ABSTRACT
This study examines the role and possible impact of the music industry on sustainable development goals in the context of the creative economy. While the music industry stands out as a tool to promote cultural diversity and social integration, it is also considered as an important economic sector. The creative industry and creative economy define the transformation of individual creativity into an economic resource, and have the potential to increase social welfare and indirectly support environmental sustainability. In the study, which was designed on the axis of case study, one of the qualitative research method designs, the sustainability practices and policies of various actors of the music industry in the last three years within the framework of the United Nations Sustainable Development Goals (SDGs) were analyzed and interpreted through document analysis method. The findings of the study reveal that there are differences in the approaches of the selected music industry companies towards the SDGs. In particular, it was observed that “Decent Work and Economic Growth”, “Gender Equality”, “Climate Action” and “Peace, Justice and Strong Institutions” were adopted as priority issues by the analyzed companies. However, goals such as “End Poverty”, “Clean Water and Sanitation” and “End Hunger” are not among the priorities, and companies may need to make more efforts in these areas. In addition, it was found that some companies have taken steps towards social sustainability goals such as “Quality Education” and “Reducing Inequality”. In conclusion, it is emphasized that the music industry is an important actor contributing to sustainable development. Sustainability standards for the music industry can be developed. The study aims to contribute to an in-depth understanding of the relationship between sustainability and the music industry as an important element of the creative economy.

Kaynakça

  • Awa, H.O., Etim, W. & Ogbonda, E. Stakeholders, stakeholder theory and Corporate Social Responsibility (CSR). Int J Corporate Soc Responsibility 9, 11 (2024). https://doi.org/10.1186/s40991-024-00094
  • Bakhshi, H., Freeman, A., & Higgs, P. (2013). A dynamic mapping of the UK's creative industries.
  • Barker, C. (2004). The SAGE dictionary of cultural studies. SAGE Publications Ltd, https://doi.org/10.4135/9781446221280
  • Barton, G. (2018). The relationship between music, culture, and society: meaning in music. ın: music learning and teaching in culturally and socially diverse contexts. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-95408-0_2
  • Boccella, N., & Salerno, I. (2016). Creative economy, cultural industries and local development. Procedia-Social and Behavioral Sciences, 223, 291-296.
  • Belussi, F., & Sedita, S. (Eds.). (2011). Managing situated creativity in cultural industries (1st ed.). Routledge. https://doi.org/10.4324/9781315873664.
  • Bennett, T. (2024). The music ındustry does exist. In: Arditi, D., Nolan, R. (eds) The palgrave handbook of critical music ındustry studies. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-64013-1_33
  • Brennan, M. (2020). The environmental sustainability of the music ındustries. In: Oakley, K., Banks, M. (eds) Cultural Industries and the Environmental Crisis. Springer, Cham. https://doi.org/10.1007/978-3-030-49384-4_4
  • Calabrese, A., Costa, R., Levialdi Ghiron, N., & Menichini, T. (2017). Materiality analysis in sustainability reporting: a method for making it work in practice. European Journal of Sustainable Development, 6(3), 439. https://doi.org/10.14207/ejsd.2017.v6n3p439
  • Creswell, W. J. (2016), Araştırma deseni nitel, nicel ve karma yöntem yaklaşımları. Çvr: Selçuk Beşir Demir, Ankara: Eğiten Kitap.
  • Cook, K.S., Cheshire, C., Rice, E.R.W., Nakagawa, S. (2013). Social exchange theory. In: DeLamater, J., Ward, A. (eds) Handbook of social psychology. handbooks of sociology and social research. Springer, Dordrecht. https://doi.org/10.1007/978-94-007-6772-0_3
  • J. Hawkes, The fourth pillar of sustainability: culture’s essential role in public planning Common Ground P/L, Melbourne (2001) ISBN: 1 86335 049 7
  • Hesmondhalgh, D., & Pratt, A. C. (2005). Cultural industries and cultural policy. International Journal of Cultural Policy, 11(1), 1–13. https://doi.org/10.1080/10286630500067598
  • Kalra, P. (2024). Corporate socıal responsıbılıty and stakeholder theory: an integrated review. journal of management & entrepreneurship. https://doi.org/10.13140/RG.2.2.32886.82243
  • Kim, J., & Kang, M. Y. (2022). Sustainable success in the music industry: empirical analysis of music preferences. Journal of Business Research, 142, 1068–1076. https://doi.org/10.1016/j.jbusres.2022.01.021
  • Flew, T. (2011). The creative industries: Culture and policy.
  • Flew, T. (2019). From policy to curriculum: drivers of the growth in creative industries courses in the UK and Australia. Creative Industries Journal, 12(2), 167–184. https://doi.org/10.1080/17510694.2019.1583036
  • Freeman, R. E., Harrison, J. S., Wicks, A. C., Parmar, B. L., & de Colle, S. (2010). Stakeholder theory and corporate social responsibility. In stakeholder theory: the state of the art (pp. 235–264). chapter, Cambridge: Cambridge University Press.
  • González, M., del Mar Alonso-Almeida, M., & Dominguez, D. (2017). Mapping global sustainability report scoring: a detailed analysis of Europe and Asia. Quality & Quantity, 1-15
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  • Deloitte. (2021). Future of the creative economy report.(Access adress:https://www2.deloitte.com/content/dam/Deloitte/uk/Documents/technology-media-telecommunications/deloitte-uk-future-creative-economy-report-final.pdf),(Access date:18.11.2024).
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  • PwC. (2024.). _Insights and perspectives from the Global Entertainment & Media Outlook 2024–2028 (Access adress: [https://www.pwc.com/gx/en/issues/business\-model\-), (Access date:18.12.2024).
  • The creative economy takes center stage. (2021). IFC. (Access adress: https://www.ifc.org/en/stories/2021/the-creative-economy-takes),(Access date:13.11.2024).
  • International Finance Corporation. (n.d.). Creative industries. International Finance Corporation. (Access adress:https://www.ifc.org/en/what-we-do/sector-expertise/creative-industries ),( Access date:13.11.2024).
  • Lords Library. (2024). _Contribution of the arts to society and the economy. UK Parliament. (Access adress: [https://lordslibrary.parliament.uk/contribution\-of\-the\-arts\-to\-society\-and\-the\-economy/#heading\-3]), (Access date:18.11.2024).
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  • Spotify Technology S.A. (2023). Equity impact report 2023.(Access adress: https://www.lifeatspotify.com/reports/Spotify-Equity-Impact-Report-2023.pdf),(Access date: 24.11.2024).
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Toplam 82 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Konular Müzik (Diğer)
Bölüm Araştırma Makaleleri
Yazarlar

Belgin Rana Çardak 0000-0002-3519-4576

Deniz Umut Doğan 0000-0001-5909-0045

Serdal Arslan 0000-0001-5803-9010

Gül Arslan Kurnaz 0000-0001-8294-7473

Erken Görünüm Tarihi 10 Mart 2025
Yayımlanma Tarihi
Gönderilme Tarihi 28 Ocak 2025
Kabul Tarihi 9 Mart 2025
Yayımlandığı Sayı Yıl 2025 Cilt: 8 Sayı: 1

Kaynak Göster

APA Çardak, B. R., Doğan, D. U., Arslan, S., Arslan Kurnaz, G. (2025). YARATICI EKONOMİ VE SÜRDÜRÜLEBİLİRLİK: MÜZİK ENDÜSTRİSİ ÖRNEĞİ. Yegah Müzikoloji Dergisi, 8(1), 632-668. https://doi.org/10.51576/ymd.1628666