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NATURE IN CLASSICAL JAPANESE LITERATURE - AN ECOCRITICAL PERSPECTIVE OF THE PLANTS IN THE DIARY OF LADY MURASAKI

Year 2020, Volume: 8 Issue: 22, 114 - 140, 15.06.2020
https://doi.org/10.33692/avrasyad.661273

Abstract

This study has endeavored to answer how nature is represented in a classical Japanese text, the diary of Lady Murasaki, with an ecocritical perspective with respect to plants focusing on the subject with a secondary nature phoneme. To answer this question in the first section I set forth a complete list of the plants in the diary, which is first in the field. While doing this I have focused on the perception of Lady Murasaki on plants and I have suggested a taxonomy for the plants appearing in the diary by utilizing the words used by Murasaki herself in the text which enables me to include the entries not associated with seasons. As a result of the findings in this first part of the article, it was identified that the plants in the text represent the secondary nature. In the second part of the article, I have analyzed the text for the forms the secondary nature took in the diary. In the analysis it is also reached results showing associations of plant references with particular locations and with seasons. This study is the first on this subject to discuss the nature in The Diary of the Lady Murasaki with respect to plants, with an ecocritical approach in Japan, in Turkey and in the world.

References

  • Arıkan, A. (2011). Edebi metin çözümlemesi ve ekoeleştiri. Mediterranean Journal of Humanities, 1(1), 41-49.
  • Armstrong, P. (2001). "The Design of Nature in Heian Kyoto." Architectural Theory Review, 6:2. 1-11
  • Asquith, P. J.; Kalland, A. (eds.) (1997). Japanese Images of Nature: Cultural Perspectives. No. 1. USA. Taylor & Francis.
  • Baird, M. (2001). Symbols of Japan: Thematic Motifs in Art and Design. New York: Rizzoli.
  • Bowring, R. (1996). "Introduction." The Diary of Lady Murasaki. New York: Penguin.
  • Brown, J. (2006). China, Japan, Korea: Culture and Customs. South Carolina: Book Surge.
  • Coaldrake, W. H. (2002). Architecture and Authority in Japan. New York: Routledge.
  • Ergin, M., Dolcerocca, O. N. (2016). Edebiyata Ekoeleştirel yaklaşimlar: Ekoşiir ve Elif Sofya. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi (SEFAD), (36), 297-314.
  • Esen, E. (2012). Murasaki Shikibu’nun Günlüğünde ‘Gerçeği Kaydetme’ Çabası ve Yöntemi. Türkiye’de Japonya Çalışmaları. (Eds.) S. Esenbel, E. Küçükyalçın. Istanbul: Boğaziçi Üniversitesi Yayınevi.
  • Esen, E. (2009). Murasaki Shikibu ve Heian Dönemi. Murasaki Shikibu’nun Günlüğü. İstanbul: İş Kültür Yayınları.
  • Fuchigami, K. (2001): Analysis of the Spiral Pattern Karakusa. Journal for Geometry and Graphics 5-1, 35-43.
  • Fujimoto, K. (1971). Rokujo-in Shiki no Machi no Dōshokubutsu Settei wo Megutte. Kikan Bungaku Gogaku 61, 109-120.
  • Glotfelty, C., and Fromm, H. (Eds.). (1996). The Ecocriticism Reader: Landmarks in Literary Ecology. USA. University of Georgia Press.
  • Goshima, K. (1998). Genji Monogatari Rokujōin no Seikatsu. Japan: Fuzoku Hakubutsukan.
  • Gunter, S. E. (2003). Japanese Design Motifs and Their Symbolism as Used on Itajime-Dyed Juban. Master Thesis. Georgia: University of Georgia.
  • Heise, U. K. (2006). The Hitchhiker’s Guide to Ecocriticism. PMLA, 121(2), 503-516.
  • Hiroe, M. (1969). Genji Monogatari no Shokubutsu. Koten Shokubutsu Zenshu 5, Japan: Ariake Shobo.
  • Hiroe, M. (1981). Heian Sono, Taketori Monogatari, Ise Monogatari, Kokin Wakashu, Makura no Shoshi, Genji Monogatari no Kusaki. Japan: Heian Jingu.
  • Hirokawa, K. (1978). Genji Monogatari no Shokubutsu Vol. 84 Japan: Kasamashoin.
  • Inaga, K. (1971). Murasaki Shikibi Nikki no Itsubun Shiryō Saemon no Naishi' no 'ume no hana' no uta Nikki no Seirtisu to Seikaku wo Meguru Okusetsu. Kokugo to Kokubungaku 48-4, 55-65.
  • Katō, S. (2011). ni Saguru Azuma-Kuni no Rekishi (Kankyō to iu Shiza - Nihon Bungaku to Ekokrichizumu). Ajia Yugaku, (143), 185-192.
  • Kawahara, T. (1987). Heian Jidai no Nikki Bungaku ni Miru Koen Hiyōsha. Journal of the Japanese Institute of Landscape Architects 50-5, 1-6.
  • Keene, D. (1999). Seeds in the Heart. New York: Columbia University.
  • Ken, A. (2008). Murasaki Shikibu Nikki Kenkyū. Tokyo: Shintensha.
  • Koga, M. (1971). Genji Monogatari no Shokubutsu. Japan: Ōbūsha.
  • Masami, Y. (2017). On Harmony with Nature: Toward Japanese Ecocritisim. Ecocriticism in Japan. (eds.) H. Wake, K. Suga, Y.Masami. London: Lexington Books
  • Matsuda, O. (1980). Koten Shokubutsu Jiten. Japan: Kodansha.
  • Niwa, T., Muramoto, S. (1937). Mume Metsugi Hanshoku no Shinhō. Journal of the Japanese Institute of Landscape Architects 4-1, 44-56a.
  • Noda, Y. (2007). Heian Izoku Shakai ni okeru Kasane no Irome. Ochanomizu Daigaku :227 -232.
  • Noda K. (2011). Niji-shizen to Nosei no Shizen (Kankyō to iu Shiza - Nihon Bungaku to Ekokrichizumu). Ajia Yugaku, (143), 34-36.
  • Ōnuki, S. (1986). Hana no Genji Monogatari. Japan: Gurafikkusha.
  • Rhine, M. E. (2017). A Path Toward Paraxis Inspired by Ecocritical Reading of the Tale of Genji and a Japanese Folk Tale. Ecocriticism in Japan. (eds.) H. Wake, K. Suga, Y.Masami. London: Lexington Books
  • Shikibu, M. (1970). Murasaki Nikki-Kurokawabon. Japan: Kasama-shoten, 1970.
  • Shikibu, M. (1996). The Diary of Lady Murasaki. Trans. R. Bowring. New York: Penguin Classics, 1996.
  • Shikibu, M. (2008). Murasaki Shikibu Nikki. Izumi Shikibu Nikki, Murasaki Shikibu Nikki, Sarashina Nikki. Tokyo: Shōgakukan.
  • Shikibu, M. (2009). Murasaki Shikibu’nun Günlüğü. Trans. E. Esen. Istanbul: İş Kültür Yayınları.
  • Shirane, H. (2012). Japan and the Culture of the Four Seasons: Nature, Literature, and the Arts. USA: Columbia University Press.
  • Sazyek, H., Sürücü Y. (2018). Cahit Külebi’nin Şiirlerine Ekoeleştiri Çerçevesinden Bakmak. Kocaeli Üniversitesi Sosyal Bilimler Dergisi 36: 25-38.
  • Takeuchi, H. (1983). 'Murasaki Shikibu Nikki'Ron- Murasaki Shikibu to Fujiwara Michinaga to no aida ni okeru 'Ominaeshi' 'Shira Tsuyu wa' no Zōtōka ni kanshite. Nihon Bungaku Kenkyū 22, 144-151.
  • Toyama, E. (1927). Genji Monogatari to Nihon no Teien. Japan: Bunyūsha.
  • Tsuda, N. (2009). History of Japanese Art: From Prehistory to the Taisho Period. Tokyo: Tuttle Publishing.
  • Wake, H. Suga, K.; Masami, Y. (eds) (2017).. Ecocriticism in Japan. London: Lexington Books
  • Zapf, H. (Ed.). (2016). Handbook of Ecocriticism and Cultural Ecology (Vol. 2). Germany: Walter de Gruyter.
  • (KJN), Shinmura, I. (1998). Kojien. (5th edition). Japan: Iwanami Shoten.
  • (O.K.J.) (1988). Obunsha Kogo Jiten. Japan: Obuncsha.

NATURE IN CLASSICAL JAPANESE LITERATURE - AN ECOCRITICAL PERSPECTIVE OF THE PLANTS IN THE DIARY OF LADY MURASAKI

Year 2020, Volume: 8 Issue: 22, 114 - 140, 15.06.2020
https://doi.org/10.33692/avrasyad.661273

Abstract

Bu çalışmada ekoeleştirel yaklaşımla, bir klasik Japon edebiyatı metni olan Murasaki Shikibu’nun Günlüğünde doğanın nasıl temsil edildiği sorusunun cevabı metinde yer alan bitkilerin ikincil doğa kavramıyla incelenmesiyle araştırılmıştır. Bu amaçla ilk bölümde klasik Japonca metin analiz edilerek, günlükte yer alan tüm bitkilerin listesi oluşturulmuştur. Bu liste bu konuda Japonya da dahil dünyada ilk çalışmadır. Metinde tespit edilen bitkiler, yazarın algısına odaklanarak onun sözcükleriyle sınıflandırılmıştır. İlk bölümde elde edilen sonuçlara göre metinde sadece ikincil doğanın temsil edildiği ortaya konulmuştur. Sonraki bölümde, ikincil doğanın nasıl temsil edildiği sorusunun cevabı aranmış, hangi formlarda metinde yer aldığı ortaya konmuştur. Bu formlar yer ve mevsim ilişkisi üzerinden incelenerek sonuçlara ulaşılmıştır. Bu çalışma dünyada bu konuda yapılan ilk çalışma olarak, Japonya çalışmaları, edebiyat çalışmaları, ekoeleştiri çalışmalarına katkıda bulunmuştur.

References

  • Arıkan, A. (2011). Edebi metin çözümlemesi ve ekoeleştiri. Mediterranean Journal of Humanities, 1(1), 41-49.
  • Armstrong, P. (2001). "The Design of Nature in Heian Kyoto." Architectural Theory Review, 6:2. 1-11
  • Asquith, P. J.; Kalland, A. (eds.) (1997). Japanese Images of Nature: Cultural Perspectives. No. 1. USA. Taylor & Francis.
  • Baird, M. (2001). Symbols of Japan: Thematic Motifs in Art and Design. New York: Rizzoli.
  • Bowring, R. (1996). "Introduction." The Diary of Lady Murasaki. New York: Penguin.
  • Brown, J. (2006). China, Japan, Korea: Culture and Customs. South Carolina: Book Surge.
  • Coaldrake, W. H. (2002). Architecture and Authority in Japan. New York: Routledge.
  • Ergin, M., Dolcerocca, O. N. (2016). Edebiyata Ekoeleştirel yaklaşimlar: Ekoşiir ve Elif Sofya. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi (SEFAD), (36), 297-314.
  • Esen, E. (2012). Murasaki Shikibu’nun Günlüğünde ‘Gerçeği Kaydetme’ Çabası ve Yöntemi. Türkiye’de Japonya Çalışmaları. (Eds.) S. Esenbel, E. Küçükyalçın. Istanbul: Boğaziçi Üniversitesi Yayınevi.
  • Esen, E. (2009). Murasaki Shikibu ve Heian Dönemi. Murasaki Shikibu’nun Günlüğü. İstanbul: İş Kültür Yayınları.
  • Fuchigami, K. (2001): Analysis of the Spiral Pattern Karakusa. Journal for Geometry and Graphics 5-1, 35-43.
  • Fujimoto, K. (1971). Rokujo-in Shiki no Machi no Dōshokubutsu Settei wo Megutte. Kikan Bungaku Gogaku 61, 109-120.
  • Glotfelty, C., and Fromm, H. (Eds.). (1996). The Ecocriticism Reader: Landmarks in Literary Ecology. USA. University of Georgia Press.
  • Goshima, K. (1998). Genji Monogatari Rokujōin no Seikatsu. Japan: Fuzoku Hakubutsukan.
  • Gunter, S. E. (2003). Japanese Design Motifs and Their Symbolism as Used on Itajime-Dyed Juban. Master Thesis. Georgia: University of Georgia.
  • Heise, U. K. (2006). The Hitchhiker’s Guide to Ecocriticism. PMLA, 121(2), 503-516.
  • Hiroe, M. (1969). Genji Monogatari no Shokubutsu. Koten Shokubutsu Zenshu 5, Japan: Ariake Shobo.
  • Hiroe, M. (1981). Heian Sono, Taketori Monogatari, Ise Monogatari, Kokin Wakashu, Makura no Shoshi, Genji Monogatari no Kusaki. Japan: Heian Jingu.
  • Hirokawa, K. (1978). Genji Monogatari no Shokubutsu Vol. 84 Japan: Kasamashoin.
  • Inaga, K. (1971). Murasaki Shikibi Nikki no Itsubun Shiryō Saemon no Naishi' no 'ume no hana' no uta Nikki no Seirtisu to Seikaku wo Meguru Okusetsu. Kokugo to Kokubungaku 48-4, 55-65.
  • Katō, S. (2011). ni Saguru Azuma-Kuni no Rekishi (Kankyō to iu Shiza - Nihon Bungaku to Ekokrichizumu). Ajia Yugaku, (143), 185-192.
  • Kawahara, T. (1987). Heian Jidai no Nikki Bungaku ni Miru Koen Hiyōsha. Journal of the Japanese Institute of Landscape Architects 50-5, 1-6.
  • Keene, D. (1999). Seeds in the Heart. New York: Columbia University.
  • Ken, A. (2008). Murasaki Shikibu Nikki Kenkyū. Tokyo: Shintensha.
  • Koga, M. (1971). Genji Monogatari no Shokubutsu. Japan: Ōbūsha.
  • Masami, Y. (2017). On Harmony with Nature: Toward Japanese Ecocritisim. Ecocriticism in Japan. (eds.) H. Wake, K. Suga, Y.Masami. London: Lexington Books
  • Matsuda, O. (1980). Koten Shokubutsu Jiten. Japan: Kodansha.
  • Niwa, T., Muramoto, S. (1937). Mume Metsugi Hanshoku no Shinhō. Journal of the Japanese Institute of Landscape Architects 4-1, 44-56a.
  • Noda, Y. (2007). Heian Izoku Shakai ni okeru Kasane no Irome. Ochanomizu Daigaku :227 -232.
  • Noda K. (2011). Niji-shizen to Nosei no Shizen (Kankyō to iu Shiza - Nihon Bungaku to Ekokrichizumu). Ajia Yugaku, (143), 34-36.
  • Ōnuki, S. (1986). Hana no Genji Monogatari. Japan: Gurafikkusha.
  • Rhine, M. E. (2017). A Path Toward Paraxis Inspired by Ecocritical Reading of the Tale of Genji and a Japanese Folk Tale. Ecocriticism in Japan. (eds.) H. Wake, K. Suga, Y.Masami. London: Lexington Books
  • Shikibu, M. (1970). Murasaki Nikki-Kurokawabon. Japan: Kasama-shoten, 1970.
  • Shikibu, M. (1996). The Diary of Lady Murasaki. Trans. R. Bowring. New York: Penguin Classics, 1996.
  • Shikibu, M. (2008). Murasaki Shikibu Nikki. Izumi Shikibu Nikki, Murasaki Shikibu Nikki, Sarashina Nikki. Tokyo: Shōgakukan.
  • Shikibu, M. (2009). Murasaki Shikibu’nun Günlüğü. Trans. E. Esen. Istanbul: İş Kültür Yayınları.
  • Shirane, H. (2012). Japan and the Culture of the Four Seasons: Nature, Literature, and the Arts. USA: Columbia University Press.
  • Sazyek, H., Sürücü Y. (2018). Cahit Külebi’nin Şiirlerine Ekoeleştiri Çerçevesinden Bakmak. Kocaeli Üniversitesi Sosyal Bilimler Dergisi 36: 25-38.
  • Takeuchi, H. (1983). 'Murasaki Shikibu Nikki'Ron- Murasaki Shikibu to Fujiwara Michinaga to no aida ni okeru 'Ominaeshi' 'Shira Tsuyu wa' no Zōtōka ni kanshite. Nihon Bungaku Kenkyū 22, 144-151.
  • Toyama, E. (1927). Genji Monogatari to Nihon no Teien. Japan: Bunyūsha.
  • Tsuda, N. (2009). History of Japanese Art: From Prehistory to the Taisho Period. Tokyo: Tuttle Publishing.
  • Wake, H. Suga, K.; Masami, Y. (eds) (2017).. Ecocriticism in Japan. London: Lexington Books
  • Zapf, H. (Ed.). (2016). Handbook of Ecocriticism and Cultural Ecology (Vol. 2). Germany: Walter de Gruyter.
  • (KJN), Shinmura, I. (1998). Kojien. (5th edition). Japan: Iwanami Shoten.
  • (O.K.J.) (1988). Obunsha Kogo Jiten. Japan: Obuncsha.
There are 45 citations in total.

Details

Primary Language English
Journal Section Articles
Authors

Esin Esen 0000-0002-8348-9125

Publication Date June 15, 2020
Submission Date December 18, 2019
Published in Issue Year 2020 Volume: 8 Issue: 22

Cite

APA Esen, E. (2020). NATURE IN CLASSICAL JAPANESE LITERATURE - AN ECOCRITICAL PERSPECTIVE OF THE PLANTS IN THE DIARY OF LADY MURASAKI. Avrasya Uluslararası Araştırmalar Dergisi, 8(22), 114-140. https://doi.org/10.33692/avrasyad.661273

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