Research Article

A Harpocrates Figurine in the Hierapolis Collection: The Iconographic Reflection of Cultural Syncretism

Volume: 14 October 12, 2026
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A Harpocrates Figurine in the Hierapolis Collection: The Iconographic Reflection of Cultural Syncretism

Abstract

This study examines the iconographic and cultural transformation of Harpocrates, the late manifestation of Horus, in the Greco-Roman world, based on a bronze figurine housed in the Hierapolis Archaeology Museum. Through this example, the article explores how Harpocrates iconography, which spread throughout the Mediterranean, acquired a syncretic character in Anatolia and evaluates its significance within the cultural and religious environment of Roman Anatolia. The figurine is analyzed using typological and iconographic approaches, supported by comparative material, stylistic assessment, and detailed visual examination. The gesture of placing a finger to the mouth, symbolizing silence, together with the cornucopia held in the other hand, reflects a hybrid representation associated with fertility and mystery cults of the Greco-Roman world. While the pschent-like headdress preserves Egyptian tradition, the modeling of the body and compositional stance demonstrate clear influences of Greek sculpture. Stylistic analysis suggests a date in the 1st–3rd centuries CE, during the Roman Imperial Period. The findings indicate that such portable figurines may have served functions related to individual piety, apotropaic protection, and the dissemination of the Isis cults in and around the Lykos Valley, thereby contributing to processes of cultural interaction and iconographic transformation.

Keywords

Supporting Institution

Pamukkale University

Thanks

This study was previously presented as an abstract at the 18th Anadolu International Conference on Social Sciences (Mardin, 21 December 2025), where only the abstract was published. I would like to express my sincere gratitude to Assoc. Prof. Dr. Bilge Yılmaz Kolancı for her valuable contributions and support throughout the study. I am also grateful to Ayşe Sarıca, a student in the Department of Architectural Restoration at Pamukkale University, for preparing the drawing included in this study.

References

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  2. Barrett C. E. 2015, “Harpocrates on Rheneia: Two Egyptian Figurines from the Necropolis of Delos”. Eds. E. Laflı & A. Muller, Figurines de terre cuite en Méditerranée orientale grecque et romaine II: Iconographie et contextes. Lille, 187–200.
  3. Bricault L. 1999, “Sarapis et Isis, Sauveurs de Ptolémée IV à Raphia”. Chronique d’Égypte 74/148, 334–343.
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  6. Cristea Ş. 2013, “Egyptian, Greek, Roman Harpocrates – A Protecting and Saviour God”. Ed. I. Moga, Angels, Demons, Representations of Afterlife within Jewish, Pagan and Christian Imagery. Iaşi, 73–87.
  7. Cristea Ş. 2014, “I am Horus the Savior: Representations of Horus-Harpokrates in Roman Dacia”. Ziridava Studia Archaeologica 28, 115–134.
  8. Duman A. D. 2024, Tripolis Heykeltıraşlık Eserleri (2012–2023). Yayımlanmamış Doktora tezi, Pamukkale University. Denizli.

Details

Primary Language

English

Subjects

Greek and Roman Period Archeology

Journal Section

Research Article

Publication Date

October 12, 2026

Submission Date

April 29, 2026

Acceptance Date

September 4, 2026

Published in Issue

Year 2026 Volume: 14

APA
İvrendi Şenol, E. (2026). A Harpocrates Figurine in the Hierapolis Collection: The Iconographic Reflection of Cultural Syncretism. Cedrus, 14, 349-361. https://doi.org/10.5281/zenodo.22928944
AMA
1.İvrendi Şenol E. A Harpocrates Figurine in the Hierapolis Collection: The Iconographic Reflection of Cultural Syncretism. Cedrus. 2026;14:349-361. doi:10.5281/zenodo.22928944
Chicago
İvrendi Şenol, Esma. 2026. “A Harpocrates Figurine in the Hierapolis Collection: The Iconographic Reflection of Cultural Syncretism”. Cedrus 14 (October): 349-61. https://doi.org/10.5281/zenodo.22928944.
EndNote
İvrendi Şenol E (October 1, 2026) A Harpocrates Figurine in the Hierapolis Collection: The Iconographic Reflection of Cultural Syncretism. Cedrus 14 349–361.
IEEE
[1]E. İvrendi Şenol, “A Harpocrates Figurine in the Hierapolis Collection: The Iconographic Reflection of Cultural Syncretism”, Cedrus, vol. 14, pp. 349–361, Oct. 2026, doi: 10.5281/zenodo.22928944.
ISNAD
İvrendi Şenol, Esma. “A Harpocrates Figurine in the Hierapolis Collection: The Iconographic Reflection of Cultural Syncretism”. Cedrus 14 (October 1, 2026): 349-361. https://doi.org/10.5281/zenodo.22928944.
JAMA
1.İvrendi Şenol E. A Harpocrates Figurine in the Hierapolis Collection: The Iconographic Reflection of Cultural Syncretism. Cedrus. 2026;14:349–361.
MLA
İvrendi Şenol, Esma. “A Harpocrates Figurine in the Hierapolis Collection: The Iconographic Reflection of Cultural Syncretism”. Cedrus, vol. 14, Oct. 2026, pp. 349-61, doi:10.5281/zenodo.22928944.
Vancouver
1.Esma İvrendi Şenol. A Harpocrates Figurine in the Hierapolis Collection: The Iconographic Reflection of Cultural Syncretism. Cedrus. 2026 Oct. 1;14:349-61. doi:10.5281/zenodo.22928944

Our journal has decided to continue its publication under the Continuous Publication Model as of January 1, 2026. A maximum of 25 articles will be published in the relevant annual volume. As of October 2024, Cedrus accepts articles only in foreign languages.