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Kornmarkt, Trier’de (Augusta Treverorum) Bulunan Leda Mozaiğini Yeniden Ziyaret Etmek

Year 2022, Issue: 15, 225 - 250, 09.11.2022
https://doi.org/10.26658/jmr.1143749

Abstract

References

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Revisiting the Leda Mosaic Found at Kornmarkt, Trier (Augusta Treverorum)

Year 2022, Issue: 15, 225 - 250, 09.11.2022
https://doi.org/10.26658/jmr.1143749

Abstract

This article aims to review the representations of the exceptional mosaic found in the vicinity of the Kornmarkt in Trier, which, since its discovery, has been subject to different interpretations.
Undoubtedly, the unique character and the inexplicable, at least in appearance, conjugation of the two main scenes, with various inscriptions, in the two large concave octagons that stand out in the geometric scheme of the field, that is, a scene perhaps of sleight of hand and another of mythological inspiration with the birth of Helena, have given rise to theories, among others, as opposite as the representation of a mystery cult and, in the completely opposite sense, another that identifies it as an expression of the mockery of traditional cults from the most critical Christian sectors of Augusta Treverorum.
In this paper, however, the analysis of the figures contained in the geometric compartments in the shape of a circle and a spindle, with servants and saltatrices, who are also identified by epigraphs with their own names, sheds light on the interpretation of the mosaic. In this regard, the consideration of some parallels for the figures of servants and saltatrices, as well as information from literary sources and the context of the ancient Augusta Treverorum in which the mosaic was commissioned are equally revealing when drawing our conclusions. on the identification of a banquet, including the entertainments of the comissatio.

References

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  • Gavrili 2006 P. Gavrili, “The οξύβαφοι (oxyvaphi) / acetabula through pictorial and philological sources Οι οξύβαφοι / acetabula μέσα από εικονογραφικές και φιλολογικές πηγές — ΠερίληψιςThe οξύβαφοι (oxyvaphi) / acetabula through pictorial and philological sources”, Imago musicae. International Yearbook of Musical Iconography, XXI-XXII, 2004-2005, Lucca, 49-64.
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  • Gebhard 1996 E. R. Gebhard, “The Theater in the City”, W.J. Slater (ed.), Roman Theatre and Society, Ann Arbor, 113-128.
  • Ghetta 2007 M. Ghetta, “Das Weiterleben der alten Kulte in Trier und Umgebung”, A. Demandt - J. Engemann (eds.), Konstantin der Große. Ausstellungskatalog, 220-227, Trier, Mainz.
  • Ginsberg-Klar 1981 M. E. Ginsberg-Klar, “The Archaeology of Musical Instruments in Germany during the Roman Period”, WorldA 12, 3, Archaeology and Musical Instruments, 313-320.
  • González Galera 2016 V. González Galera, “L’hydraulis en espectacles civils i militars: un matrimoni d’organistes d’Aquincum a CIL III, 10501 = CLE 489.”, Sylloge Epigraphica Barcinonensis (SEBarc) XIV, 109-117.
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  • Guidobaldi 1992 M. P. Guidobaldi, Musica e danza. Vita e costumi dei Romani antichi 13, Rome.
  • Guzmán 2006 F. J. Guzmán, “El “historiador cautivo”: Amiano Marcelino frente a su auditorio senatorial romano”, Habis 37, 427-438.
  • Hannick 1980 C. Hannick, “Christian Church, Music of the Early”, S. Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 4, London, 363–371.
  • Harto 2016 M. L. Harto, “Amiano Marcelino y las Res gestae”, Emerita LXXXIV 1, 121-144.
  • Hoffmann 1999 P. Hoffmann, Römische Mosaike im Rheinischen Landesmuseum Trier. Führer zur Dauerausstellung. Schriftenreihe des Rheinischen Landesmuseums Trier 16, Trier, 70.
  • Hunter 2013 J. Hunter, Identity in mosaics of the north-western Roman provinces, https://www.academia.edu/6189616/Identity_in_mosaics_of_the_north_western_Roman_provinces, 1-31, figs. 16-18. Kiilerich 1998 B. Kiilerich, The Obelisk Base in Constantinople: Court Art and Imperial Ideology, Rome.
  • Kiilerich 2011 B. Kiilerich, “The Mosaic of the Female Musicians from Mariamin”, ActaAArtHist XXII 8, 87-107.
  • Kiilerich 2017 B. Kiilerich, “Mariamin Mosaic”, [en] P.C. Finney (ed.), The Eerdmans Encyclopedia of Early Christian Art and Archaeology, vol. II, 107.
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  • Lancha – Le Roux 2017 J. Lancha - P. Le Roux, “MIMUS ZELOTIPI NUMTI. À propos de la mosaïque de Noheda (Villar de Domingo García, Cuenca)”, Conimbriga LVI, 199-216.
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There are 92 citations in total.

Details

Primary Language English
Subjects Archaeology
Journal Section Article
Authors

Luz Neira This is me 0000-0002-2421-6792

Publication Date November 9, 2022
Published in Issue Year 2022 Issue: 15

Cite

APA Neira, L. (2022). Revisiting the Leda Mosaic Found at Kornmarkt, Trier (Augusta Treverorum). Journal of Mosaic Research(15), 225-250. https://doi.org/10.26658/jmr.1143749
AMA Neira L. Revisiting the Leda Mosaic Found at Kornmarkt, Trier (Augusta Treverorum). JMR. November 2022;(15):225-250. doi:10.26658/jmr.1143749
Chicago Neira, Luz. “Revisiting the Leda Mosaic Found at Kornmarkt, Trier (Augusta Treverorum)”. Journal of Mosaic Research, no. 15 (November 2022): 225-50. https://doi.org/10.26658/jmr.1143749.
EndNote Neira L (November 1, 2022) Revisiting the Leda Mosaic Found at Kornmarkt, Trier (Augusta Treverorum). Journal of Mosaic Research 15 225–250.
IEEE L. Neira, “Revisiting the Leda Mosaic Found at Kornmarkt, Trier (Augusta Treverorum)”, JMR, no. 15, pp. 225–250, November 2022, doi: 10.26658/jmr.1143749.
ISNAD Neira, Luz. “Revisiting the Leda Mosaic Found at Kornmarkt, Trier (Augusta Treverorum)”. Journal of Mosaic Research 15 (November 2022), 225-250. https://doi.org/10.26658/jmr.1143749.
JAMA Neira L. Revisiting the Leda Mosaic Found at Kornmarkt, Trier (Augusta Treverorum). JMR. 2022;:225–250.
MLA Neira, Luz. “Revisiting the Leda Mosaic Found at Kornmarkt, Trier (Augusta Treverorum)”. Journal of Mosaic Research, no. 15, 2022, pp. 225-50, doi:10.26658/jmr.1143749.
Vancouver Neira L. Revisiting the Leda Mosaic Found at Kornmarkt, Trier (Augusta Treverorum). JMR. 2022(15):225-50.

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