Translation of fictive culture-specific items in The Hunger Games trilogy
Abstract
In this paper, the main purpose is to examine the
fictive culture-specific items (CSIs) in the The Hunger Games trilogy
and what kind of translation strategies are used in their Turkish translations.
As the concept of culture is essential for translation studies, analysing
culture-specific items is accepted to be one the most appropriate methods of
observing the translator’s approach to the text. The case study was conducted
using Suzanne Collins’s The Hunger Games trilogy and
their Turkish translations performed by Sevinç Seyla Tezcan. In line with the
dystopian quality of The Hunger Games
trilogy, the CSIs were sorted out to include fictive items which were invented
by the author to constitute an imaginary world. They were grouped under five
categories taken from Eggen’s (2016) work on The Hunger Games with the addition of allusive proper nouns (PNs).
The detected items in both texts were compared to determine the strategies used
by the translator. As regards to the
translation strategies, two separate groups were determined for the analysis of
CSIs and PNs. The list of strategies was established by putting together seven
strategies offered by Baker and two direct translation procedures offered by Vinay
and Darbelnet. During the labelling process, an intercoder reliability calculation
was conducted. As the last step, an interview was designed to obtain relevant
data in order to make a fair judgment on Tezcan’s approach to the original
texts. Ultimately, the translator’s
tendency either to domesticate or foreignize the text was revealed on the basis
of Venuti’s (2004) theory.
Keywords
References
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Details
Primary Language
English
Subjects
Linguistics
Journal Section
Research Article
Authors
Selen Tekalp
*
This is me
0000-0002-3050-3835
Türkiye
Aslı Özlem Tarakcıoğlu
This is me
0000-0001-8353-5526
Türkiye
Publication Date
August 21, 2019
Submission Date
May 29, 2019
Acceptance Date
August 18, 2019
Published in Issue
Year 2019
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