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Karadeniz’in Kesişen Kültürleri: İvan Konstantinoviç Ayvazovski ve Osmanlı Dünyası

Year 2022, Issue: 1, 85 - 106, 31.12.2022

Fatma Coşkuner

Abstract

İvan Konstantinoviç Ayvazovski (1817–1900) milliyetçi tarih yazımının köşeli çerçeveleri içerisinde
incelenmiş ve bu anlayışın dışına çıkmayan yüzeysel araştırmalara konu olduğu ölçüde sanat tarihi yazımı
içerisinde yer almıştır. Bir taraftan Rus donanmasının baş ressamı, diğer taraftan prestijli St. Petersburg
Güzel Sanatlar Akademisi mezunu ve sonrasında aynı kurumda profesör olmayı başararak kazanmış olduğu
görünürlük, bu itibarlı konumunun verdiği ayrıcalık ile, onu resmi tarih anlatısının içine hapsetmiştir.
Oysa, İvan Konstantinoviç Ayvazovski’yi görsel sanatlar ile kimlik ve mekân algısının tahayyülü ve inşası
arasındaki organik bağı kültürlerarası bir iletişim ağı içinde incelemek, sanatçıyı çok katmanlı bir düşünsel
zenginlikle ele almayı mümkün kılar. On dokuzuncu yüzyılın sanat ortamı bağlamında Ayvazovski’nin
sanatının nasıl kullanıldığının aydınlatılması, aynı zamanda, on dokuzuncu yüzyıl sanat dünyasının daha
net bir biçimde anlaşılmasını ve o yüzyılın politik ortamının temelini oluşturan belirli ulusal kimliklerin
nasıl ortaya çıktığının kavranmasını da kolaylaştıracaktır.
Rus ve Osmanlı bağlamlarında Ayvazovski’nin çalışmalarını kesişen kimliklerinin (Rus, Rus-Ermeni ve
Ermeni) etkisi altında incelemek, Osmanlı İmparatorluğu, Rusya ve Avrupa arasında on dokuzuncu yüzyıla
ait bir görsel kültür ve kültür diplomasisi anlayışını yaratmaktadır. Ayvazovski böylece sadece Rus, Ermeni
ve Osmanlı/Türk sanat tarihinin en önemli figürlerinden biri değil, aynı zamanda bu ulusal geleneklerin
kesiştiği bir anın somut bir göstergesi konumuna da gelmiştir. Bu çalışma, aynı zamanda, çok uluslu bir
karaktere sahip ressam ve vatandaş olarak Ayvazovski’ye odaklanarak ulusal sınırların ötesinde daha
geniş bir coğrafya olarak tanımlayabileceğimiz “Karadeniz” bağlamıyla kesişecek ve birleşecektir.

Keywords

İvan K. Ayvazovski Karadeniz on dokuzuncu yüzyıl sanat tarihi Rus resmi Osmanlı resim sanatı manzara resmi deniz tasvirleri

References

  • T.C. Devlet Arşivleri Başkanlığı Osmanlı Arşivi (BOA).
  • Yıldız Hususi Maruzat (Y.A.HUS.).
  • Rus Devlet Donanma Arşivleri [РГА ВМФ-Российский государственный архив военно-морского флота].
  • Krakow Milli Müzesi, envanter no. III-r.a.6.688 ve 6.689 III-r.a.10.296-10.366.
  • Tretyakov Galerisi Arşivi, El Yazmaları Departmanı, Moskova.
  • The Tretyakov Gallery Magazine, (2016-2017).
  • Bassin, Mark. Visions of Empire: Nationalist Imagination and Geographical Expansion in the Russian Far East, 1840–1865. New York: Cambridge University Press, 1999.
  • Bassin, Mark. Space, Place, and Power in Modern Russia: Essays in the New Spatial History. DeKalb: Northern Illinois University Press, 2018.
  • Bassin, Mark, Sergei Glebov ve Marlene Laruelle. Yay. Haz. Between Europe and Asia: The Origins, Theories, and Legacies of Russian Eurasianism. Pittsburgh: University of Pittsburgh Press, 2015.
  • Barsamov, Nikolay. Ayvazovskiy. Moskova, 1962.
  • Blakesley, Rosalind ve Margaret Samu. Yay. Haz. From Realism to the Silver Age: New Studies in Russian Artistic Culture. DeKalb: Northern Illinois University Press, 2014.
  • Blakesley, Rosalind. The Russian Canvas: Painting in Imperial Russia, 1757-1881. New Haven: Yale University Press, 2016.
  • Caffiero, Gianni ve İvan Samarine. Light, Water and Sky: The Paintings of Aivazovsky. London: Alexandria Press, 2012.
  • Cosgrove, Denis. Social Formation and Symbolic Landscape. Madison: University of Wisconsin Press, 1998.
  • Cosgrove, Denis. Geographical Imagination and the Authority of Images. Stuttgart: Steiner, 2006.
  • Cosgrove, Denis. Geography and Vision: Seeing, Imagining and Representing the World. London: I. B. Tauris, 2008.
  • Cosgrove, Denis ve Stephen Daniels. Yay. Haz. The Iconography of Landscape: Essays on the Symbolic Representation, Design, and Use of Past Environments. Cambridge: Cambridge University Press, 2012.
  • Costlow, T. Jane ve Arja Rosenholm. Yay. Haz. Meanings and Values of Water in Russian Culture. London: Routledge, 2018.
  • Coşkuner, Fatma. “On the Threshold of the Black Sea: Intersecting Discourses of Empire and Identity in the Paintings of İvan Konstantinovich Aivazovsky”. Doktora Tezi, Koç Üniversitesi, 2021.
  • Cusack, Tricia. Riverscapes and National Identities. New York: Syracuse University Press, 2010.
  • Cusack, Tricia. Yay. Haz. Art and Identity at the Water’s Edge. London and New York: Routledge, 2012.
  • Cusack, Tricia. Yay. Haz. Framing the Ocean, 1700 to the Present. London and New York: Routledge, 2014.
  • Daniels, Stephen. Fields of Vision: Landscape Imagery and National Identity in England and the United States. Oxford: Blackwell Publishing, 1994.
  • Davidian, Vazken Khatchig. “Image of an Atrocity: İvan (Hovannes) Aivazovsky’s Massacre of Armenians in Trebizond 1895”. Études arméniennes contemporaines 11, 2018, 40–73.
  • Dostoyevski, Fyodor M. Yaz İzlenimleri Üzerine Kış Notları. İstanbul: İletişim, 2005.
  • Eldem, Edhem. Pride and Privilege: A History of Ottoman Orders, Medals and Decorations. İstanbul: Osmanlı Bankası Arşiv ve Araştırma Merkezi, 2004.
  • Eldem, Edhem. “Osman Hamdi Bey’in ‘Karanlık’ Yılları: 1871-1881”. Milli Saraylar 17, 2019, 52–75.
  • Ely, Christopher David. This Meager Nature: Landscape and National Identity in Imperial Russia. Dekalb: Northern Illinois University Press, 2002.
  • Fazlıoğlu, Ayşe. “Ebüzziya Tevfik ve Sultan Abdülhamid’e Sunduğu Halılar”. Milli Saraylar 3, 2006, 57–76.
  • Germaner, Semra ve Zeynep İnankur. Constantinople and the Orientalists. İstanbul: İş Bankası Kültür Yayınları, 2002.
  • Girardelli, Paolo ve Ezio Godoli. Yay. Haz. Italian Architects and Builders in the Ottoman Empire and Modern Turkey: Design Across Borders. Newcastle: Cambridge Scholars Yayınları, 2007.
  • Grimaldo Grigsby, Darcy. Extremities: Painting Empire in Post-Revolutionary France. New Haven: Yale University Press, 2002.
  • Göncü, Cengiz. Dolmabahçe Sarayı: İnşa Süreci, Mekân ve Teşkilatı. İstanbul: İstanbul Araştırmaları Enstitüsü, 2019.
  • Hacikyan, Agop vd. The Heritage of Armenian Literature. Detroit: Wayne State University Press, 2005.
  • Karatıgin, P.P. “İvan Konstantinoviç Ayvazovskiy i Yego XLII-letnyaya Hudojestvennaya Deyatel’nost’ 1838–78.” Russkaya Starina, 21, 22, 23, 1878 ve 31, 1881.
  • Haçatryan, Şaen. Ayvazovskiy: Jivopis. Moscow, 1989.
  • Haçatryan, Şaen. Aivazovsky: Well-Known and Unknown. Samara: Agni, 2000.
  • Haçatryan, Şaen. “Aivazovsky Brothers.” Tretyakov Gallery Magazine 4-53, 2016, 162–175.
  • Kuzmin, Nikolay. Plennik Morya: Vstreçi s Ayvazovskim. Moscow, 2017.
  • Lewis, W. Martin ve Kären E. Wigen. The Myth of Continents: A Critique of Metageography. Berkeley: University of California Press, 1997.
  • Libaridian, Gerard. Modern Armenia: People, Nation, State. New Brunswick ve New Jersey: Transaction Publishers, 2004.
  • Mitchell, T. J. W. Landscape and Power. Chicago: University of Chicago Press, 2009.
  • Novouspenskiy, Nikolay. Velikiye Mastera Jivopisi: İvan Ayvazovskiy. St. Petersburg: Avrora, 2010.
  • Noon, Patrick ve Stephen Bann. Yay. Haz. Crossing the Channel: British and French Painting in the Age of Romanticism. London: Tate Publishing, 2003.
  • Özendes, Engin. Abdullah Frères: Osmanlı Sarayının Fotoğrafçıları. İstanbul: Yapı Kredi ve Kültür Yayınları, 1998.
  • Quilley, Geoff. Art for the Nation: The Oil Paintings Collections of the National Maritime Museum. London: National Maritime Museum, 2006.
  • Roberts, Mary. Istanbul Exchanges: Ottomans, Orientalists, and Nineteenth Century Visual Culture. California: University of California Press, 2015.
  • Sarabianov, Dmitry. Russian Art from Neoclassicism to Avant-Garde. London: Thames and Hudson, 1990.
  • Sargsyan, Minas, G. Artunian vd. Ayvazovskiy: Dokumentı i Materialı. Erivan: Aistan, 1967.
  • Sargsyan, Minas. Jizn’ Velikogo Marinista: İvan Konstantinoviç Ayvazovskiy. Feodosia ve Moscow: Koktebel, 2010.
  • Scott, Yvonne. “Reconstructing the Raft: Semiotics and Memory in the Art of the Shipwreck and the Raft.” Framing the Ocean, 1700 to the Present. Yay. Haz. Tricia Cusack, 165-180. London ve New York: Ashgate, 2014.
  • Sozaev, Eduard ve John Tredrea. Russian Warships in the Age of Sail 1696-1860: Design, Construction, Careers and Fates. Barnsley: Seaforth Publishing, 2010.
  • Suvorin, Aleksey. Yay. Haz. İvan Nikolayeviç Kramskoy: Yego Jizn’, Perepiska i Hudojestvenno- Kritiçeskiye Statyi 1837–1887. St. Petersburg, 1888.
  • The State Russian Museum. İvan Aivazovsky: On the 200th Anniversary of the Artist’s Birth. St. Petersburg: Palace Editions, 2016.
  • Tuğlacı, Pars. Osmanlı Mimarlığında Batılılaşma Dönemi ve Balyan Ailesi. İstanbul: İnkılâp ve Aka, 1981.
  • Tuğlacı, Pars. Ayvazovski Türkiye’de. İstanbul: İnkılâp ve Aka, 1983.
  • Tongo, Gizem. “Artist and Revolutionary: Panos Terlemezian as an Ottoman Armenian Painter.” Études arméniennes contemporaines 6, 2015, 111–153.
  • Türesay, Özgür. “Ebüzziya Tevfik ve Mecmua-i Ebüzziya (1880-1912)”. Müteferrika 18, 2000, 87–140.
  • Türesay, Özgür. “Osmanlı Kimliğinin Peşinde: Ebüzziya Tevfik Bey”. Müteferrika 21, 2002, 3–25.
  • Uras, Büke. Balyanlar: Osmanlı Mimarlığı ve Balyan Arşivi. İstanbul: Korpus Yayıncılık, 2020.
  • Uzelli, Gönül. “Tarihsel Süreç İçerisinde Osmanlı-Rus İlişkilerinde Resmin Yeri.” Antik Dekor, 1997, 76–82.
  • Ürekli, Fatma. “Arşiv Belgeleri Işığında Osmanlı Sarayında Nişanlarla Takdir ve Taltif Edilen Ressam Ayvazovski’nin Bilinmeyenleri”. Milli Saraylar 17, 2019, 7-31.
  • Valkenier, Elizabeth Kridl. “The Peredvizhniki and the Spirit of the 1860s”. The Russian Review 34/3, 1975, 247-65.
  • Valkenier, Elizabeth Kridl. Russian Realist Art, the State and Society: The Peredvizhniki and Their Tradition. New York: Columbia University Press, 1989.
  • Wharton, Alyson. The Architects of Ottoman Constantinople: The Balyan Family and the History of Ottoman Architecture. London: I.B. Tauris, 2015.
  • Wójcik, Agata. “Stanislaw Chlebowski, Sultan Abdülaziz’in Sarayında”. Milli Saraylar 17, 2019, 33-51.
  • Zarobell, John. Empire of Landscape: Space and Ideology in French Colonial Algeria. University Park: Pennsylvania State University Press, 2010.
  • Tevfik, Ebüzziya. “Zamanımız tarihine hadim-i hatırat. Cülusundan sonra Abdülhamid Han ile ilk mülakatım bu idi. Zamanımız tarihine ait hatırat. Heyvetü’l-hayvân bahçesi.” Mecmua-ı Ebüzziya 138, 1912, 290-294; 139, 1912, 321- 329. https://archives.saltresearch.org/handle/123456789/17964. Son Erişim Tarihi: 03.12.2022.
  • Toros, Taha, “Ünlü Deniz Ressamı Ayvazovski’nin Türkiye Hatıraları” İstanbul Şehir Üniversitesi. Taha Toros Arşivi. 001552727007. https://core.ac.uk/download/pdf/84782785.pdf. Son Erişim Tarihi: 05.12.2022
  • Eyice, Semavi. “Çağlayan Kasrı”, TDV İslâm Ansiklopedisi, İstanbul: TDV, 1993. https://islamansiklopedisi.org.tr/caglayan-kasri. Son Erişim Tarihi: 09.12.2022.

Year 2022, Issue: 1, 85 - 106, 31.12.2022

Fatma Coşkuner

Abstract

Keywords

İvan K. Ayvazovski Karadeniz on dokuzuncu yüzyıl sanat tarihi Rus resmi Osmanlı resim sanatı manzara resmi deniz tasvirleri

References

  • T.C. Devlet Arşivleri Başkanlığı Osmanlı Arşivi (BOA).
  • Yıldız Hususi Maruzat (Y.A.HUS.).
  • Rus Devlet Donanma Arşivleri [РГА ВМФ-Российский государственный архив военно-морского флота].
  • Krakow Milli Müzesi, envanter no. III-r.a.6.688 ve 6.689 III-r.a.10.296-10.366.
  • Tretyakov Galerisi Arşivi, El Yazmaları Departmanı, Moskova.
  • The Tretyakov Gallery Magazine, (2016-2017).
  • Bassin, Mark. Visions of Empire: Nationalist Imagination and Geographical Expansion in the Russian Far East, 1840–1865. New York: Cambridge University Press, 1999.
  • Bassin, Mark. Space, Place, and Power in Modern Russia: Essays in the New Spatial History. DeKalb: Northern Illinois University Press, 2018.
  • Bassin, Mark, Sergei Glebov ve Marlene Laruelle. Yay. Haz. Between Europe and Asia: The Origins, Theories, and Legacies of Russian Eurasianism. Pittsburgh: University of Pittsburgh Press, 2015.
  • Barsamov, Nikolay. Ayvazovskiy. Moskova, 1962.
  • Blakesley, Rosalind ve Margaret Samu. Yay. Haz. From Realism to the Silver Age: New Studies in Russian Artistic Culture. DeKalb: Northern Illinois University Press, 2014.
  • Blakesley, Rosalind. The Russian Canvas: Painting in Imperial Russia, 1757-1881. New Haven: Yale University Press, 2016.
  • Caffiero, Gianni ve İvan Samarine. Light, Water and Sky: The Paintings of Aivazovsky. London: Alexandria Press, 2012.
  • Cosgrove, Denis. Social Formation and Symbolic Landscape. Madison: University of Wisconsin Press, 1998.
  • Cosgrove, Denis. Geographical Imagination and the Authority of Images. Stuttgart: Steiner, 2006.
  • Cosgrove, Denis. Geography and Vision: Seeing, Imagining and Representing the World. London: I. B. Tauris, 2008.
  • Cosgrove, Denis ve Stephen Daniels. Yay. Haz. The Iconography of Landscape: Essays on the Symbolic Representation, Design, and Use of Past Environments. Cambridge: Cambridge University Press, 2012.
  • Costlow, T. Jane ve Arja Rosenholm. Yay. Haz. Meanings and Values of Water in Russian Culture. London: Routledge, 2018.
  • Coşkuner, Fatma. “On the Threshold of the Black Sea: Intersecting Discourses of Empire and Identity in the Paintings of İvan Konstantinovich Aivazovsky”. Doktora Tezi, Koç Üniversitesi, 2021.
  • Cusack, Tricia. Riverscapes and National Identities. New York: Syracuse University Press, 2010.
  • Cusack, Tricia. Yay. Haz. Art and Identity at the Water’s Edge. London and New York: Routledge, 2012.
  • Cusack, Tricia. Yay. Haz. Framing the Ocean, 1700 to the Present. London and New York: Routledge, 2014.
  • Daniels, Stephen. Fields of Vision: Landscape Imagery and National Identity in England and the United States. Oxford: Blackwell Publishing, 1994.
  • Davidian, Vazken Khatchig. “Image of an Atrocity: İvan (Hovannes) Aivazovsky’s Massacre of Armenians in Trebizond 1895”. Études arméniennes contemporaines 11, 2018, 40–73.
  • Dostoyevski, Fyodor M. Yaz İzlenimleri Üzerine Kış Notları. İstanbul: İletişim, 2005.
  • Eldem, Edhem. Pride and Privilege: A History of Ottoman Orders, Medals and Decorations. İstanbul: Osmanlı Bankası Arşiv ve Araştırma Merkezi, 2004.
  • Eldem, Edhem. “Osman Hamdi Bey’in ‘Karanlık’ Yılları: 1871-1881”. Milli Saraylar 17, 2019, 52–75.
  • Ely, Christopher David. This Meager Nature: Landscape and National Identity in Imperial Russia. Dekalb: Northern Illinois University Press, 2002.
  • Fazlıoğlu, Ayşe. “Ebüzziya Tevfik ve Sultan Abdülhamid’e Sunduğu Halılar”. Milli Saraylar 3, 2006, 57–76.
  • Germaner, Semra ve Zeynep İnankur. Constantinople and the Orientalists. İstanbul: İş Bankası Kültür Yayınları, 2002.
  • Girardelli, Paolo ve Ezio Godoli. Yay. Haz. Italian Architects and Builders in the Ottoman Empire and Modern Turkey: Design Across Borders. Newcastle: Cambridge Scholars Yayınları, 2007.
  • Grimaldo Grigsby, Darcy. Extremities: Painting Empire in Post-Revolutionary France. New Haven: Yale University Press, 2002.
  • Göncü, Cengiz. Dolmabahçe Sarayı: İnşa Süreci, Mekân ve Teşkilatı. İstanbul: İstanbul Araştırmaları Enstitüsü, 2019.
  • Hacikyan, Agop vd. The Heritage of Armenian Literature. Detroit: Wayne State University Press, 2005.
  • Karatıgin, P.P. “İvan Konstantinoviç Ayvazovskiy i Yego XLII-letnyaya Hudojestvennaya Deyatel’nost’ 1838–78.” Russkaya Starina, 21, 22, 23, 1878 ve 31, 1881.
  • Haçatryan, Şaen. Ayvazovskiy: Jivopis. Moscow, 1989.
  • Haçatryan, Şaen. Aivazovsky: Well-Known and Unknown. Samara: Agni, 2000.
  • Haçatryan, Şaen. “Aivazovsky Brothers.” Tretyakov Gallery Magazine 4-53, 2016, 162–175.
  • Kuzmin, Nikolay. Plennik Morya: Vstreçi s Ayvazovskim. Moscow, 2017.
  • Lewis, W. Martin ve Kären E. Wigen. The Myth of Continents: A Critique of Metageography. Berkeley: University of California Press, 1997.
  • Libaridian, Gerard. Modern Armenia: People, Nation, State. New Brunswick ve New Jersey: Transaction Publishers, 2004.
  • Mitchell, T. J. W. Landscape and Power. Chicago: University of Chicago Press, 2009.
  • Novouspenskiy, Nikolay. Velikiye Mastera Jivopisi: İvan Ayvazovskiy. St. Petersburg: Avrora, 2010.
  • Noon, Patrick ve Stephen Bann. Yay. Haz. Crossing the Channel: British and French Painting in the Age of Romanticism. London: Tate Publishing, 2003.
  • Özendes, Engin. Abdullah Frères: Osmanlı Sarayının Fotoğrafçıları. İstanbul: Yapı Kredi ve Kültür Yayınları, 1998.
  • Quilley, Geoff. Art for the Nation: The Oil Paintings Collections of the National Maritime Museum. London: National Maritime Museum, 2006.
  • Roberts, Mary. Istanbul Exchanges: Ottomans, Orientalists, and Nineteenth Century Visual Culture. California: University of California Press, 2015.
  • Sarabianov, Dmitry. Russian Art from Neoclassicism to Avant-Garde. London: Thames and Hudson, 1990.
  • Sargsyan, Minas, G. Artunian vd. Ayvazovskiy: Dokumentı i Materialı. Erivan: Aistan, 1967.
  • Sargsyan, Minas. Jizn’ Velikogo Marinista: İvan Konstantinoviç Ayvazovskiy. Feodosia ve Moscow: Koktebel, 2010.
  • Scott, Yvonne. “Reconstructing the Raft: Semiotics and Memory in the Art of the Shipwreck and the Raft.” Framing the Ocean, 1700 to the Present. Yay. Haz. Tricia Cusack, 165-180. London ve New York: Ashgate, 2014.
  • Sozaev, Eduard ve John Tredrea. Russian Warships in the Age of Sail 1696-1860: Design, Construction, Careers and Fates. Barnsley: Seaforth Publishing, 2010.
  • Suvorin, Aleksey. Yay. Haz. İvan Nikolayeviç Kramskoy: Yego Jizn’, Perepiska i Hudojestvenno- Kritiçeskiye Statyi 1837–1887. St. Petersburg, 1888.
  • The State Russian Museum. İvan Aivazovsky: On the 200th Anniversary of the Artist’s Birth. St. Petersburg: Palace Editions, 2016.
  • Tuğlacı, Pars. Osmanlı Mimarlığında Batılılaşma Dönemi ve Balyan Ailesi. İstanbul: İnkılâp ve Aka, 1981.
  • Tuğlacı, Pars. Ayvazovski Türkiye’de. İstanbul: İnkılâp ve Aka, 1983.
  • Tongo, Gizem. “Artist and Revolutionary: Panos Terlemezian as an Ottoman Armenian Painter.” Études arméniennes contemporaines 6, 2015, 111–153.
  • Türesay, Özgür. “Ebüzziya Tevfik ve Mecmua-i Ebüzziya (1880-1912)”. Müteferrika 18, 2000, 87–140.
  • Türesay, Özgür. “Osmanlı Kimliğinin Peşinde: Ebüzziya Tevfik Bey”. Müteferrika 21, 2002, 3–25.
  • Uras, Büke. Balyanlar: Osmanlı Mimarlığı ve Balyan Arşivi. İstanbul: Korpus Yayıncılık, 2020.
  • Uzelli, Gönül. “Tarihsel Süreç İçerisinde Osmanlı-Rus İlişkilerinde Resmin Yeri.” Antik Dekor, 1997, 76–82.
  • Ürekli, Fatma. “Arşiv Belgeleri Işığında Osmanlı Sarayında Nişanlarla Takdir ve Taltif Edilen Ressam Ayvazovski’nin Bilinmeyenleri”. Milli Saraylar 17, 2019, 7-31.
  • Valkenier, Elizabeth Kridl. “The Peredvizhniki and the Spirit of the 1860s”. The Russian Review 34/3, 1975, 247-65.
  • Valkenier, Elizabeth Kridl. Russian Realist Art, the State and Society: The Peredvizhniki and Their Tradition. New York: Columbia University Press, 1989.
  • Wharton, Alyson. The Architects of Ottoman Constantinople: The Balyan Family and the History of Ottoman Architecture. London: I.B. Tauris, 2015.
  • Wójcik, Agata. “Stanislaw Chlebowski, Sultan Abdülaziz’in Sarayında”. Milli Saraylar 17, 2019, 33-51.
  • Zarobell, John. Empire of Landscape: Space and Ideology in French Colonial Algeria. University Park: Pennsylvania State University Press, 2010.
  • Tevfik, Ebüzziya. “Zamanımız tarihine hadim-i hatırat. Cülusundan sonra Abdülhamid Han ile ilk mülakatım bu idi. Zamanımız tarihine ait hatırat. Heyvetü’l-hayvân bahçesi.” Mecmua-ı Ebüzziya 138, 1912, 290-294; 139, 1912, 321- 329. https://archives.saltresearch.org/handle/123456789/17964. Son Erişim Tarihi: 03.12.2022.
  • Toros, Taha, “Ünlü Deniz Ressamı Ayvazovski’nin Türkiye Hatıraları” İstanbul Şehir Üniversitesi. Taha Toros Arşivi. 001552727007. https://core.ac.uk/download/pdf/84782785.pdf. Son Erişim Tarihi: 05.12.2022
  • Eyice, Semavi. “Çağlayan Kasrı”, TDV İslâm Ansiklopedisi, İstanbul: TDV, 1993. https://islamansiklopedisi.org.tr/caglayan-kasri. Son Erişim Tarihi: 09.12.2022.
There are 70 citations in total.

Details

Primary Language Turkish
Journal Section Research Articles
Authors

Fatma Coşkuner This is me 0000-0002-2632-1182

Publication Date December 31, 2022
Published in Issue Year 2022 Issue: 1

Cite

APA Coşkuner, F. (2022). Karadeniz’in Kesişen Kültürleri: İvan Konstantinoviç Ayvazovski ve Osmanlı Dünyası. Toplumsal Tarih Akademi(1), 85-106.
AMA Coşkuner F. Karadeniz’in Kesişen Kültürleri: İvan Konstantinoviç Ayvazovski ve Osmanlı Dünyası. TT Akademi. December 2022;(1):85-106.
Chicago Coşkuner, Fatma. “Karadeniz’in Kesişen Kültürleri: İvan Konstantinoviç Ayvazovski Ve Osmanlı Dünyası”. Toplumsal Tarih Akademi, no. 1 (December 2022): 85-106.
EndNote Coşkuner F (December 1, 2022) Karadeniz’in Kesişen Kültürleri: İvan Konstantinoviç Ayvazovski ve Osmanlı Dünyası. Toplumsal Tarih Akademi 1 85–106.
IEEE F. Coşkuner, “Karadeniz’in Kesişen Kültürleri: İvan Konstantinoviç Ayvazovski ve Osmanlı Dünyası”, TT Akademi, no. 1, pp. 85–106, December 2022.
ISNAD Coşkuner, Fatma. “Karadeniz’in Kesişen Kültürleri: İvan Konstantinoviç Ayvazovski Ve Osmanlı Dünyası”. Toplumsal Tarih Akademi 1 (December 2022), 85-106.
JAMA Coşkuner F. Karadeniz’in Kesişen Kültürleri: İvan Konstantinoviç Ayvazovski ve Osmanlı Dünyası. TT Akademi. 2022;:85–106.
MLA Coşkuner, Fatma. “Karadeniz’in Kesişen Kültürleri: İvan Konstantinoviç Ayvazovski Ve Osmanlı Dünyası”. Toplumsal Tarih Akademi, no. 1, 2022, pp. 85-106.
Vancouver Coşkuner F. Karadeniz’in Kesişen Kültürleri: İvan Konstantinoviç Ayvazovski ve Osmanlı Dünyası. TT Akademi. 2022(1):85-106.
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Greetings with Our Fifth Issue!

We are delighted to present the latest issue of Toplumsal Tarih Akademi journal. This issue marks the fifth since the journal began its journey in December 2022, but it stands out as the first to not center around a thematic dossier. It also represents our initial experience transitioning from editorial assistants to full editors of the journal. We ask for your forgiveness in advance for any shortcomings.

We extend our gratitude to our former editors, Yaşar Tolga Cora and Nurşen Gürboğa, who rapidly transformed the journal into one of the key publications of the History Foundation. We also thank the former President of the History Foundation and the journal’s former editor-in-chief, Mehmet Ö. Alkan, for his pioneering role in launching the journal. We are fully aware of the responsibility placed on our shoulders to carry the journal forward. With the support of our Editorial Board members and an expanding team of editors, we aim to fulfill this responsibility to the best of our ability.

At this point, we wish to thank our new section editors, who took on the responsibility of shaping the journal with us at the September 2024 Editorial Board meeting, marking the transition in the journal’s management. Our thanks go to Gülhan Balsoy and Cihangir Gündoğdu, who joined as book review editors, and Deniz Türker, who is now overseeing the document review section. We are immensely grateful for their energetic contributions to the process. While Nurşen Gürboğa has passed on the role of editor to us, she continues as the journal’s editor-in-chief. Her guidance and the bridges she builds with the History Foundation’s administration are invaluable to us. We also extend our gratitude to Emre Erkan, our Turkish language editor, who worked meticulously and swiftly to prepare articles for publication, and to our layout editor, Aşkın Yücel Seçkin, for her careful and prompt efforts. Our heartfelt thanks also go to our anonymous referees, the unseen heroes who guide our authors through their revisions.

Our decision to produce this issue with free-topic articles, coupled with changes in our management structure during the process, resulted in some delays. We are particularly grateful to our authors for their patience and understanding.

This issue features four research articles, three document reviews, four book reviews, and an obituary. Let us first introduce the research articles in our fifth issue. The first, authored by Nurhan Davutyan, is titled “The Ottoman Moratorium of 1875 could have been Prevented.” This study provides a fresh perspective on the developments leading to the establishment of the Ottoman Public Debt Administration, which violated the fiscal sovereignty of the Ottoman Empire. Drawing on extensive resources and statistical analysis, Davutyan argues that financial measures proposed by Mehmed Emin Ali Pasha in 1867 could have averted the moratorium if implemented earlier, rather than in 1879.

The second article is a collaborative work by Murat Tülek, Jean-François Pérouse, and Funda Ferhanoğlu, titled “Jacques Pervititch before 1922.” This detailed study focuses on the early life and career of Pervititch, a pivotal figure in Istanbul’s cartographic history, before he began creating insurance maps of the city. Rich with visual materials, including one featured on our cover, the article offers valuable insights into Pervititch’s family life, professional development, and early maps.

Our third research article, “Governing the Exception, Negotiating Justice: The Law of the Mountains, Feud Settlements, and Hybrid Punishments in Shkodra,” takes us to the Albanian lands of the late Ottoman period. In this study, Ebru Aykut examines Ottoman governance strategies amidst local mountain laws and centralization efforts. By applying Michel Foucault’s concept of governmentality to a series of cases, the article sheds light on fascinating historical events in Shkodra, offering a rewarding read for our audience.

The fourth article bridges natural history and historical research. Titled ““Why the Cormorant?” A 19th-Century Ottoman Intellectual's Perspective on the Lexical History of Karabatak,” Tarkan Murat Akkaya analyzes an 1899 newspaper article on the cormorant bird. This engaging piece explores the origins of bird names, contributing a unique perspective to the field of nomenclature, specifically regarding the cormorant.

Under the editorial guidance of Deniz Türker, our document review section aims to draw attention to overlooked historical documents and present creative interpretations of them. Filiz Yazıcıoğlu’s study highlights the significance of petitions as sources, examining those written by a telegraph operator, Mehmet Tevfik Bey, during the reign of Abdul Hamid II. Mertkan Karaca reviews a 1909 article by Halil Edhem Bey, brother of Osman Hamdi Bey, shedding light on the history of the Imperial Museum, now the Istanbul Archaeological Museum. Aysel Yıldız examines two letters that narrate the remarkable life of a Janissary, İbrahim Ben Ali, born in Istanbul in 1756, who endured captivity in Russia and eventually emigrated to the United States.

Our book review section, edited by Gülhan Balsoy and Cihangir Gündoğdu, features analyses of recent publications focusing on various periods of Ottoman and Republican history. Ekrem Yener reviews Ümit Kurt’s Kanun ve Nizam Dairesi’nde Soykırım Teknokratı Mustafa Reşat Mimaroğlu’nun İzinde Osmanlı’dan Cumhuriyet’e Devlet Mekanizması, while Melis Cankara critiques Uğur Zekeriya Peçe’s Island and Empire: How Civil War in Crete Mobilized the Ottoman World. Ayşe Hilal Uğurlu examines Ali Akyıldız’s Mabeyn-i Hümayun: Osmanlı Saray Teşkilatının Modernleşmesi, and Numan Deniz discusses Nir Shafir’s The Order and Disorder of Communication: Pamphlets and Polemics in Seventeenth-Century Ottoman Empire.

Finally, our obituary section commemorates historian, teacher, and writer Necdet Sakaoğlu, known for his work on local, urban, Seljuk, Ottoman, and educational history. Fahri Aral honors his memory with a heartfelt piece.

According to our Editorial Board's decision, the journal will now publish themed issues in June and open-call issues in December. We encourage you to follow the calls for papers announced on DergiPark and the History Foundation’s website. The deadline for submissions to our December 2025 issue is June 15, 2025, through the DergiPark system.

We value the development of social historiography and the creation of platforms for free and critical thought, especially for publishing high-quality Turkish articles. Toplumsal Tarih Akademi aims to combine the History Foundation’s long-standing tradition of critical publishing with the international standards of academic publishing. To this end, we are actively pursuing the indexing of our journal in national and international databases. Your constructive criticism and contributions are vital to us, and we eagerly await your feedback.

Enjoy reading and have a wonderful year ahead.

Editors of Toplumsal Tarih Akademi
Firuzan Melike Sümertaş & Sırrı Emrah Üçer