Öz
Reşat Nuri Güntekin (1889-1956), is one of the most important names of Turkish literature. Despite being known more as a novelist in the history of literature and among the general reader, he has been closely involved in theatre. Güntekin, who made very important contributions to the development of Turkish Theatre; wrote copyrighted theatrical works, translated and adapted them and took an active role in their staging. In his theatre activities, he was closely interested in theatre criticism as well as writing and translating. So much so that Reşat Nuri Güntekin stepped into the world of press, by writing theater criticism texts, and pen studies on other literary genres that started later. The author did not publish the aforementioned texts as a book while he was alive, but after his death, various academic studies were carried out on these texts, and a book that directly brought together these critical texts, was published. In this article, ten theatrical criticism articles written by Reşat Nuri Güntekin, nine of which have not been published as full texts in any academic study, have been published. In the study, before the text was published, Reşat Nuri's introduction to the press and his interest in theater were mentioned, and then his articles were examined. After the analysis, the articles were converted to the Latin-based Turkish alphabet. The necessary explanations for a better understanding of the terms, concepts, historical persons-places and references in the articles are given with footnotes, and the meanings of the words that are thought to be incomprehensible for today are given in italics in square brackets in the text.