Absurd Elements in Anthony Neilson’s Realism and The Wonderful World of Dissocia Plays

Yıl 2019, Cilt: 7 Sayı: 2, 171 - 179, 20.03.2019

Belgin Sakiroglu

https://doi.org/10.18506/anemon.443153

Öz

After World War II,
British theatre generally dealt with people’s meaningless actions and aimless
lives. During the 1950s theatre reflecting the changing society opposed to the
traditional theatre in terms of pattern and plot. The period in 1950s was named
as Absurd Theatre by Martin Esslin and it has affected many writers until
today. In 1990s theatre which reveals the untold explicitly and throws the
violence in them to their face was coined by Alex Sierz. In Realism (2006),
Anthony Neilson, one of In-yer-face playwrights, presents us with the
melancholy protagonist Stuart, who is distant from the outside world, and who
is lost amidst both his own sense of disinterest as well as life. The Wonderful
World of Dissocia (2004), takes a look at the protagonist Lisa’s watch- which
is consistently one hour behind- being fixed, as well as at the absurd events
unfolding within Lisa’s imagination. The aim of this paper is to analyze the
theme of absurdity in Anthony Neilson’s Realism and The Wonderful World of
Dissocia through the lens of Esslin.

Anahtar Kelimeler

Anthony Neilson, Realism, The Wonderful World of Dissocia, Absurd Theatre

Anthony Neilson’ın Realism ve The Wonderful World Of Dissocia oyunlarındaki Absürd Temalar

Öz

İkinci dünya savaşından
sonra İngiliz tiyatrosu genel olarak insanların anlamsız davranışlarını ve
amaçsız yaşamlarını ele almıştır. 1950’lerde değişen toplumu yansıtan tiyatro,
geleneksel tiyatroya da yapı ve konu açısından karşı çıkmıştır. 1950’lerde ki
bu süreç Martin Esslin tarafından Absürd Tiyatro olarak adlandırılmış ve
günümüze kadar birçok yazarı etkilemiştir. 1990’larda ise söylenmeyenleri açık
seçik ortaya koyan ve insanların içindeki vahşeti yüzlerine vuran tiyatro Alex
Sierz tarafından Yüzüne Tiyatro olarak adlandırılır. Yüzüne Tiyatro
yazarlarından biri olan Anthony Neilson, Realism (2006) oyununda depresif
başkarakter olan Stuart’ın, dış dünyadan soyutlanmış kişiliğini, boş
vermişliğini ve hayatın içinde kayboluşunu ortaya koyar. The Wonderful World of
Dissocia (2004) adlı oyununda ise Lisa’nın, başkarakter, sürekli bir saat geri
kalan saatinin onarılmasını konu alan ve hayaller dünyasında gerçekleşen absürd
olaylarla karşılaşırız. Bu çalışmanın amacı, Neilson’nın Realism ve The
Wonderful World of Dissocia adlı oyunlarında ki absürd temaları Esslin’in ışığı
altında incelemektir.

Anahtar Kelimeler

Anthony Neilson, Realizm, The Wonderful World of Dissocia, Absürd Tiyatro

Kaynakça

• Cavendish, D. (2004). Edinbugh Reports: ‘I want to disturb people’. (Erişim: 14.07.2018), https://www.Telegraph.co.uk/culture/theatre/drama/3622348/Edinburg-reports-I-want-to-disturb-people.html.
• Cornwell, N. (2006). The Absurd in Literature. USA: Manchester University Press.
• Esslin, M. (1965). “Introduction” Absurd Drama. United Kingdom: Penguin Books.
• Esslin, M. (2001). The Theatre of the Absurd. New York: Vintage Books.
• Fisher, M. (2006). Realism. Reviews. (Erişim: 28.06.2018), https://www.variety.com/2006/legit/reviews/realism 1200513952
• Gardner, L. (2011). Realism: Review. (Erişim: 17.06.2018), https://theguardian.com/stage/2011/jun/20/realism-soho-theatre-review.
• Kitzler, A.M. (2010). The Influence of absurdist theatre on contemporary in-yer-face plays. Doctorate Thesis. Wien: Universitat Wien.
• Middeke, M., Schnierer, P.P., & Sierz, A. (2011). The Methuen Drama Guide to Contemporary British Playwrights. UK: A&C Black.
• Neilson, A. (2007). ‘Foreword’. The Wonderful World of Dissocia and Realism. London: Methuan.
• Neilson, A. (2014). Plays:2, Edward Gant’s Amazing Faeats of Loneliness!, The Lying Kind, The Wonderful World of Dissocia, Realism. London: Bloomsbury Publishing.
• Özden, A.İ. (2016). An Absurdist Play: Samuel Beckett’s Endgame. İnönü Üniversitesi Sanat ve Tasarım Dergisi, 6 (13), 305-312.
• Reid, T. (2017). The Theatre of Anthony Neilson. London: Bloomsbury Publishing.
• Sierz, A. (2001). In-Yer-Face Theatre: British Drama Today. London: Faber and Faber Publishing
• Zhu, J. (2013). Analysis on the Artistic Features and Themes of the Theater of the Absurd. Theory and Practice in Language Studies, 3(8), 1462-71.