The Representation of Artificial Intelligence Characters in Cinema: Societal Perceptions and the Technology of the Future
Abstract
This study examines how artificial intelligence (AI) characters are represented in science fiction cinema across a historical trajectory and how these representations are constructed around discourses of fear, hope, control, autonomy, and ethical responsibility. Rather than aiming to measure direct “effects” on audiences, the study approaches films as cultural texts and analyzes their representational frameworks. Using purposive sampling, four films from different periods—Blade Runner (1982), The Matrix (1999), Her (2013), and Ex Machina (2015)—are analyzed through comparative qualitative content analysis. The coding scheme encompasses (i) the ontology of AI (tool/agent/person-like entity), (ii) autonomy and control, (iii) patterns of human–machine relationships, and (iv) ethical dilemmas and responsibility frameworks. The findings reveal a representational shift from threat- and control-oriented portrayals toward more emotionally complex and ethically ambiguous representations; however, issues of governance, surveillance, and responsibility persist across all periods.
Keywords
Kaynakça
- Bostrom, N., & Yudkowsky, E. (2014). The ethics of artificial intelligence. In K. Frankish & W. M. Ramsey (Eds.), The Cambridge Handbook of Artificial Intelligence (pp. 316-334). Cambridge University Press. (In English).
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- Ebert, R. (1997, March 27). 2001: A Space Odyssey [Review of the film 2001: A Space Odyssey, by S. Kubrick, Dir.]. Chicago Sun-Times. https://www.rogerebert.com/reviews/great-movie-2001-a-space-odyssey-1968 (In English).
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Ayrıntılar
Birincil Dil
Türkçe
Konular
Film Eleştirisi
Bölüm
Araştırma Makalesi
Yazarlar
Pelin Yolcu
*
0000-0002-7235-4671
Türkiye
Yayımlanma Tarihi
30 Mart 2026
Gönderilme Tarihi
27 Ocak 2025
Kabul Tarihi
28 Aralık 2025
Yayımlandığı Sayı
Yıl 1970 Sayı: 56