TOWARDS A CONCEPTUAL DEFINITION OF GENRE

Yıl 2004, Sayı 123, 7 - 18, 01.03.2004

Dilek KANTAR

https://doi.org/10.1501/Dilder_0000000006

Öz

Although the term “genre” is used in critical language in a cursory manner, the conceptual limits of this word is rather ambiguous in Turkish. This essay is a comparative study of the different definitions of “genre” in the works of contemporary philosophers like Jacques Derrida, Georg Lukács, Tzvetan Todorov, David Fishelov and Mikhail Bakhtin

Anahtar Kelimeler

Genre, Textual Genre, Speech Genre, Generic

TÜR ÜZERİNE KAVRAMSAL BİR TANIMLAMA DENEMESİ

Öz

“Tür” (genre) terimi eleştirel söylemde gelişigüzel kullanılsa da bu sözcüğün kavramsal sınırları dilimizde belirsizdir. Bu yazı, Jacques Derrida, Georg Lukács, Tzvetan Todorov, David Fishelov ve Mikhail Bakhtin gibi çağdaş düşünürlerin görüşleri ışığında tür kavramının farklı tanımlarını karşılaştırmalı olarak incelemektedir

Anahtar Kelimeler

Tür, Metinsel Tür, Sözel Tür, Türsel Baskınlık, Türün Kanunu, Kronotop.

Kaynakça

• Bakhtin, Mikhail M. “Epic and the Novel.” The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Çev. Caryl Emerson and Michael Holquist. Austin: U of Texas P, 1981. 3-40.
• —-. “Forms of Time and of the Chronotope in the Novel.” The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Çev. Caryl Emerson and Michael Holquist. Austin: U of Texas P, 1981. 84-259.
• —-. “The Problem of Speech Genres.” M.M. Bakhtin Speech Genres and Other Late Essays. Eds. Caryl Emerson and Michael Holquist. Çev. Vern W. McGee. Austin: U of Texas P, 1994. 60-102.
• —-.”Response to a Question from Novy Mir” M.M. Bakhtin Speech Genres and Other Late Essays. Eds. Caryl Emerson and Michael Holquist. Çev. Vern W. McGee. Austin: U of Texas P, 1994. 1-9.
• Berkenkotter, Carol ve Thomas Huckin. Genre Knowledge in Disciplinary Communication: Cognition, Culture, Power. New Jersey: Lawrence Erlbaum Associates, 1995.
• Cohen, Ralph. “Do Postmodern Genres Exist?” Genre 20.3-4 (1987): 241- 58.
• Derrida, Jacques. “The Law of Genre.” Acts of Literature. Ed. Derek Attridge. New York: Routledge, 1992. 221-52.
• Forster E.M. Aspects of the Novel. Florida: Harcourt Inc, 1927.
• Fishelov, David. Metaphors of Genre: The Role of Analogies in genre Theory. Pennsylvania: The Pennsylvania UP, 1993.
• Frye, Northrop. Anatomy of Criticism: Four Essays. New Jersey: Princeton UP, 1957.
• Hayward, Malcolm. “Genre Recognition of History and Fiction.” Poetics 22 (1994): 409-21.
• Jauss, Hans, Robert. “Theory of Genres and Medieval Literature.” Toward an Aesthetic of Reception. Trans. Timothy Bahti. Minneapolis: U of Minnesota P, 1989. 76-109.
• Lukács, Georg. The Theory of the Novel. Trans. Anna Bostock. Cambridge: The M.I.T. Press, 1971.
• McKeon, Michael. The Origins of the English Novel: 1600-1740. Baltimore: The Johns Hopkins UP, 1988
• Todorov, Tzvetan. Genres in Discourse. New York: Cambridge UP, 1993.
• Watt, Ian. The Rise of the Novel. Berkeley: U of California P, 1957.