Araştırma Makalesi

Val McDermid's Lindsay Gordon: A Revolutionary Portrait in Tartan- Noir

Sayı: 29 21 Mart 2024
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Val McDermid's Lindsay Gordon: A Revolutionary Portrait in Tartan- Noir

Abstract

Considered as one of the most influential crime fiction writers of our time, Val McDermid combines her works with Scotland’s city and town culture. Having the opportunity to closely observe the problems faced by the working class in the town of Fife where she spent her childhood, McDermid enriches her fiction with these narratives. These experiences led her to be the voice of the forgotten, oppressed, and marginalised segments of society in her later writing life. Also challenging the male-dominated structure of traditional crime fiction, McDermid brings a new atmosphere to crime fiction by creating fictional characters such as Lindsay Gordon. Classic crime fiction, which spent its golden age under the hegemony of British writers in the 1930s, presents the reader with stories in which typical male detectives are the protagonists. By the 1970s, Scottish crime fiction, or Tartan-Noir writers, produced essential works in this field. McDermid, who took the title of the Queen of crime fiction, puts women at the centre of her narrative, and in this way, she differs from male Tartan-Noir writers. In this study, McDermid, who deconstructed the male-dominated structure in traditional detective fiction and placed strong female detectives such as Lindsay Gordon into fiction, will be examined. Additionally, McDermid’s criticisms of the Margaret Thatcher period will be explained to readers with examples from her novels.

Keywords

Kaynakça

  1. Avery, C. (2017). Talking back to Chandler and Spillane: gender and agency in women’s hard-boiled detective fiction. [Thesis] (Unpublished), Birkbeck University of London
  2. Bell, E. (2008). Ian Rankin and the ethics of crime fiction, Clues: A Journal of Detection. (pp. 53-63)
  3. Butler, J. (2007). Gender Trouble. New York: Routledge
  4. Chandler, R. (1972). The simple art of Murder. New York: Ballentine Books
  5. González, C. R. (2019). Resilience and Urban Capabilities in Denise Mina’s Garnethill Trilogy1. Universidad de Oviedo Contemporary Women’s Writing, 13(2), (pp. 169–185)
  6. Hill, L. (2017). Bloody Women: How female authors have transformed the Scottish contemporary crime fiction genre. American, British and Canadian Studies Journal, 28(1), (pp. 52–71). https://doi.org/10.1515/abcsj-2017-0004
  7. Horsley, L. S., (2005). Twentieth-Century Crime Fiction. Oxford: Oxford University Press
  8. Ian Rankin. (23.03.2020). In conversation with John Robb,” LUSH. [Video]. YouTube

Ayrıntılar

Birincil Dil

İngilizce

Konular

İngiliz ve İrlanda Dili, Edebiyatı ve Kültürü

Bölüm

Araştırma Makalesi

Yayımlanma Tarihi

21 Mart 2024

Gönderilme Tarihi

5 Aralık 2023

Kabul Tarihi

7 Mart 2024

Yayımlandığı Sayı

Yıl 2024 Sayı: 29

Kaynak Göster

APA
Özsevgeç, Y. (2024). Val McDermid’s Lindsay Gordon: A Revolutionary Portrait in Tartan- Noir. Dil ve Edebiyat Araştırmaları, 29, 104-117. https://doi.org/10.30767/diledeara.1400397

Dil ve Edebiyat Araştırmaları Dergisi Creative Commons Atıf-GayrıTicari-Türetilemez 4.0 Uluslararası Lisansı (CC BY-NC-ND 4.0) ile lisanslanmıştır.