Söyleşi
BibTex RIS Kaynak Göster

“Sesler, Tarzlar, Gelenekler”: Altkültürlerin Etnografik Yolculuğu Üzerine Bir Söyleşi

Yıl 2025, Sayı: 26, 177 - 188, 23.05.2025
https://doi.org/10.26650/4boyut.2025.1601814

Öz

Kaynakça

  • BourDieu, P. (2003). Participant Objectivation. The Journal of the Royal Anthropologlcal Institute, 9(2), 281-294. http://www.jstor.org/ stable/3134650 google scholar
  • Dale, P. (2020). The Scholar and the Punk: Hebdige’s Master Narrative and the Deceptive Self-Knowledge of the Subaltern. In OsgerbY, B., Webb, P., Robinson, L., WorleY, M., Gildart, K., Gough-Yates, A., Lincoln, S., Street J. (Eds.), Hebdlge and Subculture ln the Twenty-Flrst Century Through the Subcultural Lens (Chapter 5, pp. 71-92). Palgrave Macmillan. google scholar
  • Ferreira, V. S. (2016). Aesthetics of Youth Scenes: From Arts of Resistance to Arts of Existence. YOUNG, 24(1), 66-81. https://doi.org/10. 1177/1103308815595520 google scholar
  • Haider, M. (2020). The Racialization of the Muslim BodY and Space in HollYwood. Soclology of Race and Ethnlclty, 6(3), 382-395. https:// doi.org/10.1177/2332649219885982 google scholar
  • Hebdige, D. (2020). Collective interview with Dick Hebdige after 35 Years of subculture: the meaning of stYle. In OsgerbY, B., Webb, P., Robinson, L., WorleY, M., Gildart, K., Gough-Yates, A., Lincoln, S., Street J. (Eds.), Hebdlge and Subculture ln the Twenty-Flrst Century Through the Subcultural Lens. Palgrave Macmillan. google scholar
  • Hall, S. (2001). Constituting an archive. Thlrd Text, 15(54), 89-92. https://doi.org/10.1080/09528820108576903 google scholar
  • Klein, N. (2007). The Shock Doctrlne: The rlse of dlsaster capltallsm. Metropolitan Books/HenrY Holt and CompanY. google scholar
  • Phillips, B. (2023). In Search of Tlto’s Punks: On the Road ln a Country That No Longer Exlsts. Intellect. google scholar
  • Smiers, J., van Schijndel, M. (2009). Imaglne There Is No Copyrlght and No Cultural Conglomorates Too. Translation from Dutch: Rosalind Buck, ‘Print on Demand’. google scholar
  • Smith, A. (1980). Goodbye Gutenberg: Newspaper Revolutlon of the 1980’s. Oxford. google scholar

“Sounds, Styles, Customs”: A Conversation on the Ethnographic Journey of Subcultures

Yıl 2025, Sayı: 26, 177 - 188, 23.05.2025
https://doi.org/10.26650/4boyut.2025.1601814

Öz

Hüseyin Serbes:
Stuart Hall argues that “no archive arises out of thin air” (2001, p. 89) and sees the archive as a creative
entity in an unending state of becoming. For some time now, I have been researching in the London College
of Communication’s special archive at Elephant and Castle, a collection that constantly encourages new work
in a dialogical relationship. In the library and private archive, the first part that caught my eye and excited
me in the ‘living archive’ as theorised by Hall was ‘subcultures’. How would you define subcultures?

Kaynakça

  • BourDieu, P. (2003). Participant Objectivation. The Journal of the Royal Anthropologlcal Institute, 9(2), 281-294. http://www.jstor.org/ stable/3134650 google scholar
  • Dale, P. (2020). The Scholar and the Punk: Hebdige’s Master Narrative and the Deceptive Self-Knowledge of the Subaltern. In OsgerbY, B., Webb, P., Robinson, L., WorleY, M., Gildart, K., Gough-Yates, A., Lincoln, S., Street J. (Eds.), Hebdlge and Subculture ln the Twenty-Flrst Century Through the Subcultural Lens (Chapter 5, pp. 71-92). Palgrave Macmillan. google scholar
  • Ferreira, V. S. (2016). Aesthetics of Youth Scenes: From Arts of Resistance to Arts of Existence. YOUNG, 24(1), 66-81. https://doi.org/10. 1177/1103308815595520 google scholar
  • Haider, M. (2020). The Racialization of the Muslim BodY and Space in HollYwood. Soclology of Race and Ethnlclty, 6(3), 382-395. https:// doi.org/10.1177/2332649219885982 google scholar
  • Hebdige, D. (2020). Collective interview with Dick Hebdige after 35 Years of subculture: the meaning of stYle. In OsgerbY, B., Webb, P., Robinson, L., WorleY, M., Gildart, K., Gough-Yates, A., Lincoln, S., Street J. (Eds.), Hebdlge and Subculture ln the Twenty-Flrst Century Through the Subcultural Lens. Palgrave Macmillan. google scholar
  • Hall, S. (2001). Constituting an archive. Thlrd Text, 15(54), 89-92. https://doi.org/10.1080/09528820108576903 google scholar
  • Klein, N. (2007). The Shock Doctrlne: The rlse of dlsaster capltallsm. Metropolitan Books/HenrY Holt and CompanY. google scholar
  • Phillips, B. (2023). In Search of Tlto’s Punks: On the Road ln a Country That No Longer Exlsts. Intellect. google scholar
  • Smiers, J., van Schijndel, M. (2009). Imaglne There Is No Copyrlght and No Cultural Conglomorates Too. Translation from Dutch: Rosalind Buck, ‘Print on Demand’. google scholar
  • Smith, A. (1980). Goodbye Gutenberg: Newspaper Revolutlon of the 1980’s. Oxford. google scholar
Toplam 10 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Kültürel çalışmalar (Diğer)
Bölüm Söyleşi
Yazarlar

Hüseyin Serbes 0000-0001-7913-6178

Yayımlanma Tarihi 23 Mayıs 2025
Gönderilme Tarihi 15 Aralık 2024
Kabul Tarihi 20 Ocak 2025
Yayımlandığı Sayı Yıl 2025 Sayı: 26

Kaynak Göster

APA Serbes, H. (2025). “Sounds, Styles, Customs”: A Conversation on the Ethnographic Journey of Subcultures. 4. BOYUT Medya ve Kültürel Çalışmalar Dergisi(26), 177-188. https://doi.org/10.26650/4boyut.2025.1601814