Araştırma Makalesi
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CRITICAL ANIMAL STUDIES AND NON-SPECIESIST PERCEPTION OF ANIMALS IN THOMAS HARDY'S POETRY

Yıl 2024, , 421 - 440, 25.06.2024
https://doi.org/10.33171/dtcfjournal.2024.64.1.17

Öz

This study intends to foreground Thomas Hardy’s (1840-1928) social and ecological responsibility to the ongoing animal exploitation by analyzing his poems from the perspective of a recently emerging theory of critical animal studies. Hardy’s poetic responsiveness to the unjust human treatment of animals as disposable materials to be used and consumed is worthy of critical attention pertaining to his depiction of animals as self-conscious, intelligent, and emotional individuals. Going against the conventional anthropocentric assumptions of the Victorian period perceiving animals as insentient, passive, and automated objects who cannot feel pain and suffering, Hardy adopts an animal-oriented viewpoint and confronts his readers with the dreadful consequences of implacable human attitude to animals. In addition to giving voice to animals who are tortured and murdered for trivial human reasons, Hardy disentangles the indubitable principles of humanity and its moral standards which give consent to the infliction of pain and anguish on another living being. While questioning the morality of human values, Hardy depicts animals as moral communities who are perfectly accomplished and sufficiently advanced to initiate meaningful interaction with their environment. An elucidation of Hardy’s poetry from the viewpoint of critical animal studies, hence, will provide a broad insight into Hardy’s scientific understanding of the universe, replete with intelligent, socially and emotionally developed individuals who deserve respect and approbation of humans.

Kaynakça

  • Adams, C. J. (2010). The Sexual Politics of Meat: A Feminist Vegetarian Critical Theory. New York: Continuum.
  • Beakley, A. (2000). The Animalizing Imagination: Totemism, Textuality and Ecocriticism. Great Britain: Macmillan Press.
  • Calarco, M. (2015). Thinking Through Animals: Identity, Difference, Indistinction. Stanford: Stanford University Press.
  • Cavalieri, P. (2001). The Animal Question: Why Nonhuman Animals Deserve Human Rights. New York: Oxford University Press.
  • Derrida, Jacques. 2008. The Animal That Therefore I Am. M.-L. Mallet (Ed.). (D. Wills, Trans.). New York: Fordham University Press.
  • Fisher, A. 2019. Against Killing Happy Animals. In A. Linzey and C. Linzey (Eds.). Ethical Vegetarianism and Veganism (pp. 34-41). London: Routlege.
  • Haraway, D. J. (2008). When Species Meet. Minneapolis: University of Minnesota Press.
  • Hardy, F. E. (1962). The Life of Thomas Hardy 1840¬-1928. London: Macmillan & Co.
  • Hardy, T. (2017). The Poems of Thomas Hardy: A New Selection. London: Macmillan Collector’s Library.
  • Kerrige, R. (2001). Ecological Hardy. In K. Armbruster and K. R. Wallace (Eds.), Beyond Nature Writing: Expanding the Boundaries of Ecocriticism (pp. 126-142). Charlottesville: University Press of Virginia.
  • Kreilkamp, I. (2018). Minor Creatures: Persons, Animals, and the Victorian Novel. Chicago: The University of Chicago Press.
  • LaCapra, D. (2009). History and Its Limits: Human, Animal, Violence. Ithaca: Cornell University Press.
  • Latour, B. (2004). Politics of Nature: How to Bring the Sciences into Democracy. (C. Porter, Trans.). Cambridge: Harvard University Press.
  • McFarland, S. E. and R. Hediger. (2009). Approaching the Agency of Other Animals: An Introduction. In S. E. McFarland and R. Hediger (Eds.), Animals and Agency: An Interdisciplinary Exploration (pp. 1-20). Leiden: Brill.
  • McHugh, S. (2011). Animal Stories: Narrating Across Species Lines. Minneapolis: University of Minneapolis.
  • Meeker, Joseph W. 1974. The Comedy of Survival: In Search of an Environmental Ethic. Los Angeles, California: Guild of Tutors Press.
  • Miller, J. M. (2020). Mischaracterizing the Environment: Hardy, Darwin, and the Art of Ecological Storytelling. Texas Studies in Literature and Language, 62(2), 149-177.
  • Nibert, D. 2017. Introduction. In D. Nibert (Ed.), Animal Oppression and Capitalism (pp. Xi-xxv). Santa Barbara: Praeger.
  • Ohrem, D. (2017). Animating Creaturely Life. In D. Ohrem and R. Bartosh (Eds.). Beyond the Human–Animal Divide: Creaturely Lives in Literature and Culture (pp. 3-19). New York: Palgrave Macmillan. Patowary, K. (Sep. 4, 2020). Vinkensport: Belgium’s Competitive Bird Calling. Retrieved from https://www.amusingplanet.com/2020/09/vinkensport-belgiums-competitive-bird.html
  • Pick, A. (2011). Creaturely Poetics: Animality and Vulnerability in Literature and Film. New York: Columbia University Press.
  • Regan, T. (2003). Animal Rights, Human Wrongs: An Introduction to Moral Philosophy. Lanham, Boulder: Rowman & Littlefield.
  • Sanbonmatsu, J. (2017). Capitalism and Speciesism. In D. Nibert (Ed.), Animal Oppression and Capitalism: Volume 2, The Oppressive and Destructive Role of Capitalism (pp. 1-30). Santa Barbara: Praeger.
  • Sarıkaya, D. B. (2023). The Human-Animal Relationship in Pre-Modern Turkish Literature: A Study of The Book of Dede Korkut and The Masnavi, Book I, II. Lanham, New York: Lexington Books.
  • Singer, P. (2002). Animal Liberation. New York: HarperCollins.
  • Weil, K. (2002). Thinking Animals: Why Animal Studies Now? New York: Colombia University Press.
  • West, A. (2017). Thomas Hardy and Animals. United Kingdom: Cambridge University Press.

KRİTİK HAYVAN ÇALIŞMALARI VE THOMAS HARDY'NİN ŞİİRLERİNDE TÜR-AYRIMCILIĞI KARŞITI HAYVAN ALGISI

Yıl 2024, , 421 - 440, 25.06.2024
https://doi.org/10.33171/dtcfjournal.2024.64.1.17

Öz

Bu çalışmanın amacı Thomas Hardy’nin (1840-1928) şiirlerini, kritik hayvan çalışmalarının teorik bakış açısıyla inceleyerek, hayvanların süregelen sömürüsü ve istismarına karşı şairin göstermiş olduğu sosyal ve ekolojik duyarlılığı açığa çıkarmaktır. Kullanılıp atılan bir malzeme olarak görülen hayvanlara karşı haksız insan davranışlarına Hardy’nin verdiği şiirsel tepki ve onları öz-bilinçli, düşünebilen ve hissedebilen bireyler olarak tasvir etmesi takdire değer bir durumdur. Hayvanları şuursuz, pasif, acı duymayan otomat objeler olarak gören Viktorya dönemi antroposentrik düşüncenin tam karşısında duran Hardy, hayvan merkezli bir bakış açısı benimseyerek, okuyucularını insanların hayvanlara karşı vicdan yoksunu tutumlarıyla yüzletirmiştir. İnsanların gereksiz sebepleri yüzünden işkence uygulanan havyanlara söz hakkı veren Hardy, canlı bir bireye acı ve işkence çektirmeye müsade eden, tartışılmaz derecede mükemmel görünen insanlık prensiplerinin ve ahlaki standartlarının çözülmesini sağlamıştır. İnsanın ahlaki değerler sistemini sorgularken, Hardy, hayvanları da ahlaki değerlere sahip ve çevreleriyle anlamlı ilişki kurabilecek derecede gelişmiş topluluklar olarak resmeder. Bu nedenle, Hardy’nin şiirlerinin kritik hayvan çalışmaları yönünden incelenmesi şair tarafından benimsenen ve içinde bilinçli, sosyal ve duygusal olarak gelişmiş canlılarla dolu olan bilimsel bir evren görüşünü ortaya çıkaracaktır.

Etik Beyan

Bu çalışmanın, özgün bir çalışma olduğunu, çalışmanın hazırlık, veri toplama, analiz ve bilgilerin sunumu olmak üzere tüm aşamalarından bilimsel etik ilke ve kurallarına uygun davrandığımı, bu çalışma kapsamında elde edilmeyen tüm veri ve bilgiler için kaynak gösterdiğimi ve bu kaynaklara kaynakçada yer verdiğimi beyan ederim.

Kaynakça

  • Adams, C. J. (2010). The Sexual Politics of Meat: A Feminist Vegetarian Critical Theory. New York: Continuum.
  • Beakley, A. (2000). The Animalizing Imagination: Totemism, Textuality and Ecocriticism. Great Britain: Macmillan Press.
  • Calarco, M. (2015). Thinking Through Animals: Identity, Difference, Indistinction. Stanford: Stanford University Press.
  • Cavalieri, P. (2001). The Animal Question: Why Nonhuman Animals Deserve Human Rights. New York: Oxford University Press.
  • Derrida, Jacques. 2008. The Animal That Therefore I Am. M.-L. Mallet (Ed.). (D. Wills, Trans.). New York: Fordham University Press.
  • Fisher, A. 2019. Against Killing Happy Animals. In A. Linzey and C. Linzey (Eds.). Ethical Vegetarianism and Veganism (pp. 34-41). London: Routlege.
  • Haraway, D. J. (2008). When Species Meet. Minneapolis: University of Minnesota Press.
  • Hardy, F. E. (1962). The Life of Thomas Hardy 1840¬-1928. London: Macmillan & Co.
  • Hardy, T. (2017). The Poems of Thomas Hardy: A New Selection. London: Macmillan Collector’s Library.
  • Kerrige, R. (2001). Ecological Hardy. In K. Armbruster and K. R. Wallace (Eds.), Beyond Nature Writing: Expanding the Boundaries of Ecocriticism (pp. 126-142). Charlottesville: University Press of Virginia.
  • Kreilkamp, I. (2018). Minor Creatures: Persons, Animals, and the Victorian Novel. Chicago: The University of Chicago Press.
  • LaCapra, D. (2009). History and Its Limits: Human, Animal, Violence. Ithaca: Cornell University Press.
  • Latour, B. (2004). Politics of Nature: How to Bring the Sciences into Democracy. (C. Porter, Trans.). Cambridge: Harvard University Press.
  • McFarland, S. E. and R. Hediger. (2009). Approaching the Agency of Other Animals: An Introduction. In S. E. McFarland and R. Hediger (Eds.), Animals and Agency: An Interdisciplinary Exploration (pp. 1-20). Leiden: Brill.
  • McHugh, S. (2011). Animal Stories: Narrating Across Species Lines. Minneapolis: University of Minneapolis.
  • Meeker, Joseph W. 1974. The Comedy of Survival: In Search of an Environmental Ethic. Los Angeles, California: Guild of Tutors Press.
  • Miller, J. M. (2020). Mischaracterizing the Environment: Hardy, Darwin, and the Art of Ecological Storytelling. Texas Studies in Literature and Language, 62(2), 149-177.
  • Nibert, D. 2017. Introduction. In D. Nibert (Ed.), Animal Oppression and Capitalism (pp. Xi-xxv). Santa Barbara: Praeger.
  • Ohrem, D. (2017). Animating Creaturely Life. In D. Ohrem and R. Bartosh (Eds.). Beyond the Human–Animal Divide: Creaturely Lives in Literature and Culture (pp. 3-19). New York: Palgrave Macmillan. Patowary, K. (Sep. 4, 2020). Vinkensport: Belgium’s Competitive Bird Calling. Retrieved from https://www.amusingplanet.com/2020/09/vinkensport-belgiums-competitive-bird.html
  • Pick, A. (2011). Creaturely Poetics: Animality and Vulnerability in Literature and Film. New York: Columbia University Press.
  • Regan, T. (2003). Animal Rights, Human Wrongs: An Introduction to Moral Philosophy. Lanham, Boulder: Rowman & Littlefield.
  • Sanbonmatsu, J. (2017). Capitalism and Speciesism. In D. Nibert (Ed.), Animal Oppression and Capitalism: Volume 2, The Oppressive and Destructive Role of Capitalism (pp. 1-30). Santa Barbara: Praeger.
  • Sarıkaya, D. B. (2023). The Human-Animal Relationship in Pre-Modern Turkish Literature: A Study of The Book of Dede Korkut and The Masnavi, Book I, II. Lanham, New York: Lexington Books.
  • Singer, P. (2002). Animal Liberation. New York: HarperCollins.
  • Weil, K. (2002). Thinking Animals: Why Animal Studies Now? New York: Colombia University Press.
  • West, A. (2017). Thomas Hardy and Animals. United Kingdom: Cambridge University Press.
Toplam 26 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular İngiliz ve İrlanda Dili, Edebiyatı ve Kültürü, Ekoeleştiri
Bölüm Araştırma Makalesi
Yazarlar

Dilek Bulut Sarıkaya 0000-0001-5514-6929

Erken Görünüm Tarihi 23 Haziran 2024
Yayımlanma Tarihi 25 Haziran 2024
Gönderilme Tarihi 26 Kasım 2023
Kabul Tarihi 26 Şubat 2024
Yayımlandığı Sayı Yıl 2024

Kaynak Göster

APA Bulut Sarıkaya, D. (2024). CRITICAL ANIMAL STUDIES AND NON-SPECIESIST PERCEPTION OF ANIMALS IN THOMAS HARDY’S POETRY. Ankara Üniversitesi Dil Ve Tarih-Coğrafya Fakültesi Dergisi, 64(1), 421-440. https://doi.org/10.33171/dtcfjournal.2024.64.1.17

Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi - dtcfdergisi@ankara.edu.tr

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