Trauma And Shattered Self in Ian Mcewan’s The Cement Garden
Abstract
The objective of this article is to analyse the intricate lives of the characters in the novel The Cement Garden, in which the themes of incest, trauma, and shattered self-prevail, through a Freudian psychoanalytic perspective and trauma theory. A 1978 novel by contemporary British writer Ian McEwan, The Cement Garden (1978), reflects the tragic changes observed in the behaviour of the children who lost their parents. The novel explores how the four siblings, grieving the loss of their mother, withdraw into their own isolated realities, unprepared for the harsh world beyond. Through their story, it paints a vivid picture of the death and devastation that haunts them, revealing the far-reaching effects of turmoil on their lives. It sheds light on the dark aspects of the human soul. Being deprived of people who will guide them at an age when they have difficulty making sense of their emotions can lead to a reluctance to enter the dark corridors of the soul. Since fear is an emotion acquired through knowledge and aimed at protecting oneself, fearlessness is sometimes a sign of ignorance rather than courage. The absence of adults causes these children to be morally corrupt and to experience an identity crisis. This study also addresses the dilemma that may arise when sexuality touches the lives of children.
Keywords
Kaynakça
- Ashmawy, M.F. (2022). Revisiting Trauma in Postmodern Theatre: A Study of Harold Pinter’s the Birthday Party, Edward Bond’s Saved, Bryony Lavery’s Frozen and Sarah Kane’s Blasted, Doctoral Thesis, Karabük University.
- Begley, A. (2010). The Art of Fiction CLXXIII: Ian McEwan. R. Roberts (Ed.), in Conversations with Ian McEwan (pp. 89-107), Jackson, University Press of Mississippi.
- Caruth, C. (1996). Unclaimed experience: Trauma, Narrative and History. Baltimore, The John Hopkins University Press.
- Childs, P. (2005). The Fiction of Ian McEwan. London, Palgrave Macmillan.
- Courtney, H. (2013). Narrative Temporality and Slowed Scene: The Interaction of Event and Thought Representation in Ian McEwan’s Fiction. Narrative 21(2), 180-197.
- De Coning, A. (2011). Perversity on Paper: Taboo, Abjection and Literature – Ian Banks’ the Wasp Factory, Ian McEwan’s The Cement Garden and Irvine Welsh’s Marabou Stork Nightmares, Master’s Thesis, Rhodes University.
- Dodou, K. (2012). Examining the Idea of Childhood: The Child in the Contemporary British Novel. Adrienne E. Gavin (Ed.), in The Child in British Literature (pp. 238-250), London, Palgrave Macmillan.
- Evans, D. (1996). An Introductory Dictionary of Lacanian Psychoanalysis. London: Routledge.
Ayrıntılar
Birincil Dil
İngilizce
Konular
İngiliz ve İrlanda Dili, Edebiyatı ve Kültürü
Bölüm
Araştırma Makalesi
Yazarlar
Yayımlanma Tarihi
3 Nisan 2026
Gönderilme Tarihi
26 Kasım 2025
Kabul Tarihi
24 Mart 2026
Yayımlandığı Sayı
Yıl 2026 Sayı: 16
