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An Overwiev of Op. 129 Violoncello Concerto by Robert Schumann

Yıl 2020, Cilt: 8 Sayı: 15, 95 - 108, 17.03.2020
https://doi.org/10.20304/humanitas.682314

Öz

Robert Schumann (1801-1856) was one of the most important composers of the romantic period and his Op. 129 A Minor Violoncello Concerto is one of the most important works of cello repertoire, and it is frequently performed by interpreters. What makes the work so important in the cello repertoire from the past to the present is that the concerto is the only cello concerto written by Robert Schumann throughout his life, and the concerto has a reflection of the original musical language of the last period of the composer's life. Due to lack of adequate academic studies about Robert Schumann’s Op. 129 A Minor Cello Concerto in Turkey, main goal of this study is to create a source about the Op. 129 Cello Concerto and to make comparative analysis about the interpretation techniques for researchers and interpreters who will perform Schumann’s Op. 129 Cello Concerto. In this study, the importance of A Minor Violoncello Concerto in the cello repertoire has been emphasized from historical perspective of the composer’s life and formal aspects. 

Kaynakça

  • Burger, E. (1999). Robert Schumann. Mainz: Schott.
  • Casals, P. (1850). Schumann: Cello Concerto, [CD]. ABD: Sony Classical. (1994).
  • Davidson, H. N. (1957). Dichterliebe by Robert Schumann (Unpublished Master Thesis) Texas: North Texas State College
  • Donington, R. (1974). The interpretation of early music. London: Faber and Faber.
  • Draheim, J. (1997). Robert Schumann konzert für violoncello und orchester op. 129. Breitkopf&Haertel: Wiesbaden
  • Du Pre, J. (1850). Schumann: Cello Concerto, [CD]. İngiltere: EMI Classics. (1992).
  • Harrell, L. (1850). Schumann: Cello Concerto, [CD]. ABD: Decca. (1974).
  • Isserlis, S. (1850). Schumann: Cello Concerto, [CD]. ABD: Rca Victor Red Seal. (1997).
  • Jensen, E. (2001). The master musicians: Schumann. Oxford: Oxford University Press.
  • Katsaris, C. (1838). Schumann: Kinderszenen, [CD]. Almanya: Teldec .(1989).
  • Konzertstück müzik terimi tanımı. (t.b.) Oxford Music Online. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000015355?rskey=ibeUAE&result=1
  • Loesch, H.V. (1998). Robert Schumann Konzert für Violoncello und Orchester a-Moll, Op. 129: Meisterwerke der Musik. Munich: Fink.
  • Mayer, L. (1956). Emotion and meaning in music. London: Chicago Uni. Press.
  • Nieman, A. (1976). The Concertos, Robert Schumann: the man and his music, London: Barrie&Jenkins Ltd.
  • Perrey, B. (2007). The Cambridge companion to Schumann, Cambridge: Cambridge Uni. Press
  • Pexman, J. (2014). Classical music 1600-2000: a chronolgy, London: Omnibus Press.
  • Rostropovich, M. (1850). Schumann: Cello Concerto, [CD]. ABD: Warner Classics. (1977).
  • Starker, J. (1850). Schumann: Cello Concerto, [CD]. ABD: Rca Victor Red Seal. (1995).
  • Tovey, D. (1972). Essays in musical analysis vol 3: Concertos. Oxford: Oxford University Press.
  • Tunbridge, L. (2007). Schumann’s late style. Cambridge: Cambridge University Press.
  • Walker, A. (1976). The great composers: Schumann. Cambridge: Faber and Faber Limited.
  • Worthen, J. (2007). Robert Schumann: life and death of a musician. New Haven: Yale University Press.
  • Yu, K-W. (2011). When concerto meets song cycle: a study of vocal ınfluences in Robert Schumann’s cello concerto in a minor, op. 129, with reference to his dichterliebe, op. 48. (Unpublished Phd Thesis). University Illinois.
  • Zaslaw, N. (1989). Repeat performance, The New York Review of Book. https://www.nybooks.com/articles/1989/04/27/repeat-performance/>

Robert Schumann’ın Op. 129 Viyolonsel Konçertosu’na Genel Bir Bakış

Yıl 2020, Cilt: 8 Sayı: 15, 95 - 108, 17.03.2020
https://doi.org/10.20304/humanitas.682314

Öz

Romantik dönemin en önemli bestecilerinden Robert Schumann’ın (1810-1856) hayatının son döneminde viyolonsel repertuvarına kazandırdığı Op. 129
La Minör Viyolonsel Konçertosu, yorumcular tarafından sıklıkla seslendirilen bir eser olmakla beraber, viyolonsel repertuvarının en önemli eserlerinden biri olarak bilinmektedir. Eseri geçmişten günümüze viyolonsel repertuvarında bu denli önemli kılan başlıca unsurlar, konçertonun Robert Schumann’ın hayatı boyunca yazdığı tek viyolonsel konçertosu olması ve eserin, bestecinin hayatının son döneminin izlerini taşıyan özgün müzikal dilinin bir yansıması olmasıdır. Eser hakkında Türkiye’de yeterli akademik çalışmanın olmaması nedeniyle bu araştırmayla, Robert Schumann’ın Op. 129 La Minör Viyolonsel Konçertosu’nun viyolonsel repertuvarındaki öneminin vurgulanarak, eserin bestecinin hayatındaki tarihsel süreçteki yeri ve biçimsel açılardan ele alınması, karşılaştırmalı olarak yorumlama tekniklerinin incelenmesi ve eser hakkında bilgi sahibi olmak isteyen müzik araştırmacılarına, eseri yorumlayacak çellistlere bir kaynak oluşturması amaçlanmıştır. 

Kaynakça

  • Burger, E. (1999). Robert Schumann. Mainz: Schott.
  • Casals, P. (1850). Schumann: Cello Concerto, [CD]. ABD: Sony Classical. (1994).
  • Davidson, H. N. (1957). Dichterliebe by Robert Schumann (Unpublished Master Thesis) Texas: North Texas State College
  • Donington, R. (1974). The interpretation of early music. London: Faber and Faber.
  • Draheim, J. (1997). Robert Schumann konzert für violoncello und orchester op. 129. Breitkopf&Haertel: Wiesbaden
  • Du Pre, J. (1850). Schumann: Cello Concerto, [CD]. İngiltere: EMI Classics. (1992).
  • Harrell, L. (1850). Schumann: Cello Concerto, [CD]. ABD: Decca. (1974).
  • Isserlis, S. (1850). Schumann: Cello Concerto, [CD]. ABD: Rca Victor Red Seal. (1997).
  • Jensen, E. (2001). The master musicians: Schumann. Oxford: Oxford University Press.
  • Katsaris, C. (1838). Schumann: Kinderszenen, [CD]. Almanya: Teldec .(1989).
  • Konzertstück müzik terimi tanımı. (t.b.) Oxford Music Online. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000015355?rskey=ibeUAE&result=1
  • Loesch, H.V. (1998). Robert Schumann Konzert für Violoncello und Orchester a-Moll, Op. 129: Meisterwerke der Musik. Munich: Fink.
  • Mayer, L. (1956). Emotion and meaning in music. London: Chicago Uni. Press.
  • Nieman, A. (1976). The Concertos, Robert Schumann: the man and his music, London: Barrie&Jenkins Ltd.
  • Perrey, B. (2007). The Cambridge companion to Schumann, Cambridge: Cambridge Uni. Press
  • Pexman, J. (2014). Classical music 1600-2000: a chronolgy, London: Omnibus Press.
  • Rostropovich, M. (1850). Schumann: Cello Concerto, [CD]. ABD: Warner Classics. (1977).
  • Starker, J. (1850). Schumann: Cello Concerto, [CD]. ABD: Rca Victor Red Seal. (1995).
  • Tovey, D. (1972). Essays in musical analysis vol 3: Concertos. Oxford: Oxford University Press.
  • Tunbridge, L. (2007). Schumann’s late style. Cambridge: Cambridge University Press.
  • Walker, A. (1976). The great composers: Schumann. Cambridge: Faber and Faber Limited.
  • Worthen, J. (2007). Robert Schumann: life and death of a musician. New Haven: Yale University Press.
  • Yu, K-W. (2011). When concerto meets song cycle: a study of vocal ınfluences in Robert Schumann’s cello concerto in a minor, op. 129, with reference to his dichterliebe, op. 48. (Unpublished Phd Thesis). University Illinois.
  • Zaslaw, N. (1989). Repeat performance, The New York Review of Book. https://www.nybooks.com/articles/1989/04/27/repeat-performance/>
Toplam 24 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Bölüm Tüm Sayı
Yazarlar

Mehmet Semih Karlıdağ 0000-0002-2771-3743

Yayımlanma Tarihi 17 Mart 2020
Yayımlandığı Sayı Yıl 2020 Cilt: 8 Sayı: 15

Kaynak Göster

APA Karlıdağ, M. S. (2020). Robert Schumann’ın Op. 129 Viyolonsel Konçertosu’na Genel Bir Bakış. HUMANITAS - Uluslararası Sosyal Bilimler Dergisi, 8(15), 95-108. https://doi.org/10.20304/humanitas.682314