Araştırma Makalesi

Patriarchal Subordination of Women and Nature in Doris Lessing’s The Grass is Singing and Margaret Atwood’s The Edible Woman

Sayı: 14 15 Ağustos 2023
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Patriarchal Subordination of Women and Nature in Doris Lessing’s The Grass is Singing and Margaret Atwood’s The Edible Woman

Abstract

By challenging patriarchal worldviews and anthropocentric ideology and advocating for new, more harmonious relationships among humans, non-humans, and the natural world, ecofeminism tries to understand the connection between genders and environmental degradation. Anthropocentrism and patriarchy are shown to be the primary causes of the oppression of women and the natural world by men, and a biocentric worldview is advocated as a solution. This study, which compares Doris Lessing's The Grass is Singing and Margaret Atwood's The Edible Woman, focuses on the tragic endings shared by women and the natural world in both novels. When reexamined via the lens of ecofeminism, the two works reveal a shared concern for the welfare of women and the natural world, as well as a critique of patriarchal society's destructive effects on both.

Keywords

Kaynakça

  1. Acar, P. (2019). An ecofeminist reading of Herland, The Edible Woman and Woman on the Edge of Time. Master’s Thesis, Celal Bayar University, Manisa.
  2. Adams, C. J. & Gruen, L. (2022). Ecofeminist footings. Carol J. Adams & Lori Gruen (Eds), In Ecofeminism: Feminist intersections with other animals and the earth (pp. 1-43). Bloomsbury Academic.
  3. Atwood, M. (2010). The Edible Woman. Emblem.
  4. Bornancin, E. (2019). Breakdown as breakthrough: Female emancipation in Margaret Atwood’s The Edible Woman and Surfacing. Master’s Thesis, Universita Ca’Foscari Venezia, Venice.
  5. Carroll, V. P. (2018). Introduction: Ecofeminist dialogues. Douglas A. Vakoch & Sam Mickey (Eds), In Ecofeminism in dialogue (pp. 1-12). Lexington Books.
  6. Davies, M. (2006). Margaret Atwood’s female bodies. Corall Ann Howells (Ed), In The Cambridge companion to Margaret Atwood (pp. 58-71). Cambridge University Press.
  7. Divya, S. (nd). An extended literary evocation of South Africa: Interpreting neo-humanism in Doris Lessing’s fiction. Archers and Elevators Publishing House.
  8. Fishburn, K. (1994). The manichean allegories of Doris Lessing’s “The Grass is Singing.” Research in African Literatures, 25(4), 1-15.

Ayrıntılar

Birincil Dil

İngilizce

Konular

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Bölüm

Araştırma Makalesi

Yayımlanma Tarihi

15 Ağustos 2023

Gönderilme Tarihi

12 Nisan 2023

Kabul Tarihi

24 Mayıs 2023

Yayımlandığı Sayı

Yıl 2023 Sayı: 14

Kaynak Göster

APA
Ağır, B. (2023). Patriarchal Subordination of Women and Nature in Doris Lessing’s The Grass is Singing and Margaret Atwood’s The Edible Woman. IBAD Sosyal Bilimler Dergisi, 14, 351-368. https://doi.org/10.21733/ibad.1281253