Rifat Chadirji, a founding figure of modern Iraqi architecture: Architectural works and ideology

Yıl 2025, Sayı: 50, 297 - 337, 07.01.2026

Melek Kutlu Divleli

https://doi.org/10.31198/idealkent.1677216

Öz

This study examines the professional practice and intellectual trajectory of Rifat Chadirji, one of the key figures of modern Iraqi architecture. Its aim is to assess Chadirji’s intellectual identity as shaped both by his architectural production and by his contributions to architectural theory, and thereby to render his position within the history of modern Iraqi architecture more visible. Adopting a qualitative, historically grounded reading, the article discusses Chadirji’s architectural approach in relation to his education, the impact of Western modernism, his intellectual milieu, and his engagement with context-specific local elements in Iraq. While his early works display clear influences of the Bauhaus and Le Corbusier, from the 1960s onwards he is seen to develop a regional modernist language in which local materials, climatic responsiveness, and symbolic forms come to the fore. His work in photography, theory, and publishing further positions him as a multifaceted contributor to architectural discourse. As both an agent and a historian of modern Iraqi architecture, Chadirji occupies a pivotal role. Accordingly, this study argues that his architectural approach must be interpreted not only in formal terms, but also through its socio-political, cultural, and historical dimensions.

Anahtar Kelimeler

Rifat Chadirji , ıraq , regional modernism , modern Iraqi architecture , architectural theory , postcolonial architecture.

Irak modern mimarlığının kurucularından mimar Rıfat Çadırcı: Eserleri ve düşünce dünyası

Öz

Bu çalışma, Irak modern mimarlığının önemli figürlerinden Rıfat Çadırcı’nın mesleki pratiğini ve düşünsel gelişimini ele almaktadır. Amaç, Çadırcı’nın hem mimari üretimleri hem de mimarlık kuramı üzerinden şekillenen entelektüel kimliğini değerlendirmek ve modern Irak mimarlık tarihindeki yerini daha görünür kılmaktır. Tarihsel bağlam üzerinden ilerleyen nitel bir okuma yöntemiyle, Çadırcı’nın mimarlık eğitimi, Batı etkileri, entelektüel çevresi ve Irak’a özgü yerel unsurlarla kurduğu ilişkiler çerçevesinde biçimlenen mimarlık anlayışı tartışılmaktadır. Çadırcı’nın ilk dönem yapılarında Bauhaus ve Le Corbusier etkileri belirginken, 1960’lardan itibaren yerel malzeme, iklimsel duyarlılık ve sembolik formların ön plana çıktığı bir bölgesel modernizm dili geliştirdiği görülmektedir. Fotoğraf, kuram ve yayıncılık alanlarında da üretimlerde bulunarak mimarlık düşüncesine çok yönlü katkılar sunmuştur. Çadırcı, modern Irak mimarlığının hem öznesi hem de tarih yazıcısı olarak mühim bir konuma sahiptir. Bu bağlamda, mimari yaklaşımlarının sadece formel değil, aynı zamanda sosyo-politik, kültürel ve tarihsel boyutlarıyla da okunması gerektiği savunulmaktadır.

Anahtar Kelimeler

Rıfat Çadırcı , ırak , bölgesel modernizm , modern Irak mimarlığı , mimarlık kuramı , postkolonyal mimarlık.

Kaynakça

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