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GÜNDELİK RUTİNLERİN MEDYATİKLEŞTİRİLMESİ: SOSYAL MEDYADA TEMİZLİK VE ARINMA İMGESİ

Yıl 2025, Cilt: 10 Sayı: 2, 641 - 663, 12.12.2025
https://doi.org/10.47107/inifedergi.1737819
https://izlik.org/JA44JH99XK

Öz

Bu çalışma, sosyal medya platformlarında sıradan bir gündelik pratik olan “temizlik” eyleminin nasıl estetize edilerek dijital bir yaşam tarzı sunumuna dönüştüğünü incelemektedir. Cem Özkök’ün Instagram Reels formatındaki altı temizlik videosu üzerinden yürütülen analizde, temizlik içerikleri görsel temsil, söylemsel yapı, etkileşim düzeyleri ve simgesel anlamlar bakımından çok katmanlı biçimde ele alınmıştır. Karma yöntemle gerçekleştirilen çalışmada nitel tematik analiz söylem çözümlemesiyle desteklenmiş; etkileşim verileri üzerinden nicel veriler de değerlendirilmiştir. Bulgular, temizlik eyleminin sosyal medya ortamında yalnızca hijyenle sınırlı kalmadığını; duygusal regülasyon, dijital ritüel, özne inşası ve yaşam tarzı performansı gibi boyutlar kazandığını ortaya koymaktadır. Temizlik hem bireysel hem kamusal alanlarda dijital görünürlüğün stratejik bir aracı hâline gelmiş; özne, yalnızca temizlik yapan değil, düzen kuran, arınma sağlayan ve estetik mesajlar ileten bir figür olarak yeniden konumlanmıştır. Bu bağlamda, gündelik pratiklerin dijital temsili, bireyin kimliğini yeniden kurduğu ve sosyal medya estetiği içinde görünür kıldığı önemli bir performatif alana dönüşmektedir.

Kaynakça

  • Abidin, C. (2016). Visibility labour: Engaging with influencers’ fashion brands on social media. Media International Australia, 161(1), 86–100. https://doi.org/10.1177/1329878X16665177
  • Androutsopoulos, J., Tereick, J. (2020). “Aesthetic labour on YouTube: Performing cleaning for digital audiences”. Social Media + Society, 6(4), 1–13.
  • Bauman, Z. (2000). Liquid modernity. Polity Press.
  • Banet-Weiser, S. (2018). Empowered: Popular Feminism and Popular Misogyny. Duke University Press.
  • Bourdieu, P. (1984). Distinction: A social critique of the judgement of taste. Harvard University Press.
  • Boyd, d. (2014). It's Complicated: The Social Lives of Networked Teens. Yale University Press.
  • Bishop, S. (2019). “Managing visibility on YouTube through algorithmic gossip”. New Media & Society, 21(11-12), 2589–2606.
  • Bucher, T. (2018). If… Then: Algorithmic Power and Politics. Oxford University Press.
  • Castells, M. (2001). The internet galaxy: Reflections on the internet, business, and society. Oxford University Press.
  • Couldry, N. (2012). Media, society, world: Social theory and digital media practice. Polity Press.
  • Couldry, N., Hepp, A. (2017). The Mediated Construction of Reality. Polity.
  • Cotter, K. (2019). Playing the visibility game: How digital influencers and algorithms negotiate influence on Instagram. New Media & Society, 21(4), 895–913.
  • Crary, J. (2013). 24/7: Late Capitalism and the Ends of Sleep. Verso Books.
  • Creswell, J. W., Plano Clark, V. L. (2018). Designing and Conducting Mixed Methods Research (3rd ed.). SAGE Publications.
  • Debord, G. (1967). The society of the spectacle. Buchet-Chastel. Duffy, B. E. (2017). (Not) getting paid to do what you love: Gender, social media, and aspirational work. Yale University Press.
  • Duffy, B. E., Hund, E. (2015). “‘Having it all’ on social media: Entrepreneurial femininity and self-branding among fashion bloggers”. Social Media + Society, 1(2), 1–11.
  • Fuchs, C. (2017). Social media: A critical introduction (2nd ed.). SAGE Publications.
  • Genz, S. (2015). “My Clean Home, My Clean Self: Cleaning and Subjectivity in Lifestyle Television”. Television & New Media, 16(2), 118–133.
  • Gillespie, T. (2010). The politics of ‘platforms’. New Media & Society, 12(3), 347–364. https://doi.org/10.1177/1461444809342738
  • Goffman, E. (1959). The presentation of self in everyday life. Anchor Books.
  • Guest, G., Bunce, A., Johnson, L. (2006). How many interviews are enough? An experiment with data saturation and variability. Field Methods, 18(1), 59–82. https://doi.org/10.1177/1525822X05279903
  • Gill, R., Elias, A. S. (2014). “Postfeminism and the New Cultural Life of Feminism”. Diffusion: The UCLan Journal of Undergraduate Research, 6(2), 24–33.
  • Han, B. C. (2022). Ritüellerin yok oluşuna dair: Günümüzün bir topolojisi (K. Doğan, Çev.). Dergâh Yayınları.
  • Highfield, T. (2016). Social Media and Everyday Politics. Polity Press. Illouz, E. (2007). Cold Intimacies: The Making of Emotional Capitalism. Polity.
  • Kanai, A. (2019). Gender and Relatability in Digital Culture: Managing Affect, Intimacy and Value. Palgrave Macmillan.
  • Khamis, S., Ang, L., Welling, R. (2017). Self-branding, ‘micro-celebrity’ and the rise of Social Media Influencers. Celebrity Studies, 8(2), 191–208.
  • Lobinger, K., Brantner, C. (2015). “Likable, funny or ridiculous? User reactions to visual portrayals of politicians on Facebook”. Media, Culture & Society, 37(4), 500–519.
  • Lefebvre, H. (1991). Critique of everyday life (Vol. 1). Verso.
  • Lévy, P. (1997). Cyberculture. University of Minnesota Press.
  • Marwick, A., Boyd, D. (2011). To see and be seen: Celebrity practice on Twitter. Convergence, 17(2), 139–158. https://doi.org/10.1177/1354856510394539
  • Mason, M. (2010). Sample size and saturation in PhD studies using qualitative interviews. Forum: Qualitative Social Research, 11(3). http://www.qualitative-research.net/index.php/fqs/article/view/1428
  • Marwick, A., Boyd, D. (2011). “To See and Be Seen: Celebrity Practice on Twitter”. Convergence, 17(2), 139–158.
  • Miller, D., Costa, E., Haynes, N., McDonald, T., Nicolescu, R., Sinanan, J., Spyer, J., Venkatraman, S., Wang, X. (2016). How the World Changed Social Media (1st ed., Vol. 1). UCL Press. https://doi.org/10.2307/j.ctt1g69z35
  • Özkök, C. (2024a). Ütü ASMR [Instagram video]. Instagram. https://www.instagram.com/cemozkook/reel/DA1eO3EtKka/ (Erişim tarihi: 22.03.2025).
  • Özkök, C. (2024b). ASMR Haftalık Detay Banyo Temizliği [Instagram video]. Instagram. (Erişim tarihi: 22.03.2025).
  • Özkök, C. (2024c). Tüm Gün Haftalık Pazar Temizliği [Instagram video]. Instagram. https://www.instagram.com/cemozkook/reel/C_81w8WNNX6/ (Erişim tarihi: 22.03.2025). Özkök, C. (2024ç). Çöp Ev Temizliği [Instagram video]. Instagram. https://www.instagram.com/cemozkook/reel/C95ejYWNUx8/ (Erişim tarihi: 23.03.2025).
  • Özkök, C. (2024d). Tatil Dönüşü Temizliği [Instagram video]. Instagram. https://www.instagram.com/cemozkook/reel/C8sO9oJNmY-/ (Erişim tarihi: 24.03.2025)
  • Özkök, C. (2024e). 19 Mayıs Okul Temizliği [Instagram video]. Instagram. https://www.instagram.com/cemozkook/reel/C7H01FBNE_L/ (Erişim tarihi: 23.03.2025)
  • Patton, M. Q. (2002). Qualitative research and evaluation methods (3rd ed.). Sage Publications.
  • Papacharissi, Z. (2010). A Private Sphere: Democracy in a Digital Age. Polity.
  • Papacharissi, Z. (2015). Affective Publics: Sentiment, Technology, and Politics. Oxford University Press.
  • Rosa, H. (2013). Social acceleration: A new theory of modernity. Columbia University Press.
  • Senft, T. M. (2008). Camgirls: Celebrity and Community in the Age of Social Networks. Peter Lang.
  • Senft, T. M. (2013). Microcelebrity and the branded self. In J. Hartley, J. Burgess, A. Bruns (Eds.), A companion to new media dynamics (pp. 346–354). Wiley-Blackwell.
  • Shifman, L. (2014). Memes in digital culture. MIT Press.
  • Van Dijck, J. (2013). The culture of connectivity: A critical history of social media. Oxford University Press.
  • Yıldırım, A., Şimşek, H. (2018). Sosyal Bilimlerde Nitel Araştırma Yöntemleri. Seçkin Yayıncılık.
  • Wellman, B. (2001). Physical place and cyberplace: The rise of personalized networking. International Journal of Urban and Regional Research, 25(2), 227–252. https://doi.org/10.1111/1468-2427.00309

MEDIATISATION OF EVERYDAY ROUTINES: THE IMAGE OF CLEANLINESS AND PURIFICATION IN SOCIAL MEDIA

Yıl 2025, Cilt: 10 Sayı: 2, 641 - 663, 12.12.2025
https://doi.org/10.47107/inifedergi.1737819
https://izlik.org/JA44JH99XK

Öz

This study explores how the ordinary and repetitive act of cleaning is aestheticized and transformed into a digital lifestyle performance on social media platforms. Through a close analysis of six Instagram Reels videos by Cem Özkök, the research examines cleaning content in terms of visual representation, narrative structure, user engagement, and symbolic meaning. Using a mixed-method approach, thematic and discourse analysis were conducted alongside quantitative evaluation of interaction data such as likes and comments. The findings reveal that cleaning, when mediated through social media, evolves beyond hygiene—it becomes a multi-layered practice involving emotional regulation, digital rituals, self-construction, and lifestyle branding. In this context, the individual is no longer just someone who “cleans,” but someone who performs order, offers symbolic purification, and embodies aesthetic messaging. Ultimately, the representation of mundane routines on social media turns into a stage where personal identity is reimagined, ritualized, and performed within the aesthetic logic of digital culture.

Kaynakça

  • Abidin, C. (2016). Visibility labour: Engaging with influencers’ fashion brands on social media. Media International Australia, 161(1), 86–100. https://doi.org/10.1177/1329878X16665177
  • Androutsopoulos, J., Tereick, J. (2020). “Aesthetic labour on YouTube: Performing cleaning for digital audiences”. Social Media + Society, 6(4), 1–13.
  • Bauman, Z. (2000). Liquid modernity. Polity Press.
  • Banet-Weiser, S. (2018). Empowered: Popular Feminism and Popular Misogyny. Duke University Press.
  • Bourdieu, P. (1984). Distinction: A social critique of the judgement of taste. Harvard University Press.
  • Boyd, d. (2014). It's Complicated: The Social Lives of Networked Teens. Yale University Press.
  • Bishop, S. (2019). “Managing visibility on YouTube through algorithmic gossip”. New Media & Society, 21(11-12), 2589–2606.
  • Bucher, T. (2018). If… Then: Algorithmic Power and Politics. Oxford University Press.
  • Castells, M. (2001). The internet galaxy: Reflections on the internet, business, and society. Oxford University Press.
  • Couldry, N. (2012). Media, society, world: Social theory and digital media practice. Polity Press.
  • Couldry, N., Hepp, A. (2017). The Mediated Construction of Reality. Polity.
  • Cotter, K. (2019). Playing the visibility game: How digital influencers and algorithms negotiate influence on Instagram. New Media & Society, 21(4), 895–913.
  • Crary, J. (2013). 24/7: Late Capitalism and the Ends of Sleep. Verso Books.
  • Creswell, J. W., Plano Clark, V. L. (2018). Designing and Conducting Mixed Methods Research (3rd ed.). SAGE Publications.
  • Debord, G. (1967). The society of the spectacle. Buchet-Chastel. Duffy, B. E. (2017). (Not) getting paid to do what you love: Gender, social media, and aspirational work. Yale University Press.
  • Duffy, B. E., Hund, E. (2015). “‘Having it all’ on social media: Entrepreneurial femininity and self-branding among fashion bloggers”. Social Media + Society, 1(2), 1–11.
  • Fuchs, C. (2017). Social media: A critical introduction (2nd ed.). SAGE Publications.
  • Genz, S. (2015). “My Clean Home, My Clean Self: Cleaning and Subjectivity in Lifestyle Television”. Television & New Media, 16(2), 118–133.
  • Gillespie, T. (2010). The politics of ‘platforms’. New Media & Society, 12(3), 347–364. https://doi.org/10.1177/1461444809342738
  • Goffman, E. (1959). The presentation of self in everyday life. Anchor Books.
  • Guest, G., Bunce, A., Johnson, L. (2006). How many interviews are enough? An experiment with data saturation and variability. Field Methods, 18(1), 59–82. https://doi.org/10.1177/1525822X05279903
  • Gill, R., Elias, A. S. (2014). “Postfeminism and the New Cultural Life of Feminism”. Diffusion: The UCLan Journal of Undergraduate Research, 6(2), 24–33.
  • Han, B. C. (2022). Ritüellerin yok oluşuna dair: Günümüzün bir topolojisi (K. Doğan, Çev.). Dergâh Yayınları.
  • Highfield, T. (2016). Social Media and Everyday Politics. Polity Press. Illouz, E. (2007). Cold Intimacies: The Making of Emotional Capitalism. Polity.
  • Kanai, A. (2019). Gender and Relatability in Digital Culture: Managing Affect, Intimacy and Value. Palgrave Macmillan.
  • Khamis, S., Ang, L., Welling, R. (2017). Self-branding, ‘micro-celebrity’ and the rise of Social Media Influencers. Celebrity Studies, 8(2), 191–208.
  • Lobinger, K., Brantner, C. (2015). “Likable, funny or ridiculous? User reactions to visual portrayals of politicians on Facebook”. Media, Culture & Society, 37(4), 500–519.
  • Lefebvre, H. (1991). Critique of everyday life (Vol. 1). Verso.
  • Lévy, P. (1997). Cyberculture. University of Minnesota Press.
  • Marwick, A., Boyd, D. (2011). To see and be seen: Celebrity practice on Twitter. Convergence, 17(2), 139–158. https://doi.org/10.1177/1354856510394539
  • Mason, M. (2010). Sample size and saturation in PhD studies using qualitative interviews. Forum: Qualitative Social Research, 11(3). http://www.qualitative-research.net/index.php/fqs/article/view/1428
  • Marwick, A., Boyd, D. (2011). “To See and Be Seen: Celebrity Practice on Twitter”. Convergence, 17(2), 139–158.
  • Miller, D., Costa, E., Haynes, N., McDonald, T., Nicolescu, R., Sinanan, J., Spyer, J., Venkatraman, S., Wang, X. (2016). How the World Changed Social Media (1st ed., Vol. 1). UCL Press. https://doi.org/10.2307/j.ctt1g69z35
  • Özkök, C. (2024a). Ütü ASMR [Instagram video]. Instagram. https://www.instagram.com/cemozkook/reel/DA1eO3EtKka/ (Erişim tarihi: 22.03.2025).
  • Özkök, C. (2024b). ASMR Haftalık Detay Banyo Temizliği [Instagram video]. Instagram. (Erişim tarihi: 22.03.2025).
  • Özkök, C. (2024c). Tüm Gün Haftalık Pazar Temizliği [Instagram video]. Instagram. https://www.instagram.com/cemozkook/reel/C_81w8WNNX6/ (Erişim tarihi: 22.03.2025). Özkök, C. (2024ç). Çöp Ev Temizliği [Instagram video]. Instagram. https://www.instagram.com/cemozkook/reel/C95ejYWNUx8/ (Erişim tarihi: 23.03.2025).
  • Özkök, C. (2024d). Tatil Dönüşü Temizliği [Instagram video]. Instagram. https://www.instagram.com/cemozkook/reel/C8sO9oJNmY-/ (Erişim tarihi: 24.03.2025)
  • Özkök, C. (2024e). 19 Mayıs Okul Temizliği [Instagram video]. Instagram. https://www.instagram.com/cemozkook/reel/C7H01FBNE_L/ (Erişim tarihi: 23.03.2025)
  • Patton, M. Q. (2002). Qualitative research and evaluation methods (3rd ed.). Sage Publications.
  • Papacharissi, Z. (2010). A Private Sphere: Democracy in a Digital Age. Polity.
  • Papacharissi, Z. (2015). Affective Publics: Sentiment, Technology, and Politics. Oxford University Press.
  • Rosa, H. (2013). Social acceleration: A new theory of modernity. Columbia University Press.
  • Senft, T. M. (2008). Camgirls: Celebrity and Community in the Age of Social Networks. Peter Lang.
  • Senft, T. M. (2013). Microcelebrity and the branded self. In J. Hartley, J. Burgess, A. Bruns (Eds.), A companion to new media dynamics (pp. 346–354). Wiley-Blackwell.
  • Shifman, L. (2014). Memes in digital culture. MIT Press.
  • Van Dijck, J. (2013). The culture of connectivity: A critical history of social media. Oxford University Press.
  • Yıldırım, A., Şimşek, H. (2018). Sosyal Bilimlerde Nitel Araştırma Yöntemleri. Seçkin Yayıncılık.
  • Wellman, B. (2001). Physical place and cyberplace: The rise of personalized networking. International Journal of Urban and Regional Research, 25(2), 227–252. https://doi.org/10.1111/1468-2427.00309
Toplam 48 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Konular Basın Çalışmaları, İletişim Çalışmaları, Sosyal Medya Çalışmaları, Yeni Medya
Bölüm Araştırma Makalesi
Yazarlar

Dursun Can Şimşek 0000-0002-2528-6434

Gönderilme Tarihi 8 Temmuz 2025
Kabul Tarihi 23 Ekim 2025
Yayımlanma Tarihi 12 Aralık 2025
DOI https://doi.org/10.47107/inifedergi.1737819
IZ https://izlik.org/JA44JH99XK
Yayımlandığı Sayı Yıl 2025 Cilt: 10 Sayı: 2

Kaynak Göster

APA Şimşek, D. C. (2025). GÜNDELİK RUTİNLERİN MEDYATİKLEŞTİRİLMESİ: SOSYAL MEDYADA TEMİZLİK VE ARINMA İMGESİ. İnönü Üniversitesi İletişim Fakültesi Elektronik Dergisi (İNİF E-Dergi), 10(2), 641-663. https://doi.org/10.47107/inifedergi.1737819