Araştırma Makalesi
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How do You Desire to Dance? A Methodological Assemblage to Foster Consent in Dance Higher Education in Ecuador

Yıl 2023, , 65 - 83, 02.06.2023
https://doi.org/10.26650/iukad.2023.qe00004

Öz

Emerging from the need to delineate pedagogical tools that address interpersonal boundaries and consent in dance higher education, we display the experience of a female dance teacher in Ecuador in dialogue with the insights from a dance researcher in Guatemala, in order to investigate the discussion on consent and safe(r) spaces. Based on theoretical genealogies from de-colonial studies and situated knowledge, we enlarge the discussion on consent and safe(r) spaces specifically to be applied to dance contexts in higher education. We examine dance classes as situations in which all bodies are at their most vulnerable state. Considering statistics of sexual violence in Ecuador under the context of gender-based violence, we aim to transcend gender as the only axis of violence and proceed to include the condition of vulnerability of students regardless of their identity. We address the conceptual complexity of defining consent and the framework for expressing it both as a verbal and bodily understanding. Inspired by the learnings on personal boundaries from social dance and contact improvisation, we discuss touch from a de-colonial situated perspective. Finally, we suggest practical exercises that nurture methodological tools for dance pedagogy, outlining the specificity of step-by-step successful moments that we have begun to test in our classes. We propose a pedagogical practice which guides students in learning how to distinguish their desires and share their boundaries in dance classes that could further promote their skills as professional dancers and researchers.

Kaynakça

  • Appert, C. and Lawrence, S. (2020). Ethnomusicology beyond #MeToo: Listening for the Violences of the Field. Ethnomusicology, 64 (2) pp. 225-253.
  • Consent Symposium. (2020, September 29). Beyond Sex: Consent as liberation with Nicole Bindler [Video]. YouTube: https://www.youtube.com/watch?v=IAbG_4l6J0Y&ab_channel=ConsentSymposium
  • Multílogos Danza. (2021, January 9) B2: La danza como elemento afrodiaspórico: Resistencias (Re-existencias) corporizadas [Video]. YouTube: https://www.youtube.com/ watch?v=BuoKMYFllPQ&ab_channel=Mult%C3%ADlogosDanza
  • Bharucha, R. (2005). Theatre and the world: Performance and the politics of culture. New York: Routledge. Capriotti, F. (2021). Danza y Peligro. Unpublished manuscript.
  • Ceballos López, A. (2012). Bailando el pasado, coreografiando el futuro: El caso de Bharata Natyam.
  • Contrastes. Revista Internacional de Filosofía: Suplemento, 17 pp.71-88.
  • CEPAL (2021, April 11) La pandemia en la sombra: femicidios o feminicidios ocurridos en 2020 en América Latina y el Caribe. Observatorio de Igualdad de Génerode América Latina y el Caribe. Retrieved from: https://oig.cepal.org/en/documents/ pandemic-shadows-femicides-or-feminicides-2020-latin-america-and-caribbean
  • Citro, S. (2018). Desplazamientos y transmutaciones en el Chaco Argentino: Entre la antropología, el arte y el ritual. De lo visual a lo afectivo: Prácticas artísticas y científicas en torno a visualidades, desplazamientos y artefactos. In Giordano (Ed.). De Lo Visual a lo Afectivo: Prácticas artísticas y científicas en torno a visualidades, desplazamientos y artefactos (pp. 21-49) Buenos Aires: Biblos.
  • Citro, S., Herrera., B., López-Yanez, G. & Bermúdez, J., (2022, April 11) Notes on the Concept of Decoloniality/ Descolonialidad/ De(s)Colonialidad and Its Translations between Spanish and English. In Sooi Beng, T. and Ostashewski M., (eds) DIALOGUES: Towards Decolonizing Music and Dance Studies. International Council for Traditional Music. Available at https://ictmdialogues.org/
  • Clarke-Vivier, S., & Stearns, C., (2019). MeToo and the Problematic Valor of Truth: Sexual Violence, Consent, and Ambivalence in Public Pedagogy. Journal of Curriculum Theorizing. 34 (3), 55-75.
  • De Zutter, A.W.E.A., Horselenberg, R. & van Koppen, P.J. (2018). Motives for Filing a False Allegation of Rape. Arch Sex Behav 47, 457–464.
  • Fenner, L. (2017). Sexual consent as a scientific subject: A literature review. American Journal of Sexuality Education, 12, 451-471.
  • Figueroa, N. (2020). Feminist Communication and Performance Art: The Political Project of Las Tesis Collective. Revista Nomadías. 29: 257-279.
  • García Salazar, J., & Walsh, C. (2017). Pensar sembrando/sembrar pensando con el Abuelo Zenón.
  • Quito: Universidad Andina Simón Bolivar, Sede Ecuador, Ediciones Abya-Yala.
  • Gore, G, and Grau, A. (2014) Dance, cultural heritage, and the training of future heritage “managers”: Anthropological reflections. In Fiskvik, A. and Stranden, M. (eds) (Re)Searching the Field: Festschrift in Honour of Egil Bakka. (pp. 117-138) Bergen: Fagbokforlaget.
  • Haraway, D. (1988). Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective. Feminist Studies. 14(3), 575–599.
  • Herrera, B. (2018). Through the convex lens: Zooming in the affinities and movement techniques of contact improvisation practitioners. Masters Dissertation. Choreomundus - International Master in Dance Knowledge, Practice, and Heritage. Available at: https://www.academia.edu/37623482/ Through_the_Convex_Lens_affinities_and_movement_practices_of_contact_improvisation_ practitioners
  • Huntington, C., D. Berkowitz, A., M. Orchowski, L. (2022). False accusations of sexual assault: Prevalence, misperceptions, and implications for prevention work with men and boys. In M. Orchowski and D. Berkowitz, A. (Eds.). Engaging Boys and Men in Sexual Assault Prevention (pp. 379-399). London: Elsevier Academic Press.
  • Ingold, T. (2013). MAKING: Anthropology, Archaeology, Art, and Architecture. New York: Routledge.163 pp.
  • Karoblis, G. (2007). Controlling Gaze, Chess Play and Seduction in Dance: Phenomenological Analysis of the Natural Attitude of the Body in Modern Ballroom Dance. Janus Head, 9(2), pp. 329-343.
  • Loaiza, Y. (2017, January 24). #PrimerAcoso #NoCallamosMás: la violencia de género al desnudo. La Barra Espaciadora. Retrieved from: https://www.labarraespaciadora.com/libertades/ primeracoso-nocallamosmas/
  • López-Yánez, M. G. (2013). Beyond the hips: La Bomba as a shared experience (unpublished master’s thesis). University of Malaya.
  • Marturet, V. (2020) #NiUnaMenos en Argentina, comunicación y desafíos del feminismo y más. Centro de Estudios en Diseño y Comunicación. Cuaderno 117, 103-118.
  • McMains, J. (2021) Fostering a Culture of Consent in Social Dance Communities. Journal of Dance Education. 22 (4), 256-264.
  • Mignolo, D. (2009). Epistemic Disobedience, Independent Thought and Decolonial Freedom. Theory, Culture & Society. 26(7–8): 159–181.
  • Mitra, R. (2021). Unmaking Contact: Choreographic Touch at the Intersections of Race, Caste, and Gender. Dance Research Journal, 53(3), 6-24. doi:10.1017/S0149767721000358
  • Peredo, M. (2020). Trascendiendo la cuarta pared. In Claros, P. and Luna, J. (eds) Territorio de ideas. (pp. 23-31), Bolivia: Centro de la Cultura Plurinacional Santa Cruz de la Sierra.
  • Ponce, I., León, J. M., Mora, D., & De la Cruz, P., (2019, July 10). La rutina del terror. GK. Retrieved from: https://gk.city/abuso-gimnasio-olimpico-quito/
  • Plan., V. (2019, May 21). Así protegieron al violador de “El Principito”. Plan V. Retrieved from https://www.planv.com.ec/historias/sociedad/asi-protegieron-al-violador-el-principito
  • Polti, V. (2021). Escucha performativa y artivismo (trans) feminista: Las Tesis y sus resonancias sono-corpo-políticas. Revista Estudios Culturales. 8 (13): 61-72
  • Ponce, I. (2022, May 4). Los hilos que enredan el caso de la Rana Sabia. GK. Retrieved from: https:// gk.city/2021/10/12/caso-rana-sabia-bernarda-robles-hilos/
  • Poveda, J. & Herrera, B. (2023). Arte en permanente riesgo de deslave: Intersubjetividad, contingencia y la epistemología del cuerpo en el montaje de «Ansia» (2016). En Rivadeneira, G. (ed) 50 Años Facultad de las Artes Universidad Central del Ecuador. (pp. 112-123) Quito: Editorial Universitaria.
  • Ra, Z. (2021, September 28). El caso de ataques sexuales en la Academia Ballet Guadalupe Chávez. Lo dijeron: No son noticias, son datos. Retrieved from: https://lodijeron.wordpress.com/2021/09/28/ el-caso-de-ataques-sexuales-en-la-academia-ballet-guadalupe-chavez/
  • Ruiz-Navarro, C. (2019). Las mujeres que luchan se encuentran: Manual de feminismo pop latinoamericano. Ciudad de México, Grijalbo.
  • Spivak G.C. (1998). Can the Subaltern Speak? In C. Nelson, L. Grossberg. Urbana, IL Marxism and the Interpretation of Culture. (pp. 271-313) Champaign: University of Illinois Press.
  • Thompson, N. & McKinney, J. (2010, April 11) Beyond Belief: Receiving Validation as a Victim of Sexual Abuse. The New Social Worker. Retrieved from: https://www.socialworker.com/ feature-articles/practice/Beyond_Belief:_Receiving_Validation_as_a_Victim_of_Sexual_Abuse/
  • Vionney, C. (2021). Touch in Contact Improvisation: proximity/ distance under intimate circumstances. The Senses and Society, 16 (3): 320-338.
  • Walters, H. (2022, March 3). #MeToo Anthropology and the Case Against Harvard. Sapıens. Available at: https://www.sapiens.org/culture/metoo-anthropology/
Yıl 2023, , 65 - 83, 02.06.2023
https://doi.org/10.26650/iukad.2023.qe00004

Öz

Kaynakça

  • Appert, C. and Lawrence, S. (2020). Ethnomusicology beyond #MeToo: Listening for the Violences of the Field. Ethnomusicology, 64 (2) pp. 225-253.
  • Consent Symposium. (2020, September 29). Beyond Sex: Consent as liberation with Nicole Bindler [Video]. YouTube: https://www.youtube.com/watch?v=IAbG_4l6J0Y&ab_channel=ConsentSymposium
  • Multílogos Danza. (2021, January 9) B2: La danza como elemento afrodiaspórico: Resistencias (Re-existencias) corporizadas [Video]. YouTube: https://www.youtube.com/ watch?v=BuoKMYFllPQ&ab_channel=Mult%C3%ADlogosDanza
  • Bharucha, R. (2005). Theatre and the world: Performance and the politics of culture. New York: Routledge. Capriotti, F. (2021). Danza y Peligro. Unpublished manuscript.
  • Ceballos López, A. (2012). Bailando el pasado, coreografiando el futuro: El caso de Bharata Natyam.
  • Contrastes. Revista Internacional de Filosofía: Suplemento, 17 pp.71-88.
  • CEPAL (2021, April 11) La pandemia en la sombra: femicidios o feminicidios ocurridos en 2020 en América Latina y el Caribe. Observatorio de Igualdad de Génerode América Latina y el Caribe. Retrieved from: https://oig.cepal.org/en/documents/ pandemic-shadows-femicides-or-feminicides-2020-latin-america-and-caribbean
  • Citro, S. (2018). Desplazamientos y transmutaciones en el Chaco Argentino: Entre la antropología, el arte y el ritual. De lo visual a lo afectivo: Prácticas artísticas y científicas en torno a visualidades, desplazamientos y artefactos. In Giordano (Ed.). De Lo Visual a lo Afectivo: Prácticas artísticas y científicas en torno a visualidades, desplazamientos y artefactos (pp. 21-49) Buenos Aires: Biblos.
  • Citro, S., Herrera., B., López-Yanez, G. & Bermúdez, J., (2022, April 11) Notes on the Concept of Decoloniality/ Descolonialidad/ De(s)Colonialidad and Its Translations between Spanish and English. In Sooi Beng, T. and Ostashewski M., (eds) DIALOGUES: Towards Decolonizing Music and Dance Studies. International Council for Traditional Music. Available at https://ictmdialogues.org/
  • Clarke-Vivier, S., & Stearns, C., (2019). MeToo and the Problematic Valor of Truth: Sexual Violence, Consent, and Ambivalence in Public Pedagogy. Journal of Curriculum Theorizing. 34 (3), 55-75.
  • De Zutter, A.W.E.A., Horselenberg, R. & van Koppen, P.J. (2018). Motives for Filing a False Allegation of Rape. Arch Sex Behav 47, 457–464.
  • Fenner, L. (2017). Sexual consent as a scientific subject: A literature review. American Journal of Sexuality Education, 12, 451-471.
  • Figueroa, N. (2020). Feminist Communication and Performance Art: The Political Project of Las Tesis Collective. Revista Nomadías. 29: 257-279.
  • García Salazar, J., & Walsh, C. (2017). Pensar sembrando/sembrar pensando con el Abuelo Zenón.
  • Quito: Universidad Andina Simón Bolivar, Sede Ecuador, Ediciones Abya-Yala.
  • Gore, G, and Grau, A. (2014) Dance, cultural heritage, and the training of future heritage “managers”: Anthropological reflections. In Fiskvik, A. and Stranden, M. (eds) (Re)Searching the Field: Festschrift in Honour of Egil Bakka. (pp. 117-138) Bergen: Fagbokforlaget.
  • Haraway, D. (1988). Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective. Feminist Studies. 14(3), 575–599.
  • Herrera, B. (2018). Through the convex lens: Zooming in the affinities and movement techniques of contact improvisation practitioners. Masters Dissertation. Choreomundus - International Master in Dance Knowledge, Practice, and Heritage. Available at: https://www.academia.edu/37623482/ Through_the_Convex_Lens_affinities_and_movement_practices_of_contact_improvisation_ practitioners
  • Huntington, C., D. Berkowitz, A., M. Orchowski, L. (2022). False accusations of sexual assault: Prevalence, misperceptions, and implications for prevention work with men and boys. In M. Orchowski and D. Berkowitz, A. (Eds.). Engaging Boys and Men in Sexual Assault Prevention (pp. 379-399). London: Elsevier Academic Press.
  • Ingold, T. (2013). MAKING: Anthropology, Archaeology, Art, and Architecture. New York: Routledge.163 pp.
  • Karoblis, G. (2007). Controlling Gaze, Chess Play and Seduction in Dance: Phenomenological Analysis of the Natural Attitude of the Body in Modern Ballroom Dance. Janus Head, 9(2), pp. 329-343.
  • Loaiza, Y. (2017, January 24). #PrimerAcoso #NoCallamosMás: la violencia de género al desnudo. La Barra Espaciadora. Retrieved from: https://www.labarraespaciadora.com/libertades/ primeracoso-nocallamosmas/
  • López-Yánez, M. G. (2013). Beyond the hips: La Bomba as a shared experience (unpublished master’s thesis). University of Malaya.
  • Marturet, V. (2020) #NiUnaMenos en Argentina, comunicación y desafíos del feminismo y más. Centro de Estudios en Diseño y Comunicación. Cuaderno 117, 103-118.
  • McMains, J. (2021) Fostering a Culture of Consent in Social Dance Communities. Journal of Dance Education. 22 (4), 256-264.
  • Mignolo, D. (2009). Epistemic Disobedience, Independent Thought and Decolonial Freedom. Theory, Culture & Society. 26(7–8): 159–181.
  • Mitra, R. (2021). Unmaking Contact: Choreographic Touch at the Intersections of Race, Caste, and Gender. Dance Research Journal, 53(3), 6-24. doi:10.1017/S0149767721000358
  • Peredo, M. (2020). Trascendiendo la cuarta pared. In Claros, P. and Luna, J. (eds) Territorio de ideas. (pp. 23-31), Bolivia: Centro de la Cultura Plurinacional Santa Cruz de la Sierra.
  • Ponce, I., León, J. M., Mora, D., & De la Cruz, P., (2019, July 10). La rutina del terror. GK. Retrieved from: https://gk.city/abuso-gimnasio-olimpico-quito/
  • Plan., V. (2019, May 21). Así protegieron al violador de “El Principito”. Plan V. Retrieved from https://www.planv.com.ec/historias/sociedad/asi-protegieron-al-violador-el-principito
  • Polti, V. (2021). Escucha performativa y artivismo (trans) feminista: Las Tesis y sus resonancias sono-corpo-políticas. Revista Estudios Culturales. 8 (13): 61-72
  • Ponce, I. (2022, May 4). Los hilos que enredan el caso de la Rana Sabia. GK. Retrieved from: https:// gk.city/2021/10/12/caso-rana-sabia-bernarda-robles-hilos/
  • Poveda, J. & Herrera, B. (2023). Arte en permanente riesgo de deslave: Intersubjetividad, contingencia y la epistemología del cuerpo en el montaje de «Ansia» (2016). En Rivadeneira, G. (ed) 50 Años Facultad de las Artes Universidad Central del Ecuador. (pp. 112-123) Quito: Editorial Universitaria.
  • Ra, Z. (2021, September 28). El caso de ataques sexuales en la Academia Ballet Guadalupe Chávez. Lo dijeron: No son noticias, son datos. Retrieved from: https://lodijeron.wordpress.com/2021/09/28/ el-caso-de-ataques-sexuales-en-la-academia-ballet-guadalupe-chavez/
  • Ruiz-Navarro, C. (2019). Las mujeres que luchan se encuentran: Manual de feminismo pop latinoamericano. Ciudad de México, Grijalbo.
  • Spivak G.C. (1998). Can the Subaltern Speak? In C. Nelson, L. Grossberg. Urbana, IL Marxism and the Interpretation of Culture. (pp. 271-313) Champaign: University of Illinois Press.
  • Thompson, N. & McKinney, J. (2010, April 11) Beyond Belief: Receiving Validation as a Victim of Sexual Abuse. The New Social Worker. Retrieved from: https://www.socialworker.com/ feature-articles/practice/Beyond_Belief:_Receiving_Validation_as_a_Victim_of_Sexual_Abuse/
  • Vionney, C. (2021). Touch in Contact Improvisation: proximity/ distance under intimate circumstances. The Senses and Society, 16 (3): 320-338.
  • Walters, H. (2022, March 3). #MeToo Anthropology and the Case Against Harvard. Sapıens. Available at: https://www.sapiens.org/culture/metoo-anthropology/
Toplam 39 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Kadın Araştırmaları
Bölüm Araştırma Makalesi
Yazarlar

Maria Gabriela López-yánez Bu kişi benim 0000-0003-0561-942X

Beatriz Herrera Corado 0000-0002-3579-423X

Yayımlanma Tarihi 2 Haziran 2023
Gönderilme Tarihi 19 Mayıs 2022
Yayımlandığı Sayı Yıl 2023

Kaynak Göster

APA López-yánez, M. G., & Herrera Corado, B. (2023). How do You Desire to Dance? A Methodological Assemblage to Foster Consent in Dance Higher Education in Ecuador. İstanbul Üniversitesi Kadın Araştırmaları Dergisi(26), 65-83. https://doi.org/10.26650/iukad.2023.qe00004