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ECONOMIC REFLECTIONS OF THE TRANSFORMATION OF SOCIAL DISTANCE CONCEPT IN EVERYDAY LIFE AFTER COVID-19 TO VIRTUAL CONTACT

Yıl 2021, Cilt: 12 Sayı: 23, 554 - 591, 28.06.2021
https://doi.org/10.36543/kauiibfd.2021.024

Öz

Being aware of its own self through social interaction with other people, humanity is discovering new ways to meet the need for socialization and to interact with other people based on communication in the 21st century. The social isolation that emerged with the Covid-19 pandemic is an important obstacle to the social life of modern people and the sustainability of the entertainment industry. However, in line with the need for socialization, people create their own online social activities by overcoming these obstacles with the communication technologies of the age. This new sector, which emerged at a time of global crisis, allows the formation of new economic capital of digitalization. Within the scope of the study, the adaptation of the entertainment sector, which experienced a shrinkage in its economic volume during the pandemic, to the digital world as a way of salvation is examined. Various online activities carried out in line with this review have been examined in detail, and the future of the sector is discussed with the findings obtained.

Kaynakça

  • Appel, G., Grewal, L., Hadi, R. et al. (2020). The future of social media in marketing. J. of the Acad. Mark. Sci. 48, 79–95. https://doi.org/10.1007/s11747-019-00695-1
  • Art Basel & UBS. (2020). The Impact of COVID-19 on the Gallery Sector: A 2020 mid-year survey. Access Date: 26.04.2021. Retrieved from: https://d2u3kfwd92fzu7.cloudfront.net/The_Art_Market_Mid_Year_Survey_2020-1.pdf
  • Barrot, J.-N., Grassi, B., & Sauvagnat, J. (2020). Sectoral Effects of Social Distancing. HEC Paris Research Paper No. FIN-2020-1371, 1-31. http://dx.doi.org/10.2139/ssrn.3569446.
  • BBC News (2020). Coronavirus: Film piracy streaming trebles in lockdown. BBC. Access Date: 18.05.2021. Retrieved from: https://www.bbc.com/news/technology-52676254.
  • Beck, R. (2021). The Guardian. Dating apps: is it worth paying a premium to find love?. The Guardian. Access Date: 27.05.2021. Retrieved from: https://www.theguardian.com/lifeandstyle/2021/apr/24/dating-apps-premium-find-love-over-30
  • Blickley, L. (2020). The 2020 Emmy Awards Were A Virtual Delight. Huff Post. Access Date: 15.05.2021. Retrieved from: https://www.huffpost.com/entry/2020-emmys-review_n_5f67ea9bc5b6b9795b12b68a
  • Bogardus, E. (1925). Measuring social distance. Journal of Applied Sociology, 9, 299–308.
  • Broadway. (n.d.). Broadwayhd. Broadwayhd. Access Date: 05.05.2021. Retrieved from: https://www.broadwayhd.com/
  • Brown, A. (n.d.). Coronavirus is Changing - Online Dating - Permanently. Forbes. Access Date: 03.06.2021. Retrieved from: https://www.forbes.com/sites/abrambrown/2020/04/05/coronavirus-is-changingonline-dating-permanently/?sh=15a597ab3b22
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  • Bumble. (2021b). A Letter from Bumble’s Founder and CEO: Please Date Virtually for Now. Bumble. Access Date: 03.06.2021. Retrieved from: https://bumble.com/en-us/the-buzz/virtualdatingrequest
  • Chan, A. (2021). Livestreams & Virtual Concerts to Watch: Week of April 5. Billboard. Access Date: 09.05.2021. Retrieved from: https://www.billboard.com/articles/news/9551085/livestreams-virtual-concerts-week-of-april-5/
  • Coffeemeetsbagel. (n.d.). We’re on a mission to give everyone a chance at love. You in?. Coffee Meets Bagel. Access Date: 07.05.2021. Retrieved from: https://coffeemeetsbagel.com/jobs/welcome/
  • Company, R. S. (n.d.). Royal Shakespeare Company. Royal Shakespeare Company. Access Date: 27.05.2021. Retrieved from: https://www.rsc.org.uk/
  • Dahir, I. (2020). BTS's Virtual Concerts Connected People on A Global Scale Not Seen Before the Pandemic. Buzzfeed News. Access Date: 03.05.2021. Retrieved from: https://www.buzzfeednews.com/article/ikrd/bts-map-of-the-soul-one-concert-experience
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  • Dockterman, E. (2020). The Coronavirus Is Changing How We Date. Experts Think the Shifts May Be Permanent. Time. Access Date: 27.05.2021. Retrieved from: https://time.com/5819187/dating-coronavirus/
  • Erickson, T., Kellogg, W., Shami, N. S., & Levine, D. (2020). Telepresence in Virtual Conferences: An Empirical Comparison of Distance Collaboration Technologies. CiteSeerX. Access Date: 05.05.2021. Retrieved from: http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.603.814
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  • Fiesse, T. Haas, C. (2020). COVID-19 and true solidarity on the internet. Zenodo. https://doi.org/10.5281/zenodo.3753034
  • Flora, L. (2020). Instagram Livestreams Surge in Social Distancing Era. Glossy. Access Date: 21.05.2021. Retrieved from: https://www.glossy.co/beauty/instagram-livestreams-surge-in-social-distancing-era
  • Fox, M. (2020). Spotify surges 17% after reporting 31% jump in paid subscribers amid coronavirus lockdowns (SPOT). Business Insider. Access Date: 13.05.2021. Retrieved from: https://markets.businessinsider.com/news/stocks/spotify-stock-price-earnings-report-jump-paid-subscribers-revenuecoronavirus-2020-4-1029146559.
  • Frater, P. (2020). BTS’ ‘Bang Bang Con: The Live’ Claims Record Viewership for Online Concert. Variety. Access Date: 06.05.2021. Retrieved from: https://variety.com/2020/digital/asia/bts-big-bang-con-the-live-record-online-concert-1234635003/.
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  • KEA European Affairs. (2020). The impact of the COVID19 pandemic on the Cultural and Creative Sector: Report for the Council of Europe. Access Date: 18.4.2021. Retrieved from: https://keanet.eu/wp-content/uploads/Impact-of-COVID-19-pandemic-on-CCS_COE-KEA_26062020.pdf.pdf
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ECONOMIC REFLECTIONS OF THE TRANSFORMATION OF SOCIAL DISTANCE CONCEPT IN EVERYDAY LIFE AFTER COVID-19 TO VIRTUAL CONTACT

Yıl 2021, Cilt: 12 Sayı: 23, 554 - 591, 28.06.2021
https://doi.org/10.36543/kauiibfd.2021.024

Öz

Başka insanlarla kurduğu sosyal etkileşim ile kendi benliğinin farkına varan insanlık, 21. yüzyılda sosyalleşme ihtiyacını gidermenin ve diğer insanlarla iletişim temelli etkileşim kurmanın yeni yollarını keşfetmektedir. Covid-19 pandemisi ile ortaya çıkan sosyal izolasyon, modern insanın sosyal yaşamına ve eğlence endüstrisinin sürdürülebilirliğine önemli bir engel oluşturmaktadır. Ancak, sosyalleşme ihtiyacı doğrultusunda insan, bu engelleri çağın iletişim teknolojileri ile aşarak kendi online sosyal etkinliklerini yaratmaktadır. Küresel bir kriz anında ortaya çıkan bu yeni sektör, dijitalleşmenin yeni ekonomik sermayesinin oluşumuna olanak tanımaktadır. Çalışma kapsamında, pandemi süresince ekonomik hacminde küçülme yaşanan eğlence sektörünün, bir kurtuluş yolu olarak dijital dünyaya adaptasyonu incelenmektedir. Bu inceleme doğrultusunda gerçekleştirilen çeşitli online etkinlikler detaylı incelenmiş olup, elde edilen bulgular ile sektörün geleceği tartışılmaktadır.

Kaynakça

  • Appel, G., Grewal, L., Hadi, R. et al. (2020). The future of social media in marketing. J. of the Acad. Mark. Sci. 48, 79–95. https://doi.org/10.1007/s11747-019-00695-1
  • Art Basel & UBS. (2020). The Impact of COVID-19 on the Gallery Sector: A 2020 mid-year survey. Access Date: 26.04.2021. Retrieved from: https://d2u3kfwd92fzu7.cloudfront.net/The_Art_Market_Mid_Year_Survey_2020-1.pdf
  • Barrot, J.-N., Grassi, B., & Sauvagnat, J. (2020). Sectoral Effects of Social Distancing. HEC Paris Research Paper No. FIN-2020-1371, 1-31. http://dx.doi.org/10.2139/ssrn.3569446.
  • BBC News (2020). Coronavirus: Film piracy streaming trebles in lockdown. BBC. Access Date: 18.05.2021. Retrieved from: https://www.bbc.com/news/technology-52676254.
  • Beck, R. (2021). The Guardian. Dating apps: is it worth paying a premium to find love?. The Guardian. Access Date: 27.05.2021. Retrieved from: https://www.theguardian.com/lifeandstyle/2021/apr/24/dating-apps-premium-find-love-over-30
  • Blickley, L. (2020). The 2020 Emmy Awards Were A Virtual Delight. Huff Post. Access Date: 15.05.2021. Retrieved from: https://www.huffpost.com/entry/2020-emmys-review_n_5f67ea9bc5b6b9795b12b68a
  • Bogardus, E. (1925). Measuring social distance. Journal of Applied Sociology, 9, 299–308.
  • Broadway. (n.d.). Broadwayhd. Broadwayhd. Access Date: 05.05.2021. Retrieved from: https://www.broadwayhd.com/
  • Brown, A. (n.d.). Coronavirus is Changing - Online Dating - Permanently. Forbes. Access Date: 03.06.2021. Retrieved from: https://www.forbes.com/sites/abrambrown/2020/04/05/coronavirus-is-changingonline-dating-permanently/?sh=15a597ab3b22
  • Bumble. (2021a). Bumble. Bumble. Access Date: 04.06.2021. Retrieved from: https://bumble.com/en/help/what-is-bumble-boost
  • Bumble. (2021b). A Letter from Bumble’s Founder and CEO: Please Date Virtually for Now. Bumble. Access Date: 03.06.2021. Retrieved from: https://bumble.com/en-us/the-buzz/virtualdatingrequest
  • Chan, A. (2021). Livestreams & Virtual Concerts to Watch: Week of April 5. Billboard. Access Date: 09.05.2021. Retrieved from: https://www.billboard.com/articles/news/9551085/livestreams-virtual-concerts-week-of-april-5/
  • Coffeemeetsbagel. (n.d.). We’re on a mission to give everyone a chance at love. You in?. Coffee Meets Bagel. Access Date: 07.05.2021. Retrieved from: https://coffeemeetsbagel.com/jobs/welcome/
  • Company, R. S. (n.d.). Royal Shakespeare Company. Royal Shakespeare Company. Access Date: 27.05.2021. Retrieved from: https://www.rsc.org.uk/
  • Dahir, I. (2020). BTS's Virtual Concerts Connected People on A Global Scale Not Seen Before the Pandemic. Buzzfeed News. Access Date: 03.05.2021. Retrieved from: https://www.buzzfeednews.com/article/ikrd/bts-map-of-the-soul-one-concert-experience
  • Diamond, J.M. (1997). Guns, Germs, and Steel: The Fates of Human Societies. New York: Norton.
  • Digital Concert Hall. (n.d.). How it Works. Berliner Philharmoniker Digital Concert Hall. Access Date: 27.05.2021. Retrieved from: https://www.digitalconcerthall.com/en/info
  • Dockterman, E. (2020). The Coronavirus Is Changing How We Date. Experts Think the Shifts May Be Permanent. Time. Access Date: 27.05.2021. Retrieved from: https://time.com/5819187/dating-coronavirus/
  • Erickson, T., Kellogg, W., Shami, N. S., & Levine, D. (2020). Telepresence in Virtual Conferences: An Empirical Comparison of Distance Collaboration Technologies. CiteSeerX. Access Date: 05.05.2021. Retrieved from: http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.603.814
  • European Festival Association. (2020). Report on the occasion of the COVID-19 survey April - May 2020. Access Date: 13.04.2021. Retrieved from: https://www.efa-aef.eu/media/10870-report_covid19_survey_festivals_needs_and_commitments.pdf
  • Fiesse, T. Haas, C. (2020). COVID-19 and true solidarity on the internet. Zenodo. https://doi.org/10.5281/zenodo.3753034
  • Flora, L. (2020). Instagram Livestreams Surge in Social Distancing Era. Glossy. Access Date: 21.05.2021. Retrieved from: https://www.glossy.co/beauty/instagram-livestreams-surge-in-social-distancing-era
  • Fox, M. (2020). Spotify surges 17% after reporting 31% jump in paid subscribers amid coronavirus lockdowns (SPOT). Business Insider. Access Date: 13.05.2021. Retrieved from: https://markets.businessinsider.com/news/stocks/spotify-stock-price-earnings-report-jump-paid-subscribers-revenuecoronavirus-2020-4-1029146559.
  • Frater, P. (2020). BTS’ ‘Bang Bang Con: The Live’ Claims Record Viewership for Online Concert. Variety. Access Date: 06.05.2021. Retrieved from: https://variety.com/2020/digital/asia/bts-big-bang-con-the-live-record-online-concert-1234635003/.
  • Fuchs, C. (2020). Everyday Life and Everyday Communication in Coronavirus Capitalism. triple C. 18, (1). 375-399. https://doi.org/10.31269/triplec.v18i1.1167
  • Global Yes24. (n.d.). Event. Global Yes24. Access Date: 06.05.2021: Retrieved from: https://global.yes24.com/Event/184257
  • Go-Globe. (2017). The State of Live Streaming – Statistics and Trends (Infographic). Go-Globe. Access Date: 03.05.2021. Retrieved from: https://www.go-globe.com/live-streaming-statistics/
  • Goh, K. T., Cutter, J., Heng, B. H., Ma, S., Koh, B. K., Kwok, C., Toh, C. M., & Chew, S. K. (2006). Epidemiology and control of SARS in Singapore. Annals of the Academy of Medicine, Singapore, 35(5), 301–316. PMID: 16829997
  • Google. (2021). Turkey Mobility Changes. Covid-19 Community Mobility Report. Access Date: 01.06.2021. Retrieved from: https://www.gstatic.com/covid19/mobility/2021-05-23_TR_Mobility_Report_en.pdf
  • Guardian, (2020). Dynamo Dresden fans buy 72,000 tickets for match in empty stadium. The Guardian. Access Date: 06.05.2021. Retrieved from: https://www.theguardian.com/football/2020/dec/23/dynamo-dresden-fans-by-72000-tickets-for-match-in-empty-stadium
  • Haji-Georgi, M. Xu, X, Rosca, O. (2021). Academic conferencing in 2020: A virtual conference model. Human Behavior and Emerging Technologies. 3. 176-184. https://doi.org/10.1002/hbe2.235
  • Hay, R. (2020). Streaming Platforms Show Massive Growth Since Last Year, Except Mixer. Daily Esports. Access Date: 23.05.2021. Retrieved from: https://daily.upcomer.com/streaming-platforms-show-massive-growth-since-last-year-except-mixer/
  • KEA European Affairs. (2020). The impact of the COVID19 pandemic on the Cultural and Creative Sector: Report for the Council of Europe. Access Date: 18.4.2021. Retrieved from: https://keanet.eu/wp-content/uploads/Impact-of-COVID-19-pandemic-on-CCS_COE-KEA_26062020.pdf.pdf
  • Kieferle, J. B. (2000). Virtual Space - New Tasks for Architects. Promise and Reality: State of the Art versus State of Practice in Computing for the Design and Planning Process, 18th eCAADe Conference Proceedings, ISBN 0-9523687-6-5. 205-208. Weimar, Germany.
  • Kraut, R., Patterson, M., Lundmark, V., Kiesler, S., Mukopadhyay, T., & Scherlis, W. (1998). Internet paradox. A social technology that reduces social involvement and psychological well-being?. The American Psychologist. 53(9), 1017–1031. https://doi.org/10.1037//0003-066x.53.9.1017
  • Kusuma, P. Sandra Devindriati, (2020) Children Virtual Concert in the Covid-19 Pandemic. Journal of Music Science, Technology and Industry. 3(2), 247–260. https://doi.org/10.31091/jomsti.v3i2.1160
  • Lefebvre, H. (2014). Critique of Everyday Life, One-Volume Edition, London: Verso.
  • Lefebvre,H. (1991). The Production of Space, London: Basil Blackweel.
  • Lokki, T. Savioja, L. Hiipakka, J. Hanninen, R. (1999). Virtual Concerts in Virtual Spaces. The Journal of the Accoustical Society of America, 105, 1-4. https://doi.org/10.1121/1.425348
  • Maj, E. K. A. (2020). Decoding 2019 Novel Coronavirus: Outbreak: Conspiracies: Impact. India: Blue Rose Publishers. Mamo, H. (2020). SuperM Promises to Perform Unreleased Songs During Augmented Reality Live Stream Concert SuperM Promises to Perform Unreleased Songs During Augmented Reality Live Stream Concert. Billboard. Access Date: 23.04.2021. Retrieved from: https://www.billboard.com/articles/news/international/9365759/superm-augmented-reality-live-stream-concert
  • Market Research Future. (2020). Global Live Streaming Market Research Report: By Component (Platforms and Services), By End-User (Media & Entertainment, Esports, Events, Education, Retail, Government and Others) - Forecast till 2027. Market Research Future. Access Date: 03.06.2021. Retrieved from: https://www.marketresearchfuture.com/reports/live-streaming-market-10134.
  • Musixen. (n.d). Musixen. Musixen. Access Date: 25.05.2021. Retrieved from: https://www.musixen.com/
  • Okcupid. (n.d.). Okcupid. Okcupid. Access Date: 03.05.2021. Retrieved from: https://www.okcupid.com/
  • Patel, N. (n.d.). Why You Should Care About Live Streaming. NeilPatel. Access Date: 07.05.2021. Retrieved from: https://neilpatel.com/blog/live-streaming-importance-2018/
  • Paton, B. (2020). Social change and linguistic change: the language of Covid-19. Oxford English Dictionary Blog. Access Date: 18.05.2021. Retrieved from: https://public.oed.com/blog/the-language-of-covid-19/
  • Payne, M., York, C., & Fagan, J. (1974). Changes in Measured Social Distance Over Time. Sociometry, 37(1). 131-136. https://doi.org/10.2307/2786473.
  • Peuler, M. McCallister K. C. (2018). Virtual and Valued: A Review of the Successes (and a Few Failures) of the Creation, Implementation, and Evaluation of an Inaugural Virtual Conference and Monthly Webinars, Journal of Library & Information Services in Distance Learning, 13:1-2, 104-114, https://doi.org/10.1080/1533290X.2018.1499240.
  • Pham, J. (2021). Miley Cyrus Is Performing the Super Bowl Pregame Show—Here’s How to Watch it For Free. Yahoo!Life. Access Date: 16.05.2021. Retrieved from: https://www.yahoo.com/lifestyle/miley-cyrus-performing-super-bowl-144514351.html?guccounter=1&guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce_referrer_sig=AQAAAB9wccs11SU9M1Wx8xJKffCHs7ibmy7lTWrWLLXqdw3jM7d-fzvSkt_AxR9pdC_i5pr274GA7zDxsiW1COJ_HJ9u4nEmX
  • Powell, S. (2020). How virtual fans found their seats at NBA season restart. NBA. Access Date: 10.05.2021. Retrieved from: https://www.nba.com/news/virtual-fans-help-restart-atmosphere
  • Richter, F. (2021). Zoom's Revenue Skyrockets on Pandemic Boost. Statista. Access Date: 01.06.2021. Retrieved from: https://www.statista.com/chart/21906/zoom-revenue/#:~:text=The%20video%20conferencing%20company%20ended,%2431%20billion%20a%20year%20earlier. Robins, K. (1996). Into the Image: Culture and Politics in the Field of Vision. London: Routledge. Social distancing footpath markings in London, United Kingdom. By Acabashi (https://commons.wikimedia.org/wiki/User:Acabashi) under CC-BY-SA 4.0.
  • Spotify (2020). Spotify Technology S.A. Announces Financial Results for Second Quarter 2020. Spotify. Access Date: 10.05.2021. Retrieved from: https://investors.spotify.com/financials/press-release-details/2020/Spotify-Technology-S.A.-Announces-Financial-Results-for-Second-Quarter-2020/default.aspx
  • Stalder, F. (2014). Digitale Solidarität. Berlin: Rosa-Luxemburg-Stiftung.
  • Tankovska, H. (2021). Annual revenue generated by Bumble Inc. from 2018 to 2020, by app. Statista. Access Date: 30.05.2021. Retrieved from: https://www.statista.com/statistics/1231967/annual-bumble-revenue-by-app/.
  • The Social Distancing Festival. (n.d.). About of The Social Distancing Festival About. Social Distancing Festival. Access Date: 19.05.2021. Retrieved from: https://www.socialdistancingfestival.com/about
  • Tomova, L., Wang, K., Thompson, T., Matthews, G., Takahashi, A., Tye, K., & Saxe, R. (2020). The need to connect: Acute social isolation causes neural craving responses similar to hunger. bioRxiv, 2020.03.25.006643. https://doi.org/10.1101/2020.03.25.006643
  • Towner, E. Ladensack, D. Callaghan, B. (2021). Welcome to My Zoom Party - Virtual Social Interaction, Loneliness, and Well-Being Among Emerging Adults Amid the COVID-19 Pandemic. PsyArXiv. https://doi.org/10.31234/osf.io/2ghtd
  • Vandenberg, F. Berghman, M. Schaap, J. (2021). The ‘lonelyraver’: music livestreams during COVID-19 as a hotline to collective consciousness?. European Societies, 23(1), 141-152, https://doi.org/10.1080/14616696.2020.1818271
  • WHO. (n.d.). Coronavirus disease (COVID-19) pandemic. World Health Organization. Access Date: 06.05.2021. Retrieved from: https://www.who.int/emergencies/diseases/novel-coronavirus-2019
  • Wilder-Smith, A, Freedman, D. O. (2020). Isolation, quarantine, social distancing and community containment: pivotal role for old-style public health measures in the novel coronavirus (2019-nCoV) outbreak. Journal of Travel Medicine. (27),2. https://doi.org/10.1093/jtm/taaa020
  • Willman, C. (2020). BTS’ Weekend Virtual Concerts Sell 993,000 Tickets. Variety. Access Date: 29.05.2021. Retrieved from: https://variety.com/2020/music/news/bts-virtual-concerts-map-soul-pay-per-view-tickets-1234801571/
  • Yıldırım, A. (2020a). Digital Pandemic in Digital Age: Covid-19 Agenda in Turkey. Intermedia International E-journal (in Turkish), 7 (13), 381-401. Retrieved from: https://dergipark.org.tr/en/pub/intermedia/issue/58521/822991.
  • Yıldırım, A. (2020b). YouTuber Phenomenon in Turkey and YouTube Analysis by View Types. Yeni Medya (in Turkish), 2020 (9), 52-70. Retrieved from: https://dergipark.org.tr/en/pub/yenimedya/issue/58796/830336
  • Zoom. (2021). Zoom Video Communications Reports Fourth Quarter and Fiscal Year 2021 Financial Results. Zoom. Access Date: 19.05.2021. Retrieved from: https://investors.zoom.us/news-releases/news-release-details/zoom-video-communications-reports-fourth-quarter-and-fiscal-0
Toplam 63 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Bölüm Makaleler
Yazarlar

Seray Bilici 0000-0002-4938-5939

Arif Yıldırım 0000-0002-4446-4865

Yayımlanma Tarihi 28 Haziran 2021
Kabul Tarihi 22 Haziran 2021
Yayımlandığı Sayı Yıl 2021 Cilt: 12 Sayı: 23

Kaynak Göster

APA Bilici, S., & Yıldırım, A. (2021). ECONOMIC REFLECTIONS OF THE TRANSFORMATION OF SOCIAL DISTANCE CONCEPT IN EVERYDAY LIFE AFTER COVID-19 TO VIRTUAL CONTACT. Kafkas Üniversitesi İktisadi Ve İdari Bilimler Fakültesi Dergisi, 12(23), 554-591. https://doi.org/10.36543/kauiibfd.2021.024

KAÜİİBFD, Kafkas Üniversitesi İktisadi ve İdari Bilimler Fakültesi Dergi Yayıncılığı'nın kurumsal dergisidir.

KAÜİİBFD 2022 yılından itibaren Web of Science'a dahil edilerek, Clarivate ürünü olan Emerging Sources Citation Index (ESCI) uluslararası alan endeksinde taranmaya başlamıştır. 

2025 Haziran sayısı makale kabul ve değerlendirmeleri devam etmektedir.