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Adorno’s Aesthetic Theory: Aesthetic Display of the Empirical Reality

Yıl 2022, Cilt: 21 Sayı: 1, 130 - 144, 30.03.2022
https://doi.org/10.20981/kaygi.1001973

Öz

Theodor Adorno’s Aesthetic Theory illuminates the basic question of the aesthetic claim to truth. Adorno’s text presents key philosophical questions about the nature of aesthetics. Through grounding Adorno’s aesthetic theory in Hegelian logic, this article explicates why and how the veracity of a modern artwork dwells in its claim to the truth of its own untruth. What is the relation between aesthetic truth and the objective truth of empirical reality? Can aesthetic truth disclose the truth of empirical reality? By relating negatively to what Adorno calls the empirical reality, modern artworks not only become identical to their nonidentity, but also present that which they are nonidentical with as their formative ground. If the truth of an object is mediated, aesthetic truth must disclose the degree of objectivity found in empirical reality. Consequently, aesthetic truth becomes for-itself a mediated truth, and aesthetic truth comes to reveal the mediatedness of empirical reality.

Kaynakça

  • Adorno, T. (1997). Aesthetic Theory (trans. by R. Hullot-Kentor). Minneapolis: University of Minnesota Press.
  • Adorno, T. (2003). Negative Dialectics. New York: Continuum.
  • Friedman, G. (1981). The Political Philosophy of the Frankfurt School. Ithaca, New York: Cornell University Press.
  • Hegel, G. W. F. (1812/2010). The Science of Logic (trans. by G. Giovanni). Cambridge: Cambridge University Press.
  • Jay, M. (1996). The Dialectical Imagination: A History of the Frankfurt School and the Institute for Social Research 1923–1950. Berkeley, California: University of California Press.
  • Menke, C. (1998). The Sovereignty of Art: Aesthetic Negativity in Adorno and Derrida (trans. by N. Solomon). Cambridge: The MIT Press.
  • Wellmer, A. (1991). The Persistence of Modernity: Essays on Aesthetics, Ethics, and Postmodernism (trans. by D. Midgley). Cambridge: The MIT Press.
  • Wiggershaus, R. (1995). The Frankfurt School, Its History, Theories and Political Significance. Cambridge, MA: MIT Press.

Adorno’nun Estetik Kuramı: Ampirik Gerçekliğin Estetik Görünüşü

Yıl 2022, Cilt: 21 Sayı: 1, 130 - 144, 30.03.2022
https://doi.org/10.20981/kaygi.1001973

Öz

Theodor Adorno'nun Estetik Kuramı estetik gerçekliğin ne olduğunu incelerken estetiğin doğası hakkında temel felsefi sorular sorar. Bu makale, Adorno'nun estetik kuramını Hegel mantığına dayandırarak modern sanatın gerçekliğinin ne olduğunu araştırmaktadır. Estetik gerçeklik ile ampirik gerçeklik arasındaki ilişki nedir? Estetik hakikat, ampirik gerçekliğin hakikatini gösterebilir mi? Ampirik gerçeklik ile değilleme üzerinden ilişki kurarak modern sanat kendiyle özdeş olmayarak kendine özdeş olur, modern sanatın biçimlendirici temeli bu özdeş olmama durumudur. Sonuç olarak, estetik hakikat kendisi için dolayımlanmış bir hakikat haline gelir ve ampirik gerçekliğin dolayımsallığını ortaya çıkarır.

Kaynakça

  • Adorno, T. (1997). Aesthetic Theory (trans. by R. Hullot-Kentor). Minneapolis: University of Minnesota Press.
  • Adorno, T. (2003). Negative Dialectics. New York: Continuum.
  • Friedman, G. (1981). The Political Philosophy of the Frankfurt School. Ithaca, New York: Cornell University Press.
  • Hegel, G. W. F. (1812/2010). The Science of Logic (trans. by G. Giovanni). Cambridge: Cambridge University Press.
  • Jay, M. (1996). The Dialectical Imagination: A History of the Frankfurt School and the Institute for Social Research 1923–1950. Berkeley, California: University of California Press.
  • Menke, C. (1998). The Sovereignty of Art: Aesthetic Negativity in Adorno and Derrida (trans. by N. Solomon). Cambridge: The MIT Press.
  • Wellmer, A. (1991). The Persistence of Modernity: Essays on Aesthetics, Ethics, and Postmodernism (trans. by D. Midgley). Cambridge: The MIT Press.
  • Wiggershaus, R. (1995). The Frankfurt School, Its History, Theories and Political Significance. Cambridge, MA: MIT Press.
Toplam 8 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Felsefe
Bölüm Araştırma Makalesi
Yazarlar

Özüm Hatipoğlu 0000-0002-9532-6745

Yayımlanma Tarihi 30 Mart 2022
Gönderilme Tarihi 29 Eylül 2021
Yayımlandığı Sayı Yıl 2022 Cilt: 21 Sayı: 1

Kaynak Göster

APA Hatipoğlu, Ö. (2022). Adorno’s Aesthetic Theory: Aesthetic Display of the Empirical Reality. Kaygı. Bursa Uludağ Üniversitesi Fen-Edebiyat Fakültesi Felsefe Dergisi, 21(1), 130-144. https://doi.org/10.20981/kaygi.1001973
AMA Hatipoğlu Ö. Adorno’s Aesthetic Theory: Aesthetic Display of the Empirical Reality. Kaygı. Mart 2022;21(1):130-144. doi:10.20981/kaygi.1001973
Chicago Hatipoğlu, Özüm. “Adorno’s Aesthetic Theory: Aesthetic Display of the Empirical Reality”. Kaygı. Bursa Uludağ Üniversitesi Fen-Edebiyat Fakültesi Felsefe Dergisi 21, sy. 1 (Mart 2022): 130-44. https://doi.org/10.20981/kaygi.1001973.
EndNote Hatipoğlu Ö (01 Mart 2022) Adorno’s Aesthetic Theory: Aesthetic Display of the Empirical Reality. Kaygı. Bursa Uludağ Üniversitesi Fen-Edebiyat Fakültesi Felsefe Dergisi 21 1 130–144.
IEEE Ö. Hatipoğlu, “Adorno’s Aesthetic Theory: Aesthetic Display of the Empirical Reality”, Kaygı, c. 21, sy. 1, ss. 130–144, 2022, doi: 10.20981/kaygi.1001973.
ISNAD Hatipoğlu, Özüm. “Adorno’s Aesthetic Theory: Aesthetic Display of the Empirical Reality”. Kaygı. Bursa Uludağ Üniversitesi Fen-Edebiyat Fakültesi Felsefe Dergisi 21/1 (Mart 2022), 130-144. https://doi.org/10.20981/kaygi.1001973.
JAMA Hatipoğlu Ö. Adorno’s Aesthetic Theory: Aesthetic Display of the Empirical Reality. Kaygı. 2022;21:130–144.
MLA Hatipoğlu, Özüm. “Adorno’s Aesthetic Theory: Aesthetic Display of the Empirical Reality”. Kaygı. Bursa Uludağ Üniversitesi Fen-Edebiyat Fakültesi Felsefe Dergisi, c. 21, sy. 1, 2022, ss. 130-44, doi:10.20981/kaygi.1001973.
Vancouver Hatipoğlu Ö. Adorno’s Aesthetic Theory: Aesthetic Display of the Empirical Reality. Kaygı. 2022;21(1):130-44.

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