Public Sphere and Spatiality: Architectural Norms, Phenomenology, and Participation

Öz

The study presents an interdisciplinary framework combining phenomenological approaches (Husserl, Merleau-Ponty, Böhme, Bachelard, Ihde), public sphere theories (Arendt, Habermas, Negt and Kluge, Fraser), and critiques of capitalist spatial organization (Lefebvre, Foucault, Baudrillard). It examines how phenomenologists investigate individuals' spatial experiences and sensory perceptions, how public sphere theorists conceptualize a democratic and collectively participatory public sphere, and how critiques of spatial organization address the transformative effects of spatial production on the public sphere. These three theoretical approaches emphasize the necessity of spatial strategies supporting the sensory, social, and political vitality of the public sphere. Based on Pallasmaa's phenomenological approaches, five fundamental norms are identified: sensory perception, spatial experience, flexibility, subjectivity, and memory. These are argued to be instrumental in developing spatial designs that strengthen the social and political functions of the public sphere. The study emphasizes participatory design in public sphere-focused design, arguing for shifting focus from space to "spatiality". Dynamics in spatiality approaches of key theorists (Harvey, Lefebvre, Massey, Soja, Foucault) - sense of place, subjectivity, flexibility, relationality, memory - are related to Pallasmaa's norms. Evaluating the dynamics of spatiality alongside architectural norms establishes a theoretical foundation for spatial strategies enhancing the social and political functions of the public sphere. The study discusses how the public sphere can be considered in architectural design, offering a theoretical basis for innovative design strategies fostering a democratic public sphere.

Anahtar Kelimeler

• Phenomenology
• Public sphere
• Participatory design
• Spatiality
• Architectural design

Kamusal Alan ve Mekansallık: Mimari Normlar, Fenomenoloji ve Katılım

Öz

Çalışma, fenomenolojik yaklaşımlar (Husserl, Merleau-Ponty, Böhme, Bachelard, Ihde), kamusal alan teorileri (Arendt, Habermas, Negt ve Kluge, Fraser) ve kapitalist mekânsal örgütlenme eleştirilerini (Lefebvre, Foucault, Baudrillard) bir araya getirerek, fenomenoloji, kamusal alan teorisi ve mekânsal eleştirileri birleştiren disiplinlerarası bir çerçeve sunar. Fenomenologların bireylerin mekânsal deneyimlerini ve duyusal algılarını nasıl incelediği, kamusal alan teorisyenlerinin demokratik ve kolektif katılıma dayalı bir kamusal alan anlayışını nasıl ortaya koyduğu ve kapitalist mekânsal örgütlenme eleştirilerinin kamusal alan üzerindeki dönüştürücü etkisi ele alınır. Bu üç alanın ortak dinamikleri, kamusal alanın duyusal, sosyal ve politik canlılığını destekleyecek mekânsal stratejilerin gerekliliğini vurgular. Pallasmaa’nın fenomenolojik yaklaşımları temel alınarak duyusal algı, mekânsal deneyim, esneklik, öznellik ve bellek gibi beş temel norm belirlenir ve bu normların kamusal alanın sosyal ve politik işlevlerini güçlendiren mekânsal tasarımlar için yol gösterici olduğu savunulur. Kamusal alanı odağa alan tasarımda katılımcı tasarımların önemi vurgulanırken, bu süreçlerde mekân yerine "mekânsallığın" odağa alınması gerektiği belirtilir. Mekânsallık kavramını ele alan (Harvey, Lefebvre, Massey, Soja, Foucault) yaklaşımlarında belirlenen dinamikler (yer duygusu, öznellik, esneklik, ilişkisellik, bellek) Pallasmaa’nın normlarıyla ilişkilendirilir. Mekânsallığın dinamikleri ile mimari normlar birlikte değerlendirilerek, kamusal alanın sosyal ve politik işlevlerini güçlendirecek mekânsal stratejilerin kuramsal zemini oluşturulur. Çalışma, kamusal alanın mimari tasarımda nasıl ele alınabileceğini tartışarak, demokratik ortamı güçlendirecek yenilikçi tasarım stratejilerine yönelik kuramsal bir temel sunar.

Anahtar Kelimeler

• Fenomenoloji
• Kamusal Alan
• Katılımcı tasarım
• Mekânsallık
• Mimari tasarım

Kaynakça

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