On the Epistemological Potential of Film: An Inquiry into Apparatus Theory
Öz
Anahtar Kelimeler
Apparatus theory, Cinema, Epistemological, Ideology, Materialist, Realism
Kaynakça
- Akcaalan, A., & Özçınar, M. (2011). Karşı Sinema ve İmgesel Anlatım Bağlamında Godard’ın Çinli Kız Filminin Çözümlenmesi. Akademik Sosyal Araştırmalar Dergisi, 113, 384-401.
- Allen, R. (2004). Psychoanalytic Film Theory. In: Miller, T. & Stam, R. (Eds.), A Companion to Film Theory (123-145). Oxford: Blackwell.
- Althusser, L. (2001). Lenin and Philosophy and Other Essays. New York and London: Monthly Review Press.
- Althusser, L. (2008). On Ideology. London and New York: Verso.
- Baudry, J. L. & Williams, A. (1974/1975). Ideological Effects of the Basic Cinematographic Apparatus. Film Quarterly, 28(2), 39-47.
- Baudry, J. L. (1986). The Apparatus: Metapsychological Approaches to the Impression of Reality in the Cinema. In: Rosen, P. (Eds.), Narrative, Apparatus, Ideology (299-318). New York: Columbia University Press.
- Brown, W. (2015). [Review of the book Cinema Against Spectacle: Technique and Ideology Revisited, by Comolli, J. L.]. New Review of Film and Television Studies, 14(2), 268-298.
- Comolli, J. (1986). Technique and Ideology: Camera, Perspective, Depth of Field (Parts 3 and 4). In: Rosen, P. (Eds.), Narrative-Apparatus-Ideology. New York: Columbia University Press.
- Comolli, J. L. & Narboni, P. (1971). Cinema/Ideology/Criticism. Screen, 12(1), 27-38.
- Comolli, J.-L. (2015). Cinema Against Spectacle. Amsterdam: Amsterdam University Press.
