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Psyche Unveiled: A Palpable Example of Female Gothic Genre, Ann Radcliffe’s the Mysteries of Udolpho

Yıl 2018, Sayı: 36, 77 - 94, 30.12.2018

Öz

This article concentrates on the exploration of the psyche of female Gothic heroine, Emily in Ann Radcliffe’s The Mysteries of Udolpho (1794),who eventually “lifts the black veil” of the uncanny and mysteriously hidden events. Mirroring the captivity of women in domestic spheres in the eighteen-century England, Ann Radcliffe portrays Emily breaking free from this entrapment by means of unburdening the past. With the employment of Gothic genre and suspense, embroidered with her poetic power and sensibility, Ann Radcliffe uses the supernatural as a principal tool to understand and reveal the status of women in the eighteen-century England and makes political statements with regards to women while drawing a critical picture of the society.

Kaynakça

  • Botting, Fred. Gothic. London: Routledge, 1996. Print.
  • Castle, Terry. "The Spectralization of the Other in the Mysteries of Udolpho."The New Eighteenth Century: Theory, Politics, English Literature. Ed. Felicity Nussbaum and Laura Brown. New York: Methuen, 1987. 231-53. Print.
  • Enfield, William. "Correspondance.Mysteries of Udolpho."Critical Review 12 (1974): 349-60. Print. "Review."Monthly Review 15 (Nov 1974): 278-83. Print. Fitzgerald, Lauren. "The Gothic Properties of Walople's Legacy: Ann Radcliffe's Contemporary Reception." Fictions of Unease: The Gothic from Otranto to the X-files. Ed. Andrew Smith, Diane Mason, and William Hughes. Bath: Sulis, 2002. 29-42. Print.
  • Graham, Kenneth W. "Emily's Demon-Lover: The Gothic Revolution and The Mysteries of Udolpho." Gothic Fictions: Prohibition/transgression. Ed. Kenneth W. Graham. New York: AMS, 1989. 163-71. Print.
  • Howard, Jacqueline. Reading Gothic Fiction: A Bakhtinian Approach. Oxford: Clarendon, 1994. Print.
  • Johnson, Claudia L. Equivocal Beings: Politics, Gender, and Sentimentality in the 1790s : Wollstonecraft, Radcliffe, Burney, Austen. Chicago: University of Chicago, 1995. Print.
  • Just, Martin-Christoph.Visions of Evil: Origins of Violence in the English Gothic Novel. Frankfurt Am Main: P. Lang, 1997. Print.
  • Kelly, Gary. English Fiction of the Romantic Period: 1789-1830. London: Longman, 1989. Print.
  • Kiely, Robert.The Romantic Novel in England. Cambridge: Harvard UP, 1972. Print.
  • Kilgour, Maggie. The Rise of the Gothic Novel. London: Routledge, 1995. Print.
  • Lang, Andrew. Adventures among Books,. London: Longmans, Green, and, 1905. Print.
  • MacAndrew, Elizabeth. The Gothic Tradition in Fiction. New York: Columbia UP, 1979. Print.
  • Miles, Robert. "Ann Radcliffe and Matthew Lewis."A Companion to the Gothic.Ed. David Punter. Oxford: Blackwell, 2000. 41-58. Print.
  • Miyoshi, Masao. The Divided Self; a Perspective on the Literature of the Victorians. New York: New York UP, 1969. Print.
  • Ann, BonamyDobrée, and Terry Castle.The Mysteries of Udolpho. New York: Oxford UP, 1998. Print.
  • Rogers, Deborah D. Ann Radcliffe: A Bio-bibliography. Westport, CT: Greenwood, 1996. Print.
  • Scott, Walter, and Austin Dobson.Lives of the Novelists. London: Oxford UP, Humphrey Milford, 1934. Print.
  • Sedgwick, Eve Kosofsky. "The Character in the Veil: Imagery of the Surface in the Gothic Novel." PMLA 96.2 (Mar 1981): 255-70. JSTOR.Web. 8 Jan. 2012. <http://www.jstor.org/pss/461992>.
  • Varma, Devendra P. The Gothic Flame, Being a History of the Gothic Novel in England: Its Origins, Efflorescence, Disintegration, and Residuary Influences. London: Barker, 1957. Print.
  • Watt, James. Contesting the Gothic: Fiction, Genre, and Cultural Conflict, 1764-1832. Cambridge: Cambridge UP, 1999. Print.
  • Winter, Kari J. Subjects of Slavery, Agents of Change: Women and Power in Gothic Novels and Slave Narratives, 1790-1865. Athens: U of Georgia, 2010. Print.

Tin Perdesinin Kalkması: Ann Radcliffe’in The Mysteries Of Udolpho (Udolpho’nun Gizemleri) Romanı

Yıl 2018, Sayı: 36, 77 - 94, 30.12.2018

Öz

Bu makale, Ann Radcliffe’in The Mysterious of Udolpho (Udolpho’nun Gizemleri) (1794)adlı romanında, esrarengiz ve gizemli bir şekilde üstü örtülmüş olayların “kara perdesini kaldıran” Gotik bir kadın kahramanın tinsel keşfine odaklanmaktadır. 18. Yüzyıl İngiltere’sinde evcil bir alanda tutsak edilen kadının yaşantısına ışık tutarken, Ann Radcliffe, Emily adını verdiği bu kadın kahramanı, geçmişin yükünü kaldırarak şuan ki tutsaklığından kurtulabilen biri olarak betimler. Radcliffe, kendi şiirsel gücü ve duyarlılığıyla işlediği Gotik türünü ve gerilimi kullanarak, 18.Yüzyılda kadınların durumunu anlamak ve gözler önüne sermek için doğa üstücülüğü bir çeşit araç olarak kullanır ve toplumun kritik bir resmini çizerken aynı zamanda da kadınlarla ilgili politik söylemler de bulunur.

Kaynakça

  • Botting, Fred. Gothic. London: Routledge, 1996. Print.
  • Castle, Terry. "The Spectralization of the Other in the Mysteries of Udolpho."The New Eighteenth Century: Theory, Politics, English Literature. Ed. Felicity Nussbaum and Laura Brown. New York: Methuen, 1987. 231-53. Print.
  • Enfield, William. "Correspondance.Mysteries of Udolpho."Critical Review 12 (1974): 349-60. Print. "Review."Monthly Review 15 (Nov 1974): 278-83. Print. Fitzgerald, Lauren. "The Gothic Properties of Walople's Legacy: Ann Radcliffe's Contemporary Reception." Fictions of Unease: The Gothic from Otranto to the X-files. Ed. Andrew Smith, Diane Mason, and William Hughes. Bath: Sulis, 2002. 29-42. Print.
  • Graham, Kenneth W. "Emily's Demon-Lover: The Gothic Revolution and The Mysteries of Udolpho." Gothic Fictions: Prohibition/transgression. Ed. Kenneth W. Graham. New York: AMS, 1989. 163-71. Print.
  • Howard, Jacqueline. Reading Gothic Fiction: A Bakhtinian Approach. Oxford: Clarendon, 1994. Print.
  • Johnson, Claudia L. Equivocal Beings: Politics, Gender, and Sentimentality in the 1790s : Wollstonecraft, Radcliffe, Burney, Austen. Chicago: University of Chicago, 1995. Print.
  • Just, Martin-Christoph.Visions of Evil: Origins of Violence in the English Gothic Novel. Frankfurt Am Main: P. Lang, 1997. Print.
  • Kelly, Gary. English Fiction of the Romantic Period: 1789-1830. London: Longman, 1989. Print.
  • Kiely, Robert.The Romantic Novel in England. Cambridge: Harvard UP, 1972. Print.
  • Kilgour, Maggie. The Rise of the Gothic Novel. London: Routledge, 1995. Print.
  • Lang, Andrew. Adventures among Books,. London: Longmans, Green, and, 1905. Print.
  • MacAndrew, Elizabeth. The Gothic Tradition in Fiction. New York: Columbia UP, 1979. Print.
  • Miles, Robert. "Ann Radcliffe and Matthew Lewis."A Companion to the Gothic.Ed. David Punter. Oxford: Blackwell, 2000. 41-58. Print.
  • Miyoshi, Masao. The Divided Self; a Perspective on the Literature of the Victorians. New York: New York UP, 1969. Print.
  • Ann, BonamyDobrée, and Terry Castle.The Mysteries of Udolpho. New York: Oxford UP, 1998. Print.
  • Rogers, Deborah D. Ann Radcliffe: A Bio-bibliography. Westport, CT: Greenwood, 1996. Print.
  • Scott, Walter, and Austin Dobson.Lives of the Novelists. London: Oxford UP, Humphrey Milford, 1934. Print.
  • Sedgwick, Eve Kosofsky. "The Character in the Veil: Imagery of the Surface in the Gothic Novel." PMLA 96.2 (Mar 1981): 255-70. JSTOR.Web. 8 Jan. 2012. <http://www.jstor.org/pss/461992>.
  • Varma, Devendra P. The Gothic Flame, Being a History of the Gothic Novel in England: Its Origins, Efflorescence, Disintegration, and Residuary Influences. London: Barker, 1957. Print.
  • Watt, James. Contesting the Gothic: Fiction, Genre, and Cultural Conflict, 1764-1832. Cambridge: Cambridge UP, 1999. Print.
  • Winter, Kari J. Subjects of Slavery, Agents of Change: Women and Power in Gothic Novels and Slave Narratives, 1790-1865. Athens: U of Georgia, 2010. Print.
Toplam 21 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Bölüm Makaleler
Yazarlar

Pelin Kümbet

Yayımlanma Tarihi 30 Aralık 2018
Yayımlandığı Sayı Yıl 2018 Sayı: 36

Kaynak Göster

APA Kümbet, P. (2018). Psyche Unveiled: A Palpable Example of Female Gothic Genre, Ann Radcliffe’s the Mysteries of Udolpho. Kocaeli Üniversitesi Sosyal Bilimler Dergisi(36), 77-94.

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