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VOİCES FROM VİOLENCE: TRACES OF DYSTOPİA İN SİMON ARMİTAGE’S POETRY

Yıl 2024, Cilt: 12 Sayı: 2, 875 - 885, 31.12.2024
https://doi.org/10.52122/nisantasisbd.1595928

Öz

This paper analyzes the use of dystopian themes in contemporary British poetry, focusing on Simon Armitage’s work. Dystopian literature is a powerful medium for addressing social and political issues, reflecting anxieties about politics and social justice. Armitage’s poetry, particularly in his collection Out of the Blue, exemplifies this approach by engaging with significant historical events such as the 9/11 attacks. Through vivid imagery and personal narratives, Armitage criticizes social troubles that result in violence and instability. His concern about human nature and social responsibilities highlights the interplay between individual experiences and social criticism. Accordingly, this study emphasizes the relevance of dystopian elements in Simon Armitage’s poetry as an embodiment of contemporary British poetry and a critical reflection on our age

Kaynakça

  • Armitage, S. (2005, November 19). Convergence of the Twain. simonarmitage.typepad.com. https://simonarmitage.typepad.com/homepage/2005/11/convergence_of_.htm
  • Armitage, S. (2013, June 7). 1736: Killing Time | Simon Armitage. livejournal.com. https://exceptindreams.livejournal.com/450094.html.
  • Armitage, S. (2016). Out of the Blue. Enitharmon.
  • Armitage, S. (2019, June 7). Interview Simon Armitage: ‘I Always Thought, If Ted Hughes Can Do it Why Can’t I?’ theguardian.com. https://www.theguardian.com/books/2019/jun/07/simon-armitage-poet-laureate-ted-hughes-came-from-the-next-valley.
  • Armitage, S. (2020, July 02). Simon Armitage: ‘The Events of This Year are All I Can See and Think About’. Independent.com. https://www.independent.co.uk/arts-entertainment/music/features/simon-armitage-interview-poetry-lyr-band-album-lockdown-a9595706.html.
  • Booker, K.M. (1994). The Dystopian Impulse in Modern Literature: Fiction as Social Criticism. Westport, Conn.: Greenwood Press.
  • Childs, P. (1999). The Twentieth Century in Poetry: A Critical Survey. London: Routledge.
  • Coussens, C. (2008). British National Identity, Topicality and Tradition in The Poetry of Simon Armitage. Cankaya University Journal of Arts and Sciences, 1 (9), 17-38.
  • Cresswell, T. (2004). Place: A Short Introduction. Oxford: Blackwell Publishing.
  • Davis, J.C. (1981). Utopia and the Ideal Society: A Study of English Utopian Writing, 1516-1700. Cambridge, New York: Cambridge U.P.
  • Dirks, C. (2009). Chapter Two: The Juni-Aktion (June Operation) in Berlin. In B. Meyer, H. Simon & C. Schütz (Ed.), Jews in Nazi Berlin: From Kristallnacht to Liberation. Chicago: University of Chicago Press, 22-33.
  • Gregson, I. (1996). Contemporary Poetry and Postmodernism: Dialogue and Estrangement. London: St. Martin’s Press.
  • Hardy, T. (1923). Collected Poems. London: Macmillan.
  • Jacoby, R. (1999). The End of Utopia: Politics and Culture in An Age of Apathy. New York: Basic Books.
  • Kennedy, D. (1996). New Relations: The Refashioning of British Poetry: 1980-1994. Bridgend, Mid Glamorgan, Wales: Seren.
  • Moylan, T. (2000). Scraps of the Untainted Sky: Science Fiction, Utopia, Dystopia. Boulder, Colo.: Westview. Out of the blue. simonarmitage.com. https://www.simonarmitage.com/out-of-the-blue/
  • Palardy, D.Q. (2018). The Dystopian Imagination in Contemporary Spanish Literature and Film. Cham, Switzerland: Palgrave Macmillan.
  • Robinson, A. (1988). Instabilities in Contemporary British Poetry. Houndmills, Basingstoke, Hampshire: Macmillan Press.
  • Rowland, A. (2014). Poetry as Testimony: Witnessing and Memory in Twentieth-Century Poems. London and New York: Routledge.
  • Sargent, L. T. (1994). The Three Faces of Utopianism Revisited. Utopian Studies, 5 (1), 1-37.
  • Shklovsky, V. (1965). Art as Technique, Russian Formalist Criticism: Four Essays. Trans. Lee T. Lemon and Marion J. Reis. Lincoln (Nebr.): University of Nebraska Press, 3-24.
  • Simon, H. (2009). 1938: The Year of Fate. In B. Meyer, H. Simon & C. Schütz (Ed.), Jews in Nazi Berlin: From Kristallnacht to Liberation. Chicago: University of Chicago Press. 2-20.
  • Tally, Jr Robert T. The Fiction of Dread: Dystopia Monstrosity and Apocalypse. Bloomsbury Academic & Professional 2024.
  • The Guardian. (2011, November 15). Simon Armitage: ‘Poetry is a Form of Dissent’. YouTube. https://www.youtube.com/watch?v=TvFcbedyQ0A..

Şiddetten gelen Sesler: Simon Armitage’ın Şiirlerinde Distopyanın İzleri

Yıl 2024, Cilt: 12 Sayı: 2, 875 - 885, 31.12.2024
https://doi.org/10.52122/nisantasisbd.1595928

Öz

Bu çalışma, Simon Armitage’ın şiirlerine odaklanarak çağdaş İngiliz şiirinde distopya temasının temsilini analiz etmektedir. Distopya edebiyatı, siyaset ve sosyal adaletle ilgili sorunları yansıtarak sosyal ve siyasi meseleleri ele alır. Armitage’ın şiiri, özellikle de Out of the Blue kitabı, 11 Eylül saldırıları gibi olaylarla ilgilenerek bu yaklaşımı örnekler. Armitage, kişisel anlatılar ve imgeler aracılığıyla şiddet ve istikrarsızlığa sebep olan toplumsal sorunları eleştirir. İnsan doğası ve toplumsal sorumluluklarla ilgili kaygıları, bireysel deneyimler ve toplumsal eleştiri arasındaki etkileşimi vurgular. Dolayısıyla bu çalışma, Simon Armitage’ın şiirindeki distopik unsurların Çağdaş İngiliz şiirinin bir örneği ve içinde bulunduğumuz çağın eleştirel bir yansıması olarak önemini vurgulamaktadır

Kaynakça

  • Armitage, S. (2005, November 19). Convergence of the Twain. simonarmitage.typepad.com. https://simonarmitage.typepad.com/homepage/2005/11/convergence_of_.htm
  • Armitage, S. (2013, June 7). 1736: Killing Time | Simon Armitage. livejournal.com. https://exceptindreams.livejournal.com/450094.html.
  • Armitage, S. (2016). Out of the Blue. Enitharmon.
  • Armitage, S. (2019, June 7). Interview Simon Armitage: ‘I Always Thought, If Ted Hughes Can Do it Why Can’t I?’ theguardian.com. https://www.theguardian.com/books/2019/jun/07/simon-armitage-poet-laureate-ted-hughes-came-from-the-next-valley.
  • Armitage, S. (2020, July 02). Simon Armitage: ‘The Events of This Year are All I Can See and Think About’. Independent.com. https://www.independent.co.uk/arts-entertainment/music/features/simon-armitage-interview-poetry-lyr-band-album-lockdown-a9595706.html.
  • Booker, K.M. (1994). The Dystopian Impulse in Modern Literature: Fiction as Social Criticism. Westport, Conn.: Greenwood Press.
  • Childs, P. (1999). The Twentieth Century in Poetry: A Critical Survey. London: Routledge.
  • Coussens, C. (2008). British National Identity, Topicality and Tradition in The Poetry of Simon Armitage. Cankaya University Journal of Arts and Sciences, 1 (9), 17-38.
  • Cresswell, T. (2004). Place: A Short Introduction. Oxford: Blackwell Publishing.
  • Davis, J.C. (1981). Utopia and the Ideal Society: A Study of English Utopian Writing, 1516-1700. Cambridge, New York: Cambridge U.P.
  • Dirks, C. (2009). Chapter Two: The Juni-Aktion (June Operation) in Berlin. In B. Meyer, H. Simon & C. Schütz (Ed.), Jews in Nazi Berlin: From Kristallnacht to Liberation. Chicago: University of Chicago Press, 22-33.
  • Gregson, I. (1996). Contemporary Poetry and Postmodernism: Dialogue and Estrangement. London: St. Martin’s Press.
  • Hardy, T. (1923). Collected Poems. London: Macmillan.
  • Jacoby, R. (1999). The End of Utopia: Politics and Culture in An Age of Apathy. New York: Basic Books.
  • Kennedy, D. (1996). New Relations: The Refashioning of British Poetry: 1980-1994. Bridgend, Mid Glamorgan, Wales: Seren.
  • Moylan, T. (2000). Scraps of the Untainted Sky: Science Fiction, Utopia, Dystopia. Boulder, Colo.: Westview. Out of the blue. simonarmitage.com. https://www.simonarmitage.com/out-of-the-blue/
  • Palardy, D.Q. (2018). The Dystopian Imagination in Contemporary Spanish Literature and Film. Cham, Switzerland: Palgrave Macmillan.
  • Robinson, A. (1988). Instabilities in Contemporary British Poetry. Houndmills, Basingstoke, Hampshire: Macmillan Press.
  • Rowland, A. (2014). Poetry as Testimony: Witnessing and Memory in Twentieth-Century Poems. London and New York: Routledge.
  • Sargent, L. T. (1994). The Three Faces of Utopianism Revisited. Utopian Studies, 5 (1), 1-37.
  • Shklovsky, V. (1965). Art as Technique, Russian Formalist Criticism: Four Essays. Trans. Lee T. Lemon and Marion J. Reis. Lincoln (Nebr.): University of Nebraska Press, 3-24.
  • Simon, H. (2009). 1938: The Year of Fate. In B. Meyer, H. Simon & C. Schütz (Ed.), Jews in Nazi Berlin: From Kristallnacht to Liberation. Chicago: University of Chicago Press. 2-20.
  • Tally, Jr Robert T. The Fiction of Dread: Dystopia Monstrosity and Apocalypse. Bloomsbury Academic & Professional 2024.
  • The Guardian. (2011, November 15). Simon Armitage: ‘Poetry is a Form of Dissent’. YouTube. https://www.youtube.com/watch?v=TvFcbedyQ0A..
Toplam 24 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Dil Çalışmaları (Diğer)
Bölüm Makaleler
Yazarlar

Emre Çakar 0000-0003-2288-9261

Yayımlanma Tarihi 31 Aralık 2024
Gönderilme Tarihi 3 Aralık 2024
Kabul Tarihi 16 Aralık 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 12 Sayı: 2

Kaynak Göster

APA Çakar, E. (2024). VOİCES FROM VİOLENCE: TRACES OF DYSTOPİA İN SİMON ARMİTAGE’S POETRY. Nişantaşı Üniversitesi Sosyal Bilimler Dergisi, 12(2), 875-885. https://doi.org/10.52122/nisantasisbd.1595928

Nişantaşı Üniversitesi kurumsal yayınıdır.