ARUNDHATI ROY’S THE GOD OF SMALL THINGS: REFORMULATION OF LANGUAGE AND STYLE IN A POSTCOLONIAL SETTING
Öz
Arundhati
Roy’s The God of Small Things is a
story of partition, immigration, love and trauma. While exploring the problems
of identity of her characters in a postcolonial setting in India, Roy also
reformulates her characters’ use of English in an idiosyncratic way. This
study, therefore, analyses The God of
Small Things from the perspective of postcolonial theory in terms of
linguistic and cultural hybridity. It also attempts to explore the novel as a
postcolonial text that foregrounds the impacts of imperial past in partitioning
the country not only into two different nations but also dividing people’s lives
into two halves and leaving them to lifelong misery.
Anahtar Kelimeler
Kaynakça
- Abraham, T. (1998). “An Interview with Arundhati Roy”, ARIEL: A Review of International English Literature, 29/1, January, pp: 82-89.
- Bahri, D. (1995). “Once More with Feeling: What is Postcolonialism?”, ARIEL: A Review of International English Literature, 26/1, January, pp: 51-82.
- Bose, B. (1998). “In Desire and in Death: Eroticism as Politics in Arundhati Roy’s ‘The God of Small Things’”, ARIEL: A Review of International English Literature, 29/2, April, pp: 59-72.
- Childs, P. & Williams, P. R. J. (1997). An Introduction to Post-Colonial Theory, Prentice Hall/Harvester Wheatsheaf, London.
- Hutcheon, L. (1994). “The post always rings twice: the postmodern and the postcolonial”, Textual Practice, 8/2, Summer, pp: 205-38.
- Roy, A. (1997). The God of Small Things, Flamingo, London.
Ayrıntılar
Birincil Dil
İngilizce
Konular
Sanat ve Edebiyat
Bölüm
Araştırma Makalesi
Yazarlar
Yayımlanma Tarihi
13 Nisan 2018
Gönderilme Tarihi
14 Şubat 2017
Kabul Tarihi
31 Ekim 2017
Yayımlandığı Sayı
Yıl 2018 Sayı: 31