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WOMEN AND DANCE IN BYZANTINE: EXAMPLES OF THE IMAGE OF DANCER WOMEN REFLECTED IN THE ART OF DESCRIPTION

Yıl 2024, Sayı: 62, 131 - 148, 16.05.2024
https://doi.org/10.30794/pausbed.1399501

Öz

It was not easy to analyze how women and the perception of women in society, whether they are strong or not, were positioned within the system in Byzantium. The main reason of this situation has been that there are very few sources providing information about the perception of women in the medieval world and how the lives of women in this period has been progressed. It has been seen that sources provide little information about the lives of women, who were defined as marginalized characters due to their physical weakness and uncontrollable emotions in Byzantium, which was the formation of a male-dominated world. The sources are also insufficient about the determining the how dancing women were perceived and in which position of these women were placed in social life in the same society. The subject, except for information that is provided by written sources, can only be evaluated in the light of depictions of two heroines whose names and the content of their dances we can obtain a little information about, and a few heroines whose names are unknown but whose depictions on the works virtually declare their immortality.
In this study, we will make a brief mention on the women and their position in social life in the Byzantine imperial system, and it will be explained through the examples that are reflected in the art of depiction: how women whose lives are shaped by strict norms, are brought together with dance, who the dancing heroines are, where these heroes stand in the social perception, within what definition or image the artists who use the representations of dancing women in their works use these women in their works.

Kaynakça

  • “A Guide to Christian Iconography: Images, Symbols, and Texts”. https://www.christianiconography.info/Wikimedia%20Commons/salomeEast.html (Son erişim tarihi: 19.11.2023).
  • Ams Historica, (2023). Cyprus Medieval Museum: Bowl. https://historica.unibo.it/handle/20.500.14008/27478.
  • Beaucamp, J. (1998). “Les Femmes et l’espace Public à Byzance: Le Cas Des Tribunaux”, Dumbarton Oaks Papers, 52, 129-45.
  • Beauchamp, J. (1977). “La Situation Juridique de la Femme à Byzance.” Cahiers de Civilisation Médiévale, 20, 145-176.
  • Batshimeon, Miriam (2021).” Miriam's Middle Eastern Research Blog”. https://awalimofstormhold.files.wordpress.com/2013/07/byzegyptcombfrontdetail.jpg (Son erişim tarihi: 19.11.2023).
  • Blackstone, Amy M. (2003). “Gender Roles and Society”. Human Ecology: An Encyclopedia of Children, Families, Communities, and Environments. Eds. Julia R. Miller et al. Santa Barbara, CL: ABC-Clio, 335-338.
  • Benaki Müzesi (2016). https://www.benaki.org/index.phpoption=com_collectionitems&view=collectionitem&id=108100&Itemid=540&lang=en (Son erişim tarihi: 21.11.2023).
  • Benaki Museum, (2023). https://www.benaki.org/index.phpoption=com_collectionitems&view=collectionitem&id=107857&Itemid=&lang=en Son Erişim tarihi: 19.11.2023 ).
  • Biblioteca Apostolica Vaticana, (2023). https://digi.vatlib.it/view/MSS_Vat.gr.747 (Son erişim tarihi: 17.11.2023).
  • Benko, S. (1993). “Second Century References to the Mother of Jesus.” Women in Early Christianity (Ed: David M. Scholer), Garland Publishing Inc., New York & London.
  • Bréhier, L. (1950). Le Monde Byzantin: La Civilisation Byzantine. Paris.
  • British Library, (2023). https://www.bl.uk/manuscripts/Viewer.aspx?ref=add_ms_11836_f298r (Son erişim tarihi 02.05.2021).
  • Buckler, G. (1936). “Women in Byzantine Law About 1100 A. D.” Byzantion 11/2, 391–416.
  • Büktel, Y. (2014). “Konstantin Monomakhos Tacı ve Macar Kraliyet Tacı”, Journal of Turkish Studies, 9/10, 253-269.
  • Chatterjee, P. (2013). “Vision, Transformation, and the Veroli Casket”, Oxford Art Journal, 36/3, 325–44.
  • Çakır, S. (2011). “Feminist Bir Tarih Yazımı: Tarihin Kadınlar için, Kadınlar Tarafından Yeniden İnşası,” 21. Yüzyıla Girerken Türkiye'de Feminist Çalışmalar, Prof. Dr. Nermin Abadan Unat'a Armagan. Koç Üniversitesi Yayınları, İstanbul.
  • Çelebi, B. (2014). “Eskiçağ Dininde Kadın: Ana Tanrıça’dan Günahkâr Kadın’a.” Bilim ve Ütyopya, 239, 7-21. De Archútegui, P. S. (1974). “The Mother of Jesus.” Philippine Studies 22(3/4), 225–42.
  • Garland, L. (1988). “The Life and Ideology of Byzantine Women: A Further Note on Conventions of Behaviour and Social Reality as Reflected in Eleventh and Twelfth Century Historical Sources.” Byzantion, 58/2, 361–93.
  • Garland, L. (2006). “Street-life in Constantinople: Women and the Carnivalesque,” Byzantine Women Varieties of Experience 800-1200, (Ed. L. Garland), New York: Routledge, 163-177.
  • Haldon, J. (2009). “Towards a Social History of Byzantium,” The Social History of Byzantium. (Ed. John Haldon). Wiley-Blackwell, Oxford, U.K.
  • Harris, J. (2015). Byzantium and the Rights of Women”. https://yalebooks.yale.edu/2015/10/27/byzantium-and-the-rights-of-women-2/ (Son erişim tarihi: 20.11.2023).
  • Herrin, J. (1993). “In Search of Byzantine Women: Three Avenues of Approach,” Images of Women in Antiquity. (Ed. A. Cameron ve A. Kurth). London: Routledge, 167-189.
  • James, E. (1997). Women, Men and Eunuchs: Gender in Byzantium. Routledge, London.
  • Kalavrezou, L. (2003). Byzantine Women and Their World. Yale University, Cambridge.
  • Kataeva, Z. -Durrani, N.-Izekenova, Z. ve Rakhimzhanova, A. (2023). “Evolution Of Gender Research In The Social Sciences In Post‑Soviet Countries: A Bibliometric Analysis”. Scientometrics. Vol: 128/3, 1639-1666.
  • Korucu Yağız, F. (2020). “Özgür Ruh, Ritmik Beden: Bizans Kültür-Sanat Hayatında Dans.” Sanat Tarihi Yıllığı, 29, 279-305.
  • Kultermann, U. (2006). “The “Dance of the Seven Veils”. Salome and Erotic Culture Around 1900.” Artibus et Historiae, 27/53, 187-215.
  • Laiou, A. E. (1985). “Observations on the Life and Ideology of Byzantine Women.” Byzantinische Forschungen, 9, 59-102.
  • Langford, R. (2005). “Depicting Desire: Gender, Sexuality, and the Family in Nineteenth Century Europe: Literary and Artistic Perspectives”. Peter Lang, Oxford.
  • Lindblom, J. (2019). Women and Public Space Social Codes and Female Presence in the Byzantine Urban Society of the 6th to the 8th Centuries. Unpublished Doctoral Dissertation, University of Helsinki.
  • Lung, E. (2017). “Depictions of Women in the Works of Early Byzantine Historians and Chroniclers : Between Stereotype and Reality”. Historical Reflections / Réflexions Historiques. 43(1), 4–18.
  • Maktal Canko, D.Y. (2016). Bizans Dünyasında ve Sanatında Kadının Yeri. (Yayımlanmamış Doktora Tezi). Ege Üniversitesi.
  • Matlock, M. (2018). “Institutionalized Subordination: Women’s Roles in the Byzantine Church and the Suppression of Their Leadership.” MAD-RUSH Undergraduate Research Conference, 1, 1-15.
  • Megalommati, N. (2017). “Women and Family Law in Byzantium: Some Notes.” Historical Reflections/Réflexions Historiques, 43/1, 19-32.
  • Meyer, M. (2019). “Towards an Approach to Gendered Emotions in Byzantine Culture: An Introduction”. Emotions and Gender in Byzantine Culture, New Approaches to Byzantine History and Culture, (Ed. S. Constantinou and M. Meyer), Palgrave Macmillan, USA. Miriam's Middle Eastern Research Blog, (t.y). https://awalimofstormhold.wordpress.com/tag/byzantine/.
  • Monumenta Serbica, (2023). http://monumentaserbica.branatomic.com/mushushu/images/397.jpg (Son erişim tarihi 20.11.2023).
  • Nasaina, M. (2018). “Woman’s Position in Byzantine Society.” Open Journal for Studies in History, 1, 29-38.
  • Neville, L. (2019). Byzantine Gender. Arc Humanities Press, U.K.
  • Nibley, H. (1978). “The Early Christian Prayer Circle.” Brigham Young University Studies 19/1, 41-78.
  • Pitarakis, Brigitte. (2010). “From the Hippodrome to the Reception Halls in the Palace: Acclamations and Dances at the Service of Imperial Ideology”, The Byzantine Court: Source of Power and Culture. Papers from the Second International Sevgi Gönül Byzantine Studies Symposium (21-23 June 2010). (Ed. A. Ödekan, N. Necipoğlu, E. Akyürek). İstanbul: 129-137.
  • Polen, N. (1992). “Miriam’s Dance: Radical Egalitarianism in Hasidic Thought.” Modern Judaism, 12/1, 1-21.
  • Portail Biblissima, (2023). https://portail.biblissima.fr/fr/ark:/43093/mdata59fc63e382682ff8b10a88c117290ad7121d4995 (Son erişim tarihi 18.11.2023).
  • Portail Biblissima, (2023). https://portail.biblissima.fr/fr/ark:/43093/mdata87aeb6299be925e4210c4f62812615e9f86f6cbd (Son erişim tarihi: 20.11.2023).
  • Portail Biblissima, (2023). https://portail.biblissima.fr/fr/ark:/43093/mdatab2d29e1d4db7fd310a23d32ae9cfcb6548030301 (Son erişim tarihi: 20.11.2023).
  • “Pottery From Jerash”, (2015). https://users.stlcc.edu/mfuller/JerashPottery.html (Son erişim tarihi: 20.11.2023).
  • Sawyer, John F. A. (2020). Isaiah Through the Centuries. John Wiley and Sons Inc. USA.
  • Scala Archives, (2023). https://search.scalarchives.com/?16141816133845785070.
  • Smythe, D C. (1997). “Women as Outsiders.” Women, Men and Eunuchs. Gender in Byzantium, (Ed. Liz James), Routledge, London.
  • St. Louis Community College, (2014). “Roman Pottery Jar from Jerash”, http://users.stlcc.edu/mfuller/JerashPottery.html (Son erişim tarihi: 20.11.2023).
  • The Byzantine Legacy, (2016). https://www.thebyzantinelegacy.com/monomachos (Son erişim tarihi: 20.11.2023).
  • Vanderbilt University Divinity Library, (2023). https://diglib.library.vanderbilt.edu//act-processquery.pl?SID=20230219779084305&code=&code=act&SubjectBuildingName=State+Historical+Museum&SortOrder=Title&=phrase (Son erişim tarihi: 15.11.2023).
  • Vatandaş, C. (2007). “Toplumsal Cinsiyet ve Cinsiyet Rollerinin Algılanışı”, Istanbul Journal of Sociological Studies, 35, 29-36.
  • Viktoria and Albert Müzesi, (2023). https://collections.vam.ac.uk/item/O70463/veroli-casket-casket-unknown/ (Son erişim tarihi: 19.11.2023).
  • Vroom, J. (2014). “Human Representations on Medieval Cyprıot Ceramics and Beyond the Enigma of Mysterious Figures Wrapped in Riddles,” Cypriot Medieval Ceramics Reconsiderations and New Perspectives. (Ed. Papanikola-Bakirtzi-Nicholas Courea). The Cyprus Research Centre and The A. G. Leventis Foundation, Nicosia.
  • Walker, A. (2012). The Emperor and the World: Exotic Elements and the Imaging of Middle Byzantine Imperial Power, Ninth to Thirteenth Centuries C.E. Cambridge University Press, USA.
  • Watson, P. M. (1989). “Jerash Bowls: Study of a Provincial Group of Byzantine Decorated Fine Ware.” Syria, 66-1/4, 223–61.
  • Weitzmann, K. (Ed.) (1979). Age of Spirituality: Late Antique and Early Christian Art, Third to Seventh Century: Catalogue of the Exhibition at the Metropolitan Museum of Art. Princeton University Press, New York.
  • Weyl Carr, A. (1985). “Women and Monasticism in Byzantium: Introduction from an Art Historian.” Byzantinische Forschungen, 9, 1-15.

BİZANS’TA KADIN VE DANS: DANS EDEN KADIN İMAJININ TASVİR SANATINA YANSIYAN ÖRNEKLERİ

Yıl 2024, Sayı: 62, 131 - 148, 16.05.2024
https://doi.org/10.30794/pausbed.1399501

Öz

Bizans’ta, güçlü olsun ya da olmasın kadının ve toplumdaki kadın algısının sistem içerisinde nasıl konumlandığının çözümlenmesi çok kolay olmamıştır. Orta Çağ dünyasında kadın algısının nasıl olduğu ve bu dönem kadınlarının yaşantısının nasıl ilerlediğiyle ilgili bilgi veren kaynakların sayıca çok az olması, bu durumun temel sebebini oluşturmuştur. Erkek egemen bir dünyanın biçimlenişinden ibaret olan Bizans’ta, fiziksel zayıflıkları ve kontrol edilemeyen duyguları nedeniyle ötelenmiş karakterler olarak tanımlanan kadınların yaşamlarına dair küçük bilgiler sunan kaynakların, aynı toplumda dans eden kadınların nasıl algılandığı, bu kadınların sosyal yaşam içerisinde nasıl bir pozisyonla konumlandırıldığı konusunun belirlenmesinde de yetersiz kaldığı görülmüştür. Konu, yazılı kaynakların vermiş olduğu bilgiler dışında ancak isimleri ve danslarının içeriğiyle ilgili küçük de olsa bilgi edinebildiğimiz iki kadın kahraman ve isimleri bilinmese de eserler üzerinde yer alan betimleriyle ölümsüzlüklerini adeta ilan eden birkaç kadın kahramanın günümüze ulaşan tasvirleri ışığında değerlendirilebilmiştir.
Bu çalışmada; Bizans imparatorluk sisteminde kadın ve kadının toplumsal yaşam içerisindeki konumundan kısaca bahsedilerek hayatları katı normlarla biçimlenen kadınların; dansla nasıl bir değerde buluşturulduğu, dans eden kadın kahramanların kimler olduğu, bu kahramanların toplum algısında nerede durduğu, dans eden kadın temsillerini eserlerinde işleyen sanatçıların, bu kadınları hangi tanım ya da imaj çerçevesinde eserlerinde işlediği, tasvir sanatına yansıyan örnekler üzerinden yapılacak bir değerlendirmeyle anlatılmaya çalışılacaktır.

Kaynakça

  • “A Guide to Christian Iconography: Images, Symbols, and Texts”. https://www.christianiconography.info/Wikimedia%20Commons/salomeEast.html (Son erişim tarihi: 19.11.2023).
  • Ams Historica, (2023). Cyprus Medieval Museum: Bowl. https://historica.unibo.it/handle/20.500.14008/27478.
  • Beaucamp, J. (1998). “Les Femmes et l’espace Public à Byzance: Le Cas Des Tribunaux”, Dumbarton Oaks Papers, 52, 129-45.
  • Beauchamp, J. (1977). “La Situation Juridique de la Femme à Byzance.” Cahiers de Civilisation Médiévale, 20, 145-176.
  • Batshimeon, Miriam (2021).” Miriam's Middle Eastern Research Blog”. https://awalimofstormhold.files.wordpress.com/2013/07/byzegyptcombfrontdetail.jpg (Son erişim tarihi: 19.11.2023).
  • Blackstone, Amy M. (2003). “Gender Roles and Society”. Human Ecology: An Encyclopedia of Children, Families, Communities, and Environments. Eds. Julia R. Miller et al. Santa Barbara, CL: ABC-Clio, 335-338.
  • Benaki Müzesi (2016). https://www.benaki.org/index.phpoption=com_collectionitems&view=collectionitem&id=108100&Itemid=540&lang=en (Son erişim tarihi: 21.11.2023).
  • Benaki Museum, (2023). https://www.benaki.org/index.phpoption=com_collectionitems&view=collectionitem&id=107857&Itemid=&lang=en Son Erişim tarihi: 19.11.2023 ).
  • Biblioteca Apostolica Vaticana, (2023). https://digi.vatlib.it/view/MSS_Vat.gr.747 (Son erişim tarihi: 17.11.2023).
  • Benko, S. (1993). “Second Century References to the Mother of Jesus.” Women in Early Christianity (Ed: David M. Scholer), Garland Publishing Inc., New York & London.
  • Bréhier, L. (1950). Le Monde Byzantin: La Civilisation Byzantine. Paris.
  • British Library, (2023). https://www.bl.uk/manuscripts/Viewer.aspx?ref=add_ms_11836_f298r (Son erişim tarihi 02.05.2021).
  • Buckler, G. (1936). “Women in Byzantine Law About 1100 A. D.” Byzantion 11/2, 391–416.
  • Büktel, Y. (2014). “Konstantin Monomakhos Tacı ve Macar Kraliyet Tacı”, Journal of Turkish Studies, 9/10, 253-269.
  • Chatterjee, P. (2013). “Vision, Transformation, and the Veroli Casket”, Oxford Art Journal, 36/3, 325–44.
  • Çakır, S. (2011). “Feminist Bir Tarih Yazımı: Tarihin Kadınlar için, Kadınlar Tarafından Yeniden İnşası,” 21. Yüzyıla Girerken Türkiye'de Feminist Çalışmalar, Prof. Dr. Nermin Abadan Unat'a Armagan. Koç Üniversitesi Yayınları, İstanbul.
  • Çelebi, B. (2014). “Eskiçağ Dininde Kadın: Ana Tanrıça’dan Günahkâr Kadın’a.” Bilim ve Ütyopya, 239, 7-21. De Archútegui, P. S. (1974). “The Mother of Jesus.” Philippine Studies 22(3/4), 225–42.
  • Garland, L. (1988). “The Life and Ideology of Byzantine Women: A Further Note on Conventions of Behaviour and Social Reality as Reflected in Eleventh and Twelfth Century Historical Sources.” Byzantion, 58/2, 361–93.
  • Garland, L. (2006). “Street-life in Constantinople: Women and the Carnivalesque,” Byzantine Women Varieties of Experience 800-1200, (Ed. L. Garland), New York: Routledge, 163-177.
  • Haldon, J. (2009). “Towards a Social History of Byzantium,” The Social History of Byzantium. (Ed. John Haldon). Wiley-Blackwell, Oxford, U.K.
  • Harris, J. (2015). Byzantium and the Rights of Women”. https://yalebooks.yale.edu/2015/10/27/byzantium-and-the-rights-of-women-2/ (Son erişim tarihi: 20.11.2023).
  • Herrin, J. (1993). “In Search of Byzantine Women: Three Avenues of Approach,” Images of Women in Antiquity. (Ed. A. Cameron ve A. Kurth). London: Routledge, 167-189.
  • James, E. (1997). Women, Men and Eunuchs: Gender in Byzantium. Routledge, London.
  • Kalavrezou, L. (2003). Byzantine Women and Their World. Yale University, Cambridge.
  • Kataeva, Z. -Durrani, N.-Izekenova, Z. ve Rakhimzhanova, A. (2023). “Evolution Of Gender Research In The Social Sciences In Post‑Soviet Countries: A Bibliometric Analysis”. Scientometrics. Vol: 128/3, 1639-1666.
  • Korucu Yağız, F. (2020). “Özgür Ruh, Ritmik Beden: Bizans Kültür-Sanat Hayatında Dans.” Sanat Tarihi Yıllığı, 29, 279-305.
  • Kultermann, U. (2006). “The “Dance of the Seven Veils”. Salome and Erotic Culture Around 1900.” Artibus et Historiae, 27/53, 187-215.
  • Laiou, A. E. (1985). “Observations on the Life and Ideology of Byzantine Women.” Byzantinische Forschungen, 9, 59-102.
  • Langford, R. (2005). “Depicting Desire: Gender, Sexuality, and the Family in Nineteenth Century Europe: Literary and Artistic Perspectives”. Peter Lang, Oxford.
  • Lindblom, J. (2019). Women and Public Space Social Codes and Female Presence in the Byzantine Urban Society of the 6th to the 8th Centuries. Unpublished Doctoral Dissertation, University of Helsinki.
  • Lung, E. (2017). “Depictions of Women in the Works of Early Byzantine Historians and Chroniclers : Between Stereotype and Reality”. Historical Reflections / Réflexions Historiques. 43(1), 4–18.
  • Maktal Canko, D.Y. (2016). Bizans Dünyasında ve Sanatında Kadının Yeri. (Yayımlanmamış Doktora Tezi). Ege Üniversitesi.
  • Matlock, M. (2018). “Institutionalized Subordination: Women’s Roles in the Byzantine Church and the Suppression of Their Leadership.” MAD-RUSH Undergraduate Research Conference, 1, 1-15.
  • Megalommati, N. (2017). “Women and Family Law in Byzantium: Some Notes.” Historical Reflections/Réflexions Historiques, 43/1, 19-32.
  • Meyer, M. (2019). “Towards an Approach to Gendered Emotions in Byzantine Culture: An Introduction”. Emotions and Gender in Byzantine Culture, New Approaches to Byzantine History and Culture, (Ed. S. Constantinou and M. Meyer), Palgrave Macmillan, USA. Miriam's Middle Eastern Research Blog, (t.y). https://awalimofstormhold.wordpress.com/tag/byzantine/.
  • Monumenta Serbica, (2023). http://monumentaserbica.branatomic.com/mushushu/images/397.jpg (Son erişim tarihi 20.11.2023).
  • Nasaina, M. (2018). “Woman’s Position in Byzantine Society.” Open Journal for Studies in History, 1, 29-38.
  • Neville, L. (2019). Byzantine Gender. Arc Humanities Press, U.K.
  • Nibley, H. (1978). “The Early Christian Prayer Circle.” Brigham Young University Studies 19/1, 41-78.
  • Pitarakis, Brigitte. (2010). “From the Hippodrome to the Reception Halls in the Palace: Acclamations and Dances at the Service of Imperial Ideology”, The Byzantine Court: Source of Power and Culture. Papers from the Second International Sevgi Gönül Byzantine Studies Symposium (21-23 June 2010). (Ed. A. Ödekan, N. Necipoğlu, E. Akyürek). İstanbul: 129-137.
  • Polen, N. (1992). “Miriam’s Dance: Radical Egalitarianism in Hasidic Thought.” Modern Judaism, 12/1, 1-21.
  • Portail Biblissima, (2023). https://portail.biblissima.fr/fr/ark:/43093/mdata59fc63e382682ff8b10a88c117290ad7121d4995 (Son erişim tarihi 18.11.2023).
  • Portail Biblissima, (2023). https://portail.biblissima.fr/fr/ark:/43093/mdata87aeb6299be925e4210c4f62812615e9f86f6cbd (Son erişim tarihi: 20.11.2023).
  • Portail Biblissima, (2023). https://portail.biblissima.fr/fr/ark:/43093/mdatab2d29e1d4db7fd310a23d32ae9cfcb6548030301 (Son erişim tarihi: 20.11.2023).
  • “Pottery From Jerash”, (2015). https://users.stlcc.edu/mfuller/JerashPottery.html (Son erişim tarihi: 20.11.2023).
  • Sawyer, John F. A. (2020). Isaiah Through the Centuries. John Wiley and Sons Inc. USA.
  • Scala Archives, (2023). https://search.scalarchives.com/?16141816133845785070.
  • Smythe, D C. (1997). “Women as Outsiders.” Women, Men and Eunuchs. Gender in Byzantium, (Ed. Liz James), Routledge, London.
  • St. Louis Community College, (2014). “Roman Pottery Jar from Jerash”, http://users.stlcc.edu/mfuller/JerashPottery.html (Son erişim tarihi: 20.11.2023).
  • The Byzantine Legacy, (2016). https://www.thebyzantinelegacy.com/monomachos (Son erişim tarihi: 20.11.2023).
  • Vanderbilt University Divinity Library, (2023). https://diglib.library.vanderbilt.edu//act-processquery.pl?SID=20230219779084305&code=&code=act&SubjectBuildingName=State+Historical+Museum&SortOrder=Title&=phrase (Son erişim tarihi: 15.11.2023).
  • Vatandaş, C. (2007). “Toplumsal Cinsiyet ve Cinsiyet Rollerinin Algılanışı”, Istanbul Journal of Sociological Studies, 35, 29-36.
  • Viktoria and Albert Müzesi, (2023). https://collections.vam.ac.uk/item/O70463/veroli-casket-casket-unknown/ (Son erişim tarihi: 19.11.2023).
  • Vroom, J. (2014). “Human Representations on Medieval Cyprıot Ceramics and Beyond the Enigma of Mysterious Figures Wrapped in Riddles,” Cypriot Medieval Ceramics Reconsiderations and New Perspectives. (Ed. Papanikola-Bakirtzi-Nicholas Courea). The Cyprus Research Centre and The A. G. Leventis Foundation, Nicosia.
  • Walker, A. (2012). The Emperor and the World: Exotic Elements and the Imaging of Middle Byzantine Imperial Power, Ninth to Thirteenth Centuries C.E. Cambridge University Press, USA.
  • Watson, P. M. (1989). “Jerash Bowls: Study of a Provincial Group of Byzantine Decorated Fine Ware.” Syria, 66-1/4, 223–61.
  • Weitzmann, K. (Ed.) (1979). Age of Spirituality: Late Antique and Early Christian Art, Third to Seventh Century: Catalogue of the Exhibition at the Metropolitan Museum of Art. Princeton University Press, New York.
  • Weyl Carr, A. (1985). “Women and Monasticism in Byzantium: Introduction from an Art Historian.” Byzantinische Forschungen, 9, 1-15.
Toplam 58 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Konular Sanat Tarihi
Bölüm Araştırma Makalesi
Yazarlar

Feray Korucu Yağız 0000-0003-2208-7330

Erken Görünüm Tarihi 16 Mayıs 2024
Yayımlanma Tarihi 16 Mayıs 2024
Gönderilme Tarihi 3 Aralık 2023
Kabul Tarihi 30 Nisan 2024
Yayımlandığı Sayı Yıl 2024 Sayı: 62

Kaynak Göster

APA Korucu Yağız, F. (2024). BİZANS’TA KADIN VE DANS: DANS EDEN KADIN İMAJININ TASVİR SANATINA YANSIYAN ÖRNEKLERİ. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi(62), 131-148. https://doi.org/10.30794/pausbed.1399501
AMA Korucu Yağız F. BİZANS’TA KADIN VE DANS: DANS EDEN KADIN İMAJININ TASVİR SANATINA YANSIYAN ÖRNEKLERİ. PAUSBED. Mayıs 2024;(62):131-148. doi:10.30794/pausbed.1399501
Chicago Korucu Yağız, Feray. “BİZANS’TA KADIN VE DANS: DANS EDEN KADIN İMAJININ TASVİR SANATINA YANSIYAN ÖRNEKLERİ”. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, sy. 62 (Mayıs 2024): 131-48. https://doi.org/10.30794/pausbed.1399501.
EndNote Korucu Yağız F (01 Mayıs 2024) BİZANS’TA KADIN VE DANS: DANS EDEN KADIN İMAJININ TASVİR SANATINA YANSIYAN ÖRNEKLERİ. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 62 131–148.
IEEE F. Korucu Yağız, “BİZANS’TA KADIN VE DANS: DANS EDEN KADIN İMAJININ TASVİR SANATINA YANSIYAN ÖRNEKLERİ”, PAUSBED, sy. 62, ss. 131–148, Mayıs 2024, doi: 10.30794/pausbed.1399501.
ISNAD Korucu Yağız, Feray. “BİZANS’TA KADIN VE DANS: DANS EDEN KADIN İMAJININ TASVİR SANATINA YANSIYAN ÖRNEKLERİ”. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 62 (Mayıs 2024), 131-148. https://doi.org/10.30794/pausbed.1399501.
JAMA Korucu Yağız F. BİZANS’TA KADIN VE DANS: DANS EDEN KADIN İMAJININ TASVİR SANATINA YANSIYAN ÖRNEKLERİ. PAUSBED. 2024;:131–148.
MLA Korucu Yağız, Feray. “BİZANS’TA KADIN VE DANS: DANS EDEN KADIN İMAJININ TASVİR SANATINA YANSIYAN ÖRNEKLERİ”. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, sy. 62, 2024, ss. 131-48, doi:10.30794/pausbed.1399501.
Vancouver Korucu Yağız F. BİZANS’TA KADIN VE DANS: DANS EDEN KADIN İMAJININ TASVİR SANATINA YANSIYAN ÖRNEKLERİ. PAUSBED. 2024(62):131-48.