The Double Passage: Köle Anlatısında Sesin İcrası

Öz

Makale, milyonlarca Afrikalının, özgürlükten Amerika’ya ve Amerika’dan özgürlüğe giden “köle yolu”nu (double passage) betimler. Makalede, köle anlatısında ve özellikle sergilenen köle anlatısında (tiyatro ve müzik) sesin rolüne odaklanarak anlamın oluşturulmasında ve köle anlatısındaki özgürlük savaşında sesin önemi ele alınacaktır. Eğer köleler özgürlüklerinin yazı aracılığıyla yok olduğunu görmüşlerse düşüncelerini açıklama hakkı kazanmaları ve özgürlüklerini elde etmeleri, çoğu zaman söylenen söz ve müzik aracılığıyla olmuştur. Dion Boucicault'nun The Octoroon; or Life in Louisiana (1861) başlıklı melodramı, LeRoi Jones/Amiri Baraka'nın Slave Ship: A Historical Pageant (1967) başlıklı oyunu, Hannibal Lokumbe'nin African Portraits (1990) başlıklı oratoryosu, Ouladah Equiano'nun The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, Written by Himself (1789), Frederick Douglass'ın Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself (1845) başlıklı eserleri, Octavia Butler'ın Kindred (1979) başlıklı romanı ve Clarence Major'ın The Slave Trade: View from the Middle Passage (1994) başlıklı şiiri çalışmanın bütüncesini oluşturmaktadır.

Anahtar Kelimeler

• Ses,köle anlatısı,sergileme,Afrika,Afrikan-Amerikan edebiyatı,middle passage,köle yolu

The Double Passage: Performing Sound in Slave Narrative

Abstract

The article describes the “double passage” of millions of African people from freedom to America, and from America to freedom. Focusing on the role of sound in slave narrative, and in particular in slave narrative for performance (drama and music), the article will try to reach an understanding of the importance of sound in the construction of meaning, and in the fight for freedom in slave narrative. If slaves have in fact seen their freedom vanish through writing, it is often through the spoken word and through music that they have acquired a right to speak out and obtain freedom. The corpus analyzed includes Dion Boucicault's melodrama The Octoroon; or Life in Louisiana (1861), LeRoi Jones/Amiri Baraka's play Slave Ship: A Historical Pageant (1967), and Hannibal Lokumbe's oratorio African Portraits (1990), as well as Ouladah Equiano's The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, Written by Himself (1789), Frederick Douglass's Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself (1845), Octavia Butler's novel Kindred (1979), and Clarence Major's poem The Slave Trade: View from the Middle Passage (1994).

Keywords

• Sound,slave narrative,performance,Africa,African-American literature,middle passage,double passage

Kaynakça

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2. Boucicault, D. (1861). The Octoroon; or Life in Louisiana.
3. Butler, O. (1979). Kindred. Boston, MA: Beacon Press.
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6. Fuller, M. (1845, June 10). Review of “Narrative of the Life of Frederick Douglass, an American Slave”. New York Daily Tribune. In N. Baym, R. S. Levine (Eds.), The Norton Anthology of American Literature (8th ed., vol. B: 1820-1865, p. 778). New York, NY-London: W. W. Norton & Co.
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8. Hurston, Z. N. (1978 [1937]). Their Eyes Were Watching God. Urbana, IL: University of Illinois Press.

9. Jones, L. (1978 [1967]). Slave Ship: A Historical Pageant. In Amiri Baraka, The Motion of History and Other Plays (pp. 132-150). New York, NY: William Morrow.
10. Lokumbe, H. (1996 [1990]). African Portraits. [CD] Hamburg: Teldec.
11. Mackey, N. (1995). Other: From Noun to Verb. In K. Gabbard (Ed.). Jazz among the Discourses (pp. 76-99). Durham, NC: Duke University Press.
12. Major, C. (1994). The Slave Trade: View From the Middle Passage. African Review, 28 (1).
13. Pittman, E. (2010) Historical Memory and Embodied Politics as Public Interventions in Amiri Baraka’s “Slave Ship”. Prefix, 1 (1), pp. 33-43.
14. White, S., and White, G. (2005). The Sounds of Slavery: Discovering African American History through Songs, Sermons, and Speech. Boston, MA: Beacon Press.