Öz
This
article is exploring exemplification in science and art. Both equally research
studies and performs of artwork emphasize, exhibit, or express several of their
unique characteristics. They therefore concentrate interest on them, and
generate them accessible for evaluation and projection. The Michelson-Morley
test illustrates the consistency of the velocity of light. Pollock’s
illustrates the viscosity of paint. Nevertheless, science is stated to hold
specifics; art, to be unphased to them. I claim otherwise. Science, like
artwork, frequently scorns reality to enhance comprehending via fiction.
Considered tests are scientific fictions; fictional and pictorial fictions,
aesthetic assumed tests.
Anahtar Kelimeler
Kaynakça
- BURKHARDT, T. (1994). Aklın Aynası, Geleneksel Bilim ve Kutsal Sanat Üzerine Denemeler. Çev: Volkan Ersoy, İnsan Yayınları. COHN AE. (1931). Medicine, Science and Art: Studies in Interrelations. Kessinger Publishing, Whitefish Montana USA. CROMBIE AC. (1986). Experimental Science and the Rational Artist in Early Modern Europe. Art and Science. Ed: Stephen R.Graubard. University Press of America, USA, Lanham. CROZİER Ray (1994). Manufactured Pleasures: Psychological Responses to Design, Manchester University Press. FRANCIS M. (1989). Control as a Dimenson of Public- Space Quality, Public Places and Spaces. Ed. I. Altman ve E. Zube. New York: Plenium Press, Sayfa 147-169. HILLIER B. (1996). Space is The Machine, Cambridge University Press, Cambridge. GOODMAN N., ELGİN CZ. (1988). Reconceptions in philosophy and other arts and sciences. Hackett Publishing Co. Indianapolis, Sayfa 135-152. KOSTOF S. (1992). The City Assembled: The Elements of Urban Form Through History, Thames and Hudson, Londra. KRAUS R. (1991). Recreation in Modern Society, NewYork: Appleton-Centruy-Crofts. KURYLOWICZ J. (1970). The Quantitative Meter of Indo-European in Indo-European and Indo-Europeans, ed. George Cardona, Henry M. Hoenigswald and Alfred Senn. Philadelphia: University of Pennsylvania Press. Sayfa 421. MOTHERSILL M. (1984). Beauty Restored. Clarendon Press, Oxford. Sayfa 8. OLMSTED A. (1991). Collecting - Leisure, Investment or Obsesssion, Journal of Social Behavior and Personality, Sayı: 6(6), Sayfa 287-306. PUTNAM P. (1983). Models and Reality. Cambridge: Cambridge University Press, Cambridge. Sayfa 1-25. QUINE WV. (1980). Two Dogmas of Empiricism. Harvard University Press. Cambridge. Sayfa 41. REEKIE G. (1992). Changes in the Adamless Eden, Lifestyle Shopping. Ed. Rob Shilds. Londra: Routledge, Sayfa 170-192.
Öz
Bu
makale, sanatta ve bilimde örneklemeyi incelemektedir. Hem bilimsel deneyler
hem de sanat eserleri, sahip oldukları özelliklerinden bazılarını vurgulamakta,
görüntülemekte veya aktarmaktadır. Böylece bu özelliklere dikkat çekerek eserlerin
incelenmesi ve yansıtılması için hazır hale getirirler. Michelson-Morley
deneyi, ışık hızının sabitliğini örnekler. Pollock, boya viskozitesini
örneklendirir. Yine de, bilim, “gerçeklere uymak” için; sanat ise, “kayıtsız
kalmak” için yapılır denir. Bu makalede aksi savunulmaktadır. Bilim, sanat gibi
genellikle kurgu yoluyla anlayışı ilerletmek için gerçeği küçümser. Bu makale
kapsamında dikkate alınan testler; bilim kurguları, edebi ve resimsel kurgular
ve estetik düşünce deneyleridir.
Anahtar Kelimeler
Kaynakça
- BURKHARDT, T. (1994). Aklın Aynası, Geleneksel Bilim ve Kutsal Sanat Üzerine Denemeler. Çev: Volkan Ersoy, İnsan Yayınları. COHN AE. (1931). Medicine, Science and Art: Studies in Interrelations. Kessinger Publishing, Whitefish Montana USA. CROMBIE AC. (1986). Experimental Science and the Rational Artist in Early Modern Europe. Art and Science. Ed: Stephen R.Graubard. University Press of America, USA, Lanham. CROZİER Ray (1994). Manufactured Pleasures: Psychological Responses to Design, Manchester University Press. FRANCIS M. (1989). Control as a Dimenson of Public- Space Quality, Public Places and Spaces. Ed. I. Altman ve E. Zube. New York: Plenium Press, Sayfa 147-169. HILLIER B. (1996). Space is The Machine, Cambridge University Press, Cambridge. GOODMAN N., ELGİN CZ. (1988). Reconceptions in philosophy and other arts and sciences. Hackett Publishing Co. Indianapolis, Sayfa 135-152. KOSTOF S. (1992). The City Assembled: The Elements of Urban Form Through History, Thames and Hudson, Londra. KRAUS R. (1991). Recreation in Modern Society, NewYork: Appleton-Centruy-Crofts. KURYLOWICZ J. (1970). The Quantitative Meter of Indo-European in Indo-European and Indo-Europeans, ed. George Cardona, Henry M. Hoenigswald and Alfred Senn. Philadelphia: University of Pennsylvania Press. Sayfa 421. MOTHERSILL M. (1984). Beauty Restored. Clarendon Press, Oxford. Sayfa 8. OLMSTED A. (1991). Collecting - Leisure, Investment or Obsesssion, Journal of Social Behavior and Personality, Sayı: 6(6), Sayfa 287-306. PUTNAM P. (1983). Models and Reality. Cambridge: Cambridge University Press, Cambridge. Sayfa 1-25. QUINE WV. (1980). Two Dogmas of Empiricism. Harvard University Press. Cambridge. Sayfa 41. REEKIE G. (1992). Changes in the Adamless Eden, Lifestyle Shopping. Ed. Rob Shilds. Londra: Routledge, Sayfa 170-192.
Ayrıntılar
| Birincil Dil | Türkçe |
|---|---|
| Bölüm | Makaleler |
| Yazarlar | |
| Yayımlanma Tarihi | 1 Aralık 2017 |
| Yayımlandığı Sayı | Yıl 2017 |