This review aims to provide an overview of the emerging field of feminist film phenomenology. While film phenomenology has yet come into its own as a distinct, established, and institutionalized field, in the past two decades a considerable body of research—often produced by women researchers, and mostly by feminist theorists, in dialogue with one another—has embraced a phenomenological approach to the study of film. Feminist film phenomenology transcends the strict disciplinary approach and traditional academic understandings that have long marked the study of film, instead employing a transitive and flexible structure that situates the field between the disciplines of feminism, phenomenology, and film theory. This field of study is fundamentally based on the effort to understand film through embodied and situated experience. This review follows this effort through an examination of recent research and an exploration of feminist film phenomenologies that eschew narrowly singular methodologies to expand into multiple, inclusive, and intersectional perspectives.
|Yayımlanma Tarihi||25 Nisan 2022|
|Yayınlandığı Sayı||Yıl 2022, Cilt 13, Sayı 1|
sinecine TR DİZİN ve FIAF tarafından taranmaktadır.