An Analysis on Ambivalence in Cinema: “The Last Tycoon” Elia Kazan
Öz
Involved in filmmaking more than four decades, Elia Kazan had been a witness and an influence for significant change in the American film industry. His final phase includes four films, respectively, America America, The Arrangement, The Visitors and The Last Tycoon which are his most neglected films in film studies, compared to his previous successful films such as On the Waterfront, A Streetcar Named Desire, East of Eden and Splendor in the Grass. This study has focused on one of his late films for mainly two reasons; to fill the gap in the literature and present an analyses of Kazan’s most structurally different film regarding its narrative complexities with the concept of realism. Realism is one of the key concepts to study Kazan in the research field, but distinctively, I have tried to find the realism within the mise-en-scène and ambivalence in the narrative.
Anahtar Kelimeler
Kaynakça
- Andrew, J. D. (1976). The Major Film Theories. New York: Oxford University Press.
- ----------------- (1984). Concepts in Film Theory. New York: Oxford University Press.
- Balio, T. (1993). Grand Design: Hollywood As a Modern Business Enterprise, 1930-1939. (C. Harpole, ed.). New York: Simon & Schuster.
- Bazin, A. (2005). What Is Cinema? (H. Gray, trans.). University of California Press.
- Bordwell, D. (1985). Narration in the Fiction Film. The University of Wisconsin Press.
- Bordwell, D. and Thompson, K. (1997). C. Ward, N. Blaine, C. Berkowitz (eds.) Film Art: An Introduction. McGraw-Hill.
- Callahan, J. F. (1978). “The Unfinished Business of “The Last Tycoon”. Literature Film Quarterly. 6(3). 204-213.
- Ciment, M. (1973). C. Williams (ed.) Kazan on Kazan. London: Secker & Warburg.
Ayrıntılar
Birincil Dil
İngilizce
Konular
İletişim ve Medya Çalışmaları
Bölüm
Araştırma Makalesi
Yazarlar
Yayımlanma Tarihi
7 Ekim 2019
Gönderilme Tarihi
20 Haziran 2019
Kabul Tarihi
11 Eylül 2019
Yayımlandığı Sayı
Yıl 2019 Sayı: 4
APA
Ağın, B. (2019). An Analysis on Ambivalence in Cinema: “The Last Tycoon” Elia Kazan. Etkileşim, 4, 220-235. https://doi.org/10.32739/etkilesim.2019.4.71
AMA
1.Ağın B. An Analysis on Ambivalence in Cinema: “The Last Tycoon” Elia Kazan. Etkileşim. 2019;(4):220-235. doi:10.32739/etkilesim.2019.4.71
Chicago
Ağın, Besna. 2019. “An Analysis on Ambivalence in Cinema: ‘The Last Tycoon’ Elia Kazan”. Etkileşim, sy 4: 220-35. https://doi.org/10.32739/etkilesim.2019.4.71.
EndNote
Ağın B (01 Ekim 2019) An Analysis on Ambivalence in Cinema: “The Last Tycoon” Elia Kazan. Etkileşim 4 220–235.
IEEE
[1]B. Ağın, “An Analysis on Ambivalence in Cinema: ‘The Last Tycoon’ Elia Kazan”, Etkileşim, sy 4, ss. 220–235, Eki. 2019, doi: 10.32739/etkilesim.2019.4.71.
ISNAD
Ağın, Besna. “An Analysis on Ambivalence in Cinema: ‘The Last Tycoon’ Elia Kazan”. Etkileşim. 4 (01 Ekim 2019): 220-235. https://doi.org/10.32739/etkilesim.2019.4.71.
JAMA
1.Ağın B. An Analysis on Ambivalence in Cinema: “The Last Tycoon” Elia Kazan. Etkileşim. 2019;:220–235.
MLA
Ağın, Besna. “An Analysis on Ambivalence in Cinema: ‘The Last Tycoon’ Elia Kazan”. Etkileşim, sy 4, Ekim 2019, ss. 220-35, doi:10.32739/etkilesim.2019.4.71.
Vancouver
1.Besna Ağın. An Analysis on Ambivalence in Cinema: “The Last Tycoon” Elia Kazan. Etkileşim. 01 Ekim 2019;(4):220-35. doi:10.32739/etkilesim.2019.4.71
