Araştırma Makalesi
BibTex RIS Kaynak Göster

Development Art and Creative Education In The World And Kazakhstan: Comparative Analysis with Design

Yıl 2023, Sayı: 62, 205 - 213, 31.12.2023
https://doi.org/10.53568/yyusbed.1287396

Öz

Teachers of art and creative education are assigned more and more complex and effective tasks. However, the current system of art education does not always prepare students for these challenges. When we study what and how our system teaches young designers, we find that the most valuable elements of a designer's perspective and process are rarely taught. Instead, some designers go beyond their education through industry experience, essentially learning by accident. Many project programs still maintain a closed perspective and an inefficient mechanism for tacit knowledge transfer.
At the same time, the skills to develop creative solutions to complex problems are becoming increasingly important. Organizations are beginning to realize that signers bring something special to this type of work, a rational belief based on numerous studies that link commercial success to a design-based approach.
So, what should we do? Other learned professions, such as medicine, law, and business, provide excellent advice and guidance embedded in their own professionalization history. In this article, we will borrow their experience to recommend a course of action for designing. This will not be easy: it will require a research team to make recommendations on how to compile a list of design and educational practices that schools can use to create a curriculum that is appropriate for their goals and abilities. And then it will take a conscious effort for the design profession to become both a reliable community of practitioners and an effective professor, able together to fully understand the value of design in the 21st century. In this article, we will outline this path.

Kaynakça

  • Asanova, S. Zh. (2008). Social'no-ekonomicheskie osnovy formirovaniya promyshlennogo kompleksa po proizvodstvu nacional'noj odezhdy. Almaty.
  • Strelnikova, V. E. (2019). Design thinking as a modern design method/Business and Design Review. design method/ Business and Design Review, 4 (16). С. 13.
  • Cavanaugh, J. (2018, March 14). “A Matrix of Competencies for Interaction Design”, Design Higher (online), https://www.designhigher.com/ competencies-for-interaction-design/.
  • Cross, N. (2001). Designerly Ways of Knowing: Design Discipline Versus Design Science. Design Issues, 17(3), 49–55.
  • Cross, N. (2019, July). Editing Design Studies—And How to Improve the Likelihood of Your Paper Being Published. Design Studies, 63, A1–A9.
  • Dodge, K. (2020, January 21). Professional Vs Research Focus. DegreeQuery (online), https://www.degreequery.com/ what-is-the-benefit-of-an-eng-d-degree-vs-a-traditional-ph-d-degree/.
  • Friedman, K. (2019). “Design Education Today: Challenges, Opportunities, Failures.” Chatterjee Global/150th anniversary Commemorative Lecture, College of Design, Architecture, Art and Planning, the University of Cincinnati, October 3, https://www.academia.edu/40519668.
  • Friedman, K., Yongqi, L., Don, N., Pieter, J. S., Ena, V., and Patrick, W. (2014, December 2). “DesignX: A Future Path for Design.” jnd.org (online), http://www.jnd.org/dn.mss/designx_a_future_pa.html.
  • Gordon, R. A. and James, E. H. (1959). Higher Education for Business. New York: Columbia University Press.
  • Marchenko, M. N. (2002). Razvitie sposobnostej k dizajnerskoj deyatel'nosti. Moskva
  • Mikhalchenko, M. S., Kovalenko, I. N., Kodenko, I. Yu. (2021). Creative self-realization of a future teacher-artist in the process of professional training at the university/SHS Web of Conferences 113, 00100 https://doi.org/10.1051/shsconf/202111300100
  • Norman, D. A. (2016). When You Come to a Fork in the Road, Take It: The Future of Design. She Ji: The Journal of Design, Economics and Innovation, 2(4), 343–48.
  • Norman, D. (2016). “The ‘Science’ in the Science of Design”. Forword to The Psychology of Design: Creating Consumer Appeal, (edited by Rajeev Batra, Colleen M. Seifert, and Diann Brei), XIV–XVI. New York: Routledge.
  • Nurtaeva, A. (2019). Loft Project. Kak prevratit' svoj dom v istochnik vdohnoveniya. Almaty: Bombora.
  • Shirokova, S. Yu., Shirokova A. Yu. (2016). Ispol'zovanie interaktivnyh tekhnologij obucheniya v obrazovatel'nom processe/Sovremennye naukoemkie tekhnologii, No. 2 (chast' 1), 184-187.
  • Turganbaeva, Sh. S. (2018). Stanovlenie i razvitie dizajna v Kazahstane. Filologiya i iskusstvovedenie, No. 4, 59-67.

Dünyada ve Kazakistan'da Sanatın Geliştirilmesi ve Yaratıcı Eğitim: Tasarım ile Karşılaştırmalı Analiz

Yıl 2023, Sayı: 62, 205 - 213, 31.12.2023
https://doi.org/10.53568/yyusbed.1287396

Öz

Teachers of art and creative education are assigned more and more complex and effective tasks. However, the current system of art education does not always prepare students for these challenges. When we study what and how our system teaches young designers, we find that the most valuable elements of a designer's perspective and process are rarely taught. Instead, some designers go beyond their education through industry experience, essentially learning by accident. Many project programs still maintain a closed perspective and an inefficient mechanism for tacit knowledge transfer.
At the same time, the skills to develop creative solutions to complex problems are becoming increasingly important. Organizations are beginning to realize that signers bring something special to this type of work, a rational belief based on numerous studies that link commercial success to a design-based approach.
So, what should we do? Other learned professions, such as medicine, law, and business, provide excellent advice and guidance embedded in their own professionalization history. In this article, we will borrow their experience to recommend a course of action for designing. This will not be easy: it will require a research team to make recommendations on how to compile a list of design and educational practices that schools can use to create a curriculum that is appropriate for their goals and abilities. And then it will take a conscious effort for the design profession to become both a reliable community of practitioners and an effective professor, able together to fully understand the value of design in the 21st century. In this article, we will outline this path.

Kaynakça

  • Asanova, S. Zh. (2008). Social'no-ekonomicheskie osnovy formirovaniya promyshlennogo kompleksa po proizvodstvu nacional'noj odezhdy. Almaty.
  • Strelnikova, V. E. (2019). Design thinking as a modern design method/Business and Design Review. design method/ Business and Design Review, 4 (16). С. 13.
  • Cavanaugh, J. (2018, March 14). “A Matrix of Competencies for Interaction Design”, Design Higher (online), https://www.designhigher.com/ competencies-for-interaction-design/.
  • Cross, N. (2001). Designerly Ways of Knowing: Design Discipline Versus Design Science. Design Issues, 17(3), 49–55.
  • Cross, N. (2019, July). Editing Design Studies—And How to Improve the Likelihood of Your Paper Being Published. Design Studies, 63, A1–A9.
  • Dodge, K. (2020, January 21). Professional Vs Research Focus. DegreeQuery (online), https://www.degreequery.com/ what-is-the-benefit-of-an-eng-d-degree-vs-a-traditional-ph-d-degree/.
  • Friedman, K. (2019). “Design Education Today: Challenges, Opportunities, Failures.” Chatterjee Global/150th anniversary Commemorative Lecture, College of Design, Architecture, Art and Planning, the University of Cincinnati, October 3, https://www.academia.edu/40519668.
  • Friedman, K., Yongqi, L., Don, N., Pieter, J. S., Ena, V., and Patrick, W. (2014, December 2). “DesignX: A Future Path for Design.” jnd.org (online), http://www.jnd.org/dn.mss/designx_a_future_pa.html.
  • Gordon, R. A. and James, E. H. (1959). Higher Education for Business. New York: Columbia University Press.
  • Marchenko, M. N. (2002). Razvitie sposobnostej k dizajnerskoj deyatel'nosti. Moskva
  • Mikhalchenko, M. S., Kovalenko, I. N., Kodenko, I. Yu. (2021). Creative self-realization of a future teacher-artist in the process of professional training at the university/SHS Web of Conferences 113, 00100 https://doi.org/10.1051/shsconf/202111300100
  • Norman, D. A. (2016). When You Come to a Fork in the Road, Take It: The Future of Design. She Ji: The Journal of Design, Economics and Innovation, 2(4), 343–48.
  • Norman, D. (2016). “The ‘Science’ in the Science of Design”. Forword to The Psychology of Design: Creating Consumer Appeal, (edited by Rajeev Batra, Colleen M. Seifert, and Diann Brei), XIV–XVI. New York: Routledge.
  • Nurtaeva, A. (2019). Loft Project. Kak prevratit' svoj dom v istochnik vdohnoveniya. Almaty: Bombora.
  • Shirokova, S. Yu., Shirokova A. Yu. (2016). Ispol'zovanie interaktivnyh tekhnologij obucheniya v obrazovatel'nom processe/Sovremennye naukoemkie tekhnologii, No. 2 (chast' 1), 184-187.
  • Turganbaeva, Sh. S. (2018). Stanovlenie i razvitie dizajna v Kazahstane. Filologiya i iskusstvovedenie, No. 4, 59-67.
Toplam 16 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Güzel Sanatlar
Bölüm Tam Sayı
Yazarlar

Nurgul Koshkinbayeva 0000-0003-3657-4295

Ömer Zaimoğlu 0000-0002-9884-8397

Yayımlanma Tarihi 31 Aralık 2023
Gönderilme Tarihi 25 Nisan 2023
Yayımlandığı Sayı Yıl 2023 Sayı: 62

Kaynak Göster

APA Koshkinbayeva, N., & Zaimoğlu, Ö. (2023). Development Art and Creative Education In The World And Kazakhstan: Comparative Analysis with Design. Yüzüncü Yıl Üniversitesi Sosyal Bilimler Enstitüsü Dergisi(62), 205-213. https://doi.org/10.53568/yyusbed.1287396

Yüzüncü Yıl Üniversitesi Sosyal Bilimler Dergisi Creative Commons Atıf-GayriTicari 4.0 Uluslararası Lisansı (CC BY NC) ile lisanslanmıştır.