Research Article

Cinematographic space as an allegory of the individual’s social reality in the context of multi-layered meanings: The film platform

Number: 51 March 5, 2026
TR EN

Cinematographic space as an allegory of the individual’s social reality in the context of multi-layered meanings: The film platform

Abstract

This study examines the transformation of an individual's social reality into a spatial allegory through a multi-layered artistic expression. The allegorical spatial code area under examination is the cinematographic space. The film Platform (2019) has been selected as an example of cinematographic space. The film was selected because it concretises the individual's social reality through artistic expression. The theoretical scope of the study is based on Lefebvre's theory of space (particularly the concept of representational space) and the concept of individual social reality. Therefore, the analysis of cinematic space is approached within the context of representational space. The semiotic analysis and content analysis, which deciphers the characters' forms of social existence in line with the film's narrative, constitute the holistic method of the study. In line with the analysis, the film's level of connotation regarding social reality can be explained by the synthesis of three different levels: the relationship between the individual and society; the relationship between the body and space; and the relationship between the soul and the body. This deepening transforms into a multi-layered field of interpretation. The multi-layered interpretation based on allegory, which is the projection of human social reality, can only be explained by the variability of the subject in space. The original aspect of the study is that it addresses the abstraction of social reality and the variability of the subject in space with a dialectical approach.

Keywords

References

  1. Barthes, R. (2023). Göstergebilimsel serüven (M. Rifat & S. Rifat, Çev.). Yapı Kredi Yayınları.
  2. Barthes, R. (1999). Elements of semiology (A. Lavers & C. Smith, Trans.). Hill and Wang.
  3. Barthes, R. (1977). Image, music, text (S. Heath, Trans.). Fontana Press.
  4. Baudrillard, J. (1994). Simulacra and simulation (S. F. Glaser, Trans.). University of Michigan Press.
  5. Bourdieu, P. (1984). Distinction: A social critique of the judgement of taste (R. Nice, Trans.). Harvard University Press.
  6. Bozkurt, A., & Karakoç, E. (2020). Sinematografik düşüncenin tarihi. Uluslararası Kültürel ve Sosyal Araştırmalar Dergisi (UKSAD), 6(1), 178–190.
  7. Bruno, G. (2002). Atlas of emotion: Journeys in art, architecture, and film. Verso.
  8. Cavell, S. (1979). The world viewed: Reflections on the ontology of film. Harvard University Press.

Details

Primary Language

English

Subjects

Urban Sociology and Community Studies, Architectural Design

Journal Section

Research Article

Publication Date

March 5, 2026

Submission Date

December 21, 2025

Acceptance Date

January 16, 2026

Published in Issue

Year 2026 Number: 51

APA
İlkdoğan, H., & Bayram, S. (2026). Cinematographic space as an allegory of the individual’s social reality in the context of multi-layered meanings: The film platform. İDEALKENT, 51, 1-14. https://doi.org/10.31198/idealkent.1846635
AMA
1.İlkdoğan H, Bayram S. Cinematographic space as an allegory of the individual’s social reality in the context of multi-layered meanings: The film platform. İDEALKENT. 2026;(51):1-14. doi:10.31198/idealkent.1846635
Chicago
İlkdoğan, Haldun, and Selcan Bayram. 2026. “Cinematographic Space As an Allegory of the Individual’s Social Reality in the Context of Multi-Layered Meanings: The Film Platform”. İDEALKENT, nos. 51: 1-14. https://doi.org/10.31198/idealkent.1846635.
EndNote
İlkdoğan H, Bayram S (March 1, 2026) Cinematographic space as an allegory of the individual’s social reality in the context of multi-layered meanings: The film platform. İDEALKENT 51 1–14.
IEEE
[1]H. İlkdoğan and S. Bayram, “Cinematographic space as an allegory of the individual’s social reality in the context of multi-layered meanings: The film platform”, İDEALKENT, no. 51, pp. 1–14, Mar. 2026, doi: 10.31198/idealkent.1846635.
ISNAD
İlkdoğan, Haldun - Bayram, Selcan. “Cinematographic Space As an Allegory of the Individual’s Social Reality in the Context of Multi-Layered Meanings: The Film Platform”. İDEALKENT. 51 (March 1, 2026): 1-14. https://doi.org/10.31198/idealkent.1846635.
JAMA
1.İlkdoğan H, Bayram S. Cinematographic space as an allegory of the individual’s social reality in the context of multi-layered meanings: The film platform. İDEALKENT. 2026;:1–14.
MLA
İlkdoğan, Haldun, and Selcan Bayram. “Cinematographic Space As an Allegory of the Individual’s Social Reality in the Context of Multi-Layered Meanings: The Film Platform”. İDEALKENT, no. 51, Mar. 2026, pp. 1-14, doi:10.31198/idealkent.1846635.
Vancouver
1.Haldun İlkdoğan, Selcan Bayram. Cinematographic space as an allegory of the individual’s social reality in the context of multi-layered meanings: The film platform. İDEALKENT. 2026 Mar. 1;(51):1-14. doi:10.31198/idealkent.1846635