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Hindu inançlarında dansın yeri: “Dansın kralı Śiva”

Year 2019, Issue: 8, 57 - 68, 29.12.2019

Abstract

Makalenin amacı Hint panteonunda yer alan ve önemli tanrılardan biri olan tanrı Śiva ve dansı ile ilgili bilgi vermektir. Śiva Dansı ile meşhur tanrılar arasında yer aldığından kendisine verilen isimlerden bir tanesi Śiva Natarāja (Dansın Kralı)’dır. Hint mitoslarının hemen hemen her döneminde varlığından söz ettiren Śiva, birçok tanrılar içerisinde önemli bir yere sahiptir. Hindu üçlemesi arasında yer alan Śiva, yok edici konumdadır. Bu konumu haricinde birçok farklı betimlemeleri de mevcuttur. Bu betimlemelerde tanrı algısına pek yakışmayan ifadeler de bulunmaktadır. Örneğin Śiva’nın evsiz dilenci olarak tasvir edilmesi veya kaplan derisini yüzdükten sonra üzerinde taşıması gibi, belki de bir tanrıya uymayan hallere bürünmesi bunlardan bazılarıdır. Bu makalede Śiva’nın farklı aktivitelerine de değinilmiş ve meşhur eylemi olan ‘dans’ından bahsedilmiştir. Bu bağlamda dansın, Hindu inanç sistemi ve sanatındaki önemi ortaya konmuştur.

References

  • Beltz, J. (2011). The dancing Śiva: South Indian processional bronze, museum artwork, and universal icon. Journal of Religion in Europe 4, Leiden: Koninklijke Brill NV.
  • Capra, F. (1975). The Tao of Physics, An Exploration of the Parallels Between Modern Physics and Eastern Mysticism. Colorado: Shambhala Publications.
  • Coomaraswamy, A. (2011). The Wisdom of Ananda Coomaraswamy: Reflections on Indian Art, Life, and Religion. Singam, S. Durai Raja, Fitzgerald, Joseph A. (ed.). China: World Wisdom Inc..
  • Coomaraswamy, A. (1918). The Dance of Śiva, Fourteen Indian Essays. New York: The Sunwise Turn Inc..
  • Dalal, R. (2010). Hinduism: An Alphabetical guide. Penguin.
  • Dimmit, C., Buitenen, J.A.B. van, (1978). Classical Hindu Mythology, a Reader in the Sanskrit Puranas. Philadelphia: Temple University Press.
  • George, K. M. (1994). Modern Indian Literature, An Anthology: Plays and Prose. Vol. 3. New Delhi: Sahitya Akademi.
  • Gıll, S. (2012). Dancing Culture Religion. USA: Lexington Books.
  • Jansen, E. R. (2003). The Book of Hindu Imagery: Gods Manifestations and Their Meaning. Harm Kuiper (trc.). the Netherlands: Binkey Kok Publications BV. 8. Printing.
  • Kinsley, D. R. (1979). The Divine Player: A Study of Krisna Līlā, Motilal Banarsidass. first ed.. Delhi.
  • Mandakranda, B., (1991). Movement and Mimesis, the Idea of Dance in the Sanskritic Tradition. Dordrecht: Springer science & Business media.
  • Massey, R. (2004). India’s Dances: Their History, Technique and Repertoire. India: Abhinav Publications.
  • Muni, B. (1959). The Natyaśāstra. Manomohan G. (trc.). Vol. I. Calcutta: The Royal Asiatic Society of Bengal.
  • O’flaherty, W. D., Michell G., Berkson C. (1999). Elephanta, The Cave of Śiva. Delhi: Motilal Banarsidass Pulishers.
  • Patel, A. P., Dodiya J. K. (2002). Perspectives on Sri Aurobindo’s Poetry, Plays and Criticism. New Delhi: Sarup & Sons.
  • Ramachandran, V. (2006). Het Bewustzijn, een Korte Rondleiding. Benelux (Belçika, Hollanda, Lüxemburg): Pearson Education.
  • Schweig, G. M. (2005). Dance of Divine Love. Princeton University Press.
  • Sharma, K. P. (2004). Folk Dances of Chambā. New Delhi: Indus Publishing Company.
  • Shrada, S. (2004). Śiva as ‘cosmic dancer’: On Pallava origins for the Natarāja Bronze. World Archeology, The Archeology of Hinduism. Vol. 36 (3). Taylor & Francis Ltd.. s. 432-433.
  • Varma, A. (2011). Performance and Culture: Narrative, Image and Enactment in India. United Kingdom: Cambridge Scholars Publishing.
  • Vivekananda Kendra Patrika, (t.y.). Dances of India. (y.y.). s. 15-17.
  • Wilkins, J. W. (1993). Hindu Mythology, Vedic and Puranic. New Delhi: Rupa & co. fourth impression.
  • Williams, G. M. (2003). Handbook of Hindu Mythology. USA: ABC-CLIO Inc..
  • Williams, M. A. (1960). Sanskrit- English Dictionary, Etymologically and Philologically Arranged with Special Reference to Cognate Indo- European Languages. Great Britain: Oxford University Press. first edition 1899, reprinted from sheets of the first edition 1956.
  • Zimmer, H. (1953). Philosophies of India. Joseph Campbell (ed.). USA: Routledge & Kegan Paul LTD. second impression.
  • Zimmer, H. (1993). The King and the Corpse: Tales of the Soul’s Conquest of Evil. Joseph Campbell (ed.). USA: Princeton University Press. tenth printing.
  • Zimmer, H. (1974). Myths and Symbols in Indian Art and Civilization. Joseph Campbell (ed.). USA: Princeton University Press. second printing.

The importance of dance in Hindu beliefs: “Shiva, the king of dance”

Year 2019, Issue: 8, 57 - 68, 29.12.2019

Abstract

This paper elaborates the character and dance of Shiva, one of the principle deities in the Hindu pantheon. Shiva is from the gods celebrated for their dance, for which he also came to be called Śiva Natarāja. Mentioned in almost every phase of Hindu mythology, Shiva holds a particularly important place among the deities. Within his part in the Hindu trinity, he is considered to be the destroyer. Yet, apart from this position, he has also been subject to a variety of alternate descriptions. Among these, there are narrations which do not quite fit the deity paradigm. The portrayal of him as a homeless bagger or as wearing the personally flayed skin of a tiger, may serve as expressions of patterns that do not tend to agree with the image of a god. This paper seeks to adress Shiva’s diversified activities, as well as his famous act of ‘dancing’. As such, it will provide insight into the Hindu belief system and into the significance of dance in its art.

References

  • Beltz, J. (2011). The dancing Śiva: South Indian processional bronze, museum artwork, and universal icon. Journal of Religion in Europe 4, Leiden: Koninklijke Brill NV.
  • Capra, F. (1975). The Tao of Physics, An Exploration of the Parallels Between Modern Physics and Eastern Mysticism. Colorado: Shambhala Publications.
  • Coomaraswamy, A. (2011). The Wisdom of Ananda Coomaraswamy: Reflections on Indian Art, Life, and Religion. Singam, S. Durai Raja, Fitzgerald, Joseph A. (ed.). China: World Wisdom Inc..
  • Coomaraswamy, A. (1918). The Dance of Śiva, Fourteen Indian Essays. New York: The Sunwise Turn Inc..
  • Dalal, R. (2010). Hinduism: An Alphabetical guide. Penguin.
  • Dimmit, C., Buitenen, J.A.B. van, (1978). Classical Hindu Mythology, a Reader in the Sanskrit Puranas. Philadelphia: Temple University Press.
  • George, K. M. (1994). Modern Indian Literature, An Anthology: Plays and Prose. Vol. 3. New Delhi: Sahitya Akademi.
  • Gıll, S. (2012). Dancing Culture Religion. USA: Lexington Books.
  • Jansen, E. R. (2003). The Book of Hindu Imagery: Gods Manifestations and Their Meaning. Harm Kuiper (trc.). the Netherlands: Binkey Kok Publications BV. 8. Printing.
  • Kinsley, D. R. (1979). The Divine Player: A Study of Krisna Līlā, Motilal Banarsidass. first ed.. Delhi.
  • Mandakranda, B., (1991). Movement and Mimesis, the Idea of Dance in the Sanskritic Tradition. Dordrecht: Springer science & Business media.
  • Massey, R. (2004). India’s Dances: Their History, Technique and Repertoire. India: Abhinav Publications.
  • Muni, B. (1959). The Natyaśāstra. Manomohan G. (trc.). Vol. I. Calcutta: The Royal Asiatic Society of Bengal.
  • O’flaherty, W. D., Michell G., Berkson C. (1999). Elephanta, The Cave of Śiva. Delhi: Motilal Banarsidass Pulishers.
  • Patel, A. P., Dodiya J. K. (2002). Perspectives on Sri Aurobindo’s Poetry, Plays and Criticism. New Delhi: Sarup & Sons.
  • Ramachandran, V. (2006). Het Bewustzijn, een Korte Rondleiding. Benelux (Belçika, Hollanda, Lüxemburg): Pearson Education.
  • Schweig, G. M. (2005). Dance of Divine Love. Princeton University Press.
  • Sharma, K. P. (2004). Folk Dances of Chambā. New Delhi: Indus Publishing Company.
  • Shrada, S. (2004). Śiva as ‘cosmic dancer’: On Pallava origins for the Natarāja Bronze. World Archeology, The Archeology of Hinduism. Vol. 36 (3). Taylor & Francis Ltd.. s. 432-433.
  • Varma, A. (2011). Performance and Culture: Narrative, Image and Enactment in India. United Kingdom: Cambridge Scholars Publishing.
  • Vivekananda Kendra Patrika, (t.y.). Dances of India. (y.y.). s. 15-17.
  • Wilkins, J. W. (1993). Hindu Mythology, Vedic and Puranic. New Delhi: Rupa & co. fourth impression.
  • Williams, G. M. (2003). Handbook of Hindu Mythology. USA: ABC-CLIO Inc..
  • Williams, M. A. (1960). Sanskrit- English Dictionary, Etymologically and Philologically Arranged with Special Reference to Cognate Indo- European Languages. Great Britain: Oxford University Press. first edition 1899, reprinted from sheets of the first edition 1956.
  • Zimmer, H. (1953). Philosophies of India. Joseph Campbell (ed.). USA: Routledge & Kegan Paul LTD. second impression.
  • Zimmer, H. (1993). The King and the Corpse: Tales of the Soul’s Conquest of Evil. Joseph Campbell (ed.). USA: Princeton University Press. tenth printing.
  • Zimmer, H. (1974). Myths and Symbols in Indian Art and Civilization. Joseph Campbell (ed.). USA: Princeton University Press. second printing.
There are 27 citations in total.

Details

Primary Language Turkish
Subjects Religious Studies
Journal Section Research Articles
Authors

Rukiye Bilican 0000-0002-0987-4754

Publication Date December 29, 2019
Submission Date September 18, 2019
Published in Issue Year 2019 Issue: 8

Cite

APA Bilican, R. (2019). Hindu inançlarında dansın yeri: “Dansın kralı Śiva”. Türkiye Din Eğitimi Araştırmaları Dergisi(8), 57-68.

Turkish Journal of Religious Education Studies is licensed under a Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License.