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Modern Kuramların Postmodern Yansımaları: Okur Odaklı Edebiyat Kuramlarında Okurun Konumlandırılışı

Yıl 2017, Cilt: 5 Sayı: 1, 49 - 70, 30.06.2017

Öz

20.
yüzyılın ikinci yarısından itibaren edebiyat alanında önemli bir paradigma
değişikliğinin gerçekleştiği söylenebilir. Bu değişiklik genel olarak edebiyat
kuram ve eleştirilerinin o güne kadar ihmal ettiği ancak en başından itibaren
edebiyatın en önemli parçası olan okurun yeni bir yönüyle keşfedilmesi ve
yeniden tanımlanmasıyla gerçekleşir. Yazar ve onun yazdığı metin karşısında o
güne kadar edilgen bir rol biçilen okur, dönemin koşullarının da elverişli
olması nedeniyle aşama aşama etken bir role büründürülür. 1970’li yıllardan
itibaren ise okurun bu özelliğini ele alan bir dizi yeni bakış açısı ve
yaklaşım ortaya çıkar. Özellikle Almanya, Amerika ve Fransa’da ortaya çıkan bu
yaklaşımların her birisi beslendikleri felsefi geleneğin etkisi altında farklı
bir okur modeli geliştirirler. Bu çalışmada bu farklı okur modellerinden üç
tanesi incelenerek okur kavramı ile neyi veya kimi kastettikleri üzerinde
durulmuştur. Bu üç farklı yaklaşımın ele alınmasındaki amaç ise, günümüzde
edebiyat metnini anlamlandırmada etken bir rol üstlenen okuru tanımlamak üzere
kullanılan “postmodern okur” modeline katkılarının olup olmadığını
sorgulamaktır.

Kaynakça

  • Aust, Hugo (1983): Lesen. Überlegungen zum sprachlichen Verstehen. Tübingen: Niemeyer.
  • Becker, Eve Marie (2011): Antike Textsammlungen in Konstruktion und Dekonstruktion. Eine Darstellung aus neutestamentlicher Sicht. İçinde: E.M Becker / S. Scholz (ed.): Kanon in Konstruktion und Dekonstruktion: Kanonisierungsprozesse religiöser Texte von der Antike bis zur Gegenwart. Ein Handbuch. Berlin/New York: Walter de Gruyter, s. 1-29.
  • Dablé, Nadine (2012): Leerstellen transmedial. Auslassungsphänomene als narrative Strategie in Film und Fernsehen. Bielefeld: Transcript.
  • De Beaugrande, Robert (1984): Writer, reader, critic: Comparing critical theories as discourse. College English, 46 (6), s. 533-559.
  • Fish, Stanley (1970): Literature in the reader: Affective stylistics. New Literary History, 2(1), 123-162. http://www.jstor.org/stable/468593 (Erişim: 15.03.2017).
  • Fish, Stanley (1976): Interpreting the 'Variorum'. Critical Inquiry, 2(3), 465-485. http://links.jstor.org/sici?sici=0093-1896%28197621%292%3A3%3C465%3AIT%22%3E2. 0.CO%3B2-Y (Erişim: 15.03.2017).
  • Fish, Stanley (1980): Is there a text in this class?: The authority of interpretive communities. Harvard University Press.
  • Habib, M.A.R (2005): A History of Literary Criticism: From Plato to the Present. Oxford: Blackwell.
  • Holland, Norman (1975): 5 readers reading. New Haven: Yale University Press.
  • Holland, Norman (1975): Unity identity text self. Publications of the Modern Language Association of America, 90 (5), 813-822. http://www.jstor.org/stable/461467 (Erişim: 15.03.2017).
  • Holland, Norman (1990): Holland's guide to psychoanalytic psychology and literature-and-psychology. Oxford: Oxford University Press.
  • Holland, Norman (2009): Literature and the brain. Florida: PsyArt Foundation.
  • Iser, Wolfgang (1994a): Der Akt des Lesens. Theorie ästhetischer Wirkung, 4. Auflage, München: Wilhelm Fink Verlag.
  • Iser, Wolfgang (1979a): 'Die Appellstruktur der Texte'. İçinde: Rainer Warning (ed.), Rezeptionsästhetik. Theorie und Praxis, Münih, s. 228-252.
  • Iser, Wolfgang (1979b): 'Der Lesevorgang: Eine phänomenologische Perspektive'.İçinde: Rainer Warning (ed.), Rezeptionsästhetik. Theorie und Praxis, München, s. 253-276.
  • Iser, Wolfgang (1994b): Der implizite Leser. Kommunikationsformen des Romans von Bunyan bis Beckett. München: Wilhelm Fink Verlag.
  • Jauss, Hans Robert (1976): Literaturgeschichte als Provokation der Literaturwissenschaft. Rezeptionsästhetik: Theorie und Praxis, München: Wilhelm Fink Verlag.
  • Lid, R. W., ve Handler, Philip (1975): Radical chic and the liberation of the reader. Theory into practice. Taylor & Francis, 14 (3), 149-155. http://www.jstor.org/stable/1475662 (Erişim: 22.03.2017)
  • McCormick, Kathleen (1985): Theory in the reader: Bleich, Holland, and beyond. College English, 47(8), 836-850. http://www.jstor.org/stable/376620 (Erişim: 21.03.2017)
  • Nisslmüller, Thomas (1995): Rezeptionsästhetik und Bibellese. Wolfgang Isers Lese-Theorie als Paradigma für die Rezeption biblischer Texte, (Theorie und Forschung 375; Theologie und Philosophie 25), Regensburg: Roderer Verlag
  • Robinson, Jenefer (2004): The art of distancing: How formal devices manage our emotional responses to literature. The Journal of aesthetics and art criticism, 62(2), 153-162. http://www.jstor.org/stable/1559199 (Erişim: 20.03.2017)
  • Sartre, Jean Paul (1948): Qu'est-ce que la littérature?, Paris: Gallimard.
  • Schwenne, Marion (2013): Was ist engagierte Literatur? Jean-Paul Sartres Theorie des literarischen Engagements, Hamburg: Diplomico Verlag.
  • Steiner, Linda (1988): The role of readers in reporting texts. Journalism Quarterly, 65 (3), s. 642-647.
  • Wake, Paul, ve Malpas, Simon (2006): The Routledge companion to critical theory. New York: Routledge.
  • Willenberg, Heiner (1978): Zur Psychologie literarischen Lesens. Wahrnehmung Sprache und Gefühle. Paderborn.

The Postmodern Reflections of Modern Theories: The Role of the Reader in the Reader Response Literary Theory

Yıl 2017, Cilt: 5 Sayı: 1, 49 - 70, 30.06.2017

Öz

From the second half of the 20th
century, it can be expressed that a paradigmatic change took place in the field
of literature. This change came into view when the new role of the reader was
discovered and when a new definition was put forward about the reader, who was
generally ignored by the literary theorists and critics until that time but in
fact who has played the most important role in literature from the very
beginning. The reader, who had a passive status in front of the author and the
literary work s/he produced, has gradually acquired an active position since
the circumstances of the period were appropriate. From 1970s, a vast number of
new perspectives and philosophical understandings dealing with the reader’s new
role came to the fore. Each of these perspectives, particularly those emerging
in Germany, America and France, under the effect of the philosophical
traditions leading them to emerge, introduced a different reader model. In this
study, three of these different reader models have been analysed in order to
discuss how they describe and define the concept related to the reader. By
dwelling on these three different perspectives, what is questioned in this
article is whether or not these understandings have contributed to the “postmodern
reader” model which has been employed to define the position of the reader, who
has a significant role nowadays in identifying the literary texts.

Kaynakça

  • Aust, Hugo (1983): Lesen. Überlegungen zum sprachlichen Verstehen. Tübingen: Niemeyer.
  • Becker, Eve Marie (2011): Antike Textsammlungen in Konstruktion und Dekonstruktion. Eine Darstellung aus neutestamentlicher Sicht. İçinde: E.M Becker / S. Scholz (ed.): Kanon in Konstruktion und Dekonstruktion: Kanonisierungsprozesse religiöser Texte von der Antike bis zur Gegenwart. Ein Handbuch. Berlin/New York: Walter de Gruyter, s. 1-29.
  • Dablé, Nadine (2012): Leerstellen transmedial. Auslassungsphänomene als narrative Strategie in Film und Fernsehen. Bielefeld: Transcript.
  • De Beaugrande, Robert (1984): Writer, reader, critic: Comparing critical theories as discourse. College English, 46 (6), s. 533-559.
  • Fish, Stanley (1970): Literature in the reader: Affective stylistics. New Literary History, 2(1), 123-162. http://www.jstor.org/stable/468593 (Erişim: 15.03.2017).
  • Fish, Stanley (1976): Interpreting the 'Variorum'. Critical Inquiry, 2(3), 465-485. http://links.jstor.org/sici?sici=0093-1896%28197621%292%3A3%3C465%3AIT%22%3E2. 0.CO%3B2-Y (Erişim: 15.03.2017).
  • Fish, Stanley (1980): Is there a text in this class?: The authority of interpretive communities. Harvard University Press.
  • Habib, M.A.R (2005): A History of Literary Criticism: From Plato to the Present. Oxford: Blackwell.
  • Holland, Norman (1975): 5 readers reading. New Haven: Yale University Press.
  • Holland, Norman (1975): Unity identity text self. Publications of the Modern Language Association of America, 90 (5), 813-822. http://www.jstor.org/stable/461467 (Erişim: 15.03.2017).
  • Holland, Norman (1990): Holland's guide to psychoanalytic psychology and literature-and-psychology. Oxford: Oxford University Press.
  • Holland, Norman (2009): Literature and the brain. Florida: PsyArt Foundation.
  • Iser, Wolfgang (1994a): Der Akt des Lesens. Theorie ästhetischer Wirkung, 4. Auflage, München: Wilhelm Fink Verlag.
  • Iser, Wolfgang (1979a): 'Die Appellstruktur der Texte'. İçinde: Rainer Warning (ed.), Rezeptionsästhetik. Theorie und Praxis, Münih, s. 228-252.
  • Iser, Wolfgang (1979b): 'Der Lesevorgang: Eine phänomenologische Perspektive'.İçinde: Rainer Warning (ed.), Rezeptionsästhetik. Theorie und Praxis, München, s. 253-276.
  • Iser, Wolfgang (1994b): Der implizite Leser. Kommunikationsformen des Romans von Bunyan bis Beckett. München: Wilhelm Fink Verlag.
  • Jauss, Hans Robert (1976): Literaturgeschichte als Provokation der Literaturwissenschaft. Rezeptionsästhetik: Theorie und Praxis, München: Wilhelm Fink Verlag.
  • Lid, R. W., ve Handler, Philip (1975): Radical chic and the liberation of the reader. Theory into practice. Taylor & Francis, 14 (3), 149-155. http://www.jstor.org/stable/1475662 (Erişim: 22.03.2017)
  • McCormick, Kathleen (1985): Theory in the reader: Bleich, Holland, and beyond. College English, 47(8), 836-850. http://www.jstor.org/stable/376620 (Erişim: 21.03.2017)
  • Nisslmüller, Thomas (1995): Rezeptionsästhetik und Bibellese. Wolfgang Isers Lese-Theorie als Paradigma für die Rezeption biblischer Texte, (Theorie und Forschung 375; Theologie und Philosophie 25), Regensburg: Roderer Verlag
  • Robinson, Jenefer (2004): The art of distancing: How formal devices manage our emotional responses to literature. The Journal of aesthetics and art criticism, 62(2), 153-162. http://www.jstor.org/stable/1559199 (Erişim: 20.03.2017)
  • Sartre, Jean Paul (1948): Qu'est-ce que la littérature?, Paris: Gallimard.
  • Schwenne, Marion (2013): Was ist engagierte Literatur? Jean-Paul Sartres Theorie des literarischen Engagements, Hamburg: Diplomico Verlag.
  • Steiner, Linda (1988): The role of readers in reporting texts. Journalism Quarterly, 65 (3), s. 642-647.
  • Wake, Paul, ve Malpas, Simon (2006): The Routledge companion to critical theory. New York: Routledge.
  • Willenberg, Heiner (1978): Zur Psychologie literarischen Lesens. Wahrnehmung Sprache und Gefühle. Paderborn.
Toplam 26 adet kaynakça vardır.

Ayrıntılar

Bölüm Makaleler
Yazarlar

Berna Köseoğlu Bu kişi benim

Metin Toprak Bu kişi benim

Yayımlanma Tarihi 30 Haziran 2017
Gönderilme Tarihi 27 Temmuz 2017
Yayımlandığı Sayı Yıl 2017 Cilt: 5 Sayı: 1

Kaynak Göster

APA Köseoğlu, B., & Toprak, M. (2017). Modern Kuramların Postmodern Yansımaları: Okur Odaklı Edebiyat Kuramlarında Okurun Konumlandırılışı. Diyalog Interkulturelle Zeitschrift Für Germanistik, 5(1), 49-70.

www.gerder.org.tr/diyalog