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Müzisyenlerin mesleki gelişiminde yaratıcı düşünmenin rolü

Yıl 2025, Cilt: 10 Sayı: 4, 1045 - 1059, 29.10.2025
https://doi.org/10.31811/ojomus.1749663

Öz

Müzisyenlerin eğitimi, onların gelecekteki yaratıcı yollarını şekillendirmede çok önemli bir bileşendir. Bu araştırmanın amacı, müzik eğitimi veren yükseköğretim kurumlarındaki öğrenci ve öğretmenlerin öznel algılarına odaklanarak, yaratıcı yeteneklerin ve düşünmenin, eğitimlerinin farklı aşamalarında performans sergileyen müzisyenlerin mesleki gelişimini nasıl etkilediğini analiz etmektir. Çapraz kesit tasarımı kullanılmıştır. Çalışmada, ilgili deneyime sahip katılımcıların dahil edilmesini sağlayan yarı yapılandırılmış görüşmeler ve ayrı odak gruplarında (toplam 39 öğrenci ve 8 öğretmen) tartışmalar kullanılmıştır. Sonuçlar, müzik öğrencileri ve öğretmenleri arasında yaratıcılığın gelişiminin, orijinal müzik materyallerini yorumlama, doğaçlama yapma ve performanslarda gelenekleri yeniden değerlendirme becerilerini güçlendirdiğini göstermektedir. Sanatçının vizyonu, duygusal ifade gücü ve yorumlama özgürlüğü, yaratıcı düşünmenin gelişiminde etkili olmaktadır. Sonuç olarak, birçok katılımcı yaratıcı düşünmeyi yaratıcılığın motivasyon kaynağı olarak görmektedir ve yaratıcı düşünme yeteneği sadece performans yorumlaması için değil, genel olarak da önemli bir bileşen olarak değerlendirilmektedir. Aynı zamanda, yaratıcı düşünmenin gelişmesinin önündeki engeller arasında, yeniden üretmeye dayalı öğrenmenin hakimiyeti, hata yapma korkusu, akademik programların esnekliğinin sınırlı olması ve otoriter öğretim tarzı sayılabilir. Çalışma, doğaçlama, kolektif yaratıcılık yöntemleri ve yorumlama özgürlüğünün, mesleki gelişimde yaratıcı düşünmeyi teşvik etmede önemli yaklaşımlar olduğunu ortaya koymaktadır. Bireysel performans stilini desteklemeye odaklanan, ortaklığa dayalı bir öğretim tarzının benimsenmesiyle yaratıcı, yorumlayıcı ve iletişimsel beceriler geliştirilebilir. Bu çalışma, yüksek müzik eğitim kurumlarındaki hem öğrencilerin hem de öğretmenlerin öznel deneyimlerini vurgulayarak, icra eden müzisyenlerin mesleki gelişiminde yaratıcı düşünmenin rolüne yeni bir bakış açısı sunmaktadır. Bulgular, icracıların kişiliklerinin deneyimlerden yararlanarak gelişebileceğini vurgulamaktadır.

Kaynakça

  • Barrett, J. R. (2006). Recasting professional development for music teachers in an era of reform. Arts Education Policy Review, 107(6), 19-28. https://doi.org/10.3200/aepr.107.6.19-28
  • Bath, N., Daubney, A., Mackrill, D., & Spruce, G. (2020). The declining place of music education in schools in England. Children & Society, 34(5), 443-457. https://doi.org/10.1111/chso.12386
  • Bezliudnyi, O., Kravchenko, O., Maksymchuk, B., Mishchenko, M., Maksymchuk, I., & Tychyna, P. (2019). Psycho-correction of burnout syndrome in sports educators. Journal of Physical Education and Sport, 19(3), 1585-1590. http://efsupit.ro/images/stories/septembrie2019/Art%20230.pdf
  • Biasutti, M. (2017). Teaching improvisation through processes. Applications in Music Education and Implications for General Education. Frontiers in Psychology, 8. https://doi.org/10.3389/fpsyg.2017.00911
  • Biasutti, M., Antonini Philippe, R., & Schiavio, A. (2021). Assessing teachers’ perspectives on giving music lessons remotely during the COVID-19 lockdown period. Musicae Scientiae, 26(3), 585-603. https://doi.org/10.1177/1029864921996033
  • Braun, V., & Clarke, V. (2023). Thematic analysis. In Encyclopedia of quality of life and well-being research (pp. 7187-7193). Springer International Publishing. https://doi.org/10.1007/978-3-031-17299-1_3470
  • Carnovalini, F., & Rodà, A. (2020). Computational creativity and music generation systems: An Introduction to the state of the art. Frontiers in Artificial Intelligence, 3. https://doi.org/10.3389/frai.2020.00014
  • Cheng, L., Wang, M., Chen, Y., Niu, W., Hong, M., & Zhu, Y. (2022). Design my music instrument: A project-based science, technology, engineering, arts, and mathematics program on the development of creativity. Frontiers in Psychology, 12. https://doi.org/10.3389/fpsyg.2021.763948
  • Cuadrado, F. (2018). Music and talent: An experimental project for personal development and well-being through music. International Journal of Music Education, 37(1), 156-174. https://doi.org/10.1177/0255761418794720
  • Davydov, M. (2013). Some aspects of performing musician professional thinking. Current Issues in the Humanities, 7, 93-118. http://nbuv.gov.ua/UJRN/apgnd_2013_7_13
  • Dobos, B., Piko, B. F., & Kenny, D. T. (2018). Music performance anxiety and its relationship with social phobia and dimensions of perfectionism. Research Studies in Music Education, 41(3), 310-326. https://doi.org/10.1177/1321103x18804295
  • Dushniy, А. I., Zaets, V. M., & Zaiets, O. P. (2023). Meaningful intonation as a universal system mechanism of formation of professional technological thinking of a musician-performer. In Musical art and linguistic thesaurus of world culture: Ukraine’s experience (pp. 114-131). Izdevnieciba “Baltija Publishing”. https://doi.org/10.30525/978-9934-26-293-7-7
  • Gaunt, H., Duffy, C., Coric, A., González Delgado, I. R., Messas, L., Pryimenko, O., & Sveidahl, H. (2021). Musicians as “Makers in society”: A conceptual foundation for contemporary professional higher music education. Frontiers in Psychology, 12. https://doi.org/10.3389/fpsyg.2021.713648
  • Griffith, A. (2021). Embodied creativity in the fine and performing arts. Journal of Creativity, 31, 100010. https://doi.org/10.1016/j.yjoc.2021.100010
  • Guilford, J. P. (1957). Creative abilities in the arts. Psychological Review, 64(2), 110-118. https://doi.org/10.1037/h0048280
  • Guilford, J. P. (1976). Aptitude for creative thinking: One or many?. The Journal of Creative Behavior, 10(3), 165-169. https://doi.org/10.1002/j.2162-6057.1976.tb01019.x
  • Harmat, L., de Manzano, Ö., & Ullén, F. (2021). Flow in music and arts. In Advances in Flow Research (pp. 377-391). Springer International Publishing. https://doi.org/10.1007/978-3-030-53468-4_14
  • Huovinen, E. (2021). Theories of creativity in music: Students’ theory appraisal and argumentation. Frontiers in Psychology, 12. https://doi.org/10.3389/fpsyg.2021.612739
  • Kumar, N. (2024). Innovative approaches of e-learning in college education: Global experience. E-Learning Innovations Journal, 2(2), 36-51. https://doi.org/10.57125/elij.2024.09.25.03
  • Larsson, C., & Georgii-Hemming, E. (2018). Improvisation in general music education - a literature review. British Journal of Music Education, 36(1), 49-67. https://doi.org/10.1017/s026505171800013x
  • Lewis, S. (2015). Qualitative inquiry and research design: Choosing among five approaches. Health Promotion Practice, 16(4), 473-475. https://doi.org/10.1177/1524839915580941
  • Lobova, O., Ustymenko-Kosorich, O., Zavialova, O., & Stakhevych, O. (2020). Professional performance and methodological training of future musical art teachers: A theoretical approach. Journal of History Culture and Art Research, 9(4), 37. https://doi.org/10.7596/taksad.v9i4.2822
  • Makris, S., Welch, G., & Himonides, E. (2022). Creativities in music and creativities through music. In The Routledge Companion to Creativities in Music Education (pp. 389-403). Routledge. https://doi.org/10.4324/9781003248194-38
  • Mozgalova, N. G., Baranovska, I. G., Hlazunova, I. K., Mikhalishen, A. V., & Kazmirchuk, N. S. (2021). Methodological foundations of soft skills of musical art teachers in pedagogical institutions of higher education. Linguistics and Culture Review, 5(S2), 317-327. https://doi.org/10.21744/lingcure.v5ns2.1355
  • Navarro Ramón, L., & Chacón-López, H. (2021). The impact of musical improvisation on children’s creative thinking. Thinking Skills and Creativity, 40, 100839. https://doi.org/10.1016/j.tsc.2021.100839
  • Nieuwmeijer, C., Marshall, N., & van Oers, B. (2021). Musical play in the early years: The impact of a professional development programme on teacher efficacy of early years generalist teachers. Research Papers in Education, 38(3), 426-447. https://doi.org/10.1080/02671522.2021.1998207
  • Palmiero, M., Guariglia, P., Crivello, R., & Piccardi, L. (2020). The relationships between musical expertise and divergent thinking. Acta Psychologica, 203, 102990. https://doi.org/10.1016/j.actpsy.2019.102990
  • Pellegrino, K. (2011). Exploring the benefits of music-making as professional development for music teachers. Arts Education Policy Review, 112(2), 79-88. https://doi.org/10.1080/10632913.2011.546694
  • Peng, R. (2025). Enhancing creativity in music education through VR: Development of convergent and divergent thinking. Interactive Learning Environments, 33, 4874-4888. https://doi.org/10.1080/10494820.2025.2472284
  • Roberts, K., Dowell, A., & Nie, J.-B. (2019). Attempting rigor and replicability in thematic analysis of qualitative research data; A case study of codebook development. BMC Medical Research Methodology, 19, 66. https://doi.org/10.1186/s12874-019-0707-y
  • Romijn, B. R., Slot, P. L., & Leseman, P. P. M. (2021). Increasing teachers’ intercultural competences in teacher preparation programs and through professional development: A review. Teaching and Teacher Education, 98, 103236. https://doi.org/10.1016/j.tate.2020.103236
  • Samaniego, M., Usca, N., Salguero, J., & Quevedo, W. (2024). Creative thinking in art and design education: A systematic review. Education Sciences, 14(2), 192. https://doi.org/10.3390/educsci14020192
  • Schiavio, A., & Benedek, M. (2020). Dimensions of musical creativity. Frontiers in Neuroscience, 14. https://doi.org/10.3389/fnins.2020.578932
  • Smutny, J. F. (1996). A pioneer in creativity research: On Millar’s E. Paul Torrance: The creativity man. (book). Creativity Research Journal, 9(4), 419-420. https://doi.org/10.1207/s15326934crj0904_15
  • Talaboev, A., Akbarov, T., & Haydarov, A. (2020). Song performing in traditional performing arts: Past and present time. The European Journal of Arts, (1), 85-88. https://doi.org/10.29013/eja-20-1-85-88
  • Tan, A.-G., Tsubonou, Y., Oie, M., & Mito, H. (2018). Creativity and music education: A state of art reflection. In Creativity in Music Education (pp. 3-16). Springer Singapore. https://doi.org/10.1007/978-981-13-2749-0_1
  • Trehub, S. E. (2020). Divergent perspectives on musical knowledge, expertise, and science. Evolutionary Studies in Imaginative Culture, 4(2), 121-134. https://doi.org/10.26613/esic.4.2.194
  • Tsekhmister, I., Daniliuk, I., Rodina, N., Biron, B., & Semeniuk, N. (2018). Developing a stress reaction inventory for eye care workers. Oftalmologicheskii Zhurnal, 78(1), 39-45. https://doi.org/10.31288/oftalmolzh201913945
  • Vasil, M., Weiss, L., & Powell, B. (2018). Popular music pedagogies: An approach to teaching 21st-century skills. Journal of Music Teacher Education, 28(3), 85-95. https://doi.org/10.1177/1057083718814454
  • Vovchenko, O. A., Lytvynova, N. A., Tsekhmister, Y. V., Hoshovska, D. T., & Vichalkovska, N. K. (2022). Socialisation of adolescents with cognitive disorders through emotional intelligence. Journal of Intellectual Disability-Diagnosis and Treatment, 10(1), 56-69. https://doi.org/10.6000/2292-2598.2022.10.01.7
  • Wan, W. (2023). The importance of developing creative thinking in the preparation of music education professionals in universities. Interactive Learning Environments, 32(7), 3686-3696. https://doi.org/10.1080/10494820.2023.2188400
  • Wei, J., Karuppiah, M., & Prathik, A. (2022). College music education and teaching based on AI techniques. Computers and Electrical Engineering, 100, 107851. https://doi.org/10.1016/j.compeleceng.2022.107851
  • Wong, M. W.-y. (2020). Fostering musical creativity of students with intellectual disabilities: Strategies, gamification and re-framing creativity. Music Education Research, 23(1), 1-13. https://doi.org/10.1080/14613808.2020.1862777
  • Yao, T., & Qin, Z. (2024). Musical improvisation for college students: Personal creativity and thinking skills. Cambridge Journal of Education, 54(6), 721-740. https://doi.org/10.1080/0305764x.2024.2426475
  • Zaets, V. M. (2019). Specific aspects of professional thinking of musician-performers. In Culture and arts in the educational process of the modernity (pp. 121-142). Liha-Pres. https://doi.org/10.36059/978-966-397-143-8/121-142
  • Zhang, S. (2022). Interactive environment for music education: developing certain thinking skills in a mobile or static interactive environment. Interactive Learning Environments, 31(10), 6856-6868. https://doi.org/10.1080/10494820.2022.2049826
  • Zhylin, M., Makarenko, S., Kolohryvova, N., Bursa, A., & Tsekhmister, Y. (2022). Risk factors for depressive disorders after coming through COVID-19 and emotional intelligence of the individual. Journal of Intellectual Disability- Diagnosis and Treatment, 10(5), 248-258. https://doi.org/10.6000/2292-2598.2022.10.05.6

The role of creative thinking in the professional development of a performing musician

Yıl 2025, Cilt: 10 Sayı: 4, 1045 - 1059, 29.10.2025
https://doi.org/10.31811/ojomus.1749663

Öz

The education of musicians is a crucial component in shaping their future creative paths. The aim of this article is to analyse how creative abilities and thinking influence the professional development of musicians performing at different stages of their education, by focusing on the subjective perceptions of students and teachers in higher education institutions. The study was conducted within the framework of a qualitative research approach. The cross-sectional design was also employed. The study utilized semi-structured interviews and discussions in separate focus groups (a total of 39 students and 8 teachers), allowing the inclusion of participants with relevant experience. The sample was formed purposefully, interviews were conducted using a semi-structured questionnaire developed on the basis of thematic blocks. Data processing was carried out using thematic analysis. The results indicate that, in addition to the development of creativity, there is also an improvement in the ability to interpret original musical material, engage in improvisation, and reconsider existing traditions in performance. Elements such as the artist’s vision, emotional expressiveness, freedom of interpretation, and self-expression are influential. Many participants view creative thinking as a source of motivation for creativity, and the ability to think creatively is considered not only essential for performance interpretation but also as a crucial component in general. The necessary skills through the introduction of a partnership-based teaching style that focuses on supporting the individual performance style. This study offers a novel perspective on the role of creative thinking in the professional development of performing musicians by emphasizing the subjective experiences. The findings emphasize that the development of a performer’s personality is possible through the borrowing of experiences. Promising directions for further research are to determine the role of creative thinking in optimizing the teaching process in the field of artistic disciplines based on the collection of empirical data.

Kaynakça

  • Barrett, J. R. (2006). Recasting professional development for music teachers in an era of reform. Arts Education Policy Review, 107(6), 19-28. https://doi.org/10.3200/aepr.107.6.19-28
  • Bath, N., Daubney, A., Mackrill, D., & Spruce, G. (2020). The declining place of music education in schools in England. Children & Society, 34(5), 443-457. https://doi.org/10.1111/chso.12386
  • Bezliudnyi, O., Kravchenko, O., Maksymchuk, B., Mishchenko, M., Maksymchuk, I., & Tychyna, P. (2019). Psycho-correction of burnout syndrome in sports educators. Journal of Physical Education and Sport, 19(3), 1585-1590. http://efsupit.ro/images/stories/septembrie2019/Art%20230.pdf
  • Biasutti, M. (2017). Teaching improvisation through processes. Applications in Music Education and Implications for General Education. Frontiers in Psychology, 8. https://doi.org/10.3389/fpsyg.2017.00911
  • Biasutti, M., Antonini Philippe, R., & Schiavio, A. (2021). Assessing teachers’ perspectives on giving music lessons remotely during the COVID-19 lockdown period. Musicae Scientiae, 26(3), 585-603. https://doi.org/10.1177/1029864921996033
  • Braun, V., & Clarke, V. (2023). Thematic analysis. In Encyclopedia of quality of life and well-being research (pp. 7187-7193). Springer International Publishing. https://doi.org/10.1007/978-3-031-17299-1_3470
  • Carnovalini, F., & Rodà, A. (2020). Computational creativity and music generation systems: An Introduction to the state of the art. Frontiers in Artificial Intelligence, 3. https://doi.org/10.3389/frai.2020.00014
  • Cheng, L., Wang, M., Chen, Y., Niu, W., Hong, M., & Zhu, Y. (2022). Design my music instrument: A project-based science, technology, engineering, arts, and mathematics program on the development of creativity. Frontiers in Psychology, 12. https://doi.org/10.3389/fpsyg.2021.763948
  • Cuadrado, F. (2018). Music and talent: An experimental project for personal development and well-being through music. International Journal of Music Education, 37(1), 156-174. https://doi.org/10.1177/0255761418794720
  • Davydov, M. (2013). Some aspects of performing musician professional thinking. Current Issues in the Humanities, 7, 93-118. http://nbuv.gov.ua/UJRN/apgnd_2013_7_13
  • Dobos, B., Piko, B. F., & Kenny, D. T. (2018). Music performance anxiety and its relationship with social phobia and dimensions of perfectionism. Research Studies in Music Education, 41(3), 310-326. https://doi.org/10.1177/1321103x18804295
  • Dushniy, А. I., Zaets, V. M., & Zaiets, O. P. (2023). Meaningful intonation as a universal system mechanism of formation of professional technological thinking of a musician-performer. In Musical art and linguistic thesaurus of world culture: Ukraine’s experience (pp. 114-131). Izdevnieciba “Baltija Publishing”. https://doi.org/10.30525/978-9934-26-293-7-7
  • Gaunt, H., Duffy, C., Coric, A., González Delgado, I. R., Messas, L., Pryimenko, O., & Sveidahl, H. (2021). Musicians as “Makers in society”: A conceptual foundation for contemporary professional higher music education. Frontiers in Psychology, 12. https://doi.org/10.3389/fpsyg.2021.713648
  • Griffith, A. (2021). Embodied creativity in the fine and performing arts. Journal of Creativity, 31, 100010. https://doi.org/10.1016/j.yjoc.2021.100010
  • Guilford, J. P. (1957). Creative abilities in the arts. Psychological Review, 64(2), 110-118. https://doi.org/10.1037/h0048280
  • Guilford, J. P. (1976). Aptitude for creative thinking: One or many?. The Journal of Creative Behavior, 10(3), 165-169. https://doi.org/10.1002/j.2162-6057.1976.tb01019.x
  • Harmat, L., de Manzano, Ö., & Ullén, F. (2021). Flow in music and arts. In Advances in Flow Research (pp. 377-391). Springer International Publishing. https://doi.org/10.1007/978-3-030-53468-4_14
  • Huovinen, E. (2021). Theories of creativity in music: Students’ theory appraisal and argumentation. Frontiers in Psychology, 12. https://doi.org/10.3389/fpsyg.2021.612739
  • Kumar, N. (2024). Innovative approaches of e-learning in college education: Global experience. E-Learning Innovations Journal, 2(2), 36-51. https://doi.org/10.57125/elij.2024.09.25.03
  • Larsson, C., & Georgii-Hemming, E. (2018). Improvisation in general music education - a literature review. British Journal of Music Education, 36(1), 49-67. https://doi.org/10.1017/s026505171800013x
  • Lewis, S. (2015). Qualitative inquiry and research design: Choosing among five approaches. Health Promotion Practice, 16(4), 473-475. https://doi.org/10.1177/1524839915580941
  • Lobova, O., Ustymenko-Kosorich, O., Zavialova, O., & Stakhevych, O. (2020). Professional performance and methodological training of future musical art teachers: A theoretical approach. Journal of History Culture and Art Research, 9(4), 37. https://doi.org/10.7596/taksad.v9i4.2822
  • Makris, S., Welch, G., & Himonides, E. (2022). Creativities in music and creativities through music. In The Routledge Companion to Creativities in Music Education (pp. 389-403). Routledge. https://doi.org/10.4324/9781003248194-38
  • Mozgalova, N. G., Baranovska, I. G., Hlazunova, I. K., Mikhalishen, A. V., & Kazmirchuk, N. S. (2021). Methodological foundations of soft skills of musical art teachers in pedagogical institutions of higher education. Linguistics and Culture Review, 5(S2), 317-327. https://doi.org/10.21744/lingcure.v5ns2.1355
  • Navarro Ramón, L., & Chacón-López, H. (2021). The impact of musical improvisation on children’s creative thinking. Thinking Skills and Creativity, 40, 100839. https://doi.org/10.1016/j.tsc.2021.100839
  • Nieuwmeijer, C., Marshall, N., & van Oers, B. (2021). Musical play in the early years: The impact of a professional development programme on teacher efficacy of early years generalist teachers. Research Papers in Education, 38(3), 426-447. https://doi.org/10.1080/02671522.2021.1998207
  • Palmiero, M., Guariglia, P., Crivello, R., & Piccardi, L. (2020). The relationships between musical expertise and divergent thinking. Acta Psychologica, 203, 102990. https://doi.org/10.1016/j.actpsy.2019.102990
  • Pellegrino, K. (2011). Exploring the benefits of music-making as professional development for music teachers. Arts Education Policy Review, 112(2), 79-88. https://doi.org/10.1080/10632913.2011.546694
  • Peng, R. (2025). Enhancing creativity in music education through VR: Development of convergent and divergent thinking. Interactive Learning Environments, 33, 4874-4888. https://doi.org/10.1080/10494820.2025.2472284
  • Roberts, K., Dowell, A., & Nie, J.-B. (2019). Attempting rigor and replicability in thematic analysis of qualitative research data; A case study of codebook development. BMC Medical Research Methodology, 19, 66. https://doi.org/10.1186/s12874-019-0707-y
  • Romijn, B. R., Slot, P. L., & Leseman, P. P. M. (2021). Increasing teachers’ intercultural competences in teacher preparation programs and through professional development: A review. Teaching and Teacher Education, 98, 103236. https://doi.org/10.1016/j.tate.2020.103236
  • Samaniego, M., Usca, N., Salguero, J., & Quevedo, W. (2024). Creative thinking in art and design education: A systematic review. Education Sciences, 14(2), 192. https://doi.org/10.3390/educsci14020192
  • Schiavio, A., & Benedek, M. (2020). Dimensions of musical creativity. Frontiers in Neuroscience, 14. https://doi.org/10.3389/fnins.2020.578932
  • Smutny, J. F. (1996). A pioneer in creativity research: On Millar’s E. Paul Torrance: The creativity man. (book). Creativity Research Journal, 9(4), 419-420. https://doi.org/10.1207/s15326934crj0904_15
  • Talaboev, A., Akbarov, T., & Haydarov, A. (2020). Song performing in traditional performing arts: Past and present time. The European Journal of Arts, (1), 85-88. https://doi.org/10.29013/eja-20-1-85-88
  • Tan, A.-G., Tsubonou, Y., Oie, M., & Mito, H. (2018). Creativity and music education: A state of art reflection. In Creativity in Music Education (pp. 3-16). Springer Singapore. https://doi.org/10.1007/978-981-13-2749-0_1
  • Trehub, S. E. (2020). Divergent perspectives on musical knowledge, expertise, and science. Evolutionary Studies in Imaginative Culture, 4(2), 121-134. https://doi.org/10.26613/esic.4.2.194
  • Tsekhmister, I., Daniliuk, I., Rodina, N., Biron, B., & Semeniuk, N. (2018). Developing a stress reaction inventory for eye care workers. Oftalmologicheskii Zhurnal, 78(1), 39-45. https://doi.org/10.31288/oftalmolzh201913945
  • Vasil, M., Weiss, L., & Powell, B. (2018). Popular music pedagogies: An approach to teaching 21st-century skills. Journal of Music Teacher Education, 28(3), 85-95. https://doi.org/10.1177/1057083718814454
  • Vovchenko, O. A., Lytvynova, N. A., Tsekhmister, Y. V., Hoshovska, D. T., & Vichalkovska, N. K. (2022). Socialisation of adolescents with cognitive disorders through emotional intelligence. Journal of Intellectual Disability-Diagnosis and Treatment, 10(1), 56-69. https://doi.org/10.6000/2292-2598.2022.10.01.7
  • Wan, W. (2023). The importance of developing creative thinking in the preparation of music education professionals in universities. Interactive Learning Environments, 32(7), 3686-3696. https://doi.org/10.1080/10494820.2023.2188400
  • Wei, J., Karuppiah, M., & Prathik, A. (2022). College music education and teaching based on AI techniques. Computers and Electrical Engineering, 100, 107851. https://doi.org/10.1016/j.compeleceng.2022.107851
  • Wong, M. W.-y. (2020). Fostering musical creativity of students with intellectual disabilities: Strategies, gamification and re-framing creativity. Music Education Research, 23(1), 1-13. https://doi.org/10.1080/14613808.2020.1862777
  • Yao, T., & Qin, Z. (2024). Musical improvisation for college students: Personal creativity and thinking skills. Cambridge Journal of Education, 54(6), 721-740. https://doi.org/10.1080/0305764x.2024.2426475
  • Zaets, V. M. (2019). Specific aspects of professional thinking of musician-performers. In Culture and arts in the educational process of the modernity (pp. 121-142). Liha-Pres. https://doi.org/10.36059/978-966-397-143-8/121-142
  • Zhang, S. (2022). Interactive environment for music education: developing certain thinking skills in a mobile or static interactive environment. Interactive Learning Environments, 31(10), 6856-6868. https://doi.org/10.1080/10494820.2022.2049826
  • Zhylin, M., Makarenko, S., Kolohryvova, N., Bursa, A., & Tsekhmister, Y. (2022). Risk factors for depressive disorders after coming through COVID-19 and emotional intelligence of the individual. Journal of Intellectual Disability- Diagnosis and Treatment, 10(5), 248-258. https://doi.org/10.6000/2292-2598.2022.10.05.6
Toplam 47 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Müzik Eğitimi
Bölüm Araştırma Makalesi
Yazarlar

Andriy Dushniy 0000-0002-5010-9691

Volodymyr Salii 0000-0002-3522-3787

Nataliia Storonska 0000-0002-6793-5199

Valeriy Shafeta 0000-0003-0991-5920

Ulyana Molchko 0000-0003-1519-6053

Yayımlanma Tarihi 29 Ekim 2025
Gönderilme Tarihi 28 Temmuz 2025
Kabul Tarihi 20 Ekim 2025
Yayımlandığı Sayı Yıl 2025 Cilt: 10 Sayı: 4

Kaynak Göster

APA Dushniy, A., Salii, V., Storonska, N., … Shafeta, V. (2025). The role of creative thinking in the professional development of a performing musician. Online Journal of Music Sciences, 10(4), 1045-1059. https://doi.org/10.31811/ojomus.1749663