Reclaiming Agency through Fashion: Postcolonial Identities and Colonial Legacies in V.S. Naipaul's A Bend in the River
Öz
Fashion has been an important part of human cultures since the dawn of civilization. It covers a wide range of practices related to clothing, style, personal ornaments to domains like furniture, interior design, and food preferences. Therefore, it is deeply influenced by cultural, social, economic, and political factors. Fashion is a powerful tool for representing identity, especially in cultures impacted by colonialism and imperialism. It is through fashion choices that individuals express their cultural identity, challenge norms imposed by others, and resist the erasure of their heritage. It becomes a tool for empowerment and self-representation, allowing marginal communities to reclaim agency over their own narratives. While colonialism may have ended, the legacy of colonialism has left lasting impacts on economies, social structures, and cultural perceptions. The Western nations continue actively participating in imperial activities to protect their wealth and power by exploiting other countries economically. The internalisation of colonial set of values has also influenced the perception of fashion among the people from once colonised countries whose cultural values are deemed as being uncivilized as “superior”, “civilized” and “rational” coloniser’s western fashion trends permeate the local market. Fashion is used as a means of signifying power, class, and status with European modes of dress being seen as a symbol of sophistication and modernity. Drawing upon the broader theorerical framework of postcolonialism, this paper critically analyses V.S. Naipaul’s seminal work A Bend in the River to demonstrate how fashion choices creates identities to continue colonial legacies.
Anahtar Kelimeler
Kaynakça
- Ashcroft, William D., Gareth Griffiths, and Helen Tiffin. (1989). The Empire Writes Back. London: Routledge.
- Bhabha, Homi K. (2004). The Location of Culture. London and New York: Routledge.
- Brooks, Andrew. (2015). Clothing Poverty: The Hidden World of Fast Fashion and Second-hand Clothes. London: Zed Books.
- Chaudhuri, Nirad C. (1976). Culture in the Vanity Bag: Being an Essay on Clothing and Adornment in Passing and Abiding India. Bombay: Jaico Pub. House.
- Clifford, James. (2013). Returns: Becoming Indigenous in the Twenty-First Century. Cambridge: Harvard University Press.
- Crane, Diana. (2000). Fashion and its Social Agendas: Class, Gender, and Identity in Clothing. Chicago: University of Chicago Press.
Reclaiming Agency through Fashion: Postcolonial Identities and Colonial Legacies in V.S. Naipaul's A Bend in the River
Öz
Fashion has been an important part of human cultures since the dawn of civilization. It covers a wide range of practices related to clothing, style, personal ornaments to domains like furniture, interior design, and food preferences. Therefore, it is deeply influenced by cultural, social, economic, and political factors. Fashion is a powerful tool for representing identity, especially in cultures impacted by colonialism and imperialism. It is through fashion choices that individuals express their cultural identity, challenge norms imposed by others, and resist the erasure of their heritage. It becomes a tool for empowerment and self-representation, allowing marginal communities to reclaim agency over their own narratives. While colonialism may have ended, the legacy of colonialism has left lasting impacts on economies, social structures, and cultural perceptions. The Western nations continue actively participating in imperial activities to protect their wealth and power by exploiting other countries economically. The internalisation of colonial set of values has also influenced the perception of fashion among the people from once colonised countries whose cultural values are deemed as being uncivilized as “superior”, “civilized” and “rational” coloniser’s western fashion trends permeate the local market. Fashion is used as a means of signifying power, class, and status with European modes of dress being seen as a symbol of sophistication and modernity. Drawing upon the broader theorerical framework of postcolonialism, this paper critically analyses V.S. Naipaul’s seminal work A Bend in the River to demonstrate how fashion choices creates identities to continue colonial legacies.
Anahtar Kelimeler
Kaynakça
- Ashcroft, William D., Gareth Griffiths, and Helen Tiffin. (1989). The Empire Writes Back. London: Routledge.
- Bhabha, Homi K. (2004). The Location of Culture. London and New York: Routledge.
- Brooks, Andrew. (2015). Clothing Poverty: The Hidden World of Fast Fashion and Second-hand Clothes. London: Zed Books.
- Chaudhuri, Nirad C. (1976). Culture in the Vanity Bag: Being an Essay on Clothing and Adornment in Passing and Abiding India. Bombay: Jaico Pub. House.
- Clifford, James. (2013). Returns: Becoming Indigenous in the Twenty-First Century. Cambridge: Harvard University Press.
- Crane, Diana. (2000). Fashion and its Social Agendas: Class, Gender, and Identity in Clothing. Chicago: University of Chicago Press.
Ayrıntılar
| Birincil Dil | İngilizce |
|---|---|
| Konular | Dünya Dilleri, Edebiyatı ve Kültürü (Diğer) |
| Bölüm | EDEBİYAT / ARAŞTIRMA MAKALELERİ |
| Yazarlar | |
| Yayımlanma Tarihi | 30 Aralık 2023 |
| Gönderilme Tarihi | 21 Eylül 2023 |
| Kabul Tarihi | 21 Kasım 2023 |
| Yayımlandığı Sayı | Yıl 2023 Cilt: 8 Sayı: 3 |
Cited By
East and Central Africa 2023
Literature, Critique, and Empire Today
https://doi.org/10.1177/30333962241288412
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.