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THE ACADEMIC TRACES OF A UNIVERSAL LANGUAGE: BIBLIOMETRIC ANALYSES ON MUSIC EDUCATION CURRICULA

Cilt: 9 Sayı: 1 21 Şubat 2026
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THE ACADEMIC TRACES OF A UNIVERSAL LANGUAGE: BIBLIOMETRIC ANALYSES ON MUSIC EDUCATION CURRICULA

Abstract

This study maps the development and thematic trends of music education curricula research through a bibliometric analysis of 133 articles published between 1970 and 2025. Using data from the Web of Science and VOSviewer, the analysis examined publication patterns, citation impact, collaboration networks, and conceptual orientations. Results show a surge in output since the mid-2000s, peaking after 2018. The United States and China lead in publications and citations, while Canada, Cyprus, and the United Kingdom occupy central positions in collaboration networks. Some institutions gained strong link strength from a single publication, highlighting the influence of isolated contributions. At the author level, Wai-Chung Ho and Graham McPhail emerged as the most influential, though few sustained contributors exist. Key outlets include the International Journal of Music Education, Music Education Research, and the British Journal of Music Education. Thematic analysis highlights curriculum renewal, inclusivity, and popular music, with limited exploration of policy and psychological perspectives.

Keywords

Kaynakça

  1. Barton, G. (2023). Aesthetic literacies in school and work: New pathways for education. Springer Briefs in Education. https://doi.org/10.1007/978-981-19-7750-3
  2. Donthu, N., Kumar, S., Mukherjee, D., Pandey, N., & Lim, W. M. (2021). How to conduct a bibliometric analysis: An overview and guidelines. Journal of Business Research, 133, 285–296. https://doi.org/10.1016/j.jbusres.2021.04.070
  3. Fuller, B. (2022). Is what works best, best for music education? Australian Journal of Music Education, 54(2), 3–14.
  4. He, J. (2024). Comparative study of modern music education in China and the West from the perspective of comparative musicology. Proceedings of Contemporary Humanities Research, 3(1), 87–95. https://doi.org/10.54254/2753-7064/42/20242559
  5. Hebert, D. G. (2012). Patriotism and nationalism in music education. Routledge. https://doi.org/10.4324/9780203806461
  6. Hess, J. (2017). Equity in music education: Why equity and social justice in music education? Music Educators Journal, 104(1), 71–73.
  7. Ho, W. C. (2016). A comparative review of music education in mainland China and the United States: From nationalism to multiculturalism. International Education Journal: Comparative Perspectives, 15(2), 38–57.
  8. Ho, W. C. (2014). Music education curriculum and social change: A study of popular music in secondary schools in Beijing, China. Music Education Research, 16(3), 267–289. https://doi.org/10.1080/14613808.2014.910182

Ayrıntılar

Birincil Dil

İngilizce

Konular

Müzik Eğitimi

Bölüm

Araştırma Makalesi

Yayımlanma Tarihi

21 Şubat 2026

Gönderilme Tarihi

1 Aralık 2025

Kabul Tarihi

13 Şubat 2026

Yayımlandığı Sayı

Yıl 2026 Cilt: 9 Sayı: 1

Kaynak Göster

APA
Satmaz, İ. (2026). THE ACADEMIC TRACES OF A UNIVERSAL LANGUAGE: BIBLIOMETRIC ANALYSES ON MUSIC EDUCATION CURRICULA. Yegah Müzikoloji Dergisi, 9(1), 203-221. https://doi.org/10.51576/ymd.1833879

 

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