Araştırma Makalesi
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TEK KUŞAK VE TEK YOL GİRİŞİMİ KAPSAMINDA ÇİN VE KIRGIZİSTAN'DA MÜZİKAL DRAMA TİYATROSUNUN GELİŞİMİNİN ÖZELLİKLERİ VE ANA EĞİLİMLERİ

Yıl 2025, Cilt: 8 Sayı: 3, 1726 - 1759, 30.09.2025
https://doi.org/10.51576/ymd.1743014

Öz

Çalışmanın amacı, uluslararası girişimlerin tiyatro endüstrisi üzerindeki etkisini incelemek ve Çin ile Kırgızistan arasındaki kültürel değişimde tiyatronun rolünü belirlemektir. Araştırma metodolojisi, tiyatroya ilişkin algılarını, kültürel değişimlerin etkisini ve One Belt, One Road girişimi kapsamında uygulanan ortak projelerin değerlendirmesini incelemek için Kırgızistan ve Çin halkı arasında bir anket yapmayı içeriyordu. Çalışma, Çinli katılımcıların %63'ünün ve Kırgız katılımcıların %65'inin tiyatroyu öz kimliği şekillendirmede önemli bir faktör olarak tanımladığını belirledi. Analiz ayrıca, geleneksel hikayeler, halk müziği ve folklor imgeleri de dahil olmak üzere ulusal unsurların tiyatro performanslarına entegre edilmesinin önemini doğruladı. Bu yaklaşım yalnızca kültürel mirası korumakla kalmaz, aynı zamanda tiyatroyu uluslararası izleyiciler için çekici hale getirerek kültürlerarası diyaloğu teşvik eder. Anket sonuçları, Çin'deki katılımcıların %70'inden fazlasının ve Kırgızistan'daki katılımcıların %63'ünün uluslararası kültürel değişimleri tiyatro sanatının gelişiminde olumlu bir faktör olarak gördüğünü, onu yeni fikir ve yaklaşımlarla zenginleştirdiğini gösterdi. Bu sonuç, tiyatronun yalnızca ulusal kültürü korumak için değil, aynı zamanda küreselleşme bağlamında kültürlerarası diyalog kurmak ve tiyatro geleneklerini modernize etmek için bir araç olarak önemini vurgulamaktadır. Bu sonuçlar, tiyatronun Çin ve Kırgızistan arasındaki kültürel diyalog aracı olarak önemini ve ayrıca her iki ülkenin kültürel geleneklerinin zenginleşmesine ve uluslararası itibarlarının artmasına katkıda bulunabilecek sanat alanında iş birliğinin daha da geliştirilmesi potansiyelini göstermektedir.

Kaynakça

  • Budaychiyev B. D. (2021). Art of independent Kyrgyzstan. Asian Journal of Multidimensional Research, 10(1), 130-135. https://doi.org/10.5958/2278-4853.2021.00006.9
  • Chen, N.-T. (2023). Invisible hands: The influence of ethnic Chinese on the development of contemporary art in Southeast Asia from 1990 to 2022. Liverpool: Liverpool John Moores University.
  • Dalal, H. A., & Shane, R. I. (2023). Stepping into the spotlight: Students and researchers in theatrical design. Journal of Academic Librarianship, 49(6), 102795. https://doi.org/10.1016/j.acalib.2023.102795
  • Destek, M. A., Usman, M., & Saqib, N. (2025). Do political cooperations and regulations manage Africa's sustainable mineral policy? Resources Policy, 102, 105494. https://doi.org/10.1016/j.resourpol.2025.105494
  • Duman, G. B. (2023). Reasons why the Soviet power emphasized the theatrical genre and factors influencing the formation of modern Kyrgyz theatre. D. H. Dukova & M. Mastrantonio (Eds.), International Academic Research & Reviews in Educational Sciences-I (pp. 145-165). Ankara: Global Academy Publishing House.
  • Felsman, P., Seifert, C. M., Sinko, B., & Himle, J. A. (2023). Reducing social anxiety and intolerance of uncertainty in adolescents through improvisational theater. Arts in Psychotherapy, 82, 101985. https://doi.org/10.1016/j.aip.2022.101985
  • Feng, W. (2020). Intercultural aesthetics in traditional Chinese theatre. Palgrave Macmillan. https://doi.org/10.1007/978-3-030-40635-6
  • Franscic, K. (2024). Embodied ecology of theater: Uncovering authentic, creative language in arts-based practice. Methods in Psychology, 11, 100166. https://doi.org/10.1016/j.metip.2024.100166
  • Gao, H., & Yezhova, O. (2023). Design of Tourism Souvenir Based on Intangible Cultural Heritage: Chinese Theater Arts Cases. Art and Design, 6(2), 31-39. https://doi.org/10.30857/2617-0272.2023.2.3
  • Gao, H., & Yezhova, O. (2023). Design of tourism souvenir based on intangible cultural heritage: Chinese theater arts cases. Art and Design, 6(2), 31-39. https://doi.org/10.30857/2617-0272.2023.2.3
  • Gonzalez, A.-J., Xavier, T., Amarante, N., Barros, R., Amaral, B., Bernardino, M., & Lima, M. (2022). Playback theater: Group, stories, and stage as agents of change. Arts in Psychotherapy, 81, 101968. https://doi.org/10.1016/j.aip.2022.101968
  • Guliyev, M., Muradova, H., Hajiyeva, L., & Huseynova, L. (2025). Comparative Analysis of Marketing Strategies of Global Corporations in Industrial and Innovation Clusters in Europe and China. Strategic Change. https://doi.org/10.1002/jsc.2647
  • Ho, H. L., & Lau, R. (2021). The potential for cultural exchange within the Belt and Road Initiative: The case of Hong Kong style café (Cha Chaan Teng). Asian Journal of Social Sciences, 49(4), 207-214. https://doi.org/10.1016/j.ajss.2021.09.011
  • Howard, R. (2022). Contemporary Chinese theatre. Oxfordshire: Routledge.
  • Hu, R., Wang, C., Zhang, T., Nguyen, T., Shapoval, V., & Zhai, L. (2021). Application of augmented reality (AR) technology in theatrical performances in theme parks: A perspective on transcendent experience. Tourism Management Perspectives, 40, 100889. https://doi.org/10.1016/j.tmp.2021.100889
  • Hu, Y., & Dai, K. (2021). Foreign-born Chinese students studying in China: (Re)forming intercultural identity in higher education institutions. International Journal of Intercultural Relations, 80(1), 89-98. https://doi.org/10.1016/j.ijintrel.2020.11.010
  • Hughes-Freeland, F. (2015). Performance: Anthropological aspects. In J. D. Wright (Ed.), International Encyclopedia of the Social and Behavioral Sciences (pp. 708-715). Elsevier. https://doi.org/10.1016/B978-0-08-097086-8.12127-0
  • Işık, C., Yan, J., & Ongan, S. (2025). Energy intensity, supply chain digitization, technological progress bias in China's industrial sectors. Energy Economics, 145, 108442. https://doi.org/10.1016/j.eneco.2025.108442
  • Jumabekova, G., Bazarbayeva, G., Novozhenov, V., Altynbekova, E., Gontscharov, A., & Manapova, A. (2024). “Sun and Steppe – Eternal Entities”: a museum reconstruction model with a mace from the Trans-Tobyl region (Northern Kazakhstan). Kazakhstan Archeology, 26(4), 143-180. https://doi.org/10.52967/akz2024.4.26.143.180
  • Karabalaeva, G., Osmonova, D., Baitokova, A., Golov, A., & Kaskarbayeva, Z. (2025). Contemporary Trends in the Development of the Religious Consciousness of the Peoples of Central Asia. Pharos Journal of Theology, 106(3), 01-14. https://doi.org/10.46222/pharosjot.106.3019
  • Khamzaeva, A. M., Myrzaibraimova, I. R., & Mamashov, K. A. (2020). Problems and Prospects of Economic Digitalization in Kyrgyzstan. Lecture Notes in Networks and Systems, 87, 876-881. https://doi.org/10.1007/978-3-030-29586-8_99
  • Khan, M. W., Destek, M. A., & Khan, Z. (2025). Income Inequality and Artificial Intelligence: Globalization and age dependency for developed countries. Social Indicators Research, 176(3), 1207-1233. https://doi.org/10.1007/s11205-024-03493-7
  • Kieliszek, Ks. Z., & Gocłowska, E. (2019). The tragedy of Ismena’s fate and character wıth the “Theban Trılogy” of Sophocles as the realızatıon of Arıstotle’s catharsıs theory. Studia Warminskie, 56, 7-26. https://doi.org/10.31648/sw.3686
  • Kieliszek, Z. (2020). “The Studıes of Warmıa” – the hıstory and current state of the journal. Studia Warminskie, 57, 327-360. https://doi.org/10.31648/sw.5305
  • Kieliszek, Z. (2024). The Concept Of Fatherhood In Kant’S Philosophy And Its Current Potential. Logos (Lithuania), 121, 6-27. https://doi.org/10.24101/logos.2024.63
  • Kieliszek, Z., & Gocłowska, E. (2021). The fate and character of Creon from Sophocles’ “Theban Trilogy” in the context of Aristotle’s determinants of tragedy. Studia Warminskie, 58, 61-85. https://doi.org/10.31648/sw.6383
  • Kong, Q., Chen, A., Shen, C., & Wong, Z. (2021). Has the Belt and Road Initiative Improved the quality of economic growth in Chinese cities? International Review of Economics & Finance, 76, 870-883. https://doi.org/10.1016/j.iref.2021.07.001
  • Kushenova, G. I., Auanasova, A. M., & Drozd, R. (2025). Islamıst movement ın the Kazakh steppe: a hıstorıcal analysıs ın global context. European Journal of Science and Theology, 21(2), 63-78.
  • Lei. W.S. (2021). The mechanism of linkages between online community participation and festival attendance: A case study of a Chinese music festival. Event Management, 25(1), 27-40. https://doi.org/10.3727/152599520X15894679115457
  • Li, T., Shi, H., Yang, Z., & Ren, Y. (2020). Does the Belt and Road Initiative stimulate tourism economies? Asia Pacific Journal of Tourism Research, 25(3), 311-322. https://doi.org/10.1080/10941665.2019.1708758
  • Litvak, Y. (2023). Caught in the act: Theatricality in the nineteenth-century English novel. Oakland: University of California Press.
  • Liu, Q. (2021). Cultural exploitation in Chinese politics: Reinterpreting Liu Sanjie. Prometheus, 37(2), 111-136. https://doi.org/10.13169/prometheus.37.2.0111
  • Lylyk, M. (2023). Approaches to the formation of intercultural competence of public administration specialists. Democratic Governance, 16(2), 137-147. https://doi.org/10.23939/dg2023.02.137
  • Mazur, N. (2020). Digital theatre: Creating and meaning of live mediated performance in the USA and the UK, 1990-2020. Cham: Palgrave Macmillan. https://doi.org/10.1007/978-3-030-55628-0
  • Melnyk, M. (2024). Theatre art: Conceptual and categorical problems. Interdisciplinary Cultural and Humanities Review, 3(1), 46-52. https://doi.org/10.59214/cultural/1.2024.46
  • Nurbatyrova, R., Japarov, B., Apakhayev, N., Abdulaziz, B., & Khushkeldiyeva, S. (2024). Digital Transformation of Archives in the Context of the Introduction of an Electronic Document Management System in Kazakhstan. Preservation, Digital Technology and Culture, 53(3), 147-155. https://doi.org/10.1515/pdtc-2024-0017
  • Oldak, L. (2023). State regulation of transborder cooperation at the regional leve. Democratic Governance, 16(1), 212-219. https://doi.org/10.23939/dg2023.01.212
  • Osmonova, D., Koshbakova, B., Omurova, T., Moldobaeva, A., & Kaskarbayeva, Z. (2025). The Role of Religion in Shaping the Socio-Cultural Identity of the Kyrgyz and Kazakhs. Pharos Journal of Theology, 106(3), 1-13. https://doi.org/10.46222/pharosjot.106.3012
  • Rzheuskyi, A., Gozhyj, A., Stefanchuk, A., Oborska, O., Lozynska, O., Mykich, K., & Basyuk, T. (2019). Development of mobile application for choreographic productions creation and visualization. CEUR Workshop Proceedings, 2386, 340-358.
  • Schwenke, D., Bleichner, M. G., Fiellingsdal, T. G., Meeks, J., Boegels, S., Krepelin, A., Kuhlen, A. K., Wehner, P., & Scherbaum, S. (2024). Refinement through improvisation: The impact of improvisational theater on handling expectancy violations in social creativity. Journal of Creativity, 34(2), 100082. https://doi.org/10.1016/j.yjoc.2024.100082
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FEATURES AND MAIN TRENDS OF MUSICAL DRAMA THEATRE DEVELOPMENT IN CHINA AND KYRGYZSTAN IN THE FRAMEWORK OF THE ONE BELT AND ONE ROAD INITIATIVE

Yıl 2025, Cilt: 8 Sayı: 3, 1726 - 1759, 30.09.2025
https://doi.org/10.51576/ymd.1743014

Öz

The study aimed to examine the impact of international initiatives on the theatre industry, as well as to determine the role of theatre in cultural exchange between China and Kyrgyzstan. The research methodology included a survey among the population of Kyrgyzstan and China to study their perceptions of theatre, the impact of cultural exchanges and the evaluation of joint projects implemented under the One Belt, One Road initiative. The study determined that 63% of Chinese respondents and 65% of Kyrgyz respondents define theatre as an important factor in shaping self-identity. The analysis also confirmed the importance of integrating national elements into theatre performances, including traditional stories, folk music and folklore images. This approach not only preserves cultural heritage but also renders theatre attractive to international audiences, promoting intercultural dialogue. The survey results demonstrated that among respondents more than 70% in China and 63% in Kyrgyzstan consider international cultural exchanges to be a positive factor in the development of theatre art, enriching it with new ideas and approaches. This result underlines the importance of theatre as a means not only for preserving national culture but also for establishing intercultural dialogue and modernising theatrical traditions in the context of globalisation. These results demonstrate the importance of theatre as an instrument of cultural dialogue between China and Kyrgyzstan, as well as the potential for further development of cooperation in the field of art, which can contribute to the enrichment of the cultural traditions of both countries and enhance their international reputation.

Kaynakça

  • Budaychiyev B. D. (2021). Art of independent Kyrgyzstan. Asian Journal of Multidimensional Research, 10(1), 130-135. https://doi.org/10.5958/2278-4853.2021.00006.9
  • Chen, N.-T. (2023). Invisible hands: The influence of ethnic Chinese on the development of contemporary art in Southeast Asia from 1990 to 2022. Liverpool: Liverpool John Moores University.
  • Dalal, H. A., & Shane, R. I. (2023). Stepping into the spotlight: Students and researchers in theatrical design. Journal of Academic Librarianship, 49(6), 102795. https://doi.org/10.1016/j.acalib.2023.102795
  • Destek, M. A., Usman, M., & Saqib, N. (2025). Do political cooperations and regulations manage Africa's sustainable mineral policy? Resources Policy, 102, 105494. https://doi.org/10.1016/j.resourpol.2025.105494
  • Duman, G. B. (2023). Reasons why the Soviet power emphasized the theatrical genre and factors influencing the formation of modern Kyrgyz theatre. D. H. Dukova & M. Mastrantonio (Eds.), International Academic Research & Reviews in Educational Sciences-I (pp. 145-165). Ankara: Global Academy Publishing House.
  • Felsman, P., Seifert, C. M., Sinko, B., & Himle, J. A. (2023). Reducing social anxiety and intolerance of uncertainty in adolescents through improvisational theater. Arts in Psychotherapy, 82, 101985. https://doi.org/10.1016/j.aip.2022.101985
  • Feng, W. (2020). Intercultural aesthetics in traditional Chinese theatre. Palgrave Macmillan. https://doi.org/10.1007/978-3-030-40635-6
  • Franscic, K. (2024). Embodied ecology of theater: Uncovering authentic, creative language in arts-based practice. Methods in Psychology, 11, 100166. https://doi.org/10.1016/j.metip.2024.100166
  • Gao, H., & Yezhova, O. (2023). Design of Tourism Souvenir Based on Intangible Cultural Heritage: Chinese Theater Arts Cases. Art and Design, 6(2), 31-39. https://doi.org/10.30857/2617-0272.2023.2.3
  • Gao, H., & Yezhova, O. (2023). Design of tourism souvenir based on intangible cultural heritage: Chinese theater arts cases. Art and Design, 6(2), 31-39. https://doi.org/10.30857/2617-0272.2023.2.3
  • Gonzalez, A.-J., Xavier, T., Amarante, N., Barros, R., Amaral, B., Bernardino, M., & Lima, M. (2022). Playback theater: Group, stories, and stage as agents of change. Arts in Psychotherapy, 81, 101968. https://doi.org/10.1016/j.aip.2022.101968
  • Guliyev, M., Muradova, H., Hajiyeva, L., & Huseynova, L. (2025). Comparative Analysis of Marketing Strategies of Global Corporations in Industrial and Innovation Clusters in Europe and China. Strategic Change. https://doi.org/10.1002/jsc.2647
  • Ho, H. L., & Lau, R. (2021). The potential for cultural exchange within the Belt and Road Initiative: The case of Hong Kong style café (Cha Chaan Teng). Asian Journal of Social Sciences, 49(4), 207-214. https://doi.org/10.1016/j.ajss.2021.09.011
  • Howard, R. (2022). Contemporary Chinese theatre. Oxfordshire: Routledge.
  • Hu, R., Wang, C., Zhang, T., Nguyen, T., Shapoval, V., & Zhai, L. (2021). Application of augmented reality (AR) technology in theatrical performances in theme parks: A perspective on transcendent experience. Tourism Management Perspectives, 40, 100889. https://doi.org/10.1016/j.tmp.2021.100889
  • Hu, Y., & Dai, K. (2021). Foreign-born Chinese students studying in China: (Re)forming intercultural identity in higher education institutions. International Journal of Intercultural Relations, 80(1), 89-98. https://doi.org/10.1016/j.ijintrel.2020.11.010
  • Hughes-Freeland, F. (2015). Performance: Anthropological aspects. In J. D. Wright (Ed.), International Encyclopedia of the Social and Behavioral Sciences (pp. 708-715). Elsevier. https://doi.org/10.1016/B978-0-08-097086-8.12127-0
  • Işık, C., Yan, J., & Ongan, S. (2025). Energy intensity, supply chain digitization, technological progress bias in China's industrial sectors. Energy Economics, 145, 108442. https://doi.org/10.1016/j.eneco.2025.108442
  • Jumabekova, G., Bazarbayeva, G., Novozhenov, V., Altynbekova, E., Gontscharov, A., & Manapova, A. (2024). “Sun and Steppe – Eternal Entities”: a museum reconstruction model with a mace from the Trans-Tobyl region (Northern Kazakhstan). Kazakhstan Archeology, 26(4), 143-180. https://doi.org/10.52967/akz2024.4.26.143.180
  • Karabalaeva, G., Osmonova, D., Baitokova, A., Golov, A., & Kaskarbayeva, Z. (2025). Contemporary Trends in the Development of the Religious Consciousness of the Peoples of Central Asia. Pharos Journal of Theology, 106(3), 01-14. https://doi.org/10.46222/pharosjot.106.3019
  • Khamzaeva, A. M., Myrzaibraimova, I. R., & Mamashov, K. A. (2020). Problems and Prospects of Economic Digitalization in Kyrgyzstan. Lecture Notes in Networks and Systems, 87, 876-881. https://doi.org/10.1007/978-3-030-29586-8_99
  • Khan, M. W., Destek, M. A., & Khan, Z. (2025). Income Inequality and Artificial Intelligence: Globalization and age dependency for developed countries. Social Indicators Research, 176(3), 1207-1233. https://doi.org/10.1007/s11205-024-03493-7
  • Kieliszek, Ks. Z., & Gocłowska, E. (2019). The tragedy of Ismena’s fate and character wıth the “Theban Trılogy” of Sophocles as the realızatıon of Arıstotle’s catharsıs theory. Studia Warminskie, 56, 7-26. https://doi.org/10.31648/sw.3686
  • Kieliszek, Z. (2020). “The Studıes of Warmıa” – the hıstory and current state of the journal. Studia Warminskie, 57, 327-360. https://doi.org/10.31648/sw.5305
  • Kieliszek, Z. (2024). The Concept Of Fatherhood In Kant’S Philosophy And Its Current Potential. Logos (Lithuania), 121, 6-27. https://doi.org/10.24101/logos.2024.63
  • Kieliszek, Z., & Gocłowska, E. (2021). The fate and character of Creon from Sophocles’ “Theban Trilogy” in the context of Aristotle’s determinants of tragedy. Studia Warminskie, 58, 61-85. https://doi.org/10.31648/sw.6383
  • Kong, Q., Chen, A., Shen, C., & Wong, Z. (2021). Has the Belt and Road Initiative Improved the quality of economic growth in Chinese cities? International Review of Economics & Finance, 76, 870-883. https://doi.org/10.1016/j.iref.2021.07.001
  • Kushenova, G. I., Auanasova, A. M., & Drozd, R. (2025). Islamıst movement ın the Kazakh steppe: a hıstorıcal analysıs ın global context. European Journal of Science and Theology, 21(2), 63-78.
  • Lei. W.S. (2021). The mechanism of linkages between online community participation and festival attendance: A case study of a Chinese music festival. Event Management, 25(1), 27-40. https://doi.org/10.3727/152599520X15894679115457
  • Li, T., Shi, H., Yang, Z., & Ren, Y. (2020). Does the Belt and Road Initiative stimulate tourism economies? Asia Pacific Journal of Tourism Research, 25(3), 311-322. https://doi.org/10.1080/10941665.2019.1708758
  • Litvak, Y. (2023). Caught in the act: Theatricality in the nineteenth-century English novel. Oakland: University of California Press.
  • Liu, Q. (2021). Cultural exploitation in Chinese politics: Reinterpreting Liu Sanjie. Prometheus, 37(2), 111-136. https://doi.org/10.13169/prometheus.37.2.0111
  • Lylyk, M. (2023). Approaches to the formation of intercultural competence of public administration specialists. Democratic Governance, 16(2), 137-147. https://doi.org/10.23939/dg2023.02.137
  • Mazur, N. (2020). Digital theatre: Creating and meaning of live mediated performance in the USA and the UK, 1990-2020. Cham: Palgrave Macmillan. https://doi.org/10.1007/978-3-030-55628-0
  • Melnyk, M. (2024). Theatre art: Conceptual and categorical problems. Interdisciplinary Cultural and Humanities Review, 3(1), 46-52. https://doi.org/10.59214/cultural/1.2024.46
  • Nurbatyrova, R., Japarov, B., Apakhayev, N., Abdulaziz, B., & Khushkeldiyeva, S. (2024). Digital Transformation of Archives in the Context of the Introduction of an Electronic Document Management System in Kazakhstan. Preservation, Digital Technology and Culture, 53(3), 147-155. https://doi.org/10.1515/pdtc-2024-0017
  • Oldak, L. (2023). State regulation of transborder cooperation at the regional leve. Democratic Governance, 16(1), 212-219. https://doi.org/10.23939/dg2023.01.212
  • Osmonova, D., Koshbakova, B., Omurova, T., Moldobaeva, A., & Kaskarbayeva, Z. (2025). The Role of Religion in Shaping the Socio-Cultural Identity of the Kyrgyz and Kazakhs. Pharos Journal of Theology, 106(3), 1-13. https://doi.org/10.46222/pharosjot.106.3012
  • Rzheuskyi, A., Gozhyj, A., Stefanchuk, A., Oborska, O., Lozynska, O., Mykich, K., & Basyuk, T. (2019). Development of mobile application for choreographic productions creation and visualization. CEUR Workshop Proceedings, 2386, 340-358.
  • Schwenke, D., Bleichner, M. G., Fiellingsdal, T. G., Meeks, J., Boegels, S., Krepelin, A., Kuhlen, A. K., Wehner, P., & Scherbaum, S. (2024). Refinement through improvisation: The impact of improvisational theater on handling expectancy violations in social creativity. Journal of Creativity, 34(2), 100082. https://doi.org/10.1016/j.yjoc.2024.100082
  • Shin, B. (2016). Review of the work: Speaking soviet with an accent: Culture and Power in Kyrgyzstan. Eurasian Studies Journal, 7(1), 106-107. https://doi.org/10.1016/j.euras.2015.12.002
  • Spytska, L. (2023). Prohibition in the USA, the USSR, and the UAE: Ideological and Procedural Differences, Causes of Failures or Successes. Novum Jus, 17(3), 67-92. https://doi.org/10.14718/NovumJus.2023.17.3.3
  • Trushaj, A., & Xhelaj, B. (2024). Modern technologies in archaeology and their application in architectural object. Architectural Studies, 10(1), 79-91. https://doi.org/10.56318/as/1.2024.79
  • Uzenbaev, R. A., Mardalieva, L. A., Abdiev, M. Z., Umarov, S. T., & Ergeshov, K. A. (2019). Prospects for development of Kyrgyzstan's food market in the conditions of integration in the EAEU. Studies in Computational Intelligence, 826, 859-869. https://doi.org/10.1007/978-3-030-13397-9_88
  • Xue, C. Q. L., Kong, N. D., & Zhang, L. (2020). The production of cultural space in Chinese cities: The case of grand theatres in Shanghai. Journal of Architecture and Urbanism, 44(1), 32-43. https://doi.org/10.3846/jau.2020.10800
  • Zhambaeva, U., Zhambaev, B., Osmonaliev, K., & Kakeshov, B. (2025). Cultural Identity and Religious Practice: Challenges for Tibetan Buddhists in China. Pharos Journal of Theology, 106(1), 29. https://doi.org/10.46222/PHAROSJOT.106.29
  • Zhang, B. (2021). Traveling with Chinese theatre troupes: The “performative turn” in China-Southeast Asia interactions. Asian Theatre Journal, 38(1), 191-217. https://doi.org/10.1353/atj.2021.0010
  • Zhang, D., Feng, Y., Zhang, M., & Kang, J. (2023). The sound field of traditional theater in the courtyard of a Chinese palace. Building and Environment, 230, 109741. https://doi.org/10.1016/j.buildenv.2022.109741
  • Zhao, S., Elahi, E., Wang, F., Hu, X., & Khalid, Z. (2024). Sustainable tourism for the intangible cultural heritage of traditional Chinese drama. Heliyon, 10(3), e25483. https://doi.org/10.1016/j.heliyon.2024.e25483
  • Bishkek residents are waiting for premiere performances that received prizes at international festivals. (2024, October 12). Kabar News. https://kabar.kg/news/bishkekchan-zhdut-prem-ernye-spektakli-poluchivshie-prizy-na-mezhdunarodnykh-festivaliakh/
  • Chinese Ministry of Culture and Tourism. (2025). https://www.mct.gov.cn/ (Access date: 05.08.2025). International Theatre Institute. (2025). https://www.iti-worldwide.org/rcasia.html (Access date: 05.08.2025).
Toplam 51 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Müzikoloji ve Etnomüzikoloji, Müzik (Diğer)
Bölüm Araştırma Makaleleri
Yazarlar

Yulong Jiang 0009-0001-9224-6168

Rui Wang Bu kişi benim 0009-0007-1512-6852

Gulzat Kazieva Bu kişi benim 0009-0008-2258-5050

Gulnara Usengazieva Bu kişi benim 0009-0005-8452-4542

Aibek Samarov Bu kişi benim 0009-0006-4208-8233

Erken Görünüm Tarihi 27 Ağustos 2025
Yayımlanma Tarihi 30 Eylül 2025
Gönderilme Tarihi 15 Temmuz 2025
Kabul Tarihi 25 Ağustos 2025
Yayımlandığı Sayı Yıl 2025 Cilt: 8 Sayı: 3

Kaynak Göster

APA Jiang, Y., Wang, R., Kazieva, G., … Usengazieva, G. (2025). FEATURES AND MAIN TRENDS OF MUSICAL DRAMA THEATRE DEVELOPMENT IN CHINA AND KYRGYZSTAN IN THE FRAMEWORK OF THE ONE BELT AND ONE ROAD INITIATIVE. Yegah Müzikoloji Dergisi, 8(3), 1726-1759. https://doi.org/10.51576/ymd.1743014


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